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Every age needs an author of aphorisms. In the words of Douglas Coupland, KNOWING EVERYTHING TURNS OUT TO BE SLIGHTLY BORING, and A LACK OF SHAME IS RESISTANCE. From big data to democracy, his ongoing slogan series presents the topics of our times with bracing, provocative wit and graphic impact. Laid out one per page against a spectrum of solid colors, these statements(...)
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Every age needs an author of aphorisms. In the words of Douglas Coupland, KNOWING EVERYTHING TURNS OUT TO BE SLIGHTLY BORING, and A LACK OF SHAME IS RESISTANCE. From big data to democracy, his ongoing slogan series presents the topics of our times with bracing, provocative wit and graphic impact. Laid out one per page against a spectrum of solid colors, these statements(...)
Title:
What seems random usually isn't
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Every age needs an author of aphorisms. In the words of Douglas Coupland, KNOWING EVERYTHING TURNS OUT TO BE SLIGHTLY BORING, and A LACK OF SHAME IS RESISTANCE. From big data to democracy, his ongoing slogan series presents the topics of our times with bracing, provocative wit and graphic impact. Laid out one per page against a spectrum of solid colors, these statements revisit the work of Jenny Holzer through a 21st-century filter. In just a few words each time, Coupland makes sense of our culture at large. In addition to existing slogans, the book reveals ten exclusive slogans and an original essay by the artist.
What seems random usually isn't
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Every age needs an author of aphorisms. In the words of Douglas Coupland, KNOWING EVERYTHING TURNS OUT TO BE SLIGHTLY BORING, and A LACK OF SHAME IS RESISTANCE. From big data to democracy, his ongoing slogan series presents the topics of our times with bracing, provocative wit and graphic impact. Laid out one per page against a spectrum of solid colors, these statements revisit the work of Jenny Holzer through a 21st-century filter. In just a few words each time, Coupland makes sense of our culture at large. In addition to existing slogans, the book reveals ten exclusive slogans and an original essay by the artist.
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books
books
Publication:
April 2021
April 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always(...)
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always(...)
Title:
That very night in Max's room a forest grew...
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always room for an extra flower. Gijs couldn’t care less about the concepts of novelty and originality; on the contrary, he wants to work as unadventurously and predictably as possible. His paintings are jam-packed with repetition and he often falls back on the same elements. Also, he copies to his heart’s delight – his own work and that of others, in versions that are painted (on glass) or embroidered (by his mother) and the distinction between the copy and the original doesn’t interest him in the slightest. Moreover, his work is not critical but it is pleasing, it is incredibly beautiful, and on top of this he is a Christian.
That very night in Max's room a forest grew...
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always room for an extra flower. Gijs couldn’t care less about the concepts of novelty and originality; on the contrary, he wants to work as unadventurously and predictably as possible. His paintings are jam-packed with repetition and he often falls back on the same elements. Also, he copies to his heart’s delight – his own work and that of others, in versions that are painted (on glass) or embroidered (by his mother) and the distinction between the copy and the original doesn’t interest him in the slightest. Moreover, his work is not critical but it is pleasing, it is incredibly beautiful, and on top of this he is a Christian.
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books
books
Publication:
April 2021
April 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Slow Scrape
Slow Scrape
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and(...)
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and(...)
Title:
Slow Scrape
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. ''Slow scrape'' can be read alongside Lukin Linklater’s practice as a visual artist and choreographer. ''Slow scrape'' includes an introduction by Layli Long Soldier, as well as a dialogue between Lukin Linklater and editor Michael Nardone.
Slow Scrape
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. ''Slow scrape'' can be read alongside Lukin Linklater’s practice as a visual artist and choreographer. ''Slow scrape'' includes an introduction by Layli Long Soldier, as well as a dialogue between Lukin Linklater and editor Michael Nardone.
Form:
books
books
Publication:
January 2020
January 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century. A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view,(...)
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Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century. A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view,(...)
Publication:
June 2021
June 2021
Title:
Itee Pootoogook : hymns to the silence
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Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century. A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view, a relatively recent practice influenced by his training as a carpenter and his interest in photography. His portraits of acquaintances and family members similarly bear witness to the contemporary North. Whether he depicts them at work or resting, his subjects are engaged in a range of activities from preparing carcasses brought in from hunting to playing music or contemplating the landscape of the North. Itee was also an inventive landscapist. Many of his finest Arctic scenes emphasize the open horizon that separates land from sky and the ever-shifting colours of the Arctic. Rendering the variable light of the landscape with precision, he brought a level of attention that contributed, over time, to his style.
Itee Pootoogook : hymns to the silence
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Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century. A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view, a relatively recent practice influenced by his training as a carpenter and his interest in photography. His portraits of acquaintances and family members similarly bear witness to the contemporary North. Whether he depicts them at work or resting, his subjects are engaged in a range of activities from preparing carcasses brought in from hunting to playing music or contemplating the landscape of the North. Itee was also an inventive landscapist. Many of his finest Arctic scenes emphasize the open horizon that separates land from sky and the ever-shifting colours of the Arctic. Rendering the variable light of the landscape with precision, he brought a level of attention that contributed, over time, to his style.
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books
books
Publication:
June 2021
June 2021
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Cette publication rend compte de l'approche singulière du dessin de Léa Belooussovitch à travers une sélection d'œuvres réalisées à main levée et au crayon de couleur sur du feutre textile blanc. L'artiste réinterprète selon un long processus, des photographies de nature violente issues des médias. Cette démarche confère un nouveau souffle à ces photographies, en faisant(...)
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Cette publication rend compte de l'approche singulière du dessin de Léa Belooussovitch à travers une sélection d'œuvres réalisées à main levée et au crayon de couleur sur du feutre textile blanc. L'artiste réinterprète selon un long processus, des photographies de nature violente issues des médias. Cette démarche confère un nouveau souffle à ces photographies, en faisant(...)
Title:
Léa Belooussovitch : Feelings on felt
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Cette publication rend compte de l'approche singulière du dessin de Léa Belooussovitch à travers une sélection d'œuvres réalisées à main levée et au crayon de couleur sur du feutre textile blanc. L'artiste réinterprète selon un long processus, des photographies de nature violente issues des médias. Cette démarche confère un nouveau souffle à ces photographies, en faisant ressortir la part d'humanité qu'il y reste. Les dessins de Léa Belooussovitch répondent à un même protocole. Elle commence par sélectionner dans la presse ou sur Internet des images qui nous assaillent quotidiennement, liées à des faits d'actualités dramatiques : attentats au Pakistan, scènes de guerre en Syrie... L'artiste se concentre sur la représentation de victimes anonymes blessées ou vulnérables. Léa Belooussovitch soumet ces images-sources à diverses manipulations (recadrage, agrandissement) avant d'entamer leur transfert sur le support du feutre. Ce travail lent et répétitif d'accumulation des traits du crayon de couleur altère l'aspect lisse de la matière et lui confère un volume duveteux.
Léa Belooussovitch : Feelings on felt
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Cette publication rend compte de l'approche singulière du dessin de Léa Belooussovitch à travers une sélection d'œuvres réalisées à main levée et au crayon de couleur sur du feutre textile blanc. L'artiste réinterprète selon un long processus, des photographies de nature violente issues des médias. Cette démarche confère un nouveau souffle à ces photographies, en faisant ressortir la part d'humanité qu'il y reste. Les dessins de Léa Belooussovitch répondent à un même protocole. Elle commence par sélectionner dans la presse ou sur Internet des images qui nous assaillent quotidiennement, liées à des faits d'actualités dramatiques : attentats au Pakistan, scènes de guerre en Syrie... L'artiste se concentre sur la représentation de victimes anonymes blessées ou vulnérables. Léa Belooussovitch soumet ces images-sources à diverses manipulations (recadrage, agrandissement) avant d'entamer leur transfert sur le support du feutre. Ce travail lent et répétitif d'accumulation des traits du crayon de couleur altère l'aspect lisse de la matière et lui confère un volume duveteux.
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books
books
Publication:
May 2021
May 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Ginny Casey & Jessi Reaves
Ginny Casey & Jessi Reaves
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This volume features new and recent works by New York-based artists Ginny Casey (born 1981) and Jessi Reaves (born 1986) exploring the relationship between painting and sculpture, domestic objects and decorative surfaces, by reimagining the form and function of objects encountered in daily life.
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This volume features new and recent works by New York-based artists Ginny Casey (born 1981) and Jessi Reaves (born 1986) exploring the relationship between painting and sculpture, domestic objects and decorative surfaces, by reimagining the form and function of objects encountered in daily life.
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Ginny Casey & Jessi Reaves
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This volume features new and recent works by New York-based artists Ginny Casey (born 1981) and Jessi Reaves (born 1986) exploring the relationship between painting and sculpture, domestic objects and decorative surfaces, by reimagining the form and function of objects encountered in daily life.
Ginny Casey & Jessi Reaves
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This volume features new and recent works by New York-based artists Ginny Casey (born 1981) and Jessi Reaves (born 1986) exploring the relationship between painting and sculpture, domestic objects and decorative surfaces, by reimagining the form and function of objects encountered in daily life.
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books
books
Publication:
August 2018
August 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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This volume brings newfound attention to Niki de Saint Phalle’s (1930-2002) work in architecture and public sculpture, and the commercial products such as perfume and jewelry that she produced to fund these ambitious projects. Featuring a wide selection of images of her architectural works and rarely seen archival materials, this book places these projects within the(...)
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Summary:
This volume brings newfound attention to Niki de Saint Phalle’s (1930-2002) work in architecture and public sculpture, and the commercial products such as perfume and jewelry that she produced to fund these ambitious projects. Featuring a wide selection of images of her architectural works and rarely seen archival materials, this book places these projects within the(...)
Title:
Niki de Saint Phalle: Structures for life
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This volume brings newfound attention to Niki de Saint Phalle’s (1930-2002) work in architecture and public sculpture, and the commercial products such as perfume and jewelry that she produced to fund these ambitious projects. Featuring a wide selection of images of her architectural works and rarely seen archival materials, this book places these projects within the context of her larger boundary-defying practice, drawing connections with politically charged works such as the films and books she made in response to the AIDS crisis in the 1980s. Charting Saint Phalle's many efforts to radically open her practice beyond the confines of the art world, it serves as a survey of her practice from the 1960s until the early 2000s. Edited and with an essay by exhibition curator Ruba Katrib, the publication features new scholarship by Anne Dressen and Nick Mauss, Alex Kitnick, and Lanka Tattersall.
Niki de Saint Phalle: Structures for life
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This volume brings newfound attention to Niki de Saint Phalle’s (1930-2002) work in architecture and public sculpture, and the commercial products such as perfume and jewelry that she produced to fund these ambitious projects. Featuring a wide selection of images of her architectural works and rarely seen archival materials, this book places these projects within the context of her larger boundary-defying practice, drawing connections with politically charged works such as the films and books she made in response to the AIDS crisis in the 1980s. Charting Saint Phalle's many efforts to radically open her practice beyond the confines of the art world, it serves as a survey of her practice from the 1960s until the early 2000s. Edited and with an essay by exhibition curator Ruba Katrib, the publication features new scholarship by Anne Dressen and Nick Mauss, Alex Kitnick, and Lanka Tattersall.
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books
books
Publication:
March 2021
March 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Lee Lozano: Private Book 6
Lee Lozano: Private Book 6
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This is the sixth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these(...)
$34.95
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Summary:
This is the sixth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these(...)
Title:
Lee Lozano: Private Book 6
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This is the sixth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
Lee Lozano: Private Book 6
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This is the sixth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
Form:
books
books
Publication:
July 2021
July 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Lee Lozano: Private Book 7
Lee Lozano: Private Book 7
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This is the seventh volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these(...)
$34.95
(available to order)
Summary:
This is the seventh volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these(...)
Title:
Lee Lozano: Private Book 7
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$34.95
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Summary:
This is the seventh volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
Lee Lozano: Private Book 7
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$34.95
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Summary:
This is the seventh volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
Form:
books
books
Publication:
July 2021
July 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Lee Lozano: Private Book 8
Lee Lozano: Private Book 8
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Lee Lozano (1930–99) kept a series of journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1973, Lozano rigorously edited her journals, which included records of her personal relationships and interactions during this period. This pocket-sized ringbound volume is the eighth in Karma’s 11-volume facsimile printing of Lozano’s project, containing(...)
$34.00
(available to order)
Summary:
Lee Lozano (1930–99) kept a series of journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1973, Lozano rigorously edited her journals, which included records of her personal relationships and interactions during this period. This pocket-sized ringbound volume is the eighth in Karma’s 11-volume facsimile printing of Lozano’s project, containing(...)
Title:
Lee Lozano: Private Book 8
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$34.00
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Summary:
Lee Lozano (1930–99) kept a series of journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1973, Lozano rigorously edited her journals, which included records of her personal relationships and interactions during this period. This pocket-sized ringbound volume is the eighth in Karma’s 11-volume facsimile printing of Lozano’s project, containing Lozano’s entries from March to April 1970. Lozano’s published notebooks convey a perpetually active mind, and give a glimpse into her process and her stylistic evolution from cartoonish pop expressionism in her early drawings to language-based conceptualism.
Lee Lozano: Private Book 8
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Lee Lozano (1930–99) kept a series of journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1973, Lozano rigorously edited her journals, which included records of her personal relationships and interactions during this period. This pocket-sized ringbound volume is the eighth in Karma’s 11-volume facsimile printing of Lozano’s project, containing Lozano’s entries from March to April 1970. Lozano’s published notebooks convey a perpetually active mind, and give a glimpse into her process and her stylistic evolution from cartoonish pop expressionism in her early drawings to language-based conceptualism.
Form:
books
books
Publication:
September 2021
September 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
