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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its(...)
$63.95
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Summary:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
Title:
CTRL (space) : rhetorics of surveillance from Bentham to big brother
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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks at the shifting relationships between design and power, imaging and oppression, from the eighteenth to the twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism--in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
CTRL (space) : rhetorics of surveillance from Bentham to big brother
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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks at the shifting relationships between design and power, imaging and oppression, from the eighteenth to the twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism--in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
Form:
books
books
Publication:
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$98.50
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph(...)
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
June 2003, Bielefeld, Germany
June 2003, Bielefeld, Germany
Title:
Tadashi Kawamata : bridge and archives
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph Beuys Archive--hence the Archive in the title. The bridge places the viewer at the center of two poles of art and represents an incongruous addition to the romantic castle ensemble. Demonstrating how the artistic work of Kawamata stands on the threshold between functional everyday object and autonomous work of art, between emergence and transience, between the individual and society, the bridge also reveals points of contact between the art of Beuys and Kawamata's own process-based and socially relevant work. Japanese artist Tadashi Kawamata has collaborated since 1986 with Dutch photographer Leo van der Kleij, who documents the artist's work in photographs.
Tadashi Kawamata : bridge and archives
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph Beuys Archive--hence the Archive in the title. The bridge places the viewer at the center of two poles of art and represents an incongruous addition to the romantic castle ensemble. Demonstrating how the artistic work of Kawamata stands on the threshold between functional everyday object and autonomous work of art, between emergence and transience, between the individual and society, the bridge also reveals points of contact between the art of Beuys and Kawamata's own process-based and socially relevant work. Japanese artist Tadashi Kawamata has collaborated since 1986 with Dutch photographer Leo van der Kleij, who documents the artist's work in photographs.
Form:
books
books
Publication:
June 2003, Bielefeld, Germany
June 2003, Bielefeld, Germany
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$48.95
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Publication:
October 2001
October 2001
Title:
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Form:
books
books
Publication:
October 2001
October 2001
Form:
books
books
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$49.50
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
$49.50
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
November 2001, Cambridge, Mass.
November 2001, Cambridge, Mass.
Title:
One place after another : site-specific art and locational identity
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renée Green, Suzanne Lacy, Iñigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
One place after another : site-specific art and locational identity
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renée Green, Suzanne Lacy, Iñigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Form:
books
books
Publication:
November 2001, Cambridge, Mass.
November 2001, Cambridge, Mass.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$90.00
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Rachel Whiteread (b. 1963) creates spare, poetic sculptures that challenge perceptions of the commonplace. Working from everyday domestic items, she casts - in rubber, concrete, plaster, and polyester resin - the negative spaces inside closets and underneath beds, sinks, bathtubs, and chairs. Now, in what may be her most personal project to date, the Turner Prize-winning(...)
$90.00
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Summary:
Rachel Whiteread (b. 1963) creates spare, poetic sculptures that challenge perceptions of the commonplace. Working from everyday domestic items, she casts - in rubber, concrete, plaster, and polyester resin - the negative spaces inside closets and underneath beds, sinks, bathtubs, and chairs. Now, in what may be her most personal project to date, the Turner Prize-winning(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2001, New York
October 2001, New York
Title:
Rachel Whiteread : transient spaces
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Rachel Whiteread (b. 1963) creates spare, poetic sculptures that challenge perceptions of the commonplace. Working from everyday domestic items, she casts - in rubber, concrete, plaster, and polyester resin - the negative spaces inside closets and underneath beds, sinks, bathtubs, and chairs. Now, in what may be her most personal project to date, the Turner Prize-winning artist has been commissioned by Deutsche Guggenheim Berlin to make two large-scale casts from distinct spaces in a London building that she recently purchased to become her home and studio. Although the building has a history as both a synagogue and a factory, it is a product of austere postwar architecture, lacking many of the traditional embellishments associated with such structures. This fully illustrated volume documents Whiteread's process as she creates casts from this religious-cum-industrial-cum-personal space, which blurs boundaries between the spiritual and secular, as well as the public and private.
Rachel Whiteread : transient spaces
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$90.00
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Summary:
Rachel Whiteread (b. 1963) creates spare, poetic sculptures that challenge perceptions of the commonplace. Working from everyday domestic items, she casts - in rubber, concrete, plaster, and polyester resin - the negative spaces inside closets and underneath beds, sinks, bathtubs, and chairs. Now, in what may be her most personal project to date, the Turner Prize-winning artist has been commissioned by Deutsche Guggenheim Berlin to make two large-scale casts from distinct spaces in a London building that she recently purchased to become her home and studio. Although the building has a history as both a synagogue and a factory, it is a product of austere postwar architecture, lacking many of the traditional embellishments associated with such structures. This fully illustrated volume documents Whiteread's process as she creates casts from this religious-cum-industrial-cum-personal space, which blurs boundaries between the spiritual and secular, as well as the public and private.
Form:
books
books
Publication:
October 2001, New York
October 2001, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$41.50
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
$41.50
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
November 2001, New York
November 2001, New York
Title:
The pragmatist imagination : thinking about things in the making
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$41.50
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state to emergent forms of transnationalism. The authors include Stanley Aronowitz, Marshall Berman, Casey Nelson Blake, Sandra Buckley, Teresa Caldeira, Jean-Louis Cohen, Jonathan Crary, Rosalyn Deutsche, Kenneth Frampton, Gerald E. Frug, Peter Galison, Elizabeth Grosz, Andreas Huyssen, Isaac Joseph, David Lapoujade, Reinhold Martin, Brian Massumi, Mary McLeod, Paul Miller a.k.a. DJ Spooky, Chantal Mouffe, Joan Ockman, John Rajchman, Martha Rosler, Hashim Sarkis, Saskia Sassen, Sandhya Shukla, Richard Shusterman, Abdoumaliq Simone, Anders Stephanson, Bernard Tschumi, Nadia Urbinati, Mabel Wilson, and Gwendolyn Wright. The book includes an introduction by John Rajchman and an afterword by Casey Nelson Blake.
The pragmatist imagination : thinking about things in the making
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What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state to emergent forms of transnationalism. The authors include Stanley Aronowitz, Marshall Berman, Casey Nelson Blake, Sandra Buckley, Teresa Caldeira, Jean-Louis Cohen, Jonathan Crary, Rosalyn Deutsche, Kenneth Frampton, Gerald E. Frug, Peter Galison, Elizabeth Grosz, Andreas Huyssen, Isaac Joseph, David Lapoujade, Reinhold Martin, Brian Massumi, Mary McLeod, Paul Miller a.k.a. DJ Spooky, Chantal Mouffe, Joan Ockman, John Rajchman, Martha Rosler, Hashim Sarkis, Saskia Sassen, Sandhya Shukla, Richard Shusterman, Abdoumaliq Simone, Anders Stephanson, Bernard Tschumi, Nadia Urbinati, Mabel Wilson, and Gwendolyn Wright. The book includes an introduction by John Rajchman and an afterword by Casey Nelson Blake.
Form:
books
books
Publication:
November 2001, New York
November 2001, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$48.95
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The artist (born in 1961 in Madrid, resident in Chicago) has been creating multiform works that deal with social and political borderline situations for over a decade. His work demonstrates how certain powers and systems, whether natural or created by human beings, affect the world we live in. This is a comprehensive documentation of the exhibition The Krefeld suite:(...)
$48.95
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Summary:
The artist (born in 1961 in Madrid, resident in Chicago) has been creating multiform works that deal with social and political borderline situations for over a decade. His work demonstrates how certain powers and systems, whether natural or created by human beings, affect the world we live in. This is a comprehensive documentation of the exhibition The Krefeld suite:(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2006, Bielefeld / Leipzig, New York
January 2006, Bielefeld / Leipzig, New York
Title:
Inigo Manglano-Ovalle : the Krefeld suite
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The artist (born in 1961 in Madrid, resident in Chicago) has been creating multiform works that deal with social and political borderline situations for over a decade. His work demonstrates how certain powers and systems, whether natural or created by human beings, affect the world we live in. This is a comprehensive documentation of the exhibition The Krefeld suite: installations in the two Mies Villas in Krefeld. Iñigo Manglano-Ovalle , multimedia artist and Mies van der Rohe specialist, has created a cinematographic installation especially for the Krefeld Mies Villa, where he shows the relationship between their architecture and the “architecture” of icebergs. The installations are built around the theme of time in the dynamic relationship between prehistoric, historic and contemporary time.
Inigo Manglano-Ovalle : the Krefeld suite
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The artist (born in 1961 in Madrid, resident in Chicago) has been creating multiform works that deal with social and political borderline situations for over a decade. His work demonstrates how certain powers and systems, whether natural or created by human beings, affect the world we live in. This is a comprehensive documentation of the exhibition The Krefeld suite: installations in the two Mies Villas in Krefeld. Iñigo Manglano-Ovalle , multimedia artist and Mies van der Rohe specialist, has created a cinematographic installation especially for the Krefeld Mies Villa, where he shows the relationship between their architecture and the “architecture” of icebergs. The installations are built around the theme of time in the dynamic relationship between prehistoric, historic and contemporary time.
Form:
books
books
Publication:
January 2006, Bielefeld / Leipzig, New York
January 2006, Bielefeld / Leipzig, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Bustamante
Bustamante
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Né à Toulouse en 1952, Jean-Marc Bustamante vit et travaille à Paris. Artiste et photographe, son œuvre est marquée par une confrontation et un dialogue entre l'objet, son essence et sa représentation. A l'origine du " tableau photographique ", il renouvelle, par le choix de ses sujets et son travail sur la transversalité des médiums, la perception de la peinture, de la(...)
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Né à Toulouse en 1952, Jean-Marc Bustamante vit et travaille à Paris. Artiste et photographe, son œuvre est marquée par une confrontation et un dialogue entre l'objet, son essence et sa représentation. A l'origine du " tableau photographique ", il renouvelle, par le choix de ses sujets et son travail sur la transversalité des médiums, la perception de la peinture, de la(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
August 2005, Paris
August 2005, Paris
Title:
Bustamante
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Né à Toulouse en 1952, Jean-Marc Bustamante vit et travaille à Paris. Artiste et photographe, son œuvre est marquée par une confrontation et un dialogue entre l'objet, son essence et sa représentation. A l'origine du " tableau photographique ", il renouvelle, par le choix de ses sujets et son travail sur la transversalité des médiums, la perception de la peinture, de la photographie et de la sculpture. Avec une discussion entre Jean-Marc Bustamante, Christine Macel et Xavier Veilhan.
Bustamante
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Né à Toulouse en 1952, Jean-Marc Bustamante vit et travaille à Paris. Artiste et photographe, son œuvre est marquée par une confrontation et un dialogue entre l'objet, son essence et sa représentation. A l'origine du " tableau photographique ", il renouvelle, par le choix de ses sujets et son travail sur la transversalité des médiums, la perception de la peinture, de la photographie et de la sculpture. Avec une discussion entre Jean-Marc Bustamante, Christine Macel et Xavier Veilhan.
Form:
books
books
Publication:
August 2005, Paris
August 2005, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$66.00
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On a trip to Los Angeles in 2003, Munich-born Veronika Kellndorfer went to see the icons of the International Style: buildings by Eames, Schindler, Wright, and Neutra. They inpired a complex of works entitled Exterior and Interior Dreams--Blueprints for Modern Living, whose handmade models, silkscreened glass, projections and resulting layered spaces are all documented(...)
$66.00
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On a trip to Los Angeles in 2003, Munich-born Veronika Kellndorfer went to see the icons of the International Style: buildings by Eames, Schindler, Wright, and Neutra. They inpired a complex of works entitled Exterior and Interior Dreams--Blueprints for Modern Living, whose handmade models, silkscreened glass, projections and resulting layered spaces are all documented(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2006, Ostfildern-Ruit
February 2006, Ostfildern-Ruit
Title:
Veronika Kellndorfer : exterior and interior dreams
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On a trip to Los Angeles in 2003, Munich-born Veronika Kellndorfer went to see the icons of the International Style: buildings by Eames, Schindler, Wright, and Neutra. They inpired a complex of works entitled Exterior and Interior Dreams--Blueprints for Modern Living, whose handmade models, silkscreened glass, projections and resulting layered spaces are all documented here in a design inspired by circuit diagrams.
Veronika Kellndorfer : exterior and interior dreams
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On a trip to Los Angeles in 2003, Munich-born Veronika Kellndorfer went to see the icons of the International Style: buildings by Eames, Schindler, Wright, and Neutra. They inpired a complex of works entitled Exterior and Interior Dreams--Blueprints for Modern Living, whose handmade models, silkscreened glass, projections and resulting layered spaces are all documented here in a design inspired by circuit diagrams.
Form:
books
books
Publication:
February 2006, Ostfildern-Ruit
February 2006, Ostfildern-Ruit
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$31.00
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This series of images from contemporary photographers including Sugimoto and Gursky, and painters including Rothko, Martin, Mondrian and Friedrich, juxtaposes horizontal landscapes with horizontally structured abstract works. Its concentrated selection reveals formal analogies and similarities of both content and effect: the horizontal reads as a synonym for calm,(...)
$31.00
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This series of images from contemporary photographers including Sugimoto and Gursky, and painters including Rothko, Martin, Mondrian and Friedrich, juxtaposes horizontal landscapes with horizontally structured abstract works. Its concentrated selection reveals formal analogies and similarities of both content and effect: the horizontal reads as a synonym for calm,(...)
Title:
The perception of the horizontal
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This series of images from contemporary photographers including Sugimoto and Gursky, and painters including Rothko, Martin, Mondrian and Friedrich, juxtaposes horizontal landscapes with horizontally structured abstract works. Its concentrated selection reveals formal analogies and similarities of both content and effect: the horizontal reads as a synonym for calm, concentration, and transcendental experience.
The perception of the horizontal
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This series of images from contemporary photographers including Sugimoto and Gursky, and painters including Rothko, Martin, Mondrian and Friedrich, juxtaposes horizontal landscapes with horizontally structured abstract works. Its concentrated selection reveals formal analogies and similarities of both content and effect: the horizontal reads as a synonym for calm, concentration, and transcendental experience.
Form:
books
books
Publication:
March 2006, Köln
March 2006, Köln
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
