Dan Graham: beyond
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This publication accompanies the exhibition 'Dan Graham: Beyong' presented at The Museum of Contemporary Art, Los Angeles, 15 February - 25 May 2009.
Contemporary Art Monographs
April 2009, Los Angeles, Cambridge, London
Dan Graham: beyond
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This publication accompanies the exhibition 'Dan Graham: Beyong' presented at The Museum of Contemporary Art, Los Angeles, 15 February - 25 May 2009.
Contemporary Art Monographs
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Published on the occasion of the exhibition at National Portrait Gallery, Smithsonian Institution, March 27, 2009–August 2, 2009 Foreword by Martin E. Sullivan Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these(...)
Inventing Marcel Duchamp: the dynamics of portraiture
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Published on the occasion of the exhibition at National Portrait Gallery, Smithsonian Institution, March 27, 2009–August 2, 2009 Foreword by Martin E. Sullivan Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon.
Contemporary Art Monographs
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Seminal Los Angeles-based artist and writer Mike Kelley has said, looking back on his career, "I didn't want to be a rock musician; I wanted to be an artist. And I think the reason I chose it was that at that time it was the most despicable thing you could be in American culture... I came from a milieu in which artists were despised, whereas rock musicians and drug(...)
Contemporary Art Monographs
January 2009, München
Mike Kelley: Goetz collection
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Seminal Los Angeles-based artist and writer Mike Kelley has said, looking back on his career, "I didn't want to be a rock musician; I wanted to be an artist. And I think the reason I chose it was that at that time it was the most despicable thing you could be in American culture... I came from a milieu in which artists were despised, whereas rock musicians and drug dealers were, you know, hipster culture heroes." Along with a selection of essays (including several by Kelley on his individual works), an extensive checklist and a glossary, this volume compiles 40 of the artist's key pieces from the last three decades from the discriminating and influential collection of Ingvild Goetz, who opened her first gallery in 1969 with groundbreaking exhibitions of leading Arte Povera artists, as well as Andy Warhol, Arakawa, Bruce Nauman, Jurgen Klauke, Jochen Gerz and Cy Twombly.
Contemporary Art Monographs
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In this generous volume, the artist presents instruction pieces from 1961 to the present, including three scores from her iconic 1964 artist's book, Grapefruit--"Drinking Piece for Orchestra", "Bicycle Piece for Orchestra" and "Painting to Be Slept On"--which are republished here for the first time.
Yoko Ono : between the sky and my head
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In this generous volume, the artist presents instruction pieces from 1961 to the present, including three scores from her iconic 1964 artist's book, Grapefruit--"Drinking Piece for Orchestra", "Bicycle Piece for Orchestra" and "Painting to Be Slept On"--which are republished here for the first time.
Contemporary Art Monographs
Kiki Smith her home
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Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century(...)
Contemporary Art Monographs
January 2009, Bielefeld
Kiki Smith her home
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Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century American silk embroidery entitled "First, Second and Last Scene of Mortality," which depicts a white woman working at a table while a white child and a black servant rest on one side of her and a closed black coffin sits on the other side, Smith here develops several narrative threads that revolve around the theme of the unmarried woman. With excursions into Christian iconography and the history of the American postcolonial era, she speaks also to the archetype of the inspired female creator or artist.
Contemporary Art Monographs
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In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a(...)
Contemporary Art Monographs
January 2009, Köln
Hans Ulrich Obrist - Gustav Metzger: the conversation series 16
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In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a lifetime varying from a few moments to 20 years. When the disintegrative process is complete, the work is to be removed from the site and scrapped." In this volume, Metzger talks to Obrist about his past and present association with Auto-destructive art, how he has come to fuse his art practice with his political commitment to human rights and ecology, how he escaped the Holocaust at the age of 13 and the many projects he has yet to realize.
Contemporary Art Monographs
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a(...)
Contemporary Art Monographs
January 2009, Köln
Hans Ulrich Obrist - Enzo Mari: the conversation series 15
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a product and furniture designer, as well as a writer, teacher and artist, has proved influential both to his peers and to younger generations. In this volume, Mari discusses his iconic designs for cutting-edge production houses Danese, Olivetti and Castelli, his experience of the contradictory aspects of postwar Italy and his unique take on the design trends of the 1960s and 1970s. Enzo Mari was born in 1932 in Novara, Italy. He has most recently completed a series of tubular aluminum chairs for Vienna's Gebrüder Thonet and a collection for the Japanese home store Muji.
Contemporary Art Monographs
The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes(...)
The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes visible” testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.
Contemporary Art Monographs
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Gerhard Richter’s 4900 Colours from 2007 is a major new work consisting of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral, unveiled in August 2007, which is made up of 11,500 handcrafted(...)
Contemporary Art Monographs
January 2009, London, Ostfildern
Gerhard Richter : 4900 Colours
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Gerhard Richter’s 4900 Colours from 2007 is a major new work consisting of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral, unveiled in August 2007, which is made up of 11,500 handcrafted squares of glass in seventy-two colors. Published on the occasion of the exhibition "Gerhard Richter 4900 colours : version II" held at the Serpentine Gallery, London, 23 September - 16 November 2008.
Contemporary Art Monographs
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Featuring a gold embossed cover, this lovely volume was created in collaboration with Deitch Projects, and presents artist Francesco Clemente's portraits of eight contemporary opera stars who figure prominently in the Metropolitan Opera's 2008-09 season: Diana Damrau, Natalie Dessay, Renée Fleming, Angela Gheorghiu, Susan Graham, Karita Mattila, Anna Netrebko and Deborah(...)
Francesco Clemente: the sopranos text
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Featuring a gold embossed cover, this lovely volume was created in collaboration with Deitch Projects, and presents artist Francesco Clemente's portraits of eight contemporary opera stars who figure prominently in the Metropolitan Opera's 2008-09 season: Diana Damrau, Natalie Dessay, Renée Fleming, Angela Gheorghiu, Susan Graham, Karita Mattila, Anna Netrebko and Deborah Voigt. The results--riveting portraits made within a four-month period--capture each of the divas in character for an upcoming role.
Contemporary Art Monographs