1928 Results
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This catalogue is being published on the occasion of the exhibitions: Pressspanplatten für den Frieden / Chipboards for Peace, Kunstverein Heilbronn, 20.01.-11.03.2007. Edifice Complex, Oldenburger Kunstverein, Oldenburg, 23.03-13.05.2007 Preservation of Monuments and Historic Buildings and Bodywork, Kunstverein Arnberg, 13.04.-10.06.2007
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Summary:
This catalogue is being published on the occasion of the exhibitions: Pressspanplatten für den Frieden / Chipboards for Peace, Kunstverein Heilbronn, 20.01.-11.03.2007. Edifice Complex, Oldenburger Kunstverein, Oldenburg, 23.03-13.05.2007 Preservation of Monuments and Historic Buildings and Bodywork, Kunstverein Arnberg, 13.04.-10.06.2007
Title:
Ich war die putzfrau am bauhaus
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This catalogue is being published on the occasion of the exhibitions: Pressspanplatten für den Frieden / Chipboards for Peace, Kunstverein Heilbronn, 20.01.-11.03.2007. Edifice Complex, Oldenburger Kunstverein, Oldenburg, 23.03-13.05.2007 Preservation of Monuments and Historic Buildings and Bodywork, Kunstverein Arnberg, 13.04.-10.06.2007
Ich war die putzfrau am bauhaus
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This catalogue is being published on the occasion of the exhibitions: Pressspanplatten für den Frieden / Chipboards for Peace, Kunstverein Heilbronn, 20.01.-11.03.2007. Edifice Complex, Oldenburger Kunstverein, Oldenburg, 23.03-13.05.2007 Preservation of Monuments and Historic Buildings and Bodywork, Kunstverein Arnberg, 13.04.-10.06.2007
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books
books
Publication:
June 2008, Köln
June 2008, Köln
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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Title:
Working at Copan
Working at Copan
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This publication was developed in th context of Sao Paulo S.A.: praticas estéticas, sociais e politicas em debate. Oscar Niemeyer's Modernist landmark Edificio Copan was the largest residential building in Latin America when it became part of Sao Paulo's skyline in 1966. In a project that's as much sociology as art, Berlin-based artist Peter Freidl interviews some of(...)
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Summary:
This publication was developed in th context of Sao Paulo S.A.: praticas estéticas, sociais e politicas em debate. Oscar Niemeyer's Modernist landmark Edificio Copan was the largest residential building in Latin America when it became part of Sao Paulo's skyline in 1966. In a project that's as much sociology as art, Berlin-based artist Peter Freidl interviews some of(...)
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Working at Copan
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This publication was developed in th context of Sao Paulo S.A.: praticas estéticas, sociais e politicas em debate. Oscar Niemeyer's Modernist landmark Edificio Copan was the largest residential building in Latin America when it became part of Sao Paulo's skyline in 1966. In a project that's as much sociology as art, Berlin-based artist Peter Freidl interviews some of the 107 full-time employees whose lives are occupied with keeping this vertical utopia running. the author asks them about their work and their lives outside work, trying to paint a picture through first-hand accounts of the complex urban social reality of a Brazilian megalopolis.
Working at Copan
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This publication was developed in th context of Sao Paulo S.A.: praticas estéticas, sociais e politicas em debate. Oscar Niemeyer's Modernist landmark Edificio Copan was the largest residential building in Latin America when it became part of Sao Paulo's skyline in 1966. In a project that's as much sociology as art, Berlin-based artist Peter Freidl interviews some of the 107 full-time employees whose lives are occupied with keeping this vertical utopia running. the author asks them about their work and their lives outside work, trying to paint a picture through first-hand accounts of the complex urban social reality of a Brazilian megalopolis.
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books
books
Publication:
June 2008
June 2008
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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$62.00
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This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
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This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
Title:
Jeroen de Rijke / Willem de Rooij
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This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
Jeroen de Rijke / Willem de Rooij
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This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
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books
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Publication:
September 2008, Köln
September 2008, Köln
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$46.95
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
Title:
Les Cahiers du Musée national d'art moderne 103, printemps 2008
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
Les Cahiers du Musée national d'art moderne 103, printemps 2008
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
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books
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Publication:
January 1900
January 1900
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$24.00
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The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
$24.00
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Summary:
The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 1900
January 1900
Title:
Black Light white noise: sound and light in contemporary art
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The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
Black Light white noise: sound and light in contemporary art
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The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
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books
books
Publication:
January 1900
January 1900
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$57.50
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Muntadas. The construction of Fear and the loss of Pulbic Space stems from a 'conversation' held with the artist after learning of On Translation: Fear/Miedo (2005), a television intervention as he defines it, filmed on the border between the United States and Mexico, and of his interest in exploring the concept of fear in the border between Spain and Morocco.
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Muntadas. The construction of Fear and the loss of Pulbic Space stems from a 'conversation' held with the artist after learning of On Translation: Fear/Miedo (2005), a television intervention as he defines it, filmed on the border between the United States and Mexico, and of his interest in exploring the concept of fear in the border between Spain and Morocco.
Title:
Muntadas: la construction del miedo y la pérdida de lo publico
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Muntadas. The construction of Fear and the loss of Pulbic Space stems from a 'conversation' held with the artist after learning of On Translation: Fear/Miedo (2005), a television intervention as he defines it, filmed on the border between the United States and Mexico, and of his interest in exploring the concept of fear in the border between Spain and Morocco.
Muntadas: la construction del miedo y la pérdida de lo publico
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Muntadas. The construction of Fear and the loss of Pulbic Space stems from a 'conversation' held with the artist after learning of On Translation: Fear/Miedo (2005), a television intervention as he defines it, filmed on the border between the United States and Mexico, and of his interest in exploring the concept of fear in the border between Spain and Morocco.
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books
books
Publication:
January 2008, Barcelona
January 2008, Barcelona
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Summary:
'Feeling of uselessness: what are we doing here? We just walk around, take pictures randomly, try to get an image of the place where we are staying: but we seem to be lacking the whole meaning of it. The idea of making a map (not 'mapping', which seems to have been an infectious term in esthetical practices throughout the last ten years) was happily adopted, but probably(...)
$46.00
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Summary:
'Feeling of uselessness: what are we doing here? We just walk around, take pictures randomly, try to get an image of the place where we are staying: but we seem to be lacking the whole meaning of it. The idea of making a map (not 'mapping', which seems to have been an infectious term in esthetical practices throughout the last ten years) was happily adopted, but probably(...)
Title:
gruppo A12: N33° 51.917' E130° 47.808'
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'Feeling of uselessness: what are we doing here? We just walk around, take pictures randomly, try to get an image of the place where we are staying: but we seem to be lacking the whole meaning of it. The idea of making a map (not 'mapping', which seems to have been an infectious term in esthetical practices throughout the last ten years) was happily adopted, but probably not sufficiently questioned before coming here. Maps are everywhere in Kitakyushu; we cannot avoid coming across them constantly, so the whole trick of imitating ancient explorers and geographers has soon vanished. We are experimenting while doing. The final result, if there will be any, will address issues of representation: it will be unfinished, rough and raw. We should go farther. Maybe the ones, who will come after us, can do so.'
gruppo A12: N33° 51.917' E130° 47.808'
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'Feeling of uselessness: what are we doing here? We just walk around, take pictures randomly, try to get an image of the place where we are staying: but we seem to be lacking the whole meaning of it. The idea of making a map (not 'mapping', which seems to have been an infectious term in esthetical practices throughout the last ten years) was happily adopted, but probably not sufficiently questioned before coming here. Maps are everywhere in Kitakyushu; we cannot avoid coming across them constantly, so the whole trick of imitating ancient explorers and geographers has soon vanished. We are experimenting while doing. The final result, if there will be any, will address issues of representation: it will be unfinished, rough and raw. We should go farther. Maybe the ones, who will come after us, can do so.'
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books
books
Publication:
April 2002, Kitakyushu
April 2002, Kitakyushu
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$36.00
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Summary:
Center for Contemporary Art, CCA, Kitakyushu
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Center for Contemporary Art, CCA, Kitakyushu
Title:
Simryn Gill: a small town at the turn of the century
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Center for Contemporary Art, CCA, Kitakyushu
Simryn Gill: a small town at the turn of the century
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Center for Contemporary Art, CCA, Kitakyushu
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books
books
Publication:
October 2000, Kitakyushu
October 2000, Kitakyushu
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Center for Contemporary Art, CCA, Kitakyushu 6 booklets, each contains a poster
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Summary:
Center for Contemporary Art, CCA, Kitakyushu 6 booklets, each contains a poster
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 1900, Kitakyushu
January 1900, Kitakyushu
Title:
Didier F. Faustino: plans & directions
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Center for Contemporary Art, CCA, Kitakyushu 6 booklets, each contains a poster
Didier F. Faustino: plans & directions
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Center for Contemporary Art, CCA, Kitakyushu 6 booklets, each contains a poster
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books
books
Publication:
January 1900, Kitakyushu
January 1900, Kitakyushu
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Center for Contemporary Art, CCA Kitakyushu 'It is no longer a question of hiding an accident or failure, but making it productive.' -Paul Virilio Center for Contemporary Art Book -Kitakyushu CCA Artist Book Series
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Center for Contemporary Art, CCA Kitakyushu 'It is no longer a question of hiding an accident or failure, but making it productive.' -Paul Virilio Center for Contemporary Art Book -Kitakyushu CCA Artist Book Series
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2004, Kitakyushu
October 2004, Kitakyushu
Title:
Elmgreen & Dragset: constructed catastrophes, fig. 2
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Center for Contemporary Art, CCA Kitakyushu 'It is no longer a question of hiding an accident or failure, but making it productive.' -Paul Virilio Center for Contemporary Art Book -Kitakyushu CCA Artist Book Series
Elmgreen & Dragset: constructed catastrophes, fig. 2
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Center for Contemporary Art, CCA Kitakyushu 'It is no longer a question of hiding an accident or failure, but making it productive.' -Paul Virilio Center for Contemporary Art Book -Kitakyushu CCA Artist Book Series
Form:
books
books
Publication:
October 2004, Kitakyushu
October 2004, Kitakyushu
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
