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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is(...)
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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is(...)
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Mademoiselle: Coco Chanel/Summer 62
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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is the designer currently at the helm of the Parisian fashion house, made iconic by designer Coco Chanel during her long reign, from 1909-1971--and the designer of this handsome edition as well. Through his introduction and captions to these photographs, we understand how important Chanel's image has been to the success of the century-old French couture line.
Mademoiselle: Coco Chanel/Summer 62
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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is the designer currently at the helm of the Parisian fashion house, made iconic by designer Coco Chanel during her long reign, from 1909-1971--and the designer of this handsome edition as well. Through his introduction and captions to these photographs, we understand how important Chanel's image has been to the success of the century-old French couture line.
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books
books
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September 2009
September 2009
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books
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$72.00
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The first visual history of Modernist Italian fashion during Benito Mussolini's Fascist regime, and the product of immense research, Fashion at the Time of Fascism charts the fashion industry's ambivalent negotiation of international couture and the bizarre dictates of Fascism, and the legacy of this era in shaping today's fashion industry. Authors Mario Lupano and(...)
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The first visual history of Modernist Italian fashion during Benito Mussolini's Fascist regime, and the product of immense research, Fashion at the Time of Fascism charts the fashion industry's ambivalent negotiation of international couture and the bizarre dictates of Fascism, and the legacy of this era in shaping today's fashion industry. Authors Mario Lupano and(...)
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Fashion at the time of Fascism
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The first visual history of Modernist Italian fashion during Benito Mussolini's Fascist regime, and the product of immense research, Fashion at the Time of Fascism charts the fashion industry's ambivalent negotiation of international couture and the bizarre dictates of Fascism, and the legacy of this era in shaping today's fashion industry. Authors Mario Lupano and Alessandra Vaccari explore and compare a large range of forgotten archival sources, such as women's glossies, fashion, film and gossip magazines, photo archives, exhibition and commercial catalogues, books, manuals and magazines on tailoring, dressmaking, design and architecture, and corporate and government journals. This abundance of materials is presented in a fluid sequence of image and text that charts the rhythms, rituals and lifestyles of the typical Italian day through the four basic themes of "Measurements," "Model," "Brand" and "Parade." Each section includes texts that highlight the key figures and phases in Italian fashion, from the 1920s to the early 1940s, juxtaposing them with Modernism's broader salient themes and emphasizing the conscious use of glamour in the regime's super-choreographed portrayal of itself.
Fashion at the time of Fascism
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The first visual history of Modernist Italian fashion during Benito Mussolini's Fascist regime, and the product of immense research, Fashion at the Time of Fascism charts the fashion industry's ambivalent negotiation of international couture and the bizarre dictates of Fascism, and the legacy of this era in shaping today's fashion industry. Authors Mario Lupano and Alessandra Vaccari explore and compare a large range of forgotten archival sources, such as women's glossies, fashion, film and gossip magazines, photo archives, exhibition and commercial catalogues, books, manuals and magazines on tailoring, dressmaking, design and architecture, and corporate and government journals. This abundance of materials is presented in a fluid sequence of image and text that charts the rhythms, rituals and lifestyles of the typical Italian day through the four basic themes of "Measurements," "Model," "Brand" and "Parade." Each section includes texts that highlight the key figures and phases in Italian fashion, from the 1920s to the early 1940s, juxtaposing them with Modernism's broader salient themes and emphasizing the conscious use of glamour in the regime's super-choreographed portrayal of itself.
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books
books
Publication:
November 2009
November 2009
Subject:
Fashion Design
Fashion Design
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books
books
Title:
Hair 'em scare 'em
Hair 'em scare 'em
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Hair'em Scare'em presents an exploration through the fascinating beauty and inventive possibilities of hair as a medium for artistic expression in contemporary art and design. The book documents this palpable trend into a visual sourcebook that presents a captivating collection of hairy works in graphic design, photography, illustration and art as well as interior design,(...)
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Hair'em Scare'em presents an exploration through the fascinating beauty and inventive possibilities of hair as a medium for artistic expression in contemporary art and design. The book documents this palpable trend into a visual sourcebook that presents a captivating collection of hairy works in graphic design, photography, illustration and art as well as interior design,(...)
Title:
Hair 'em scare 'em
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Hair'em Scare'em presents an exploration through the fascinating beauty and inventive possibilities of hair as a medium for artistic expression in contemporary art and design. The book documents this palpable trend into a visual sourcebook that presents a captivating collection of hairy works in graphic design, photography, illustration and art as well as interior design, fashion and jewelry design. The extraordinary works featured in this book are the best indication of trends in hair outside the mainstream.
Hair 'em scare 'em
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Hair'em Scare'em presents an exploration through the fascinating beauty and inventive possibilities of hair as a medium for artistic expression in contemporary art and design. The book documents this palpable trend into a visual sourcebook that presents a captivating collection of hairy works in graphic design, photography, illustration and art as well as interior design, fashion and jewelry design. The extraordinary works featured in this book are the best indication of trends in hair outside the mainstream.
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books
books
Publication:
November 2009
November 2009
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books
books
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$69.95
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Issus des quatre coins du monde, les trente-six designers textiles présentés dans cet ouvrage réinventent de manière radicale les textiles de mode et les tissus d'intérieur, et expriment, chacun à leur manière, les profondes mutations de la création textile. Tandis que certains s'emploient à inventer les textiles de demain - motifs photosensibles et encres(...)
$69.95
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Issus des quatre coins du monde, les trente-six designers textiles présentés dans cet ouvrage réinventent de manière radicale les textiles de mode et les tissus d'intérieur, et expriment, chacun à leur manière, les profondes mutations de la création textile. Tandis que certains s'emploient à inventer les textiles de demain - motifs photosensibles et encres(...)
Title:
Designers textiles, à l'avant-garde de la création
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Issus des quatre coins du monde, les trente-six designers textiles présentés dans cet ouvrage réinventent de manière radicale les textiles de mode et les tissus d'intérieur, et expriment, chacun à leur manière, les profondes mutations de la création textile. Tandis que certains s'emploient à inventer les textiles de demain - motifs photosensibles et encres thermochromatiques, textiles tissés à partir de brins de fibre optique ou de diodes électroluminescentes -, d'autres cherchent à limiter le gaspillage et à créer des textiles durables, transformant les déchets industriels en tissus aussi beaux qu'écologiques. Tous mêlent dans leur approche innovation technologique et design audacieux, conscience écologique et créativité sans borne. Tous témoignent également de la manière dont les frontières entre les différentes disciplines que sont la mode, le design et l'architecture tendent aujourd'hui à s'effacer.
Designers textiles, à l'avant-garde de la création
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Issus des quatre coins du monde, les trente-six designers textiles présentés dans cet ouvrage réinventent de manière radicale les textiles de mode et les tissus d'intérieur, et expriment, chacun à leur manière, les profondes mutations de la création textile. Tandis que certains s'emploient à inventer les textiles de demain - motifs photosensibles et encres thermochromatiques, textiles tissés à partir de brins de fibre optique ou de diodes électroluminescentes -, d'autres cherchent à limiter le gaspillage et à créer des textiles durables, transformant les déchets industriels en tissus aussi beaux qu'écologiques. Tous mêlent dans leur approche innovation technologique et design audacieux, conscience écologique et créativité sans borne. Tous témoignent également de la manière dont les frontières entre les différentes disciplines que sont la mode, le design et l'architecture tendent aujourd'hui à s'effacer.
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books
books
Publication:
November 2009
November 2009
Subject:
Fashion Design
Fashion Design
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books
books
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$46.00
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Chanel head designer Karl Lagerfeld founded Métiers d'Arts in 2002 to showcase the talents of Chanel's seven specialist ateliers (that provide the couture house with costume jewelry, embroidery and millinery). This volume focuses on Chanel's 2008-2009 Métiers d'Arts collection Paris-Moscow. If Paris-Moscow indulges Lagerfeld's fascination for Russia through fashion, then(...)
$46.00
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Summary:
Chanel head designer Karl Lagerfeld founded Métiers d'Arts in 2002 to showcase the talents of Chanel's seven specialist ateliers (that provide the couture house with costume jewelry, embroidery and millinery). This volume focuses on Chanel's 2008-2009 Métiers d'Arts collection Paris-Moscow. If Paris-Moscow indulges Lagerfeld's fascination for Russia through fashion, then(...)
Title:
Karl Lagerfeld : Chanel's Russian collection
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Chanel head designer Karl Lagerfeld founded Métiers d'Arts in 2002 to showcase the talents of Chanel's seven specialist ateliers (that provide the couture house with costume jewelry, embroidery and millinery). This volume focuses on Chanel's 2008-2009 Métiers d'Arts collection Paris-Moscow. If Paris-Moscow indulges Lagerfeld's fascination for Russia through fashion, then Russian Connection is that fascination embodied in book form. Lagerfeld's images evoke Imperial Russia, Constructivism, Catherine the Great, Fabergé, Russian folklore and Coco Chanel's own passion for Russia, via the great Ballets Russes, Byzantine jewelry and her affair with the Grand Duke Dmitri Pavlovich. Included here is a DVD featuring Lagerfeld's directorial debut, Coco 1913/Chanel 1923, a silent black-and-white film depicting Chanel's flirtation with Russian-Parisian émigré society in the 1910s and 1920s.
Karl Lagerfeld : Chanel's Russian collection
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$46.00
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Summary:
Chanel head designer Karl Lagerfeld founded Métiers d'Arts in 2002 to showcase the talents of Chanel's seven specialist ateliers (that provide the couture house with costume jewelry, embroidery and millinery). This volume focuses on Chanel's 2008-2009 Métiers d'Arts collection Paris-Moscow. If Paris-Moscow indulges Lagerfeld's fascination for Russia through fashion, then Russian Connection is that fascination embodied in book form. Lagerfeld's images evoke Imperial Russia, Constructivism, Catherine the Great, Fabergé, Russian folklore and Coco Chanel's own passion for Russia, via the great Ballets Russes, Byzantine jewelry and her affair with the Grand Duke Dmitri Pavlovich. Included here is a DVD featuring Lagerfeld's directorial debut, Coco 1913/Chanel 1923, a silent black-and-white film depicting Chanel's flirtation with Russian-Parisian émigré society in the 1910s and 1920s.
Form:
books
books
Publication:
January 2010
January 2010
Subject:
Fashion Design
Fashion Design
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books
books
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$37.95
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Summary:
The idea of fashion under socialism conjures up images of babushka headscarves and black market blue jeans. And yet, as Djurdja Bartlett shows in this groundbreaking book, the socialist East had an intimate relationship with fashion. Official antagonism—which cast fashion as frivolous and antirevolutionary—eventually gave way to grudging acceptance and creeping(...)
$37.95
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Summary:
The idea of fashion under socialism conjures up images of babushka headscarves and black market blue jeans. And yet, as Djurdja Bartlett shows in this groundbreaking book, the socialist East had an intimate relationship with fashion. Official antagonism—which cast fashion as frivolous and antirevolutionary—eventually gave way to grudging acceptance and creeping(...)
Title:
Fashion East : the spectre that haunted socialism
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The idea of fashion under socialism conjures up images of babushka headscarves and black market blue jeans. And yet, as Djurdja Bartlett shows in this groundbreaking book, the socialist East had an intimate relationship with fashion. Official antagonism—which cast fashion as frivolous and antirevolutionary—eventually gave way to grudging acceptance and creeping consumerism. Bartlett outlines three phases in socialist fashion, and illustrates them with abundant images from magazines of the period: postrevolutionary utopian dress, official state-sanctioned socialist fashion, and samizdat-style everyday fashion. Utopian dress, ranging from the geometric abstraction of the constructivists under Bolshevism in the Soviet Union to the no-frills desexualized uniform of a factory worker in Czechoslovakia, reflected the revolutionary urge for a clean break with the past. The highly centralized socialist fashion system, part of Stalinist industrialization, offered official prototypes of high fashion that were never available in stores—mythical images of smart and luxurious dresses that symbolized the economic progress that socialist regimes dreamed of. Everyday fashion, starting in the 1950s, was an unofficial, do-it-yourself enterprise: Western fashions obtained through semiclandestine channels or sewn at home. The state tolerated the demand for Western fashion, promising the burgeoning middle class consumer goods in exchange for political loyalty. Bartlett traces the progress of socialist fashion in the Soviet Union, Czechoslovakia, Hungary, East Germany, Poland, and Yugoslavia, drawing on state-sponsored socialist women’s magazines, etiquette books, socialist manuals on dress, private archives, and her own interviews with designers, fashion editors, and other key figures. Fashion, she suggests, with all its ephemerality and dynamism, was in perpetual conflict with the socialist regimes’ fear of change and need for control. It was, to echo the famous first sentence from the Communist Manifesto, the spectre that haunted socialism until the end.
Fashion East : the spectre that haunted socialism
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$37.95
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Summary:
The idea of fashion under socialism conjures up images of babushka headscarves and black market blue jeans. And yet, as Djurdja Bartlett shows in this groundbreaking book, the socialist East had an intimate relationship with fashion. Official antagonism—which cast fashion as frivolous and antirevolutionary—eventually gave way to grudging acceptance and creeping consumerism. Bartlett outlines three phases in socialist fashion, and illustrates them with abundant images from magazines of the period: postrevolutionary utopian dress, official state-sanctioned socialist fashion, and samizdat-style everyday fashion. Utopian dress, ranging from the geometric abstraction of the constructivists under Bolshevism in the Soviet Union to the no-frills desexualized uniform of a factory worker in Czechoslovakia, reflected the revolutionary urge for a clean break with the past. The highly centralized socialist fashion system, part of Stalinist industrialization, offered official prototypes of high fashion that were never available in stores—mythical images of smart and luxurious dresses that symbolized the economic progress that socialist regimes dreamed of. Everyday fashion, starting in the 1950s, was an unofficial, do-it-yourself enterprise: Western fashions obtained through semiclandestine channels or sewn at home. The state tolerated the demand for Western fashion, promising the burgeoning middle class consumer goods in exchange for political loyalty. Bartlett traces the progress of socialist fashion in the Soviet Union, Czechoslovakia, Hungary, East Germany, Poland, and Yugoslavia, drawing on state-sponsored socialist women’s magazines, etiquette books, socialist manuals on dress, private archives, and her own interviews with designers, fashion editors, and other key figures. Fashion, she suggests, with all its ephemerality and dynamism, was in perpetual conflict with the socialist regimes’ fear of change and need for control. It was, to echo the famous first sentence from the Communist Manifesto, the spectre that haunted socialism until the end.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Fashion Design
Fashion Design
Form:
books
books
Price:
$35.00
(available in store)
Summary:
Afin de faire le point sur ses années de pratique en tant qu’architecte et designer, Maryla Sobek propose de considérer ensemble ces deux activités que sont l’architecture et le vêtement. La réflexion théorique à laquelle elle a consacré plusieurs années l’aura menée à un constat : la conception du vêtement occidental se trouve dans une impasse, et ce tant du point de vue(...)
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Afin de faire le point sur ses années de pratique en tant qu’architecte et designer, Maryla Sobek propose de considérer ensemble ces deux activités que sont l’architecture et le vêtement. La réflexion théorique à laquelle elle a consacré plusieurs années l’aura menée à un constat : la conception du vêtement occidental se trouve dans une impasse, et ce tant du point de vue(...)
Title:
Taller
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Afin de faire le point sur ses années de pratique en tant qu’architecte et designer, Maryla Sobek propose de considérer ensemble ces deux activités que sont l’architecture et le vêtement. La réflexion théorique à laquelle elle a consacré plusieurs années l’aura menée à un constat : la conception du vêtement occidental se trouve dans une impasse, et ce tant du point de vue de la structure que de la volumétrie. Quelles sont les solutions qui permettraient au vêtement de ne plus être tributaire des dimensions et de la structure du corps humain ? Sobek s’est lancé le défi de les explorer. Pour ce faire, elle se tourne vers l’architecture et opte pour un retour aux sources. Le choix d’une architecture non occidentale s’est imposé, plus particulièrement l’architecture dogon que l’on peut voir dans la falaise de Bandigara au Mali et qui est aujourd’hui considérée comme le parfait exemple de la rationalité en architecture vernaculaire.
Taller
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Afin de faire le point sur ses années de pratique en tant qu’architecte et designer, Maryla Sobek propose de considérer ensemble ces deux activités que sont l’architecture et le vêtement. La réflexion théorique à laquelle elle a consacré plusieurs années l’aura menée à un constat : la conception du vêtement occidental se trouve dans une impasse, et ce tant du point de vue de la structure que de la volumétrie. Quelles sont les solutions qui permettraient au vêtement de ne plus être tributaire des dimensions et de la structure du corps humain ? Sobek s’est lancé le défi de les explorer. Pour ce faire, elle se tourne vers l’architecture et opte pour un retour aux sources. Le choix d’une architecture non occidentale s’est imposé, plus particulièrement l’architecture dogon que l’on peut voir dans la falaise de Bandigara au Mali et qui est aujourd’hui considérée comme le parfait exemple de la rationalité en architecture vernaculaire.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Fashion Design
Fashion Design
Form:
books
books
Title:
Make do and mend
Make do and mend
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$16.00
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Summary:
Make Do and Mend was first published as a pamphlet in 1943, as a cheerful reminder of the techniques for household solutions provided by wartime government. Now, republished in the twenty-first century, these tips can be used to spruce up your household and wardrobe on a dime. The book includes old-fashioned remedies for everything from washing silks to repelling the(...)
$16.00
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Summary:
Make Do and Mend was first published as a pamphlet in 1943, as a cheerful reminder of the techniques for household solutions provided by wartime government. Now, republished in the twenty-first century, these tips can be used to spruce up your household and wardrobe on a dime. The book includes old-fashioned remedies for everything from washing silks to repelling the(...)
Title:
Make do and mend
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$16.00
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Make Do and Mend was first published as a pamphlet in 1943, as a cheerful reminder of the techniques for household solutions provided by wartime government. Now, republished in the twenty-first century, these tips can be used to spruce up your household and wardrobe on a dime. The book includes old-fashioned remedies for everything from washing silks to repelling the “moth menace,” as well as patterns and directions on how to patch holes in clothing with stylish fabric, and how to take scraps of wool to create new looks.
Make do and mend
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$16.00
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Make Do and Mend was first published as a pamphlet in 1943, as a cheerful reminder of the techniques for household solutions provided by wartime government. Now, republished in the twenty-first century, these tips can be used to spruce up your household and wardrobe on a dime. The book includes old-fashioned remedies for everything from washing silks to repelling the “moth menace,” as well as patterns and directions on how to patch holes in clothing with stylish fabric, and how to take scraps of wool to create new looks.
Form:
books
books
Publication:
August 2014
August 2014
Form:
books
books
Title:
Women in clothes
Women in clothes
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$34.95
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Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.
$34.95
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Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.
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Women in clothes
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$34.95
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Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.
Women in clothes
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$34.95
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Summary:
Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.
Form:
books
books
Publication:
October 2014
October 2014
Subject:
Fashion Design
Fashion Design
Form:
books
books
Title:
Marimekko: in patterns
Marimekko: in patterns
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$42.00
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Summary:
Richly illustrated with photographs and prints both classic and new, this volume offers a behind-the-scenes tour of the brand's creative process. A colorful legacy is revealed, along with the innovative creators—from 1950s pioneers to twenty-first-century masters—who have shaped the company's heritage and continue to make visual magic today. Rare sketchbook pages,(...)
$42.00
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Summary:
Richly illustrated with photographs and prints both classic and new, this volume offers a behind-the-scenes tour of the brand's creative process. A colorful legacy is revealed, along with the innovative creators—from 1950s pioneers to twenty-first-century masters—who have shaped the company's heritage and continue to make visual magic today. Rare sketchbook pages,(...)
Title:
Marimekko: in patterns
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$42.00
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Summary:
Richly illustrated with photographs and prints both classic and new, this volume offers a behind-the-scenes tour of the brand's creative process. A colorful legacy is revealed, along with the innovative creators—from 1950s pioneers to twenty-first-century masters—who have shaped the company's heritage and continue to make visual magic today. Rare sketchbook pages, in-depth looks at particular eras, and page after page of gorgeous designs make this a book sure to enchant anyone interested in fashion, art, or the patterned and color-drenched world of Marimekko.
Marimekko: in patterns
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Price:
$42.00
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Summary:
Richly illustrated with photographs and prints both classic and new, this volume offers a behind-the-scenes tour of the brand's creative process. A colorful legacy is revealed, along with the innovative creators—from 1950s pioneers to twenty-first-century masters—who have shaped the company's heritage and continue to make visual magic today. Rare sketchbook pages, in-depth looks at particular eras, and page after page of gorgeous designs make this a book sure to enchant anyone interested in fashion, art, or the patterned and color-drenched world of Marimekko.
Form:
books
books
Publication:
October 2014
October 2014
Subject:
Fashion Design
Fashion Design
