Le capitalisme patriarcal
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Comment faire tourner les usines sans les travailleurs vigoureux, nourris, blanchis, qui occupent la chaîne de montage ? Loin de se limiter au travail invisible des femmes au sein du foyer, Federici met en avant la centralité du travail consistant à reproduire la société : combien couterait de salarier toutes les activités procréatives, affectives, éducatives, de soin et(...)
Le capitalisme patriarcal
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Comment faire tourner les usines sans les travailleurs vigoureux, nourris, blanchis, qui occupent la chaîne de montage ? Loin de se limiter au travail invisible des femmes au sein du foyer, Federici met en avant la centralité du travail consistant à reproduire la société : combien couterait de salarier toutes les activités procréatives, affectives, éducatives, de soin et d’hygiène aujourd’hui réalisées gratuitement par les femmes ? Que resterait-il des profits des entreprises si elles devaient contribuer au renouvellement quotidien de leur masse salariale ?
Critical Theory
Éloge du suffisant
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Pour André Gorz, défense du « monde vécu » et défense du « milieu naturel » sont les deux faces d'une même résistance : la question écologique se pose dans le cadre plus vaste de la domination des « systèmes » (marché capitaliste et administration étatique) sur les hommes au quotidien. Tandis que le capital, à l'accroissement illimité, menace la nature qu'il pille autant(...)
Éloge du suffisant
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Pour André Gorz, défense du « monde vécu » et défense du « milieu naturel » sont les deux faces d'une même résistance : la question écologique se pose dans le cadre plus vaste de la domination des « systèmes » (marché capitaliste et administration étatique) sur les hommes au quotidien. Tandis que le capital, à l'accroissement illimité, menace la nature qu'il pille autant que la société qu'il manipule, l'autogestion qu'il faut souhaiter est une autolimitation, selon le principe de suffisance : une gestion raisonnable et un lissage des richesses atténuent les tensions sociales et préservent les ressources naturelles. Le choix de la décroissance est alors un arbitrage démocratique entre efforts consentis et besoins reconnus, qui assure à la fois moins de charge de travail (redistribué), plus d'autonomie (espaces coopératifs) et de sécurité (revenu garanti), et qui laisse leur temps aux activités qui valent pour elles-mêmes.
Critical Theory
Écrans verts
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Passer son weekend au chalet (et le documenter sur Instagram). Méditer (avec une application). Nos vies sont plus que jamais traversées d’une tension entre techno et nature, entre connexion et déconnexion. C’est ce paradoxe quotidien éxploré dans 'Écrans verts'.
Écrans verts
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Passer son weekend au chalet (et le documenter sur Instagram). Méditer (avec une application). Nos vies sont plus que jamais traversées d’une tension entre techno et nature, entre connexion et déconnexion. C’est ce paradoxe quotidien éxploré dans 'Écrans verts'.
Queer zones, la trilogie
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Mêlant, dans un style flamboyant, recherche et critique, chronique et polémique, Sam Bourcier construit un féminisme pro-sexe et biopolitique qui est une réflexion plus large sur les relations entre pouvoir et savoirs, corps et disciplines. On y voit surgir au fil des pages la post-pornographie ainsi que des explorations politiques, théoriques et personnelles qui(...)
Queer zones, la trilogie
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Mêlant, dans un style flamboyant, recherche et critique, chronique et polémique, Sam Bourcier construit un féminisme pro-sexe et biopolitique qui est une réflexion plus large sur les relations entre pouvoir et savoirs, corps et disciplines. On y voit surgir au fil des pages la post-pornographie ainsi que des explorations politiques, théoriques et personnelles qui renouvellent le féminisme, les études de genre et la théorie du genre. S’y croisent Wittig et Foucault, Butler et Despentes, Deleuze-Guattari et Monika Treut, à l’ombre des subcultures et des subjectivités minoritaires, vivantes et dissidentes, proliférantes et militantes.
Critical Theory
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Forty years after its inception, punk has gone global. The founding scenes in the United Kingdom and United States now have counterparts all around the world. 'The Punk Reader: Research Transmissions from the Local and the Global' explores and critically interrogates punk culture in relation to contemporary, radicalized globalization. Documenting disparate international(...)
The punk reader: research transmissions from the local to the global
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Forty years after its inception, punk has gone global. The founding scenes in the United Kingdom and United States now have counterparts all around the world. 'The Punk Reader: Research Transmissions from the Local and the Global' explores and critically interrogates punk culture in relation to contemporary, radicalized globalization. Documenting disparate international punk scenes, including Mexico, China, Malaysia and Iran, 'The Punk Reader' is a long-overdue addition to punk studies and a valuable resource for readers seeking to know more about the global influence of punk beyond the 1970s.
Critical Theory
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Three cases studies on social, spatial, and material reality of right-wing populism. Issues tackled include Trump and Brexit; spaces of right-wing extremism in Germany; and a racist murder by a German far-right group in 2006. Other contributions includes an introduction by anthropologist Mahmoud Keshavarz, an interview with Wolfgang Tillmans, and a comic strip by Liam Gillick.
Para-platforms: on the spatial politics of right-wing populism
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Three cases studies on social, spatial, and material reality of right-wing populism. Issues tackled include Trump and Brexit; spaces of right-wing extremism in Germany; and a racist murder by a German far-right group in 2006. Other contributions includes an introduction by anthropologist Mahmoud Keshavarz, an interview with Wolfgang Tillmans, and a comic strip by Liam Gillick.
Critical Theory
Face: a visual odyssey
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By turns alarming and awe-inspiring, ''Face'' offers up an elaborately illustrated A to Z- from the didactic anthropometry of the late-nineteenth century to the selfie-obsessed zeitgeist of the twenty-first. Jessica Helfand looks at the cultural significance of the face through a critical lens, both as social currency and as palimpsest of history. Investigating everything(...)
Face: a visual odyssey
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By turns alarming and awe-inspiring, ''Face'' offers up an elaborately illustrated A to Z- from the didactic anthropometry of the late-nineteenth century to the selfie-obsessed zeitgeist of the twenty-first. Jessica Helfand looks at the cultural significance of the face through a critical lens, both as social currency and as palimpsest of history. Investigating everything from historical mugshots to Instagram posts, she examines how the face has been perceived and represented over time; how it has been instrumentalized by others; and how we have reclaimed it for our own purposes. From vintage advertisements for a “nose adjuster” to contemporary artists who reconsider the visual construction of race, ''Face'' delivers an intimate yet kaleidoscopic adventure while posing universal questions about identity.
Critical Theory
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“Propositions for Non-Fascist Living” begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of “non-fascist living” as an “art of living counter to all forms of fascism,” including that “in us all…(...)
Propositions for non-fascist living: tentative and urgent
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“Propositions for Non-Fascist Living” begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of “non-fascist living” as an “art of living counter to all forms of fascism,” including that “in us all… the fascism that causes us to love power, to desire the very thing that dominates and exploits us,” the book addresses the practice of “living” rather than the mere object of life. Artists, theorists, activists, and scholars offer texts and visual essays that engage varied perspectives on practicing life and articulate methods that support multiplicity and difference rather than vaunting power and hierarchy. Architectural theorist Eyal Weizman, for example, describes an “unlikely common” in gathering evidence against false narratives; art historian and critic Sven Lütticken develops a non-fascist proposition drawn from the intersection of art, technology, and law; philosopher Rosi Braidotti explores an ethics of affirmation and the practices of dying. “Propositions for Non-Fascist Living” is the first in a BASICS series of readers from BAK, “basis voor actuele kunst”, Utrecht, engaging some of the most urgent problems of our time through theoretically informed and politically driven artistic research and practice.
Critical Theory
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In 'Good Entertainment', Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty(...)
Good entertainment: a deconstruction of the Western Passion narrative
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In 'Good Entertainment', Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty and the entertainment value of moralistic literature; Heidegger's idea of the thinker as a man of pain; Kafka's hunger artist and the art of negativity, which takes pleasure in annihilation; and Robert Rauschenberg's refusal of the transcendent.
Critical Theory
The cybernetic hypothesis
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This early Tiqqun text has lost none of its pertinence. ''The Cybernetic Hypothesis'' presents a genealogy of our “technical” present that doesn't point out the political and ethical dilemmas embedded in it as if they were puzzles to be solved, but rather unmasks an enemy force to be engaged and defeated. Cybernetics in this context is the ''teknê'' of threat reduction,(...)
The cybernetic hypothesis
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This early Tiqqun text has lost none of its pertinence. ''The Cybernetic Hypothesis'' presents a genealogy of our “technical” present that doesn't point out the political and ethical dilemmas embedded in it as if they were puzzles to be solved, but rather unmasks an enemy force to be engaged and defeated. Cybernetics in this context is the ''teknê'' of threat reduction, which unfortunately has required the reduction of a disturbing humanity to packets of manageable information. Not so easily done. Not smooth. A matter of civil war, in fact. According to the authors, cybernetics is the latest master fable, welcomed at a certain crisis juncture in late capitalism. And now the interesting question is: Has the guest in the house become the master of the house?
Critical Theory