Balthasar Burkhard
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This book presents the many facets of Swiss photographer Balthasar Burkhard (1944–2010). Burkhard’s work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental “tableau” into contemporary art. This comprehensive book coalesces Burkhard’s early role as a(...)
April 2020
Balthasar Burkhard
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This book presents the many facets of Swiss photographer Balthasar Burkhard (1944–2010). Burkhard’s work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental “tableau” into contemporary art. This comprehensive book coalesces Burkhard’s early role as a chronicler of the contemporary art of his time, especially as the main photographer for Swiss curator Harald Szeemann, his conceptual redefinition of photography together with other artists and finally his emancipation as a photo artist.
Future cities laboratory
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"Future Cities Laboratory" reports on the same named research program and its mission to shape sustainable future cities through science, by design, in place. It offers a global perspective on cities from the vantage point of the world's most populous and rapidly urbanizing continent: Asia, which also acts as the base of the laboratory. This volume illustrates the(...)
January 2018
Future cities laboratory
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"Future Cities Laboratory" reports on the same named research program and its mission to shape sustainable future cities through science, by design, in place. It offers a global perspective on cities from the vantage point of the world's most populous and rapidly urbanizing continent: Asia, which also acts as the base of the laboratory. This volume illustrates the richness and diversity of research at the Future Cities Laboratory (FCL). The book, which is the first in a planned series, describes new processes and types of data that are being used both to understand and improve cities. New approaches pioneered by FCL and its partners offer an important method to bridge the gap between knowledge production and action, with the aim of ensuring the sustainability of future cities. To reach this goal, FCL works closely with stakeholders in government, industry and society. The program has developed many simulation tools to help practitioners visualize the social, environmental or economic consequences of particular planning decisions.
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This volume documents the House of the Narkomfin, built (or “montaged,” as the Constructivist architect Moisej J. Ginzburg (1986–1946) preferred to call it) between 1928 and 1931. It is therefore contemporaneous with Le Corbusier’s Villa Savoye, as well as with Le Corbusier’s visit to Moscow. But the Narkomfin is more than a housing block with a recognizable style. It is(...)
April 2016
Moisej J. Ginzburg and Ignatij F. Milinis: Narkomfin, Moscow 1928-1930
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This volume documents the House of the Narkomfin, built (or “montaged,” as the Constructivist architect Moisej J. Ginzburg (1986–1946) preferred to call it) between 1928 and 1931. It is therefore contemporaneous with Le Corbusier’s Villa Savoye, as well as with Le Corbusier’s visit to Moscow. But the Narkomfin is more than a housing block with a recognizable style. It is the converging point of the history of Constructivism, where purposefully reassembled functional spaces were given an active role in transforming everyday social life.
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Il est maintenant possible de contrôler la structure de la matière à des échelles de taille si petites que les systèmes obtenus révèlent des propriétés hors du commun s'apparentant de plus en plus au vivant auquel ils sont parfois même hybridés. Dans ce monde en continuelle mouvance révélé par cette matière émergente, nos repères vacillent et il nous faut repenser(...)
April 2016
L’image-matière: matériaux émergents et métamorphoses imaginaires
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Il est maintenant possible de contrôler la structure de la matière à des échelles de taille si petites que les systèmes obtenus révèlent des propriétés hors du commun s'apparentant de plus en plus au vivant auquel ils sont parfois même hybridés. Dans ce monde en continuelle mouvance révélé par cette matière émergente, nos repères vacillent et il nous faut repenser autrement notre appréhension du réel. Or, les images dont nous disposons pour nous saisir mentalement de ces transformations sont devenues inopérantes. Elles sont à redessiner, à mettre en relation, à assembler autrement. C'est en ces lieux que l'art contemporain peut venir jouer son rôle d'intercesseur entre la matière-forme et ses mises en pratique, entre la méta-réalité de l'oeuvre et notre capacité à penser ces nouvelles émergences. Proposer des image-matières pour nous aider à métamorphoser notre imaginaire, tel est le but de cet essai.
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Depuis 1994, l'Ecole National Supérieure d'Architecture de Marseille invite des architectes à présenter leurs projets au [mac] de Marseille avec l'espoir de mixer les deux publics de l'art et de l'architecture. Cependant, c'est une conférence de Thom Mayne, donnée le mardi 13 mars 2007 dans l'amphithéâtre de l'Ecole, qui fait l'objet d'une première publication : Thom(...)
Morphosis
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Depuis 1994, l'Ecole National Supérieure d'Architecture de Marseille invite des architectes à présenter leurs projets au [mac] de Marseille avec l'espoir de mixer les deux publics de l'art et de l'architecture. Cependant, c'est une conférence de Thom Mayne, donnée le mardi 13 mars 2007 dans l'amphithéâtre de l'Ecole, qui fait l'objet d'une première publication : Thom Mayne a accepté de faire une escale de trois jours ) Marseille entre Los Angeles et le MIPIM de Cannes. Cette présentation de trois heures de l'œuvre de MORPHOSIS nous a inspiré la volonté de garder une trace écrite pour partager ce moment de plaisir avec des lecteurs curieux.
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Inondations, incendies, effondrements, explosions industrielles… bien des territoires sont marqués par des aléas naturels ou technologiques qui conditionnent leur développement. Ces contraintes sont aussi des ressources, témoins de l’identité des lieux. Lorsque le projet de territoire intègre l’aléa comme élément fondateur, la difficulté est souvent une chance. Penser la(...)
Atout risques : des territoires exposés se réinventent
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Inondations, incendies, effondrements, explosions industrielles… bien des territoires sont marqués par des aléas naturels ou technologiques qui conditionnent leur développement. Ces contraintes sont aussi des ressources, témoins de l’identité des lieux. Lorsque le projet de territoire intègre l’aléa comme élément fondateur, la difficulté est souvent une chance. Penser la ville avec l’aléa conduit à être plus inventif, à proposer des espaces urbains moins génériques, mieux ancrés sur leur sol. Ceci facilite le décloisonnement des certitudes et des métiers ; la règle et le projet collaborent très en amont. Cela profite à tous. À l’exemple des fleuves, qui ont été d’abord de féconds bienfaiteurs, offrant eau, connexions et paysages aux villes qu’ils traversent, l’aléa devient un atout.
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In her acclaimed 1993 book ''Denying the Holocaust'', Deborah Lipstadt called putative WWII historian David Irving "one of the most dangerous spokespersons for Holocaust denial." A prolific author of books on Nazi Germany who has claimed that more people died in Ted Kennedy's car at Chappaquiddick than in the gas chambers at Auschwitz, Irving responded by filing a libel(...)
History on Trial: My Day in Court with a Holocaust Denier
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In her acclaimed 1993 book ''Denying the Holocaust'', Deborah Lipstadt called putative WWII historian David Irving "one of the most dangerous spokespersons for Holocaust denial." A prolific author of books on Nazi Germany who has claimed that more people died in Ted Kennedy's car at Chappaquiddick than in the gas chambers at Auschwitz, Irving responded by filing a libel lawsuit in the United Kingdom -- where the burden of proof lies on the defendant, not on the plaintiff. At stake were not only the reputations of two historians but the record of history itself.
Current Exhibitions
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From January to April 2000 historian David Irving brought a high-profile libel case against Penguin Books and Deborah Lipstadt in the British High Court, charging that Lipstadt’s book, ''Denying the Holocaust'' (1993), falsely labeled him a Holocaust denier. The question about the evidence for Auschwitz as a death camp played a central role in these proceedings. In(...)
The case for Auschwitz: evidence from the Irving trial
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From January to April 2000 historian David Irving brought a high-profile libel case against Penguin Books and Deborah Lipstadt in the British High Court, charging that Lipstadt’s book, ''Denying the Holocaust'' (1993), falsely labeled him a Holocaust denier. The question about the evidence for Auschwitz as a death camp played a central role in these proceedings. In connection with their defense, Penguin and Lipstadt engaged architectural historian Robert Jan van Pelt to present evidence for our knowledge that Auschwitz had been an extermination camp where up to one million Jews were killed, mainly in gas chambers. Employing painstaking historical scholarship, van Pelt prepared and submitted an exhaustive forensic report that he successfully defended in cross-examination in court.
Current Exhibitions
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A special edition on crossovers in art and architecture, with features on Carlos Bunga, Phyllis Lambert, Paulo Mendes da Rocha, Alvin Boyarsky and Geoffrey James, as well as the Venice Biennale.
Border Crossings 138: Art and architecture special issue
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A special edition on crossovers in art and architecture, with features on Carlos Bunga, Phyllis Lambert, Paulo Mendes da Rocha, Alvin Boyarsky and Geoffrey James, as well as the Venice Biennale.
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Edward Burtynsky (b. 1955) is one of a generation of photographers who seek to portray the visible outcomes of a globalized economy and humankind’s impact on environments around the world. He has achieved global recognition with his large-scale photographs and project-based monographs, such as Quarries, Oil, and Water, all of which have resulted in popular touring(...)
September 2016
Edward Burtynsky: essential elements
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Edward Burtynsky (b. 1955) is one of a generation of photographers who seek to portray the visible outcomes of a globalized economy and humankind’s impact on environments around the world. He has achieved global recognition with his large-scale photographs and project-based monographs, such as Quarries, Oil, and Water, all of which have resulted in popular touring exhibitions and, in the case of Water, a feature-length documentary film entitled Watermark. However, while Burtynsky’s global standing is without question, no comprehensive retrospective of his career to date exists.