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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, ''Island zombie'' distills the artist’s lifelong experience of Iceland’s natural environment.(...)
Island zombie: Iceland writings
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, ''Island zombie'' distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self. ''Island zombie'' is a meditation on being present. It vividly conveys Horn’s experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena- the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety- we come to understand the author’s abiding need for Iceland, a place uniquely essential to Horn’s creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature’s sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness.
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional(...)
March 2019
Shuvinai Ashoona : life & work
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional Inuit culture and mythology with influences derived from the non-Arctic world. This publication explores the world of an artist whose rich graphic imagery conveys an intricate and textured personal vision. Using pencil, pen and ink, and markers to render dense, highly imaginative drawings, Shuvinai creates art that reflects the intersection of values between the traditional and the contemporary in the North.
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We are on the verge of sharing our cities with autonomous vehicles. Recent developments in driverless technologies are having an impact on our urban environment, raising questions about how self-driving vehicles could be integrated into our daily lives. Automotive and technological industries are not only developing the vehicles but also envisioning the future of our(...)
January 2021
Learning to live together: cars, humans, and kerbs in solidarity
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We are on the verge of sharing our cities with autonomous vehicles. Recent developments in driverless technologies are having an impact on our urban environment, raising questions about how self-driving vehicles could be integrated into our daily lives. Automotive and technological industries are not only developing the vehicles but also envisioning the future of our cities, a future where streets have seamlessly integrated driverless technologies and humans wander about, unconcerned by the presence of new automated machines circulating at high speeds through public space. These visions skip to a distant time and ignore the issues that these vehicles raise in the immediate future. In response to such an oversight, this essay and the accompanying meditations explore the conflicts soon to be unleashed by this new technology and the transformation of our streets it will trigger. The current implementations of driverless technology, which are fast and disruptive, do not suggest an eventual integrated urban solution. Yet this book allows us to imagine how humans and cars might collectively influence the urban environment.
Atlas of AI
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What happens when artificial intelligence saturates political life and depletes the planet? How is AI shaping our understanding of ourselves and our societies? Drawing on more than a decade of research, award-winning scholar Kate Crawford reveals how AI is a technology of extraction: from the minerals drawn from the earth, to the labor pulled from low-wage information(...)
Atlas of AI
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What happens when artificial intelligence saturates political life and depletes the planet? How is AI shaping our understanding of ourselves and our societies? Drawing on more than a decade of research, award-winning scholar Kate Crawford reveals how AI is a technology of extraction: from the minerals drawn from the earth, to the labor pulled from low-wage information workers, to the data taken from every action and expression. This book reveals how this planetary network is fueling a shift toward undemocratic governance and increased inequity. Rather than taking a narrow focus on code and algorithms, Crawford offers us a material and political perspective on what it takes to make AI and how it centralizes power. This is an urgent account of what is at stake as technology companies use artificial intelligence to reshape the world.
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Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century. A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view,(...)
June 2021
Itee Pootoogook : hymns to the silence
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Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century. A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view, a relatively recent practice influenced by his training as a carpenter and his interest in photography. His portraits of acquaintances and family members similarly bear witness to the contemporary North. Whether he depicts them at work or resting, his subjects are engaged in a range of activities from preparing carcasses brought in from hunting to playing music or contemplating the landscape of the North. Itee was also an inventive landscapist. Many of his finest Arctic scenes emphasize the open horizon that separates land from sky and the ever-shifting colours of the Arctic. Rendering the variable light of the landscape with precision, he brought a level of attention that contributed, over time, to his style.
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We are constantly encouraged to lead the ideal life. Where once our identities were shaped by our communities, families and friends, today we write our own success stories on social media. We design our own identities to an unprecedented extent, constructing ourselves as we wish to be seen. Ways of ''upgrading'' oneself—dieting to achieve the perfect body, transforming(...)
Help your self! The rise of self design
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We are constantly encouraged to lead the ideal life. Where once our identities were shaped by our communities, families and friends, today we write our own success stories on social media. We design our own identities to an unprecedented extent, constructing ourselves as we wish to be seen. Ways of ''upgrading'' oneself—dieting to achieve the perfect body, transforming your talents into a successful business, finding bliss by meeting a new love—may therefore be seen as new forms of creativity, or self-design. In ''Help your self!'' Dutch designer and director Mieke Gerritzen provides an inspirational guide for designing your ideal self, and shows you how to get started, while also scrutinizing the self-help industry with wit and intelligence.
Paix, pouvoir et droiture
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"Paix, pouvoir et droiture : un manifeste autochtone", qui tire sa structure des chants du rituel de condoléances rotinohshonni, appelle toutes les Premières Nations à prêter une oreille attentive à la voix des ancêtres afin de développer une philosophie visant à contrer l’assimilation. L’essai d’Alfred est un véritable plaidoyer en faveur des droits et de(...)
Paix, pouvoir et droiture
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"Paix, pouvoir et droiture : un manifeste autochtone", qui tire sa structure des chants du rituel de condoléances rotinohshonni, appelle toutes les Premières Nations à prêter une oreille attentive à la voix des ancêtres afin de développer une philosophie visant à contrer l’assimilation. L’essai d’Alfred est un véritable plaidoyer en faveur des droits et de l’autodétermination des peuples autochtones. Ce manifeste se veut avant-gardiste, proposant des pistes de réflexion inédites ayant significativement participé à améliorer la compréhension des enjeux des Premières Nations de l’Amérique du Nord.
Current Exhibitions
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Territoire immense (21 millions de km2) qui renvoie à un imaginaire mythique - les igloos, l'ours blanc, les esquimaux, sujet de toutes les envies, l'Arctique reste difficile à définir et à cerner. Quelle limite pour ce continent gelé ? Qui peut se revendiquer de manière légitime pour l'utilisation des nombreuses ressources du sous-sol marin ? Comment s'intègre cette(...)
Current Exhibitions
November 2016
Arctique : climat et enjeux strategiques
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Territoire immense (21 millions de km2) qui renvoie à un imaginaire mythique - les igloos, l'ours blanc, les esquimaux, sujet de toutes les envies, l'Arctique reste difficile à définir et à cerner. Quelle limite pour ce continent gelé ? Qui peut se revendiquer de manière légitime pour l'utilisation des nombreuses ressources du sous-sol marin ? Comment s'intègre cette partie du globe à la mondialisation ? Qui habite l'Arctique ? Ces questions sont de première importance pour les 8 pays riverains - Canada, Danemark (Groenland), Etats-Unis (Alaska), Finlande, Islande, Norvège, Russie et Suède.
Current Exhibitions
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Timber is a vital resource that is all around us. It is the house that shelters us, the furniture we relax in, the books we read, the paper we print, the disposable diapers for our babies, and the boxes that contain our cereal, detergent, and new appliances. The way we produce and consume timber, however, is changing. With international timber companies and big box(...)
Timber
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Timber is a vital resource that is all around us. It is the house that shelters us, the furniture we relax in, the books we read, the paper we print, the disposable diapers for our babies, and the boxes that contain our cereal, detergent, and new appliances. The way we produce and consume timber, however, is changing. With international timber companies and big box discount retailers increasingly controlling through global commodity chains where and how much timber is traded, the world's remaining old-growth forests, particularly in the developing world, are under threat of disappearing - all for the price of a consumer bargain. This trailblazing book is the first to expose what's happening inside corporate commodity chains with conclusions that fundamentally challenge our understanding of how and why deforestation persists. Authors Peter Dauvergne and Jane Lister reveal how timber now moves through long and complex supply chains from the forests of the global South through the factories of emerging economies like China to the big box retail shelves of Europe and North America. Well-off consumers are getting unprecedented deals. But the social and environmental costs are extraordinarily high as corporations mine the world's poorest regions and most vulnerable ecosystems. The growing power of big retail within these commodity chains is further increasing South-North inequities and unsustainable global consumption. Yet, as this book's highly original analysis uncovers, it is also creating some intriguing opportunities to promote more responsible business practices and better global forest governance.
Current Exhibitions
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As a new geopolitics of oil emerges, the need for effective global oil governance becomes imperative. Praising the growing influence of civil society and attentive to the institutionalization of producer-consumer cooperation, this book identifies challenges and opportunities to curtail price volatility, curb demand and the growth of dirty oil, de-carbonise energy systems,(...)
Oil
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As a new geopolitics of oil emerges, the need for effective global oil governance becomes imperative. Praising the growing influence of civil society and attentive to the institutionalization of producer-consumer cooperation, this book identifies challenges and opportunities to curtail price volatility, curb demand and the growth of dirty oil, de-carbonise energy systems, and improve governance in oil producing countries.
Current Exhibitions