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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite(...)
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite(...)
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Taaqtumi: an anthology of Arctic horror stories
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite what they seem. These chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others will thrill and entertain even the most seasoned horror fan.
Taaqtumi: an anthology of Arctic horror stories
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite what they seem. These chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others will thrill and entertain even the most seasoned horror fan.
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books
books
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September 2019
September 2019
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Current Exhibitions
Current Exhibitions
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$110.00
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a(...)
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a(...)
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January 2022
January 2022
Title:
Tokuko Ushioda: My husband (2 vol.)
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a single-room unit in a historic Western-style house. In this intimate setting, she continued to photograph, resulting in a wealth of images with a nostalgic familiarity and refined calmness. Published as a set of two books, this collection can be considered the starting point to her photography.
Tokuko Ushioda: My husband (2 vol.)
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$110.00
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a single-room unit in a historic Western-style house. In this intimate setting, she continued to photograph, resulting in a wealth of images with a nostalgic familiarity and refined calmness. Published as a set of two books, this collection can be considered the starting point to her photography.
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books
books
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January 2022
January 2022
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$23.95
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First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, the devastating process of displacement now can be found in every city and most neighbourhoods and impacts the most vulnerable communities. Leslie Kern proposes an intersectional way at looking at the crisis that seek to reveal the violence based on class,(...)
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First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, the devastating process of displacement now can be found in every city and most neighbourhoods and impacts the most vulnerable communities. Leslie Kern proposes an intersectional way at looking at the crisis that seek to reveal the violence based on class,(...)
Title:
Gentrification is inevitable, and other lies
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First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, the devastating process of displacement now can be found in every city and most neighbourhoods and impacts the most vulnerable communities. Leslie Kern proposes an intersectional way at looking at the crisis that seek to reveal the violence based on class, race, gender and sexuality. She argues that gentrification is not natural That it can not be understood in economics terms, or by class. That it is not a question of taste. That it can only be measured only by the physical displacement of certain people. Rather, she argues, it is an continuation of the setter colonial project that removed natives from their land. And it can be seen today is rising rents and evictions, transformed retail areas, increased policing and broken communities. Kern proposes a genuinely decolonial, feminist, queer, anti-gentrification. One that demands the right to the city for everyone and the return of land and reparations for those who have been displaced.
Gentrification is inevitable, and other lies
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First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, the devastating process of displacement now can be found in every city and most neighbourhoods and impacts the most vulnerable communities. Leslie Kern proposes an intersectional way at looking at the crisis that seek to reveal the violence based on class, race, gender and sexuality. She argues that gentrification is not natural That it can not be understood in economics terms, or by class. That it is not a question of taste. That it can only be measured only by the physical displacement of certain people. Rather, she argues, it is an continuation of the setter colonial project that removed natives from their land. And it can be seen today is rising rents and evictions, transformed retail areas, increased policing and broken communities. Kern proposes a genuinely decolonial, feminist, queer, anti-gentrification. One that demands the right to the city for everyone and the return of land and reparations for those who have been displaced.
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books
books
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October 2022
October 2022
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books
books
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$39.95
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta(...)
$39.95
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta(...)
Title:
We were here: Sexuality, photography, and cultural difference
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.
We were here: Sexuality, photography, and cultural difference
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.
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books
books
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November 2022
November 2022
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books
books
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Untrammelled neoliberalism and the inexorable force of production have produced a 21st century crisis of community: a narcissistic cult of authenticity and mass turning-inward are among the pathologies engendered by it. We are individuals afloat in an atomised society, where the loss of the symbolic structures inherent in ritual behaviour has led to overdependence on the(...)
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Untrammelled neoliberalism and the inexorable force of production have produced a 21st century crisis of community: a narcissistic cult of authenticity and mass turning-inward are among the pathologies engendered by it. We are individuals afloat in an atomised society, where the loss of the symbolic structures inherent in ritual behaviour has led to overdependence on the(...)
Title:
The disappearance of rituals: A topology of the present
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Untrammelled neoliberalism and the inexorable force of production have produced a 21st century crisis of community: a narcissistic cult of authenticity and mass turning-inward are among the pathologies engendered by it. We are individuals afloat in an atomised society, where the loss of the symbolic structures inherent in ritual behaviour has led to overdependence on the contingent to steer identity. Avoiding saccharine nostalgia for the rituals of the past, Han provides a genealogy of their disappearance as a means of diagnosing the pathologies of the present. He juxtaposes a community without communication – where the intensity of togetherness in silent recognition provides structure and meaning – to today’s communication without community, which does away with collective feelings and leaves individuals exposed to exploitation and manipulation by neoliberal psycho-politics. The community that is invoked everywhere today is an atrophied and commoditized community that lacks the symbolic power to bind people together. For Han, it is only the mutual praxis of recognition borne by the ritualistic sharing of the symbolic between members of a community which creates the footholds of objectivity allowing us to make sense of time.
The disappearance of rituals: A topology of the present
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Summary:
Untrammelled neoliberalism and the inexorable force of production have produced a 21st century crisis of community: a narcissistic cult of authenticity and mass turning-inward are among the pathologies engendered by it. We are individuals afloat in an atomised society, where the loss of the symbolic structures inherent in ritual behaviour has led to overdependence on the contingent to steer identity. Avoiding saccharine nostalgia for the rituals of the past, Han provides a genealogy of their disappearance as a means of diagnosing the pathologies of the present. He juxtaposes a community without communication – where the intensity of togetherness in silent recognition provides structure and meaning – to today’s communication without community, which does away with collective feelings and leaves individuals exposed to exploitation and manipulation by neoliberal psycho-politics. The community that is invoked everywhere today is an atrophied and commoditized community that lacks the symbolic power to bind people together. For Han, it is only the mutual praxis of recognition borne by the ritualistic sharing of the symbolic between members of a community which creates the footholds of objectivity allowing us to make sense of time.
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books
books
Publication:
October 2020
October 2020
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books
books
Title:
Heterotemporality
Heterotemporality
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and(...)
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and(...)
Publication:
October 2021
October 2021
Title:
Heterotemporality
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and people, while the black-and-white photographs on the visible pages are recent work, primarily exterior shots taken in January and February of 2021. Envisioning his own photos in book form is “a good way to see how images look together”, according to Marcopoulos.
Heterotemporality
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and people, while the black-and-white photographs on the visible pages are recent work, primarily exterior shots taken in January and February of 2021. Envisioning his own photos in book form is “a good way to see how images look together”, according to Marcopoulos.
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books
books
Publication:
October 2021
October 2021
Form:
books
books
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$29.95
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'' Imagine feeling 100% alive every moment of every minute of the day! Maybe that’s how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there’s no sliding scale of life. You’re either alive, or you’re not. Or you’re dead or you’re not.'' Thirty years after(...)
$29.95
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'' Imagine feeling 100% alive every moment of every minute of the day! Maybe that’s how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there’s no sliding scale of life. You’re either alive, or you’re not. Or you’re dead or you’re not.'' Thirty years after(...)
Title:
Binge
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'' Imagine feeling 100% alive every moment of every minute of the day! Maybe that’s how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there’s no sliding scale of life. You’re either alive, or you’re not. Or you’re dead or you’re not.'' Thirty years after Douglas Coupland broke the fiction mould and defined a generation with ''Generation X,'' he is back with ''Binge,'' 60 stories laced with his observational profundity about the way we live and his existential worry about how we should be living: the very things that have made him such an influential and bestselling writer. Not to mention that he can also be really funny. Here the narrators vary from story to story as Doug catches what he calls “the voice of the people,” inspired by the way we write about ourselves and our experiences in online forums. The characters, of course, are Doug’s own: crackpots, cranks and sweetie-pies, dad dancers and perpetrators of carbecues. People in the grip of unconscionable urges; lonely people; dying people; silly people. If you love Doug’s fiction, this collection is like rain on the desert.
Binge
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'' Imagine feeling 100% alive every moment of every minute of the day! Maybe that’s how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there’s no sliding scale of life. You’re either alive, or you’re not. Or you’re dead or you’re not.'' Thirty years after Douglas Coupland broke the fiction mould and defined a generation with ''Generation X,'' he is back with ''Binge,'' 60 stories laced with his observational profundity about the way we live and his existential worry about how we should be living: the very things that have made him such an influential and bestselling writer. Not to mention that he can also be really funny. Here the narrators vary from story to story as Doug catches what he calls “the voice of the people,” inspired by the way we write about ourselves and our experiences in online forums. The characters, of course, are Doug’s own: crackpots, cranks and sweetie-pies, dad dancers and perpetrators of carbecues. People in the grip of unconscionable urges; lonely people; dying people; silly people. If you love Doug’s fiction, this collection is like rain on the desert.
Form:
books
books
Publication:
October 2021
October 2021
Subject:
Current Exhibitions
Current Exhibitions
Form:
books
books
Price:
$27.95
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Summary:
Cette publication est une collection d’essais réunissant les voix de 16 artistes, commissaires, historien.ne.s de l’art et travailleur.se.s culturel.le.s autochtones, tant francophones qu’anglophones, œuvrant dans les territoires que l’on nomme Québec. Faisant suite à des expositions, des performances, des résidences d’artistes et des discussions mises en place lors du(...)
$27.95
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Summary:
Cette publication est une collection d’essais réunissant les voix de 16 artistes, commissaires, historien.ne.s de l’art et travailleur.se.s culturel.le.s autochtones, tant francophones qu’anglophones, œuvrant dans les territoires que l’on nomme Québec. Faisant suite à des expositions, des performances, des résidences d’artistes et des discussions mises en place lors du(...)
Title:
D'horizons et d'estuaires : Entres mémoires et créations autochtones
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Cette publication est une collection d’essais réunissant les voix de 16 artistes, commissaires, historien.ne.s de l’art et travailleur.se.s culturel.le.s autochtones, tant francophones qu’anglophones, œuvrant dans les territoires que l’on nomme Québec. Faisant suite à des expositions, des performances, des résidences d’artistes et des discussions mises en place lors du Projet Tiohtìa :ke (2017-2019) du Collectif des commissaires autochtones, ces textes honorent les relations et les affinités qui sont au cœur de ces pratiques en arts visuels. Par la diversité des points de vue et les enjeux soulevés par ces écrits, ce livre pose des questions cruciales sur l’avenir des arts autochtones et ouvre la porte à des dialogues longtemps attendus au Québec qui, nous l’espérons, permettront de créer de réels changements positifs. Il est maintenant temps de plonger dans ces imaginaires collectifs éblouissants et de nager dans les eaux ondulantes de ces mémoires résilientes.
D'horizons et d'estuaires : Entres mémoires et créations autochtones
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$27.95
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Cette publication est une collection d’essais réunissant les voix de 16 artistes, commissaires, historien.ne.s de l’art et travailleur.se.s culturel.le.s autochtones, tant francophones qu’anglophones, œuvrant dans les territoires que l’on nomme Québec. Faisant suite à des expositions, des performances, des résidences d’artistes et des discussions mises en place lors du Projet Tiohtìa :ke (2017-2019) du Collectif des commissaires autochtones, ces textes honorent les relations et les affinités qui sont au cœur de ces pratiques en arts visuels. Par la diversité des points de vue et les enjeux soulevés par ces écrits, ce livre pose des questions cruciales sur l’avenir des arts autochtones et ouvre la porte à des dialogues longtemps attendus au Québec qui, nous l’espérons, permettront de créer de réels changements positifs. Il est maintenant temps de plonger dans ces imaginaires collectifs éblouissants et de nager dans les eaux ondulantes de ces mémoires résilientes.
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books
books
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April 2022
April 2022
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books
books
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$35.00
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Emblématique portraitiste de mode, « Prince des photographes », Cecil Beaton fut l’une des figures principales de cette vie mondaine et cosmopolite appelée Café Society. Et si nous savions de Cecil Beaton qu’il était un chroniqueur talentueux, nous découvrons dans cet ouvrage qu’il fut aussi un superbe écrivain. Au fil des pages, se succèdent les portraits de célébrités(...)
$35.00
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Summary:
Emblématique portraitiste de mode, « Prince des photographes », Cecil Beaton fut l’une des figures principales de cette vie mondaine et cosmopolite appelée Café Society. Et si nous savions de Cecil Beaton qu’il était un chroniqueur talentueux, nous découvrons dans cet ouvrage qu’il fut aussi un superbe écrivain. Au fil des pages, se succèdent les portraits de célébrités(...)
Publication:
April 2022
April 2022
Title:
Cinquante ans d'élégances et d'art de vivre
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Emblématique portraitiste de mode, « Prince des photographes », Cecil Beaton fut l’une des figures principales de cette vie mondaine et cosmopolite appelée Café Society. Et si nous savions de Cecil Beaton qu’il était un chroniqueur talentueux, nous découvrons dans cet ouvrage qu’il fut aussi un superbe écrivain. Au fil des pages, se succèdent les portraits de célébrités tels Balenciaga, Dior, Chanel, mais aussi d’élégantes, de modèles, de photographes et de tant d’autres. Ainsi Beaton encense-t-il une époque, se souvient des gens d’influence, rallume le chic, l’esprit et la déraison.
Cinquante ans d'élégances et d'art de vivre
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Emblématique portraitiste de mode, « Prince des photographes », Cecil Beaton fut l’une des figures principales de cette vie mondaine et cosmopolite appelée Café Society. Et si nous savions de Cecil Beaton qu’il était un chroniqueur talentueux, nous découvrons dans cet ouvrage qu’il fut aussi un superbe écrivain. Au fil des pages, se succèdent les portraits de célébrités tels Balenciaga, Dior, Chanel, mais aussi d’élégantes, de modèles, de photographes et de tant d’autres. Ainsi Beaton encense-t-il une époque, se souvient des gens d’influence, rallume le chic, l’esprit et la déraison.
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books
books
Publication:
April 2022
April 2022
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books
books
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$90.00
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
$90.00
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Summary:
In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
Publication:
August 2022
August 2022
Title:
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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$90.00
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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$90.00
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Summary:
In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
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books
books
Publication:
August 2022
August 2022
