419 Results
Form:
books
books
Actions:
Price:
$24.00
(available to order)
Summary:
A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of(...)
$24.00
(available to order)
Summary:
A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of(...)
Publication:
February 2007, London
February 2007, London
Title:
The destruction of memory : Architecture at war
Actions:
Price:
$24.00
(available to order)
Summary:
A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of cultural annihilation. From Hitler’s Kristallnacht to the toppling of Saddam Hussein’s statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less than cultural genocide. Ultimately, Bevan forcefully argues for the prosecution of nations that purposely flout established international treaties against destroyed architecture. A passionate and thought-provoking cri de coeur, The Destruction of Memory raises questions about the costs of war that run deeper than blood and money.
The destruction of memory : Architecture at war
Actions:
Price:
$24.00
(available to order)
Summary:
A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of cultural annihilation. From Hitler’s Kristallnacht to the toppling of Saddam Hussein’s statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less than cultural genocide. Ultimately, Bevan forcefully argues for the prosecution of nations that purposely flout established international treaties against destroyed architecture. A passionate and thought-provoking cri de coeur, The Destruction of Memory raises questions about the costs of war that run deeper than blood and money.
Form:
books
books
Publication:
February 2007, London
February 2007, London
Form:
books
books
Title:
The cinematic
The cinematic
Actions:
Price:
$25.95
(available to order)
Summary:
The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography(...)
$25.95
(available to order)
Summary:
The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography(...)
Publication:
March 2007, London / Cambridge
March 2007, London / Cambridge
Title:
The cinematic
Actions:
Price:
$25.95
(available to order)
Summary:
The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel’s Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.
The cinematic
Actions:
Price:
$25.95
(available to order)
Summary:
The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel’s Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.
Form:
books
books
Publication:
March 2007, London / Cambridge
March 2007, London / Cambridge
Form:
books
books
Actions:
Price:
$88.95
(available to order)
Summary:
For the sheer quantity and quality of his inventions, scientist and structural engineer Vladimir Shukhov (1853–1939) is sometimes referred to as the “Russian Thomas Edison.” Among his pioneering contributions are a number of innovations related to the oil industry, including the design and construction of the first Russian pipeline and the world’s first industrial plant(...)
$88.95
(available to order)
Summary:
For the sheer quantity and quality of his inventions, scientist and structural engineer Vladimir Shukhov (1853–1939) is sometimes referred to as the “Russian Thomas Edison.” Among his pioneering contributions are a number of innovations related to the oil industry, including the design and construction of the first Russian pipeline and the world’s first industrial plant(...)
Publication:
August 2016
August 2016
Title:
Networks of construction: Vladimir Shukohov
Actions:
Price:
$88.95
(available to order)
Summary:
For the sheer quantity and quality of his inventions, scientist and structural engineer Vladimir Shukhov (1853–1939) is sometimes referred to as the “Russian Thomas Edison.” Among his pioneering contributions are a number of innovations related to the oil industry, including the design and construction of the first Russian pipeline and the world’s first industrial plant for oil cracking. His groundbreaking structural works include the cable-supported hanging roof and the hyperboloid lattice tower epitomized by the Shukhov Tower in Moscow, which bears his name. Networks of Construction collects Shukhov’s trailblazing achievements from the turn of the twentieth century, exploring his career and complicated creative process. Each of Shukhov’s projects, the book shows, was realized through an elaborate process beginning with an intense period of planning to account for the interconnections among a wide range of factors, from the technical background of the construction workers to technology transfer, the nomenclature of steel grades, and the scientification of construction knowledge. Ekaterina Nozhova and Uta Hassler of the Institute of Historic Building Research and Conservation at ETH Zurich have painstakingly reconstructed Shukhov’s process through a wealth of drawings, photographs, and documents.
Networks of construction: Vladimir Shukohov
Actions:
Price:
$88.95
(available to order)
Summary:
For the sheer quantity and quality of his inventions, scientist and structural engineer Vladimir Shukhov (1853–1939) is sometimes referred to as the “Russian Thomas Edison.” Among his pioneering contributions are a number of innovations related to the oil industry, including the design and construction of the first Russian pipeline and the world’s first industrial plant for oil cracking. His groundbreaking structural works include the cable-supported hanging roof and the hyperboloid lattice tower epitomized by the Shukhov Tower in Moscow, which bears his name. Networks of Construction collects Shukhov’s trailblazing achievements from the turn of the twentieth century, exploring his career and complicated creative process. Each of Shukhov’s projects, the book shows, was realized through an elaborate process beginning with an intense period of planning to account for the interconnections among a wide range of factors, from the technical background of the construction workers to technology transfer, the nomenclature of steel grades, and the scientification of construction knowledge. Ekaterina Nozhova and Uta Hassler of the Institute of Historic Building Research and Conservation at ETH Zurich have painstakingly reconstructed Shukhov’s process through a wealth of drawings, photographs, and documents.
Form:
books
books
Publication:
August 2016
August 2016
Form:
books
books
Actions:
Price:
$71.95
(available to order)
Summary:
Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read(...)
$71.95
(available to order)
Summary:
Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read(...)
Publication:
April 2018
April 2018
Title:
Film, architecture and spatial imagination
Actions:
Price:
$71.95
(available to order)
Summary:
Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read architecture and design in film in order to see the many inherent messages. Architecture’s representational capacity contributes to the plausibility or 'reality' possible in film. The book provides an ontological understanding that clarifies and stabilizes the reciprocity of the actual world and a filmic world of illusion and human imagination, thereby shedding light on both film and architecture.
Film, architecture and spatial imagination
Actions:
Price:
$71.95
(available to order)
Summary:
Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read architecture and design in film in order to see the many inherent messages. Architecture’s representational capacity contributes to the plausibility or 'reality' possible in film. The book provides an ontological understanding that clarifies and stabilizes the reciprocity of the actual world and a filmic world of illusion and human imagination, thereby shedding light on both film and architecture.
Form:
books
books
Publication:
April 2018
April 2018
Form:
books
books
Title:
Alvin Baltrop: The Piers
Alvin Baltrop: The Piers
Actions:
Price:
$87.00
(available to order)
Summary:
Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop(...)
$87.00
(available to order)
Summary:
Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop(...)
Title:
Alvin Baltrop: The Piers
Actions:
Price:
$87.00
(available to order)
Summary:
Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop documented this scene, unflinchingly and obsessively capturing everything from fleeting naked figures in mangled architectural environments to scenes of explicit sex and police raids on the piers. His work is little known and underpublished--mainly due to its unflinching subject matter--but while often explicit, his photographs are on a par with those of Nan Goldin, Peter Hujar and Enrique Metenides. While the outside world saw New York as the glamorous playground of Studio 54, Warhol's gang and the disco era, Baltrop photographed the city's gritty flipside; his work is an important part of both gay culture and the history of New York itself. This clothbound volume compiles the Piers series in one definitive monograph, a powerful tribute to a long-forgotten world at the city's dilapidated margins.
Alvin Baltrop: The Piers
Actions:
Price:
$87.00
(available to order)
Summary:
Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop documented this scene, unflinchingly and obsessively capturing everything from fleeting naked figures in mangled architectural environments to scenes of explicit sex and police raids on the piers. His work is little known and underpublished--mainly due to its unflinching subject matter--but while often explicit, his photographs are on a par with those of Nan Goldin, Peter Hujar and Enrique Metenides. While the outside world saw New York as the glamorous playground of Studio 54, Warhol's gang and the disco era, Baltrop photographed the city's gritty flipside; his work is an important part of both gay culture and the history of New York itself. This clothbound volume compiles the Piers series in one definitive monograph, a powerful tribute to a long-forgotten world at the city's dilapidated margins.
Form:
books
books
Publication:
August 2015
August 2015
Subject:
Current Exhibitions
Current Exhibitions
Form:
books
books
Actions:
Price:
$48.95
(available to order)
Summary:
The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. Imported novels challenged fundamental tenets of Soviet ethics,(...)
$48.95
(available to order)
Summary:
The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. Imported novels challenged fundamental tenets of Soviet ethics,(...)
Title:
To see Paris and die: the Soviet lives of Western culture
Actions:
Price:
$48.95
(available to order)
Summary:
The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. Imported novels challenged fundamental tenets of Soviet ethics, while modernist paintings tested deep-seated notions of culture. Western films were eroticized even before viewers took their seats. The drama of cultural exchange and translation encompassed discovery as well as loss. Eleonory Gilburd explores the pleasure, longing, humiliation, and anger that Soviet citizens felt as they found themselves in the midst of this cross-cultural encounter. With the end of the Soviet Union, the Soviet West disappeared from the cultural map. Gilburd’s history reveals how domesticated Western imports defined the last three decades of the Soviet Union, as well as its death and afterlife.
To see Paris and die: the Soviet lives of Western culture
Actions:
Price:
$48.95
(available to order)
Summary:
The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. Imported novels challenged fundamental tenets of Soviet ethics, while modernist paintings tested deep-seated notions of culture. Western films were eroticized even before viewers took their seats. The drama of cultural exchange and translation encompassed discovery as well as loss. Eleonory Gilburd explores the pleasure, longing, humiliation, and anger that Soviet citizens felt as they found themselves in the midst of this cross-cultural encounter. With the end of the Soviet Union, the Soviet West disappeared from the cultural map. Gilburd’s history reveals how domesticated Western imports defined the last three decades of the Soviet Union, as well as its death and afterlife.
Form:
books
books
Publication:
December 2018
December 2018
Subject:
Current Exhibitions
Current Exhibitions
Form:
books
books
Title:
The golden calf
The golden calf
Actions:
Price:
$23.95
(available to order)
Summary:
Ostap Bender, the "grand strategist," is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He's obsessed with getting one last big score—a few hundred thousand will do—and heading for Rio de Janeiro, where there are "a million and a half people, all of them wearing white pants, without exception." When Bender hears the story of(...)
$23.95
(available to order)
Summary:
Ostap Bender, the "grand strategist," is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He's obsessed with getting one last big score—a few hundred thousand will do—and heading for Rio de Janeiro, where there are "a million and a half people, all of them wearing white pants, without exception." When Bender hears the story of(...)
Title:
The golden calf
Actions:
Price:
$23.95
(available to order)
Summary:
Ostap Bender, the "grand strategist," is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He's obsessed with getting one last big score—a few hundred thousand will do—and heading for Rio de Janeiro, where there are "a million and a half people, all of them wearing white pants, without exception." When Bender hears the story of Alexandr Koreiko, an "undercover millionaire"—no Soviet citizen was allowed to openly hoard so much capital—the chase is on. Koreiko has made his millions by taking advantage of the wide-spread corruption and utter chaos of the NEP, all while serving quietly as an accountant at a government office and living on 46 rubles a month. He's just waiting for the Soviet regime to collapse so he can make use of his stash, which he keeps hidden away in a suitcase.
The golden calf
Actions:
Price:
$23.95
(available to order)
Summary:
Ostap Bender, the "grand strategist," is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He's obsessed with getting one last big score—a few hundred thousand will do—and heading for Rio de Janeiro, where there are "a million and a half people, all of them wearing white pants, without exception." When Bender hears the story of Alexandr Koreiko, an "undercover millionaire"—no Soviet citizen was allowed to openly hoard so much capital—the chase is on. Koreiko has made his millions by taking advantage of the wide-spread corruption and utter chaos of the NEP, all while serving quietly as an accountant at a government office and living on 46 rubles a month. He's just waiting for the Soviet regime to collapse so he can make use of his stash, which he keeps hidden away in a suitcase.
Form:
books
books
Publication:
December 2009
December 2009
Subject:
Current Exhibitions
Current Exhibitions
Form:
books
books
Actions:
Price:
$64.00
(available in store)
Summary:
Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited(...)
$64.00
(available in store)
Summary:
Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited(...)
Publication:
October 2019
October 2019
Title:
Protest! A history of social and political protest graphics
Actions:
Price:
$64.00
(available in store)
Summary:
Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, "Protest!" presents a major new chronological look at protest graphics and shows how these images have been shaped by international events as well as advances in technology.
Protest! A history of social and political protest graphics
Actions:
Price:
$64.00
(available in store)
Summary:
Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, "Protest!" presents a major new chronological look at protest graphics and shows how these images have been shaped by international events as well as advances in technology.
Form:
books
books
Publication:
October 2019
October 2019
Form:
books
books
Price:
$54.95
(available to order)
Summary:
The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record(...)
$54.95
(available to order)
Summary:
The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record(...)
Publication:
September 2019
September 2019
Title:
Architecture of appropriation: on squatting as spatial practice
Actions:
Price:
$54.95
(available to order)
Summary:
The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record of past and current struggles, spaces, and oral histories, thereby forming the basis for a new governmental acquisition policy. It brings together the expertise of the squatting movement with architects, archivists, scholars, and lawyers in order to discuss approaches to what are often criminalised spatial practices.
Architecture of appropriation: on squatting as spatial practice
Actions:
Price:
$54.95
(available to order)
Summary:
The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record of past and current struggles, spaces, and oral histories, thereby forming the basis for a new governmental acquisition policy. It brings together the expertise of the squatting movement with architects, archivists, scholars, and lawyers in order to discuss approaches to what are often criminalised spatial practices.
Form:
books
books
Publication:
September 2019
September 2019
Form:
journals and magazines
journals and magazines
Actions:
Price:
$46.95
(available to order)
Summary:
English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of(...)
$46.95
(available to order)
Summary:
English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of(...)
Title:
OASE 103: Critical regionalism revisited
Actions:
Price:
$46.95
(available to order)
Summary:
English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of Resistance’ (1983). In this last text, Frampton searched for an alternative approach towards architecture by defining the specifics of topography, climate, light and tectonics as essential to the art of building. This issue of OASE examines the canonical role of Kenneth Frampton’s concept of ‘Critical Regionalism’, reaching beyond its traditional interpretation. It gathers contributions that propose a new genealogy of the text, critical re-readings and explorations by practicing architects and architecture theorists that evaluate the interest of Frampton’s ideas for contemporary architecture.
OASE 103: Critical regionalism revisited
Actions:
Price:
$46.95
(available to order)
Summary:
English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of Resistance’ (1983). In this last text, Frampton searched for an alternative approach towards architecture by defining the specifics of topography, climate, light and tectonics as essential to the art of building. This issue of OASE examines the canonical role of Kenneth Frampton’s concept of ‘Critical Regionalism’, reaching beyond its traditional interpretation. It gathers contributions that propose a new genealogy of the text, critical re-readings and explorations by practicing architects and architecture theorists that evaluate the interest of Frampton’s ideas for contemporary architecture.
Form:
journals and magazines
journals and magazines
Publication:
August 2019
August 2019
Subject:
Current Exhibitions
Current Exhibitions
