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English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of(...)
OASE 103: Critical regionalism revisited
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English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of Resistance’ (1983). In this last text, Frampton searched for an alternative approach towards architecture by defining the specifics of topography, climate, light and tectonics as essential to the art of building. This issue of OASE examines the canonical role of Kenneth Frampton’s concept of ‘Critical Regionalism’, reaching beyond its traditional interpretation. It gathers contributions that propose a new genealogy of the text, critical re-readings and explorations by practicing architects and architecture theorists that evaluate the interest of Frampton’s ideas for contemporary architecture.
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Fridge food soul
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French photographer and musician Olivier Degorce is usually associated with the emergence of the 1990s electronic music scene, where he was one of the first to compulsively document the Paris raves and electric underground scene. But with camera always in hand, he created many more series, which are only now coming to light. In ''Fridge Food Soul,'' Degorce became(...)
Fridge food soul
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French photographer and musician Olivier Degorce is usually associated with the emergence of the 1990s electronic music scene, where he was one of the first to compulsively document the Paris raves and electric underground scene. But with camera always in hand, he created many more series, which are only now coming to light. In ''Fridge Food Soul,'' Degorce became fascinated with the contents of peoples refrigerators, creating a voluminous archive of images from 1993 to 2017. Using various cameras, from large formal to point and shoot, he captured the colors and smells of items fresh and long expired, while never missing an opportunity to raid a fridge and capture the sheer diversity of individual eating habits. The final presentation is a voyeuristic-like collection of contemporary still lifes.
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'Monotown: Urban Dreams Brutal Imperatives' examines the post-industrial transformation and transnational legacy of planned single-industry towns which emerged as a distinctive sociopolitical project of urbanization in the Soviet Union during the 1920s.
Monotown: Urban dreams, brutal imperatives
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'Monotown: Urban Dreams Brutal Imperatives' examines the post-industrial transformation and transnational legacy of planned single-industry towns which emerged as a distinctive sociopolitical project of urbanization in the Soviet Union during the 1920s.
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde,(...)
Russian Avant-garde: Pioneers and direct descendants
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde, igniting a new phase in the development of the original ideas of Malevich, Tatlin and El Lissitzky.
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well.(...)
Aleksandr Zhitomirsky: photomontage as a weapon of WWII and the Cold War
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. In this comprehensive account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, "The Art of Political Photomontage: Advice for the Artist" (1983).
Current Exhibitions
books
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Written in 1921, "We" is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering—and now available in a powerful new translation—"We" is both a rediscovered(...)
We
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Written in 1921, "We" is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering—and now available in a powerful new translation—"We" is both a rediscovered classic and a work of tremendous relevance to our own times.
books
July 2006
Current Exhibitions
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its(...)
We
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in. Written in a highly charged, direct and concise style, Zamyatin's 1921 seminal novel is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.
Current Exhibitions
Love of worker bees
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'' Love of worker bees,'' written by one of the most famous and gifted Russian authors of the twentieth century, was greeted on publication in 1923 as too sexually explicit. The book collects three works of fiction, ''Vasilisa Malygina,'' ''Three Generations,'' and ''Sisters,'' creating a powerful love story with a graphic and a rare portrayal of Russian life in the(...)
Love of worker bees
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'' Love of worker bees,'' written by one of the most famous and gifted Russian authors of the twentieth century, was greeted on publication in 1923 as too sexually explicit. The book collects three works of fiction, ''Vasilisa Malygina,'' ''Three Generations,'' and ''Sisters,'' creating a powerful love story with a graphic and a rare portrayal of Russian life in the 1920s. The first piece is set in Russia after the October Revolution and the Civil War, The heroine Vasya struggles to come to terms with her husband and the demands of the new world in which she lives. The second story depicts the way in which three generations of women differ in their attitudes and expectations; and ''Sisters'' is a story of a deserted wife and a prostitute who find a common bond. Each story unfolds against a backdrop populated by the ''ordinary'' Russian people of the time- Party workers, entrepreneurs, prostitutes, manipulators, and idealists.
Current Exhibitions
The Master and Margarita
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Nothing in the whole of literature compares with ''The Master and Margarita.'' One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient(...)
The Master and Margarita
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Nothing in the whole of literature compares with ''The Master and Margarita.'' One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with historical, imaginary, frightful, and wonderful characters. Written during the darkest days of Stalin's reign, and finally published in 1966 and 1967, ''The Master and Margarita'' became a literary phenomenon, signaling artistic and spiritual freedom for Russians everywhere. This newly revised translation, by the award-winning team of Pevear and Volokhonsky, is made from the complete and unabridged Russian text.
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One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella ''Envy'' brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with(...)
Envy
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One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella ''Envy'' brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn't mean he's grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath. Producer and sponger, insider and outcast, master and man fight back and forth in the pages of Olesha's anarchic comedy. It is a contest of wills in which nothing is sure except the incorrigible human heart.
Current Exhibitions