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Mies van der Rohe : A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the architect. Co-authored with architect Edward Windhorst, this revised edition features new and extensive original research and commentary. Schulze and Windhorst trace Mies’s European career in its progression to(...)
September 2012
Mies van der Rohe : a critical biography, new and revised edition
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Mies van der Rohe : A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the architect. Co-authored with architect Edward Windhorst, this revised edition features new and extensive original research and commentary. Schulze and Windhorst trace Mies’s European career in its progression to avant-garde modernism — where his work was materially rich but of modest scale — to his second maturity and world renown in the United States, where he invented a new architectural language of “objective” structural expression.
In the life of cities
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What is it that gives places their individual qualities and defines the life of a city? Architects and urbanists are accustomed to describing and creating the organizational structures, the layouts and physical attributes of our cities. But what are the relations between the design of a city—its form—and the life engendered by that form? Responding to this question is the(...)
In the life of cities
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What is it that gives places their individual qualities and defines the life of a city? Architects and urbanists are accustomed to describing and creating the organizational structures, the layouts and physical attributes of our cities. But what are the relations between the design of a city—its form—and the life engendered by that form? Responding to this question is the inspiration for In the Life of Cities. Contributors from a wide range of fields address the role and life of cities as diverse as Baku, Buenos Aires, Cairo, Detroit, Jakarta, Johannesburg, Mumbai, Paris, Quito, St. Petersburg, Tel Aviv, Tirana, and Toronto. Portfolios of contemporary photography present the layered realities of urban life today.
$79.95
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In 1949, the photographer Lucien Hervé (1910–2007) took a picture of an innovative apartment building in Marseille, France, and sent it to the building’s architect, Le Corbusier (1887–1965). Le Corbusier responded by asking Hervé to become his official photographer. This book recounts the collaboration between these Modernists. The author takes the reader on a tour of(...)
September 2011
Le Corbusier and Lucien Hervé: a dialogue between architect and photographe
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In 1949, the photographer Lucien Hervé (1910–2007) took a picture of an innovative apartment building in Marseille, France, and sent it to the building’s architect, Le Corbusier (1887–1965). Le Corbusier responded by asking Hervé to become his official photographer. This book recounts the collaboration between these Modernists. The author takes the reader on a tour of sixteen of Le Corbusier’s most iconic buildings using Hervé’s edited sheets of contact prints as visual guides. These sheets, which became an effective tool in the collaborative dissemination of Le Corbusier’s work, capture Hervé’s dynamic perspectives and dramatic use of light. His sequencing of the individual prints creates an exhilarating rhythm that showcases the architect’s novel forms and materials.
$53.95
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With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his(...)
November 2011
Gordon Matta-Clark, moment to moment : space
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With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his favorite responses to a work came from a Parisian concierge: “I see the purpose for that hole - it is an experiment in bringing light and air into spaces that never had enough of either.” Throughout his all-too-brief career, Matta-Clark undertook civic aeration on many fronts, cofounding the now legendary Food Restaurant in 1971, buying up empty lots in Queens and evolving his theory of “anarchitecture” in films, photomontages and numerous writings and drawings. Anarchitecture redefined negative space in art as a political act, distinguishing itself from architecture by imagining a cure for its most pernicious effects. Gordon Matta-Clark : Moment to Moment offers a comprehensive overview of this courageous and liberating artist with a wealth of documentation and reproductions from across Matta-Clark's oeuvre, as well as critical commentary from Philip Ursprung, Angela Lammert, Hubertus von Amelunxen, Dan Graham and others.
OASE #84: Models Maquettes
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
OASE #84: Models Maquettes
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year
$42.00
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In the late fifteenth century, clocks acquired minute hands. A century later, second hands appeared. But it wasn't until the 1850s that instruments could recognize a tenth of a second, and, once they did, their impact on modern science and society was profound. Tracing debates about the nature of time, causality, and free will, as well as the introduction of modern(...)
September 2011
A tenth of a second: a history
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In the late fifteenth century, clocks acquired minute hands. A century later, second hands appeared. But it wasn't until the 1850s that instruments could recognize a tenth of a second, and, once they did, their impact on modern science and society was profound. Tracing debates about the nature of time, causality, and free will, as well as the introduction of modern technologies - telegraphy, photography, cinematography - Jimena Canales locates the reverberations of this "perceptual moment" throughout culture. Revealing the history behind this infinitesimal interval, Revealing the history behind this infinitesimal interval, A Tenth of a Second sheds new light on modernity and illuminates the work of important thinkers of the last two centuries.
Moscow: the fourth Rome
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In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an(...)
November 2011
Moscow: the fourth Rome
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In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today—transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin.
From models to drawings
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This book is key reading for all students of architecture and architectural theory. It addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere models for imitation in the construction of buildings, the articles explore the broader(...)
November 2010
From models to drawings
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This book is key reading for all students of architecture and architectural theory. It addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere models for imitation in the construction of buildings, the articles explore the broader range of methods and meanings at stake in the creation and interpretation of architectural drawings, models, images and artefacts.
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Cet herbier est consacré aux plantes qui puisent la force de s’insinuer dans notre espace urbain, dans les joints des caniveaux et des trottoirs, dans les fissures des murs, au pied des arbres, dans les pelouses des parcs, le long des grillages, sur les toits… Ces plantes sauvages des villes peuvent aussi bien être arborescentes que rampantes, florales que graminées, et(...)
L'Herbier: plantes sauvages des villes
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Cet herbier est consacré aux plantes qui puisent la force de s’insinuer dans notre espace urbain, dans les joints des caniveaux et des trottoirs, dans les fissures des murs, au pied des arbres, dans les pelouses des parcs, le long des grillages, sur les toits… Ces plantes sauvages des villes peuvent aussi bien être arborescentes que rampantes, florales que graminées, et possèdent, tout autant que leurs cousines des bois, une histoire, un usage, une mythologie. Comme les précédents herbiers, ce livre d’images présente, pour chaque plante, la découpe de sa feuille, de son fruit et de sa graine.
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Since the late 1960s, William H. Helfand has donated more than 1,000 posters, prints, and ephemera to the Philadelphia Museum of Art's Ars Medica Collection, the world's only collection of medical prints housed in an art museum. This volume presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as(...)
Health for sale: posters from the William H. Helfand Collection
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Since the late 1960s, William H. Helfand has donated more than 1,000 posters, prints, and ephemera to the Philadelphia Museum of Art's Ars Medica Collection, the world's only collection of medical prints housed in an art museum. This volume presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as Jules Chéret and Leonetto Cappiello.
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