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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du(...)
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du(...)
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Le Merle: cahiers sur les mots et les actes Vol. 1, n. 1, Printemps 2012
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du hasard par Richard Ibghy & Marilou Lemmens, En entrevue: Le temps de l’oeuvre, le temps de l’acte: Entretien avec Bernard Aspe par Érik Bordeleau, Our Literal Speed par Abbey Shaine Dubin (en anglais), un projet inédit de Simon Brown, Institutional Critique Flair Button* de Charles Gute ainsi qu'un texte de Érik Bordeleau produit dans le cadre de Zoo 2011: Se faire une âme anonyme: Itinéraire pratique. Le Merle is a semiannual publication presenting texts and works that share an interest in delineating the political and the formation of the Subject through art, writing and exhibition practices. This issue includes : Anarchism: What It Really Stands For (Today): Edited and abridged by Heather Davis, The Geometry of Chance by Richard Ibghy & Marilou Lemmens, The Time of the Work, the Time of the Act: an interview with Bernard Aspe, a project by Simon Brown, Our Literal Speed by Abbey Shaine Dubin, Institutional Critique Flair Button* by Charles Gute, To Make One's Soul Anonymous: Practical Itinerary by Érik Bordeleau.
Le Merle: cahiers sur les mots et les actes Vol. 1, n. 1, Printemps 2012
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du hasard par Richard Ibghy & Marilou Lemmens, En entrevue: Le temps de l’oeuvre, le temps de l’acte: Entretien avec Bernard Aspe par Érik Bordeleau, Our Literal Speed par Abbey Shaine Dubin (en anglais), un projet inédit de Simon Brown, Institutional Critique Flair Button* de Charles Gute ainsi qu'un texte de Érik Bordeleau produit dans le cadre de Zoo 2011: Se faire une âme anonyme: Itinéraire pratique. Le Merle is a semiannual publication presenting texts and works that share an interest in delineating the political and the formation of the Subject through art, writing and exhibition practices. This issue includes : Anarchism: What It Really Stands For (Today): Edited and abridged by Heather Davis, The Geometry of Chance by Richard Ibghy & Marilou Lemmens, The Time of the Work, the Time of the Act: an interview with Bernard Aspe, a project by Simon Brown, Our Literal Speed by Abbey Shaine Dubin, Institutional Critique Flair Button* by Charles Gute, To Make One's Soul Anonymous: Practical Itinerary by Érik Bordeleau.
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books
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May 2012
May 2012
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Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes(...)
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Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes(...)
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August 2012
August 2012
Title:
Vogt architects: Landscape as a cabinet of curiosities
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Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes of landscape architecture and its relationship to architecture and the city, about his teaching at the ETH Zürich, and about the work of Vogt Landscape Architects; he describes his perception of the landscape as a cabinet of curiosities, tells how he collects various phenomena and individual elements, relates them to each other and rearranges them. And in the reader’s mind’s eye unfolds a cosmos, in which the lack of wholeness of nature seems to be a gain rather than a loss.
Vogt architects: Landscape as a cabinet of curiosities
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Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes of landscape architecture and its relationship to architecture and the city, about his teaching at the ETH Zürich, and about the work of Vogt Landscape Architects; he describes his perception of the landscape as a cabinet of curiosities, tells how he collects various phenomena and individual elements, relates them to each other and rearranges them. And in the reader’s mind’s eye unfolds a cosmos, in which the lack of wholeness of nature seems to be a gain rather than a loss.
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books
books
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August 2012
August 2012
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books
books
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$41.50
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Designers around the world are carving out opportunities for new kinds of engagement, new kinds of collaboration, new kinds of design outcomes, and new kinds of practice; overturning the inherited assumptions of the design professions. Seventeen conversations with practitioners from the fields of architecture, policy, activism, design, education, research, history,(...)
$41.50
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Designers around the world are carving out opportunities for new kinds of engagement, new kinds of collaboration, new kinds of design outcomes, and new kinds of practice; overturning the inherited assumptions of the design professions. Seventeen conversations with practitioners from the fields of architecture, policy, activism, design, education, research, history,(...)
Title:
Future practice : conversations from the edge of architecture
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Designers around the world are carving out opportunities for new kinds of engagement, new kinds of collaboration, new kinds of design outcomes, and new kinds of practice; overturning the inherited assumptions of the design professions. Seventeen conversations with practitioners from the fields of architecture, policy, activism, design, education, research, history, community engagement and more, each representing an emergent role for designers to occupy. Whether the "civic entrepreneur," the "double agent," or the "strategic designer," this book offers a diverse spectrum of approaches to design, each offering a potential future for architectural practice. With a foreword by Dan Hill and interviews with Steve Ashton, ARM; Bryan Boyer, Helsinki Design Lab; Camila Bustamante; Mel Dodd, muf_aus; DUS Architects; Jeanne Gang, Studio Gang; Reinier de Graaf and Laura Baird, AMO; Conrad Hamann; Natalie Jeremijenko, xClinic; Indy Johar, 00:/;Bruce Mau; Arjen Oosterman and Lilet Breddels, Volume; Todd Reisz; Wouter Vanstiphout, Crimson; Matt Webb, BERG; Marcus Westbury, Renew Newcastle; and Liam Young, Unknown Fields
Future practice : conversations from the edge of architecture
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Designers around the world are carving out opportunities for new kinds of engagement, new kinds of collaboration, new kinds of design outcomes, and new kinds of practice; overturning the inherited assumptions of the design professions. Seventeen conversations with practitioners from the fields of architecture, policy, activism, design, education, research, history, community engagement and more, each representing an emergent role for designers to occupy. Whether the "civic entrepreneur," the "double agent," or the "strategic designer," this book offers a diverse spectrum of approaches to design, each offering a potential future for architectural practice. With a foreword by Dan Hill and interviews with Steve Ashton, ARM; Bryan Boyer, Helsinki Design Lab; Camila Bustamante; Mel Dodd, muf_aus; DUS Architects; Jeanne Gang, Studio Gang; Reinier de Graaf and Laura Baird, AMO; Conrad Hamann; Natalie Jeremijenko, xClinic; Indy Johar, 00:/;Bruce Mau; Arjen Oosterman and Lilet Breddels, Volume; Todd Reisz; Wouter Vanstiphout, Crimson; Matt Webb, BERG; Marcus Westbury, Renew Newcastle; and Liam Young, Unknown Fields
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books
books
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August 2012
August 2012
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books
books
Title:
La fabrique, c'est quoi?
La fabrique, c'est quoi?
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La fabrique est un espace de réflexion, de production et d'actions que Jean-Maxime Dufresne a développé avec la participation des élèves dans le cadre d'une résidence de création à l'École secondaire Mgr-Richard à Verdun.
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La fabrique est un espace de réflexion, de production et d'actions que Jean-Maxime Dufresne a développé avec la participation des élèves dans le cadre d'une résidence de création à l'École secondaire Mgr-Richard à Verdun.
Title:
La fabrique, c'est quoi?
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La fabrique est un espace de réflexion, de production et d'actions que Jean-Maxime Dufresne a développé avec la participation des élèves dans le cadre d'une résidence de création à l'École secondaire Mgr-Richard à Verdun.
La fabrique, c'est quoi?
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La fabrique est un espace de réflexion, de production et d'actions que Jean-Maxime Dufresne a développé avec la participation des élèves dans le cadre d'une résidence de création à l'École secondaire Mgr-Richard à Verdun.
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books
books
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July 2012
July 2012
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$61.95
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the(...)
$61.95
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the(...)
Publication:
September 2012
September 2012
Title:
Alternative histories: New York art spaces 1960 to 2010
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context.
Alternative histories: New York art spaces 1960 to 2010
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context.
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books
books
Publication:
September 2012
September 2012
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$34.95
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This publication showcases the acclaimed landscape designer's urban renewal effort for downtown Denver in the 1970s. Drawing on the rugged beauty of the city's natural surroundings for inspiration, Halprin created a signature landmark of sunken fountains, walls, and berms that served as an urban promenade and an oasis from the surrounding streets. This monograph honors(...)
$34.95
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This publication showcases the acclaimed landscape designer's urban renewal effort for downtown Denver in the 1970s. Drawing on the rugged beauty of the city's natural surroundings for inspiration, Halprin created a signature landmark of sunken fountains, walls, and berms that served as an urban promenade and an oasis from the surrounding streets. This monograph honors(...)
Title:
Lawrence Halprin's Skyline park
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This publication showcases the acclaimed landscape designer's urban renewal effort for downtown Denver in the 1970s. Drawing on the rugged beauty of the city's natural surroundings for inspiration, Halprin created a signature landmark of sunken fountains, walls, and berms that served as an urban promenade and an oasis from the surrounding streets. This monograph honors the legacy of Halprin's original work by presenting the most complete documentation available of the park's conception, construction, and use before its total redesign in 2003. This first book on Halprin's modern landscape project features new photography, archival drawings, and original documentation.
Lawrence Halprin's Skyline park
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This publication showcases the acclaimed landscape designer's urban renewal effort for downtown Denver in the 1970s. Drawing on the rugged beauty of the city's natural surroundings for inspiration, Halprin created a signature landmark of sunken fountains, walls, and berms that served as an urban promenade and an oasis from the surrounding streets. This monograph honors the legacy of Halprin's original work by presenting the most complete documentation available of the park's conception, construction, and use before its total redesign in 2003. This first book on Halprin's modern landscape project features new photography, archival drawings, and original documentation.
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books
books
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August 2012
August 2012
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books
books
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$49.95
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Mies van der Rohe : A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the architect. Co-authored with architect Edward Windhorst, this revised edition features new and extensive original research and commentary. Schulze and Windhorst trace Mies’s European career in its progression to(...)
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Mies van der Rohe : A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the architect. Co-authored with architect Edward Windhorst, this revised edition features new and extensive original research and commentary. Schulze and Windhorst trace Mies’s European career in its progression to(...)
Publication:
September 2012
September 2012
Title:
Mies van der Rohe : a critical biography, new and revised edition
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$49.95
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Mies van der Rohe : A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the architect. Co-authored with architect Edward Windhorst, this revised edition features new and extensive original research and commentary. Schulze and Windhorst trace Mies’s European career in its progression to avant-garde modernism — where his work was materially rich but of modest scale — to his second maturity and world renown in the United States, where he invented a new architectural language of “objective” structural expression.
Mies van der Rohe : a critical biography, new and revised edition
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Mies van der Rohe : A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the architect. Co-authored with architect Edward Windhorst, this revised edition features new and extensive original research and commentary. Schulze and Windhorst trace Mies’s European career in its progression to avant-garde modernism — where his work was materially rich but of modest scale — to his second maturity and world renown in the United States, where he invented a new architectural language of “objective” structural expression.
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books
books
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September 2012
September 2012
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books
books
Title:
In the life of cities
In the life of cities
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$60.00
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What is it that gives places their individual qualities and defines the life of a city? Architects and urbanists are accustomed to describing and creating the organizational structures, the layouts and physical attributes of our cities. But what are the relations between the design of a city—its form—and the life engendered by that form? Responding to this question is the(...)
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What is it that gives places their individual qualities and defines the life of a city? Architects and urbanists are accustomed to describing and creating the organizational structures, the layouts and physical attributes of our cities. But what are the relations between the design of a city—its form—and the life engendered by that form? Responding to this question is the(...)
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In the life of cities
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$60.00
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What is it that gives places their individual qualities and defines the life of a city? Architects and urbanists are accustomed to describing and creating the organizational structures, the layouts and physical attributes of our cities. But what are the relations between the design of a city—its form—and the life engendered by that form? Responding to this question is the inspiration for In the Life of Cities. Contributors from a wide range of fields address the role and life of cities as diverse as Baku, Buenos Aires, Cairo, Detroit, Jakarta, Johannesburg, Mumbai, Paris, Quito, St. Petersburg, Tel Aviv, Tirana, and Toronto. Portfolios of contemporary photography present the layered realities of urban life today.
In the life of cities
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What is it that gives places their individual qualities and defines the life of a city? Architects and urbanists are accustomed to describing and creating the organizational structures, the layouts and physical attributes of our cities. But what are the relations between the design of a city—its form—and the life engendered by that form? Responding to this question is the inspiration for In the Life of Cities. Contributors from a wide range of fields address the role and life of cities as diverse as Baku, Buenos Aires, Cairo, Detroit, Jakarta, Johannesburg, Mumbai, Paris, Quito, St. Petersburg, Tel Aviv, Tirana, and Toronto. Portfolios of contemporary photography present the layered realities of urban life today.
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books
books
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November 2012
November 2012
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books
books
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$75.00
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Visible | Invisible presents the work of Boston-based landscape architecture firm Reed Hilderbrand. Led by founding principals Douglas Reed and Gary Hilderbrand, the firm is widely recognized for rigorously conceived and carefully executed projects that merge the particular native qualities of a site with recognizably contemporary design expression. Their work embodies a(...)
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Visible | Invisible presents the work of Boston-based landscape architecture firm Reed Hilderbrand. Led by founding principals Douglas Reed and Gary Hilderbrand, the firm is widely recognized for rigorously conceived and carefully executed projects that merge the particular native qualities of a site with recognizably contemporary design expression. Their work embodies a(...)
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November 2012
November 2012
Title:
Visible / invisible: landscape works of Reed Hilderbrand
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Visible | Invisible presents the work of Boston-based landscape architecture firm Reed Hilderbrand. Led by founding principals Douglas Reed and Gary Hilderbrand, the firm is widely recognized for rigorously conceived and carefully executed projects that merge the particular native qualities of a site with recognizably contemporary design expression. Their work embodies a deep embrace of modernism, a devotion to intellectual traditions in their field and a rich engagement of horticulture and ecological systems.
Visible / invisible: landscape works of Reed Hilderbrand
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Visible | Invisible presents the work of Boston-based landscape architecture firm Reed Hilderbrand. Led by founding principals Douglas Reed and Gary Hilderbrand, the firm is widely recognized for rigorously conceived and carefully executed projects that merge the particular native qualities of a site with recognizably contemporary design expression. Their work embodies a deep embrace of modernism, a devotion to intellectual traditions in their field and a rich engagement of horticulture and ecological systems.
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books
books
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November 2012
November 2012
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books
books
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$15.00
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À la mort de Lénine en 1924, les mouvements de l'avant-garde architecturale, dont le constructivisme, vibrent à l'unisson de la Révolution de 1917. Depuis 1921, ils apportent leur écot à la Nouvelle Politique Économique, au Plan d'électrification de l'URSS et essayent de définir une « esthétique communiste » au service du prolétaire et de la kolkhozienne. L'Union(...)
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À la mort de Lénine en 1924, les mouvements de l'avant-garde architecturale, dont le constructivisme, vibrent à l'unisson de la Révolution de 1917. Depuis 1921, ils apportent leur écot à la Nouvelle Politique Économique, au Plan d'électrification de l'URSS et essayent de définir une « esthétique communiste » au service du prolétaire et de la kolkhozienne. L'Union(...)
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November 2012
November 2012
Title:
Le prix de Rome : le 'grand tour' des architectes soviétiques sous Mussolini
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À la mort de Lénine en 1924, les mouvements de l'avant-garde architecturale, dont le constructivisme, vibrent à l'unisson de la Révolution de 1917. Depuis 1921, ils apportent leur écot à la Nouvelle Politique Économique, au Plan d'électrification de l'URSS et essayent de définir une « esthétique communiste » au service du prolétaire et de la kolkhozienne. L'Union Soviétique, l'Allemagne et les États-Unis forment alors la troïka de l'Internationale moderniste. Le premier plan quinquennal est lancé en 1928. Villes nouvelles et chantiers industriels tournent à plein régime. Davantage préoccupé par ces grands chantiers, Staline semble se désintéresser de l'enjeu architectural. Pourtant, à partir du concours pour le Palais des Soviets (1932) et de l'adoption du Plan Général de reconstruction de Moscou (1935), la Rome éternelle va devenir, au prix d'un face-à-face avec l'Italie fasciste, un « modèle » de réalisme socialiste inattendu...
Le prix de Rome : le 'grand tour' des architectes soviétiques sous Mussolini
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À la mort de Lénine en 1924, les mouvements de l'avant-garde architecturale, dont le constructivisme, vibrent à l'unisson de la Révolution de 1917. Depuis 1921, ils apportent leur écot à la Nouvelle Politique Économique, au Plan d'électrification de l'URSS et essayent de définir une « esthétique communiste » au service du prolétaire et de la kolkhozienne. L'Union Soviétique, l'Allemagne et les États-Unis forment alors la troïka de l'Internationale moderniste. Le premier plan quinquennal est lancé en 1928. Villes nouvelles et chantiers industriels tournent à plein régime. Davantage préoccupé par ces grands chantiers, Staline semble se désintéresser de l'enjeu architectural. Pourtant, à partir du concours pour le Palais des Soviets (1932) et de l'adoption du Plan Général de reconstruction de Moscou (1935), la Rome éternelle va devenir, au prix d'un face-à-face avec l'Italie fasciste, un « modèle » de réalisme socialiste inattendu...
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books
books
Publication:
November 2012
November 2012
