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Ce livre est né de la volonté de l’auteure de sauvegarder des traces des vieilles publicités peintes qu’on voit encore sur les murs de Montréal. Ce riche patrimoine urbain qui, peu à peu, disparaît témoigne d’une époque marquée par l’essor d’une classe moyenne au Québec, où tout semblait possible pour ceux qui trimaient fort. En écho à ces images d’aujourd’hui, une(...)
November 2012
Sur les murs d'un Montréal qui s'efface
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Ce livre est né de la volonté de l’auteure de sauvegarder des traces des vieilles publicités peintes qu’on voit encore sur les murs de Montréal. Ce riche patrimoine urbain qui, peu à peu, disparaît témoigne d’une époque marquée par l’essor d’une classe moyenne au Québec, où tout semblait possible pour ceux qui trimaient fort. En écho à ces images d’aujourd’hui, une recherche a permis de retrouver plusieurs de ces publicités alors qu’elles brillaient de tous leurs feux! Le passé et le présent se chevauchent dans un dialogue éloquent qui fait prendre conscience de l’usure du temps. À ces photos documentaires, se greffent de courts textes biographiques et évocateurs faisant revivre le climat du Montréal des années soixante, celui de l’enfance de l’auteure. La vie de quartier racontée ici rayonne à partir de l’épicerie familiale, l’Épicerie Québec, que ses parents tenaient sur le Plateau Mont-Royal. La petite histoire portant la grande, c’est celle du Québec tout entier qui se lit dans ce récit jalonné de capsules documentaires rappelant, de manière plus objective, certains faits cocasses et à la fois marquants.
L'Anneda : l'arbre de la vie
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Professeur retraité de l'Université Laval, Jacques Mathieu est spécialiste d'histoire de la Nouvelle-France et des mémoires collectives. Il a mené plusieurs travaux de recherche en collaboration avec des chercheurs de différentes disciplines.
L'Anneda : l'arbre de la vie
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Professeur retraité de l'Université Laval, Jacques Mathieu est spécialiste d'histoire de la Nouvelle-France et des mémoires collectives. Il a mené plusieurs travaux de recherche en collaboration avec des chercheurs de différentes disciplines.
Current Exhibitions
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Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. Computation Works focuses on this emerging theme in design practice, showcasing built and soon to be built projects and providing a state of the art in computational design. The use of algorithmic and simulation-driven design raises(...)
April 2013
AD Computation works: the building of algorithmic thought
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Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. Computation Works focuses on this emerging theme in design practice, showcasing built and soon to be built projects and providing a state of the art in computational design. The use of algorithmic and simulation-driven design raises important new questions which the book examines including: how is computation changing the way architects design? How can computation create new forms of architecture? Is there an aesthetic to computational architecture? Are the design tools and methods related to the result?
Lewis Baltz
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A protagonist of the New Topographics movement, Lewis Baltz (born 1945) not only revived American landscape photography, but also revolutionized the photographic pictorial language of the 1970s. This volume reproduces such series as The Tract Houses (1969–71), Maryland (1976), Nevada (1977), Park City (1978–80), San Quentin Point (1981–83), The Canadian Series (1985),(...)
Lewis Baltz
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A protagonist of the New Topographics movement, Lewis Baltz (born 1945) not only revived American landscape photography, but also revolutionized the photographic pictorial language of the 1970s. This volume reproduces such series as The Tract Houses (1969–71), Maryland (1976), Nevada (1977), Park City (1978–80), San Quentin Point (1981–83), The Canadian Series (1985), Candlestick Point (1987–89), Sites of Technology (1989–91) and several others. Essays contextualize Baltz’s work in the larger art and photography climate of the 1970s, and discuss his application of cinematic strategies to photography.
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Le Séminaire de Conception Architecturale Numérique (SCAN) est une conférence francophone qui rassemble des chercheurs autour de questionnements portant sur les implications du numérique en conception architecturale. Après avoir rassemblé ces chercheurs en 2005, 2007, 2009 et 2010 sur les thèmes de l'esquisse numérique, de l’image numérique, des approches(...)
Complexité(s) des modèles de l'architecture numérique
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Le Séminaire de Conception Architecturale Numérique (SCAN) est une conférence francophone qui rassemble des chercheurs autour de questionnements portant sur les implications du numérique en conception architecturale. Après avoir rassemblé ces chercheurs en 2005, 2007, 2009 et 2010 sur les thèmes de l'esquisse numérique, de l’image numérique, des approches environnementales et des espaces collaboratifs, SCAN’12 invite à réfléchir à la question des complexité(s) des modèles de l’architecture numérique.
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In this reassessment of postmodern architecture at the end of the twentieth century, Emmanuel Petit addresses the role of irony and finds a vitality and depth of dialectics largely ignored by historical critiques. A look at five individual architects - Peter Eisenman, Arata Isozaki, Rem Koolhaas, Stanley Tigerman, and Robert Venturi - reveals the beginning of a(...)
Irony : or, the self-critical opacity of postmodern architecture
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In this reassessment of postmodern architecture at the end of the twentieth century, Emmanuel Petit addresses the role of irony and finds a vitality and depth of dialectics largely ignored by historical critiques. A look at five individual architects - Peter Eisenman, Arata Isozaki, Rem Koolhaas, Stanley Tigerman, and Robert Venturi - reveals the beginning of a phenomenology of irony in architecture.
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This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
Documentary (Documents of contemporary art series)
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This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
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Mouritsen takes readers on a comprehensive tour of seaweed, describing what seaweeds actually are (algae, not plants) and how people of different cultures have utilized them since prehistoric times for a whole array of purposes —as food and fodder, for the production of salt, in medicine and cosmetics, as fertilizer, in construction, and for a number of industrial end(...)
Seaweeds: edible, available & sustainable
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Mouritsen takes readers on a comprehensive tour of seaweed, describing what seaweeds actually are (algae, not plants) and how people of different cultures have utilized them since prehistoric times for a whole array of purposes —as food and fodder, for the production of salt, in medicine and cosmetics, as fertilizer, in construction, and for a number of industrial end uses, to name just a few. He reveals the vast abundance of minerals, trace elements, proteins, vitamins, dietary fiber, and precious polyunsaturated fatty acids found in seaweeds, and provides instructions and recipes on how to prepare a variety of dishes that incorporate raw and processed seaweeds. Approaching the subject from not only a gastronomic but also a scientific point of view, Mouritsen sets out to examine the past and present uses of this sustainable resource, keeping in mind how it could be exploited for the future.
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Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, Ed Ruscha photobooks of the 1960s— such as Twentysix Gasoline Stations , Every Building on the Sunset Strip , Some Los Angeles Apartments , and Thirtyfour Parking Lots — are known for their deadpan cataloguing of the city’s functional architecture. This publication(...)
April 2013
Ed Ruscha and some Los Angeles apartments
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Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, Ed Ruscha photobooks of the 1960s— such as Twentysix Gasoline Stations , Every Building on the Sunset Strip , Some Los Angeles Apartments , and Thirtyfour Parking Lots — are known for their deadpan cataloguing of the city’s functional architecture. This publication features thirty-eight Ruscha plates and an essay that traces the evolution of the artist’s thinking about his photographs initially as the means to the end of his self-published photobooks and eventually as works of art in and of themselves.
Science, industrie et art
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Gottfried Semper (1803-1879) est considéré comme l'un des grands théoriciens de l'architecture, aux côtés de ses contemporains Viollet-le-Duc et Ruskin. Ses écrits ont été déterminants dans le développement de la réflexion moderne sur l'ornement, les arts appliqués et la notion de style. Dans cet essai, il tente de dégager les leçons de l'événement qu'a constitué, sous(...)
January 2013
Science, industrie et art
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Gottfried Semper (1803-1879) est considéré comme l'un des grands théoriciens de l'architecture, aux côtés de ses contemporains Viollet-le-Duc et Ruskin. Ses écrits ont été déterminants dans le développement de la réflexion moderne sur l'ornement, les arts appliqués et la notion de style. Dans cet essai, il tente de dégager les leçons de l'événement qu'a constitué, sous les voûtes immenses du Crystal Palace, la Grande Exposition de Londres en 1851.