Aldo van Eyck
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Aldo van Eyck (1918–1999) was a Dutch architect, writer, and teacher who helped redefine Modern architecture in the second half of the 20th century. As an advocate for architecture’s engagement with history, culture, climate, and the lived human experience of buildings and urban spaces, he created designs that privileged place and the daily rituals in the lives of its(...)
June 2015
Aldo van Eyck
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Aldo van Eyck (1918–1999) was a Dutch architect, writer, and teacher who helped redefine Modern architecture in the second half of the 20th century. As an advocate for architecture’s engagement with history, culture, climate, and the lived human experience of buildings and urban spaces, he created designs that privileged place and the daily rituals in the lives of its inhabitants over universal ideals. In this volume, enlivened by 300 illustrations from the Aldo van Eyck archive, Robert McCarter provides the first comprehensive study of van Eyck’s 50-year career since his death, guiding readers through the architect’s buildings and unrealized projects, with a focus on the interior spatial experience and on the design and construction processes.
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991,(...)
Lewis Baltz: rule without exception / only Exceptions
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991, showing the range of his images of industrialised landscapes and technological sites. Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly commissioned for this edition. Only Exceptions is a new book chronicling Baltz’s work – now usually site-generated commissioned works – from 1992 to the present and is published on the occasion of an exhibition organized by the Kunstmuseum, Bonn. Only Exceptions includes Baltz’s work in California, Leipzig’s “Black Triangle”, Reggio Emilia, Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.
The futurist cookbook
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In 1932, F. T. Marinetti and his collaborator Fillìa published The Futurist Cookbook, a manifesto-as-culinary-innovation. Replete with experimental recipes (the founder of Futurism, Marinetti, is known to have ranted about the social dangers of pasta eating), the book is a multilayered exploration of cultural metabolisms, with the dining table as its centerpiece, of course!
The futurist cookbook
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In 1932, F. T. Marinetti and his collaborator Fillìa published The Futurist Cookbook, a manifesto-as-culinary-innovation. Replete with experimental recipes (the founder of Futurism, Marinetti, is known to have ranted about the social dangers of pasta eating), the book is a multilayered exploration of cultural metabolisms, with the dining table as its centerpiece, of course!
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About Two Squares, a book for children by the Russian avant-garde artist El Lissitzky, will extend the boundaries of anyone's imagination. Radically simple, and yet sophisticated, this book tells the story of two squares who take on the mission of rebuilding the world. First published in 1922 in post-revolutionary Russia, About Two Squares was "constructed" using pure(...)
About two squares: a suprematist tale of two squares in six constructions
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About Two Squares, a book for children by the Russian avant-garde artist El Lissitzky, will extend the boundaries of anyone's imagination. Radically simple, and yet sophisticated, this book tells the story of two squares who take on the mission of rebuilding the world. First published in 1922 in post-revolutionary Russia, About Two Squares was "constructed" using pure geometric forms and typographic elements as a means to disseminate the new order, with Lissitzky propelling the reader to build their own future and pointing them in a daringly modern direction. Inspired by Kazimir Malevich's suprematist vision of a non-objective art, About Two Squares had an immediate impact on the European art world with its publication in Theo van Doesburg's avant-garde art journal, De Stijl, and redefined what an illustrated book could be.
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At a moment when the world's population increasingly lives in urban settings, the public health of cities--or the intersection of stress and wellness with architecture and urbanism--is a matter of pressing concern for designers. Questions Concerning Health reports on this critical terrain, focusing particularly on Johannesburg, South Africa (a notable test case in(...)
September 2015
Questions concerning health: stress and wellness in Johannesburg
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At a moment when the world's population increasingly lives in urban settings, the public health of cities--or the intersection of stress and wellness with architecture and urbanism--is a matter of pressing concern for designers. Questions Concerning Health reports on this critical terrain, focusing particularly on Johannesburg, South Africa (a notable test case in which the term "social equivalency," used by epidemiologists, also carries considerable historical and spatial resonance). Among the book's research findings is that health is an intensively local phenomenon that demands intensively local responses in the form of more sensitive architectural typologies as well as urban planning.
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This book gives a survey of Giancarlo De Carlo's work from the beginning in the early 1950s up to the present day, and was published to accompany an exhibition on the architect in the Centre Pompidou in Paris and other venues.
Giancarlo de Carlo: layered places
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This book gives a survey of Giancarlo De Carlo's work from the beginning in the early 1950s up to the present day, and was published to accompany an exhibition on the architect in the Centre Pompidou in Paris and other venues.
Histoire du Portugal
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Cette histoire concise du Portugal, enfin rééditée, est aujourd’hui le seul ouvrage de synthèse disponible sur l’histoire de la plus vieille nation européenne. Cette nouvelle édition a été revue et complétée par un chapitre sur le Portugal des douze dernières années, une chronologie et des cartes. « Les Portugais ont découvert dans le Grand Océan de nouvelles îles, de(...)
Histoire du Portugal
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Cette histoire concise du Portugal, enfin rééditée, est aujourd’hui le seul ouvrage de synthèse disponible sur l’histoire de la plus vieille nation européenne. Cette nouvelle édition a été revue et complétée par un chapitre sur le Portugal des douze dernières années, une chronologie et des cartes. « Les Portugais ont découvert dans le Grand Océan de nouvelles îles, de nouvelles terres, de nouveaux peuples : et ce qui est le plus important, un nouveau ciel et de nouvelles étoiles ». Pedro Nunes, Traité de la Sphère, 1537.
Current Exhibitions
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Maps tells the story in this innovative volume, and the story of Canada they tell is profoundly engrossing and rewarding. The atlas covers a period of a thousand years and contains essentially all the historically significant maps of the country. Gathered from major archives and libraries all over the world, they include treasures from the National Archives of Canada—many(...)
Historical atlas of Canada: Canada's history illustrated with original maps
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Maps tells the story in this innovative volume, and the story of Canada they tell is profoundly engrossing and rewarding. The atlas covers a period of a thousand years and contains essentially all the historically significant maps of the country. Gathered from major archives and libraries all over the world, they include treasures from the National Archives of Canada—many never before published—and many from the archives of the Hudson’s Bay Company.
$200.00
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The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. The Soviet Photobook 1920-1941(...)
January 2016
The Soviet photobook, 1920-1941
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The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. The Soviet Photobook 1920-1941 presents 160 produced photobooks from this period and includes more than 400 additional reference illustrations.
$58.95
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the(...)
November 2015
Aunties: the seven summers of Alevtina and Ludmila
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the small details and daily rituals of her aunts surprisingly colorful and dreamlike days, taking us not only to another country but to another time. Alevtina and Ludmila, now in their seventies, seem both old and young, as if time itself was as seamless and cyclical as their routines working on puzzles, sewing curtains, tatting lace, picking berries, repairing fences and as full of the same subtle mysteries. Sablin collaborated with her aunts to recreate scenes she remembered from her childhood and to make new images of the patterns of their days. In these photographs, Sablin combines observation and invention, biography and autobiography, to tell the stories of her aunts life together, and in the process, quilts together a thoughtful meditation on memory, aging, and belonging.