Materiality
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Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter—considering material as the essentialized basis of medium specificity—and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for(...)
Materiality
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Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter—considering material as the essentialized basis of medium specificity—and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons’s installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools.
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Aujourd’hui analysée par les historiens comme un singulier crépuscule des révolutions du xixe siècle, la Commune de Paris fut longtemps considérée comme l’aurore des révolutions du xxe siècle, comme une lutte à poursuivre. Cet essai se penche sur les usages politiques des mémoires de cet événement tragique dont la complexité favorise une grande plasticité mémorielle. Et(...)
La commune n'est pas morte : les usages politiques du passé de 1870 à nos jours
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Aujourd’hui analysée par les historiens comme un singulier crépuscule des révolutions du xixe siècle, la Commune de Paris fut longtemps considérée comme l’aurore des révolutions du xxe siècle, comme une lutte à poursuivre. Cet essai se penche sur les usages politiques des mémoires de cet événement tragique dont la complexité favorise une grande plasticité mémorielle. Et chacun investit cet événement fascinant de ses propres attentes, étroitement liées aux enjeux politiques du temps. Les mémoires de la Commune sont plurielles et conflictuelles. Répliquant à la violence discursive des Versaillais, puis à la volonté d’oubli des républicains modérés, les vaincus imposent dès les années 1880 la montée au mur des Fédérés comme un rituel politique révolutionnaire majeur.
Current Exhibitions
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Long before Franz Kafka described the nightmarish metaphysics of office bureaucracy, Balzac had undertaken his own exploration of the dust-laden, stifling environment of the paper-pusher in all of his roles and guises. "Bureaucracy," as he defined it: "a gigantic power set in motion by dwarfs." In this guidebook, published for mass consumption in 1841, Balzac's classic(...)
The physiology of the employee
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Long before Franz Kafka described the nightmarish metaphysics of office bureaucracy, Balzac had undertaken his own exploration of the dust-laden, stifling environment of the paper-pusher in all of his roles and guises. "Bureaucracy," as he defined it: "a gigantic power set in motion by dwarfs." In this guidebook, published for mass consumption in 1841, Balzac's classic theme of melodramatic ambition plays itself out within the confined, unbreathable space of the proto-cubicle, filtered through the restricted scale of the pocket handbook. Translated by André Naffis-Sahely.
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"Making Modernism Soviet " provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural(...)
Making modernism Soviet: the Russian avant-garde in the early Soviet era 1918-1928
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"Making Modernism Soviet " provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.
Current Exhibitions
The craftsman
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Provocative and enlightening, Richard Sennett's "The Craftsman" is an exploration of craftsmanship - the desire to do a job well for its own sake - as a template for living. Most of us have to work. But is work just a means to an end? In trying to make a living, have we lost touch with the idea of making things well? Pure competition, Sennett shows, will never produce(...)
October 2014
The craftsman
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Provocative and enlightening, Richard Sennett's "The Craftsman" is an exploration of craftsmanship - the desire to do a job well for its own sake - as a template for living. Most of us have to work. But is work just a means to an end? In trying to make a living, have we lost touch with the idea of making things well? Pure competition, Sennett shows, will never produce good work. Instead, the values of the craftsman, whether in a Stradivari violin workshop or a modern laboratory, can enrich our lives and change the way we anchor ourselves in the world around us. The past lives of crafts and craftsmen show us ways of working - using tools, acquiring skills, thinking about materials - which provide rewarding alternative ways for people to utilise their talents. We need to recognize this if motivations are to be understood and lives made as fulfilling as possible.
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Beneath the veneer of a very successful China that the world readily acknowledges, a quiet revolution is taking place within the realms of architecture and the city. The social, architectural and urban theories documented in this book are organized around the established canons of social actions – from mobilizing, laboring, resisting and mediating, to networking,(...)
The social imperative: Architecture and the city in China
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Beneath the veneer of a very successful China that the world readily acknowledges, a quiet revolution is taking place within the realms of architecture and the city. The social, architectural and urban theories documented in this book are organized around the established canons of social actions – from mobilizing, laboring, resisting and mediating, to networking, controlling, rationalizing and aestheticizing. This book aims to put the social agenda squarely back in the rapid development of the built environment in China. This publication is the culmination of a three-year study of social issues in the architecture and cities of China. It involved visits to sites undergoing massive change, discussions and debates among architects and critics, reflections by practitioners about their own work, and activists lobbying for social change. Supported by the non-profit AA Asia, the edition of the contents relied heavily on original input and exchanges between architects and theorists committed to China, from Asia and beyond. Since the 1990s, AA Asia remains one of a few unique think tanks committed to the study of architecture and cities in Asia. As an advocacy with strong academic roots, it seeks to establish the differences across various postcolonial and Asian contexts, and recalibrate the role of architecture in a technocratic era dominated by the global economy.
Current Exhibitions
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China's Vanishing Worlds is a documentation in images and text of modernization's effect on traditional ways of life, and a sympathetic portrait of lives burdened by hardship but blessed by simplicity and tranquility
August 2013
China's vanishing worlds : countryside, traditions, and cultural spaces
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China's Vanishing Worlds is a documentation in images and text of modernization's effect on traditional ways of life, and a sympathetic portrait of lives burdened by hardship but blessed by simplicity and tranquility
Leica: witness to a century
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All sixteen Leica models, including digital cameras, are presented with relevant historical explanations and technical data alongside the works of such greats as André Kertész, Henri Cartier-Bresson, and Robert Capa. Over 200 black-and-white and color illustrations.
August 2013
Leica: witness to a century
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$42.00
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All sixteen Leica models, including digital cameras, are presented with relevant historical explanations and technical data alongside the works of such greats as André Kertész, Henri Cartier-Bresson, and Robert Capa. Over 200 black-and-white and color illustrations.
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Architecture in Formation is a digital architecture manual that bridges multiple relationships between theory and practice, proposing a vital resource to structure the upcoming second digital revolution. Sixteen essays from practitioners, historians and theorists look at how information processing informs and is informed by architecture. Twenty-nine experimental projects(...)
September 2013
Architecture in formation : on the nature of information in digital architecture
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Architecture in Formation is a digital architecture manual that bridges multiple relationships between theory and practice, proposing a vital resource to structure the upcoming second digital revolution. Sixteen essays from practitioners, historians and theorists look at how information processing informs and is informed by architecture. Twenty-nine experimental projects propose radical means to inform the new upcoming digital architecture.
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Young Chinese architects are designing compelling alternatives to China's rapid urbanization between tradition and the future. Homecoming presents work by an emerging generation of Chinese architects that uses unique design and working approaches to resist generic mass construction and foreign iconic building. In particular, these architects are offering resistance(...)
September 2013
Homecoming: contextualizing, materializing and practicing the rural in China
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Young Chinese architects are designing compelling alternatives to China's rapid urbanization between tradition and the future. Homecoming presents work by an emerging generation of Chinese architects that uses unique design and working approaches to resist generic mass construction and foreign iconic building. In particular, these architects are offering resistance against the rapid urbanization that has dominated the Chinese landscape. By responding to a local Chinese context, they have raised the avant-garde of China's architectural design practice in recent years.