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Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection(...)
Design, Periods and Styles
March 2008, Rotterdam
Chairs: catalogue of the Delft faculty of architecture collection
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Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection of over 240 chairs is presented for the first time. Each object is accompanied by images and a thorough description. Also, the book offers comprehensive texts on key designs in the collection, showing the diversity of the collection which consists of world famous designs, 17th, 18th and 19th century designs, everyday household chairs and rare pieces of furniture that have never been published before. Among the designers presented are Verner Panton, Gerrit Th. Rietveld, Hendrik Petrus Berlage, Jean Prouvé, Marcel Breuer and Droog Design.
Design, Periods and Styles
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Reaching an apogee of 6,000 members in the years just before the Civil War, the Shaker movement was the most extensive, enduring, and successful utopian society ever established in America. Leaving Manchester, England, in 1776 to avoid persecution, the Shakers crossed the Atlantic and during the next 50 years established 19 villages from Maine to Kentucky. The Shakers(...)
Design, Periods and Styles
April 2008, New York, Vermont, New Haven, London
Shaker Design out of this world
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Reaching an apogee of 6,000 members in the years just before the Civil War, the Shaker movement was the most extensive, enduring, and successful utopian society ever established in America. Leaving Manchester, England, in 1776 to avoid persecution, the Shakers crossed the Atlantic and during the next 50 years established 19 villages from Maine to Kentucky. The Shakers were guided by the principles of utility, honesty, and order in both their work and worship, and this belief system influenced the physical expression of the goods they produced for use at home and for sale outside their communities. This lovely book presents a wide array of extraordinarily fine examples of Shaker furniture, household objects, textiles, religious drawings, and items made to sell to the “world’s people” (non-Shakers). The book’s expert contributors discuss Shaker design in relation to the furniture they constructed, the products they sold, their gift drawings and spirituality, and their rejection of American Fancy design. The book also considers the powerful inspiration Shaker design has provided for diverse modern and contemporary designers, including George Nakashima, Roy McMakin, Thomas Moser, and Scandinavian furniture makers.
Design, Periods and Styles
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In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between(...)
Design, Periods and Styles
April 2008, Cambridge, Massachusetts
Imagine no possessions: the socialist objects of Russian constructivism
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In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between 1923 and 1925: Vladimir Tatlin's prototype designs for pots and pans and other everyday objects, Liubov' Popova's and Varvara Stepanova's fashion designs and textiles, Rodchenko's packaging and advertisements for state-owned businesses (made in collaboration with revolutionary poet Vladimir Mayakovsky), and Rodchenko's famous design for the interior of a workers' club. These artists, heeding the call of Constructivist manifestos to abandon the nonobjective painting and sculpture of the early Russian avant-garde and enter into Soviet industrial production, aimed to work as "artist-engineers" to produce useful objects for everyday life in the new socialist collective.
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April 2008, Cambridge, Massachusetts
Design, Periods and Styles
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has(...)
Czech cubism : Architecture, furniture, and decorative arts, 1910-1925
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has rarely been seen outside of Eastern Europe. ''Czech cubism'' presents a collection of architecture, furniture, and decorative arts through more than 500 photographs and drawings. Essays by nine noted scholars provide historical and critical background for the work.
Beirut: The eras of design
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This publication analyzes Lebanon’s unique situation—a convergence of economic and architectural reconstruction, social awareness and international development. It also testifies to the designers’ determination to take ownership of their destiny and image by presenting objects and forms that are simultaneously aware of their diverse heritage and are deeply rooted in a(...)
Design, Periods and Styles
September 2022
Beirut: The eras of design
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This publication analyzes Lebanon’s unique situation—a convergence of economic and architectural reconstruction, social awareness and international development. It also testifies to the designers’ determination to take ownership of their destiny and image by presenting objects and forms that are simultaneously aware of their diverse heritage and are deeply rooted in a complex reality. Prior to the development of this exhibition and publication project, no extensive research has been undertaken on the history of design in Lebanon. This book aims to fill that gap, presenting the state of design based on extensive documentation. It is the first retrospective on design in Lebanon, from the 1920s until today, includes works by over 50 designers, uncovering this major design scene in the Middle-East.
Design, Periods and Styles
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Après l'Art Nouveau et l'Art Déco, est fondée en 1929 l'U.A.M. (Union des Artistes modernes) qui réunit tous les grands créateurs de l'époque. L' « équipement » moderne se substitue à l'ornementation des salons décorés de « bibelots ». Il s'agit à présent de « désencombrer » l'espace intérieur.. A travers une quinzaine d'essais d'historiens de l'art, ce catalogue explore(...)
Intérieurs modernes 1920-1930
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Après l'Art Nouveau et l'Art Déco, est fondée en 1929 l'U.A.M. (Union des Artistes modernes) qui réunit tous les grands créateurs de l'époque. L' « équipement » moderne se substitue à l'ornementation des salons décorés de « bibelots ». Il s'agit à présent de « désencombrer » l'espace intérieur.. A travers une quinzaine d'essais d'historiens de l'art, ce catalogue explore toutes les facettes de l'intérieur moderne en France dans les années 1920-1930 : son héritage des arts décoratifs, son articulation avec les avant-gardes internationales, tel que le Bauhaus ; sa dimension syncrétique impliquant toutes les dimensions de la création ; l'esthétique de la machine et les métaphores de la modernité tel que le paquebot ; la nature comme artifice décoratif. Trois créations architecturales majeures sont également analysées : la villa Noailles de Robert Mallet-Stevens, la Maison de Verre de Pierre Chareau et la villa E-1027 d'Eileen Gray. Enfin, entre design et mode, la mise en mouvement des corps redessine également une nouvelle figure de la femme moderne, aux avant-postes de la création. La transformation de l'espace intérieur trouvera également dans le cinéma un dispositif d'exposition et un outil de communication privilégié de ces changements de paradigme dans la perception de l'intérieur. Le catalogue qui explore une décennie de design met en avant la richesse de la collection du Musée national d'art moderne qui prête l'essentiel des œuvres et des objets de l'exposition.
Design, Periods and Styles
Icônes du mobilier moderne
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L'époque du milieu des années 1940 au début des années 1970 est pour le mobilier et la décoration intérieure l’une des plus prolifiques, novatrices et passionnantes. Optimisme de l’après-guerre, formes nouvelles de logement, innovations dans les méthodes de fabrication et l’emploi des matériaux : tout concourt au dynamisme de la création pour la maison. Du fauteuil à la(...)
Icônes du mobilier moderne
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L'époque du milieu des années 1940 au début des années 1970 est pour le mobilier et la décoration intérieure l’une des plus prolifiques, novatrices et passionnantes. Optimisme de l’après-guerre, formes nouvelles de logement, innovations dans les méthodes de fabrication et l’emploi des matériaux : tout concourt au dynamisme de la création pour la maison. Du fauteuil à la chaise longue, en passant par le meuble de rangement et la table de chevet, cet ouvrage complet et richement illustré offre un vaste panorama du mobilier moderne de cette période, réunissant des centaines de meubles réalisés par des créateurs et des créatrices du monde entier, célèbres ou méconnus. Tous les collectionneurs et amateurs de ce design intemporel trouveront en Icônes du mobilier moderne un ouvrage de référence.
Design, Periods and Styles
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In 1900, Swedish design reformer and social theorist Ellen Key published The Century of the Child, presaging the coming century as a period of intensified focus and progressive thinking around the rights, development and well-being of children. Taking inspiration from Key-and looking back through the twentieth century-this volume, published to accompany an exhibition at(...)
Century of the child: growing by design 1900-2000
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In 1900, Swedish design reformer and social theorist Ellen Key published The Century of the Child, presaging the coming century as a period of intensified focus and progressive thinking around the rights, development and well-being of children. Taking inspiration from Key-and looking back through the twentieth century-this volume, published to accompany an exhibition at The Museum of Modern Art, examines individual and collective visions for the material world of children, from utopian dreams for the "citizens of the future" to the dark realities of political conflict and exploitation. Surveying more than 100 years of toys, clothing, playgrounds, schools, children's hospitals, nurseries, furniture, posters, animation and books, this illustrated catalogue illuminates how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play have informed experimental aesthetics and imaginative design thinking-engendering, in the process, reappraisals of some of the iconic names in twentieth-century design and enriching the unfolding narrative of modern design with other, less familiar figures.
Design, Periods and Styles
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Ce catalogue se parcourt comme un récit, comme une partition, une composition d'auteur qui s'adresse tout particulièrement aux nouvelles générations, les plus jeunes, celles qui - comme le disait Bruno Munari - représentent le futur. La Massimo & Sonia Cirulli Archive, fondée à New York en 1985, a pour objet le made in Italy au XXe siècle à travers l'art, le design, la(...)
March 2012
Lo stile italiano : arte e design / Le style italien : art et design / Italian style : art and design
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Ce catalogue se parcourt comme un récit, comme une partition, une composition d'auteur qui s'adresse tout particulièrement aux nouvelles générations, les plus jeunes, celles qui - comme le disait Bruno Munari - représentent le futur. La Massimo & Sonia Cirulli Archive, fondée à New York en 1985, a pour objet le made in Italy au XXe siècle à travers l'art, le design, la publicité et la photographie. Avec plus de deux cent mille oeuvres, elle est considérée comme la plus importante archive historique privée d'art italien. Depuis plus de vingt ans, elle poursuit sa mission en racontant l'Italie et le faire italien dans les musées du monde entier.
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Modernity took many forms in 1930s Japan, but in the tumultuous years before militarism pushed the country toward global aggression, it was most visibly associated with a glittering consumer culture. Inundated with western jazz-age trends and new technologies, Japan’s big cities, especially Tokyo, offered the most enticing attractions to a newly liberated generation:(...)
The brittle decade: visualizing Japan in the 1930s
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Modernity took many forms in 1930s Japan, but in the tumultuous years before militarism pushed the country toward global aggression, it was most visibly associated with a glittering consumer culture. Inundated with western jazz-age trends and new technologies, Japan’s big cities, especially Tokyo, offered the most enticing attractions to a newly liberated generation: bustling streets of department stores, cafés and teahouses, movie theaters and ballroom dance halls. Modern architecture, industrial design and fashion overshadowed traditional arts as Japan strove to take its place in a cosmopolitan world. The Brittle Years examines the different ways in which designers and artists visualized what it meant to be modern in Japan in the years leading up to World War II. Its 160 full-color illustrations of paintings, textiles and graphic arts are astonishing not only for their great visual impact but also for the insight they provide into a rapidly transforming nation.
Design, Periods and Styles