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The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. This publication offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet(...)
Design, Periods and Styles
April 2020
Soviet design: from Constructivism to Modernism, 1920-1980
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The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. This publication offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet modernism. Drawing on archives that were inaccessible until recently and featuring a wealth of previously unpublished material, it documents the achievements of seven decades in the former socialist empire.
Design, Periods and Styles
Beirut: The eras of design
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This publication analyzes Lebanon’s unique situation—a convergence of economic and architectural reconstruction, social awareness and international development. It also testifies to the designers’ determination to take ownership of their destiny and image by presenting objects and forms that are simultaneously aware of their diverse heritage and are deeply rooted in a(...)
Design, Periods and Styles
September 2022
Beirut: The eras of design
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This publication analyzes Lebanon’s unique situation—a convergence of economic and architectural reconstruction, social awareness and international development. It also testifies to the designers’ determination to take ownership of their destiny and image by presenting objects and forms that are simultaneously aware of their diverse heritage and are deeply rooted in a complex reality. Prior to the development of this exhibition and publication project, no extensive research has been undertaken on the history of design in Lebanon. This book aims to fill that gap, presenting the state of design based on extensive documentation. It is the first retrospective on design in Lebanon, from the 1920s until today, includes works by over 50 designers, uncovering this major design scene in the Middle-East.
Design, Periods and Styles
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Après l'Art Nouveau et l'Art Déco, est fondée en 1929 l'U.A.M. (Union des Artistes modernes) qui réunit tous les grands créateurs de l'époque. L' « équipement » moderne se substitue à l'ornementation des salons décorés de « bibelots ». Il s'agit à présent de « désencombrer » l'espace intérieur.. A travers une quinzaine d'essais d'historiens de l'art, ce catalogue explore(...)
Intérieurs modernes 1920-1930
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Après l'Art Nouveau et l'Art Déco, est fondée en 1929 l'U.A.M. (Union des Artistes modernes) qui réunit tous les grands créateurs de l'époque. L' « équipement » moderne se substitue à l'ornementation des salons décorés de « bibelots ». Il s'agit à présent de « désencombrer » l'espace intérieur.. A travers une quinzaine d'essais d'historiens de l'art, ce catalogue explore toutes les facettes de l'intérieur moderne en France dans les années 1920-1930 : son héritage des arts décoratifs, son articulation avec les avant-gardes internationales, tel que le Bauhaus ; sa dimension syncrétique impliquant toutes les dimensions de la création ; l'esthétique de la machine et les métaphores de la modernité tel que le paquebot ; la nature comme artifice décoratif. Trois créations architecturales majeures sont également analysées : la villa Noailles de Robert Mallet-Stevens, la Maison de Verre de Pierre Chareau et la villa E-1027 d'Eileen Gray. Enfin, entre design et mode, la mise en mouvement des corps redessine également une nouvelle figure de la femme moderne, aux avant-postes de la création. La transformation de l'espace intérieur trouvera également dans le cinéma un dispositif d'exposition et un outil de communication privilégié de ces changements de paradigme dans la perception de l'intérieur. Le catalogue qui explore une décennie de design met en avant la richesse de la collection du Musée national d'art moderne qui prête l'essentiel des œuvres et des objets de l'exposition.
Design, Periods and Styles
Icônes du mobilier moderne
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L'époque du milieu des années 1940 au début des années 1970 est pour le mobilier et la décoration intérieure l’une des plus prolifiques, novatrices et passionnantes. Optimisme de l’après-guerre, formes nouvelles de logement, innovations dans les méthodes de fabrication et l’emploi des matériaux : tout concourt au dynamisme de la création pour la maison. Du fauteuil à la(...)
Icônes du mobilier moderne
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L'époque du milieu des années 1940 au début des années 1970 est pour le mobilier et la décoration intérieure l’une des plus prolifiques, novatrices et passionnantes. Optimisme de l’après-guerre, formes nouvelles de logement, innovations dans les méthodes de fabrication et l’emploi des matériaux : tout concourt au dynamisme de la création pour la maison. Du fauteuil à la chaise longue, en passant par le meuble de rangement et la table de chevet, cet ouvrage complet et richement illustré offre un vaste panorama du mobilier moderne de cette période, réunissant des centaines de meubles réalisés par des créateurs et des créatrices du monde entier, célèbres ou méconnus. Tous les collectionneurs et amateurs de ce design intemporel trouveront en Icônes du mobilier moderne un ouvrage de référence.
Design, Periods and Styles
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The Arts and Crafts movement in architecture, interior design, and decorative arts reached its peak between 1880 and 1910 in Britain and North America. The movement’s emphasis on aesthetic quality and a high level of craftsmanship, promoted as an antidote to the ubiquity and uninspired appearance of machine-produced products, remains much admired today. Arts and Crafts(...)
Design, Periods and Styles
November 2009
Apostles of beauty: arts and crafts from Britain to Chicago
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The Arts and Crafts movement in architecture, interior design, and decorative arts reached its peak between 1880 and 1910 in Britain and North America. The movement’s emphasis on aesthetic quality and a high level of craftsmanship, promoted as an antidote to the ubiquity and uninspired appearance of machine-produced products, remains much admired today. Arts and Crafts enjoyed special resonance in Chicago, the home of Jane Addams’s Hull House, where immigrants and women received training in handicraft skills not only to beautify domestic life but also to provide them with viable, honorable work.
Design, Periods and Styles
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The Maker's Hand is the most authoritative book to date about the Studio Furniture movement. It details the history and development of Studio Furniture, from its origins in post-World War II America to its current prominence. Also included are biographies of some 40 furniture makers, as well as guides to the main exhibitions, schools and galleries. Illustrated with works(...)
The maker's hand: american studio furniture, 1940 -1990
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The Maker's Hand is the most authoritative book to date about the Studio Furniture movement. It details the history and development of Studio Furniture, from its origins in post-World War II America to its current prominence. Also included are biographies of some 40 furniture makers, as well as guides to the main exhibitions, schools and galleries. Illustrated with works by Wendell Castle, Sam Maloof, Molly Gregory, Wharton Esherick and many others.
Design, Periods and Styles
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The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and(...)
Design, Periods and Styles
December 2009
The ballets russes and the art of design
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The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century. The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations—many from private collections and never-before-published—discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.
Design, Periods and Styles
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"Poltronova Backstage", curated by Francesca Balena Arista explores the history of the Italian furniture company Poltronova. It is a snapshot of the radical years between 1962and 1972, seen through the work of Archizoom, Ettore Sottsass, and Superstudio. A unique view into a moment in design history seen through the documents and photographs safeguarded at the Centro(...)
Poltronova backstage: Archizoom, Sottsass and Superstudio
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"Poltronova Backstage", curated by Francesca Balena Arista explores the history of the Italian furniture company Poltronova. It is a snapshot of the radical years between 1962and 1972, seen through the work of Archizoom, Ettore Sottsass, and Superstudio. A unique view into a moment in design history seen through the documents and photographs safeguarded at the Centro Studi Poltronova.
Design, Periods and Styles
UAM Les modernes à l'épreuve
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Métal contre bois, industrie contre artisanat, équipement contre décoration, peuple contre élite. La création de l'Union des artistes modernes (UAM), en 1929, par René Herbst, Francis Jourdain, Robert Mallet-Stevens, Hélène Henry et Raymond Templier, est souvent présentée comme une scission des "modernes" contre les "anciens", réunis au sein de la Société des artistes(...)
UAM Les modernes à l'épreuve
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Métal contre bois, industrie contre artisanat, équipement contre décoration, peuple contre élite. La création de l'Union des artistes modernes (UAM), en 1929, par René Herbst, Francis Jourdain, Robert Mallet-Stevens, Hélène Henry et Raymond Templier, est souvent présentée comme une scission des "modernes" contre les "anciens", réunis au sein de la Société des artistes décorateurs (Sad). Ces modernes, auxquels se joindront Pierre Chareau, Eileen Gray, Le Corbusier, les frères Martel, Charlotte Perriand, Jean Prouvé et bien d'autres, militent pour un art fonctionnaliste, sans ornement, destiné au plus grand nombre. Ils auraient tourné le dos aux Décorateurs et à l'artisanat de luxe, incarné par l'Exposition internationale des arts décoratifs et industriels modernes de 1925, pour créer un mouvement en phase avec les besoins de leur époque.
Design, Periods and Styles
Art Deco Chicago
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An expansive take on American Art Deco that explores Chicago's pivotal role in developing the architecture, graphic design, and product design that came to define middle-class style in the twentieth century.
Art Deco Chicago
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An expansive take on American Art Deco that explores Chicago's pivotal role in developing the architecture, graphic design, and product design that came to define middle-class style in the twentieth century.
Design, Periods and Styles