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books
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Title:
Dutch design a history
Dutch design a history
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Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about(...)
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Summary:
Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about(...)
Title:
Dutch design a history
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$40.95
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Summary:
Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about design as art, and the provocative notion of “anti-design,” Thomas argues that though Dutch design from the beginning has been driven by aims of functionality, simplicity, and affordability, it has also embraced luxury and exclusivity. The book also discusses the role played by leading Dutch designers and their works, including Wim Crouwel, Marcel Wanders, and the design collective Droog Design. An unprecedented, detailed history, Dutch Design Culture is a critical primer on one of the leading national design movements today.
Dutch design a history
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$40.95
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Summary:
Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about design as art, and the provocative notion of “anti-design,” Thomas argues that though Dutch design from the beginning has been driven by aims of functionality, simplicity, and affordability, it has also embraced luxury and exclusivity. The book also discusses the role played by leading Dutch designers and their works, including Wim Crouwel, Marcel Wanders, and the design collective Droog Design. An unprecedented, detailed history, Dutch Design Culture is a critical primer on one of the leading national design movements today.
Form:
books
books
Publication:
June 2008, London
June 2008, London
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
Price:
$48.50
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Summary:
Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection(...)
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Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection(...)
Subject:
Design, Periods and Styles
Design, Periods and Styles
Publication:
March 2008, Rotterdam
March 2008, Rotterdam
Title:
Chairs: catalogue of the Delft faculty of architecture collection
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Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection of over 240 chairs is presented for the first time. Each object is accompanied by images and a thorough description. Also, the book offers comprehensive texts on key designs in the collection, showing the diversity of the collection which consists of world famous designs, 17th, 18th and 19th century designs, everyday household chairs and rare pieces of furniture that have never been published before. Among the designers presented are Verner Panton, Gerrit Th. Rietveld, Hendrik Petrus Berlage, Jean Prouvé, Marcel Breuer and Droog Design.
Chairs: catalogue of the Delft faculty of architecture collection
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$48.50
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Summary:
Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection of over 240 chairs is presented for the first time. Each object is accompanied by images and a thorough description. Also, the book offers comprehensive texts on key designs in the collection, showing the diversity of the collection which consists of world famous designs, 17th, 18th and 19th century designs, everyday household chairs and rare pieces of furniture that have never been published before. Among the designers presented are Verner Panton, Gerrit Th. Rietveld, Hendrik Petrus Berlage, Jean Prouvé, Marcel Breuer and Droog Design.
Form:
books
books
Publication:
March 2008, Rotterdam
March 2008, Rotterdam
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
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$80.00
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Summary:
Reaching an apogee of 6,000 members in the years just before the Civil War, the Shaker movement was the most extensive, enduring, and successful utopian society ever established in America. Leaving Manchester, England, in 1776 to avoid persecution, the Shakers crossed the Atlantic and during the next 50 years established 19 villages from Maine to Kentucky. The Shakers(...)
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Reaching an apogee of 6,000 members in the years just before the Civil War, the Shaker movement was the most extensive, enduring, and successful utopian society ever established in America. Leaving Manchester, England, in 1776 to avoid persecution, the Shakers crossed the Atlantic and during the next 50 years established 19 villages from Maine to Kentucky. The Shakers(...)
Subject:
Design, Periods and Styles
Design, Periods and Styles
Publication:
April 2008, New York, Vermont, New Haven, London
April 2008, New York, Vermont, New Haven, London
Title:
Shaker Design out of this world
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Reaching an apogee of 6,000 members in the years just before the Civil War, the Shaker movement was the most extensive, enduring, and successful utopian society ever established in America. Leaving Manchester, England, in 1776 to avoid persecution, the Shakers crossed the Atlantic and during the next 50 years established 19 villages from Maine to Kentucky. The Shakers were guided by the principles of utility, honesty, and order in both their work and worship, and this belief system influenced the physical expression of the goods they produced for use at home and for sale outside their communities. This lovely book presents a wide array of extraordinarily fine examples of Shaker furniture, household objects, textiles, religious drawings, and items made to sell to the “world’s people” (non-Shakers). The book’s expert contributors discuss Shaker design in relation to the furniture they constructed, the products they sold, their gift drawings and spirituality, and their rejection of American Fancy design. The book also considers the powerful inspiration Shaker design has provided for diverse modern and contemporary designers, including George Nakashima, Roy McMakin, Thomas Moser, and Scandinavian furniture makers.
Shaker Design out of this world
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$80.00
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Summary:
Reaching an apogee of 6,000 members in the years just before the Civil War, the Shaker movement was the most extensive, enduring, and successful utopian society ever established in America. Leaving Manchester, England, in 1776 to avoid persecution, the Shakers crossed the Atlantic and during the next 50 years established 19 villages from Maine to Kentucky. The Shakers were guided by the principles of utility, honesty, and order in both their work and worship, and this belief system influenced the physical expression of the goods they produced for use at home and for sale outside their communities. This lovely book presents a wide array of extraordinarily fine examples of Shaker furniture, household objects, textiles, religious drawings, and items made to sell to the “world’s people” (non-Shakers). The book’s expert contributors discuss Shaker design in relation to the furniture they constructed, the products they sold, their gift drawings and spirituality, and their rejection of American Fancy design. The book also considers the powerful inspiration Shaker design has provided for diverse modern and contemporary designers, including George Nakashima, Roy McMakin, Thomas Moser, and Scandinavian furniture makers.
Form:
books
books
Publication:
April 2008, New York, Vermont, New Haven, London
April 2008, New York, Vermont, New Haven, London
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
Price:
$54.00
(available in store)
Summary:
In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between(...)
$54.00
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Summary:
In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between(...)
Subject:
Design, Periods and Styles
Design, Periods and Styles
Publication:
April 2008, Cambridge, Massachusetts
April 2008, Cambridge, Massachusetts
Title:
Imagine no possessions: the socialist objects of Russian constructivism
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In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between 1923 and 1925: Vladimir Tatlin's prototype designs for pots and pans and other everyday objects, Liubov' Popova's and Varvara Stepanova's fashion designs and textiles, Rodchenko's packaging and advertisements for state-owned businesses (made in collaboration with revolutionary poet Vladimir Mayakovsky), and Rodchenko's famous design for the interior of a workers' club. These artists, heeding the call of Constructivist manifestos to abandon the nonobjective painting and sculpture of the early Russian avant-garde and enter into Soviet industrial production, aimed to work as "artist-engineers" to produce useful objects for everyday life in the new socialist collective.
Imagine no possessions: the socialist objects of Russian constructivism
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Summary:
In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between 1923 and 1925: Vladimir Tatlin's prototype designs for pots and pans and other everyday objects, Liubov' Popova's and Varvara Stepanova's fashion designs and textiles, Rodchenko's packaging and advertisements for state-owned businesses (made in collaboration with revolutionary poet Vladimir Mayakovsky), and Rodchenko's famous design for the interior of a workers' club. These artists, heeding the call of Constructivist manifestos to abandon the nonobjective painting and sculpture of the early Russian avant-garde and enter into Soviet industrial production, aimed to work as "artist-engineers" to produce useful objects for everyday life in the new socialist collective.
Form:
books
books
Publication:
April 2008, Cambridge, Massachusetts
April 2008, Cambridge, Massachusetts
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
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$89.99
(available to order)
Summary:
Accompanying the exhibition at the Victoria & Albert Museum, London, this ground-breaking study of modern art, architecture, design and film examines the Cold War as a conflict between differing conceptions of modern life. It is an ambitious review of the geography of Cold War modernity, including works from the Socialist Bloc and western Europe, the United States, Cuba(...)
$89.99
(available to order)
Summary:
Accompanying the exhibition at the Victoria & Albert Museum, London, this ground-breaking study of modern art, architecture, design and film examines the Cold War as a conflict between differing conceptions of modern life. It is an ambitious review of the geography of Cold War modernity, including works from the Socialist Bloc and western Europe, the United States, Cuba(...)
Subject:
Design, Periods and Styles
Design, Periods and Styles
Publication:
October 2008, London
October 2008, London
Title:
Cold war modern design 1945 - 1970
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Summary:
Accompanying the exhibition at the Victoria & Albert Museum, London, this ground-breaking study of modern art, architecture, design and film examines the Cold War as a conflict between differing conceptions of modern life. It is an ambitious review of the geography of Cold War modernity, including works from the Socialist Bloc and western Europe, the United States, Cuba and Japan. Essays on subjects as diverse as Cold War strategy, domesticity and hi-tech design developments are illustrated with remarkable images by internationally renowned artists and designers from Picasso to Kubrick, alongside the forgotten figures of the Cold War era.
Cold war modern design 1945 - 1970
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$89.99
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Summary:
Accompanying the exhibition at the Victoria & Albert Museum, London, this ground-breaking study of modern art, architecture, design and film examines the Cold War as a conflict between differing conceptions of modern life. It is an ambitious review of the geography of Cold War modernity, including works from the Socialist Bloc and western Europe, the United States, Cuba and Japan. Essays on subjects as diverse as Cold War strategy, domesticity and hi-tech design developments are illustrated with remarkable images by internationally renowned artists and designers from Picasso to Kubrick, alongside the forgotten figures of the Cold War era.
Form:
books
books
Publication:
October 2008, London
October 2008, London
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
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$119.95
(available to order)
Summary:
The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. This publication offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet(...)
$119.95
(available to order)
Summary:
The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. This publication offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet(...)
Subject:
Design, Periods and Styles
Design, Periods and Styles
Publication:
April 2020
April 2020
Title:
Soviet design: from Constructivism to Modernism, 1920-1980
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$119.95
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Summary:
The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. This publication offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet modernism. Drawing on archives that were inaccessible until recently and featuring a wealth of previously unpublished material, it documents the achievements of seven decades in the former socialist empire.
Soviet design: from Constructivism to Modernism, 1920-1980
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$119.95
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Summary:
The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. This publication offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet modernism. Drawing on archives that were inaccessible until recently and featuring a wealth of previously unpublished material, it documents the achievements of seven decades in the former socialist empire.
Form:
books
books
Publication:
April 2020
April 2020
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
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$54.95
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Summary:
Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an(...)
$54.95
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Summary:
Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an(...)
Title:
Jet age aesthetic: the glamour of media in motion
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Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below. Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.
Jet age aesthetic: the glamour of media in motion
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$54.95
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Summary:
Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below. Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.
Form:
books
books
Publication:
April 2020
April 2020
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
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$34.00
(available to order)
Summary:
The effervescent, creative synergy among Italian artists and designers in the post-war, post-fascist period is the subject of this exhibition catalogue for a show in Paris held at the end of 2019. Forty works of avant-garde art and design highlight the common aspirations and experimental spirit of this visionary generation, featuring artists and works that mirror each(...)
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The effervescent, creative synergy among Italian artists and designers in the post-war, post-fascist period is the subject of this exhibition catalogue for a show in Paris held at the end of 2019. Forty works of avant-garde art and design highlight the common aspirations and experimental spirit of this visionary generation, featuring artists and works that mirror each(...)
Title:
Utopia: Italian art and design
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$34.00
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The effervescent, creative synergy among Italian artists and designers in the post-war, post-fascist period is the subject of this exhibition catalogue for a show in Paris held at the end of 2019. Forty works of avant-garde art and design highlight the common aspirations and experimental spirit of this visionary generation, featuring artists and works that mirror each other in their approach to the world. Included here are works by Lucio Fontana, Carlo Mollino, Ettore Sottsass, Gaetano Pesce, Carlo Scarpa, Gino Sarfatti, Dadamaino, Alighiero Boetti, Mimmo Rotella, Gio Ponti, and Piero Manzoni, among others. In this book, Italian artists, architects, and designers reveal their exceptional ability to overturn the boundaries between art and design. Their visionary modernism is still influential today.
Utopia: Italian art and design
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$34.00
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Summary:
The effervescent, creative synergy among Italian artists and designers in the post-war, post-fascist period is the subject of this exhibition catalogue for a show in Paris held at the end of 2019. Forty works of avant-garde art and design highlight the common aspirations and experimental spirit of this visionary generation, featuring artists and works that mirror each other in their approach to the world. Included here are works by Lucio Fontana, Carlo Mollino, Ettore Sottsass, Gaetano Pesce, Carlo Scarpa, Gino Sarfatti, Dadamaino, Alighiero Boetti, Mimmo Rotella, Gio Ponti, and Piero Manzoni, among others. In this book, Italian artists, architects, and designers reveal their exceptional ability to overturn the boundaries between art and design. Their visionary modernism is still influential today.
Form:
books
books
Publication:
September 2020
September 2020
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
Title:
Domus : 1960-1969
Domus : 1960-1969
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Fondé en 1928 par le grand architecte et designer milanais Gio Ponti qui voulait en faire un «journal vivant», domus a été salué comme le magazine d’architecture et de design le plus influent au monde. Alliant style et rigueur, il a traité en profondeur des thèmes et évolutions de style majeurs en matière de design industriel, de produit, de structure et d’intérieur. Dans(...)
$25.95
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Summary:
Fondé en 1928 par le grand architecte et designer milanais Gio Ponti qui voulait en faire un «journal vivant», domus a été salué comme le magazine d’architecture et de design le plus influent au monde. Alliant style et rigueur, il a traité en profondeur des thèmes et évolutions de style majeurs en matière de design industriel, de produit, de structure et d’intérieur. Dans(...)
Title:
Domus : 1960-1969
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$25.95
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Fondé en 1928 par le grand architecte et designer milanais Gio Ponti qui voulait en faire un «journal vivant», domus a été salué comme le magazine d’architecture et de design le plus influent au monde. Alliant style et rigueur, il a traité en profondeur des thèmes et évolutions de style majeurs en matière de design industriel, de produit, de structure et d’intérieur. Dans cette nouvelle réédition des tous les numéros des années 1960, le magazine suit les merveilleux projets audacieux et pratiques d’une décennie grisée par le frisson futuriste et l’explosion de la pop culture. Synthétiques et plastiques font leur entrée sur scène, entraînant un design radicalement nouveau, alors que les notions conventionnelles d’élégance laissent la place à des formes expérimentales inédites. Pour qu’une œuvre figure dans le magazine, elle devait allier fonctionnalité, clarté spatiale, persuasion intellectuelle, originalité pertinente et/ou beauté. Parmi les projets et professionnels retenus figurent les mouvements d’anti-design et de design radical, Ray et Charles Eames, Gae Aulenti, Kenzo Tange, Verner Panton, Achill et Pier Giacomo Castiglioni, Ettore Sottsass, Carlo Scarpa, Angelo Mangiarotti, Cesare Maria Casati et Eero Saarinen.
Domus : 1960-1969
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Fondé en 1928 par le grand architecte et designer milanais Gio Ponti qui voulait en faire un «journal vivant», domus a été salué comme le magazine d’architecture et de design le plus influent au monde. Alliant style et rigueur, il a traité en profondeur des thèmes et évolutions de style majeurs en matière de design industriel, de produit, de structure et d’intérieur. Dans cette nouvelle réédition des tous les numéros des années 1960, le magazine suit les merveilleux projets audacieux et pratiques d’une décennie grisée par le frisson futuriste et l’explosion de la pop culture. Synthétiques et plastiques font leur entrée sur scène, entraînant un design radicalement nouveau, alors que les notions conventionnelles d’élégance laissent la place à des formes expérimentales inédites. Pour qu’une œuvre figure dans le magazine, elle devait allier fonctionnalité, clarté spatiale, persuasion intellectuelle, originalité pertinente et/ou beauté. Parmi les projets et professionnels retenus figurent les mouvements d’anti-design et de design radical, Ray et Charles Eames, Gae Aulenti, Kenzo Tange, Verner Panton, Achill et Pier Giacomo Castiglioni, Ettore Sottsass, Carlo Scarpa, Angelo Mangiarotti, Cesare Maria Casati et Eero Saarinen.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
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$48.95
(available to order)
Summary:
Le design contemporain, quel intérêt ? Le design contemporain, c’est quoi ? Retenir quelques dates repères Ils l’ont fait pour la première fois Connaître les mots clés. Comment approcher le design contemporain ? Renouer les fils avec le passé. Changer sa façon de voir...
$48.95
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Summary:
Le design contemporain, quel intérêt ? Le design contemporain, c’est quoi ? Retenir quelques dates repères Ils l’ont fait pour la première fois Connaître les mots clés. Comment approcher le design contemporain ? Renouer les fils avec le passé. Changer sa façon de voir...
Title:
Design contemporain : le guide
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$48.95
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Le design contemporain, quel intérêt ? Le design contemporain, c’est quoi ? Retenir quelques dates repères Ils l’ont fait pour la première fois Connaître les mots clés. Comment approcher le design contemporain ? Renouer les fils avec le passé. Changer sa façon de voir...
Design contemporain : le guide
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$48.95
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Summary:
Le design contemporain, quel intérêt ? Le design contemporain, c’est quoi ? Retenir quelques dates repères Ils l’ont fait pour la première fois Connaître les mots clés. Comment approcher le design contemporain ? Renouer les fils avec le passé. Changer sa façon de voir...
Form:
books
books
Publication:
June 2022
June 2022
Subject:
Design, Periods and Styles
Design, Periods and Styles
