Design is storytelling
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Design Is Storytelling explores the psychology of visual perception from a narrative point of view. Presenting dozens of tools and concepts in a lively, visual manner, this book will help any designer amplify the narrative power of their work. Use this book to stir emotions, build empathy, articulate values and convey action; to construct narrative arcs and create paths(...)
Design is storytelling
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$25.50
(available to order)
Summary:
Design Is Storytelling explores the psychology of visual perception from a narrative point of view. Presenting dozens of tools and concepts in a lively, visual manner, this book will help any designer amplify the narrative power of their work. Use this book to stir emotions, build empathy, articulate values and convey action; to construct narrative arcs and create paths through space; integrate form and language; evaluate a project’s storytelling power; and to write and deliver strong narratives.
Design Theory
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'Craft Becomes Modern: The Bauhaus in the Making' looks at the Bauhaus from the perspective of this noisy activity — handcraft. No term was more fiercely disputed there. Although conceived as “laboratories for industry,” a great deal was still done by hand in the Dessau workshops. Workshops at the Bauhaus straddled the different priorities and practical realities at play,(...)
Craft becomes modern : the Bauhaus in the making
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'Craft Becomes Modern: The Bauhaus in the Making' looks at the Bauhaus from the perspective of this noisy activity — handcraft. No term was more fiercely disputed there. Although conceived as “laboratories for industry,” a great deal was still done by hand in the Dessau workshops. Workshops at the Bauhaus straddled the different priorities and practical realities at play, falling somewhere between factory and craft business, between free experimentation and industrial contract work. From this field of tension, the Bauhaus tried to define handcraft anew as a utopian pursuit that could coexist with industrial culture. The Bauhaus’ interest in industrialization has been thoroughly studied; the persistence of craft among its teachers and students much less so. Craft Becomes Modern surveys this aspect of the Bauhaus’ teaching and work, and puts it in historical context.
Design Theory
Desk in exile
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When the Bauhaus moved to Dessau, the desk moved with it, landing in the director’s office, where it was used as a demonstration of a vision of a modern office culture. The desk took up residence temporarily in the Lawn Road Flats in London before following Gropius to Lincoln, Massachusetts, in 1938. It has remained in Lincoln since then and is currently in the Gropius(...)
Desk in exile
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When the Bauhaus moved to Dessau, the desk moved with it, landing in the director’s office, where it was used as a demonstration of a vision of a modern office culture. The desk took up residence temporarily in the Lawn Road Flats in London before following Gropius to Lincoln, Massachusetts, in 1938. It has remained in Lincoln since then and is currently in the Gropius family’s private home. An index of the changing fortunes of the Bauhaus, Gropius’ desk itself becomes an actor in a complex history of changing locations and social environments. Desk in Exile traces the trajectory of this uniquely weighted object, offering a model of an object-based history of exile. Part of Spector Books’ series of readers on individual aspects of Bauhaus design, this volume comes out of the research and curatorial work carried out by the Bauhaus Lab 2016.
Design Theory
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The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly(...)
The beauty of everyday things
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The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty.
Design Theory
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'Wabi-sabi : pour aller plus loin' est le complément de 'Wabi-sabi à l’usage des artistes, designers, poètes & philosophes'. L’ouvrage cherche à clarifier comment le wabi-sabi est apparu, notamment en lien avec la cérémonie du thé, et à mettre en lumière sa nature. Il traite également de la place du wabi-sabi dans le monde contemporain.
Wabi-sabi : pour aller plus loin
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'Wabi-sabi : pour aller plus loin' est le complément de 'Wabi-sabi à l’usage des artistes, designers, poètes & philosophes'. L’ouvrage cherche à clarifier comment le wabi-sabi est apparu, notamment en lien avec la cérémonie du thé, et à mettre en lumière sa nature. Il traite également de la place du wabi-sabi dans le monde contemporain.
Design Theory
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Fifty years after the first exhibition by the Exhibition Design group, Michele Galluzzo recounts the first experiments of the collective in Pre design 1969: Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as Giulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia, the ED group was(...)
Pre design 1969: plastic laminate
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Fifty years after the first exhibition by the Exhibition Design group, Michele Galluzzo recounts the first experiments of the collective in Pre design 1969: Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as Giulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia, the ED group was formed in the late 1960s in Milan and in less than a decade gave rise to an extremely interesting experience, which until now has only been partially investigated.
Design Theory
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Written by one of the twentieth century’s leading textile artists, this illustrated book is a meditation on the art of weaving, its history, its tools and techniques, and its implications for modern design. First published in 1965, "On weaving" bridges the transition between handcraft and the machine-made, highlighting the importance of material awareness and the creative(...)
On weaving: new expanded edition
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Written by one of the twentieth century’s leading textile artists, this illustrated book is a meditation on the art of weaving, its history, its tools and techniques, and its implications for modern design. First published in 1965, "On weaving" bridges the transition between handcraft and the machine-made, highlighting the importance of material awareness and the creative leaps that can occur when design problems are tackled by hand.
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The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical(...)
On the couch : a repressed history of the analytic couch from Plato to Freud
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The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical research. Kravis, himself a practicing psychoanalyst, shows that the tradition of recumbent speech wasn’t dreamed up by Freud but can be traced back to ancient Greece, where guests reclined on couches at the symposion (a gathering for upper-class males to discuss philosophy and drink wine), and to the Roman convivium (a banquet at which men and women reclined together). From bed to bench to settee to chaise-longue to sofa: Kravis tells how the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, privacy, transgression, and healing.
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Many designs that appear in today’s society will circulate and encounter audiences of many different cultures and languages. "The politics of design" enhances your visual literacy for communication beyond borders and cultures.
The politics of design: a (not so) global manual for visual communication
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Many designs that appear in today’s society will circulate and encounter audiences of many different cultures and languages. "The politics of design" enhances your visual literacy for communication beyond borders and cultures.
Design Theory
La boule de pétanque
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La boule de pétanque, premier né de la collection Typologie, prend pour point de départ cet objet en apparence parfaitement banal, mais dont l'étude révèle un contenu insoupçonné. Sa filiation avec la tradition universelle des jeux de boules, une histoire moderne et populaire, une fabrication industrielle sophistiquée, une succession de différents procédés que la(...)
La boule de pétanque
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$37.95
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La boule de pétanque, premier né de la collection Typologie, prend pour point de départ cet objet en apparence parfaitement banal, mais dont l'étude révèle un contenu insoupçonné. Sa filiation avec la tradition universelle des jeux de boules, une histoire moderne et populaire, une fabrication industrielle sophistiquée, une succession de différents procédés que la constante de sa forme permet de mettre en évidence, mais aussi un contenu sociologique, des règles, un cadre, un glossaire, une gestuelle, et même une philosophie de vie…
Design Theory