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Moving beyond the usual forms endemic to the graphic design canon, "Designing history" studies bureaucratic instruments such as money, passports, certificates, property deeds and more. Such documents produce identity, assign ownership and ascribe value. They stabilize claims, memory and knowledge that would otherwise be vulnerable to contestation or obliteration. Despite(...)
Designing history: Documents and the design of imperative to immutability
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Moving beyond the usual forms endemic to the graphic design canon, "Designing history" studies bureaucratic instruments such as money, passports, certificates, property deeds and more. Such documents produce identity, assign ownership and ascribe value. They stabilize claims, memory and knowledge that would otherwise be vulnerable to contestation or obliteration. Despite their apparent banality, such documents are perhaps graphic design’s most profoundly consequential forms. This book is the revised edition of "Immutable: Designing history" (2022). It includes an extended essay that contextualizes the project as one concerned primarily with prompting a remapping of graphic design’s historical and practical assumptions.
Design Theory
$53.95
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When reality fails us, what can designers do? Question design’s relationship to reality, as Anthony Dunne and Fiona Raby do, in this exhilarating, yet thoughtful, journey to the edges of science, philosophy, and literature to find new ways of thinking about the possible—and about the meaning, function, and place of design in that speculative world of "not here, not now."(...)
Not here, not now: Speculative thought, impossibility, and the design imagination
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When reality fails us, what can designers do? Question design’s relationship to reality, as Anthony Dunne and Fiona Raby do, in this exhilarating, yet thoughtful, journey to the edges of science, philosophy, and literature to find new ways of thinking about the possible—and about the meaning, function, and place of design in that speculative world of "not here, not now." A conceptual travelogue of sorts, "Not here, not now" brings together words, images, and objects that capture, in design form, some of the ideas encountered along the way. Itself a design experiment, the richly illustrated book explores ways to bring these ideas into conversation with objects through imagined archives, libraries, glossaries, taxonomies, lists, tales, and essays.
Design Theory
$33.95
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"An anthology of Blackness" examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of(...)
An anthology of blackness: the state of black design
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"An anthology of Blackness" examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice.
Design Theory
Designing the X
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As the pace of global change accelerates—ecologically, socially, and technologically—our traditional ways of understanding and responding to change fall short. We now live in an era of supercomplexity, where challenges like climate instability, migration, technological disruption, resource depletion, and systemic inequality converge and defy conventional(...)
Designing the X
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As the pace of global change accelerates—ecologically, socially, and technologically—our traditional ways of understanding and responding to change fall short. We now live in an era of supercomplexity, where challenges like climate instability, migration, technological disruption, resource depletion, and systemic inequality converge and defy conventional solutions. ''Designing the X'' meets this moment with a bold and timely proposition: when data, science, and analysis alone are insufficient to move us forward, we must turn to design as a powerful mode of reasoning through synthesis, where intuition meets insight and imagination drives action. Design enables us to move with complexity, not against it, and to shape futures beyond the limits of the present. Grounded in praxis and research—including 67 interviews with designers, technologists and scientists, innovators and entrepreneurs, urbanists, and educators— ''Designing the X'' makes a compelling case for design as an essential partner to science and technology: integrative, inventive, and profoundly human. The “X” stands for what’s missing in today’s analytic methods: the leap from parts to greater wholes, from current conditions to future potential. This book is for anyone seeking agency in an age of accelerating change. It’s a compass for those ready to imagine—and design—the future we cannot yet see.
Design Theory
Shaping things
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Sterling offers a brilliant, often hilarious history of shaped things. We have moved from an age of artefacts, made by hand, through complex machines, to the current era of "gizmos." New forms of design and manufacture are appearing that lack historical precedent, he writes; but the production methods, using archaic forms of energy and materials that are finite and toxic,(...)
Shaping things
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Sterling offers a brilliant, often hilarious history of shaped things. We have moved from an age of artefacts, made by hand, through complex machines, to the current era of "gizmos." New forms of design and manufacture are appearing that lack historical precedent, he writes; but the production methods, using archaic forms of energy and materials that are finite and toxic, are not sustainable. The future will see a new kind of object - we have the primitive forms of them now in our pockets and briefcases: user-alterable, baroquely multi-featured, and programmable - that will be sustainable, enhanceable, and uniquely identifiable. Sterling coins the term "spime" for them, these future manufactured objects with informational support so extensive and rich that they are regarded as material instantiations of an immaterial system. Spimes are designed on screens, fabricated by digital means, and precisely tracked through space and time. They are made of substances that can be folded back into the production stream of future spimes, challenging all of us to become involved in their production. Spimes are coming, says Sterling. We will need these objects in order to live; we won't be able to surrender their advantages without awful consequences. The vision of ‘Shaping Things’ is given material form by the intricate design of Lorraine Wild. ‘Shaping Things’ is for designers and thinkers, engineers and scientists, entrepreneurs and financiers - and anyone who wants to understand and be part of the process of techno-social transformation.
Design Theory
$74.95
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Expliquer le design, son histoire et ses recherches les plus contemporaines, en étudiant ses techniques de conception, de fabrication et de réalisation ainsi que les matériaux traditionnels et innovants utilisés: tel est l'objet de cet ouvrage. Sous la direction de Raymond Guidot, porte-parole reconnu du design, quatre textes, illustrés de nombreuses vues d'ateliers et(...)
Design Theory
November 2005, Paris
Design : techniques et matériaux
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Expliquer le design, son histoire et ses recherches les plus contemporaines, en étudiant ses techniques de conception, de fabrication et de réalisation ainsi que les matériaux traditionnels et innovants utilisés: tel est l'objet de cet ouvrage. Sous la direction de Raymond Guidot, porte-parole reconnu du design, quatre textes, illustrés de nombreuses vues d'ateliers et d'usines, de documents préparatoires et didactiques, d'objets finis, abordent, à l'intention du grand public comme des spécialistes, de quelle manière concevoir et fabriquer le beau et l'utile, explicitent les enjeux technologiques de cette discipline.
Design Theory
books
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We're filling up the world with technology and devices, but we've lost sight of an important question: What is this stuff for? What value does it add to our lives? So asks author John Thackara in his new book, “In the Bubble: Designing for a Complex World”. These are tough questions for the pushers of technology to answer. Our economic system is centred on technology,(...)
In the bubble : designing in a complex world
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We're filling up the world with technology and devices, but we've lost sight of an important question: What is this stuff for? What value does it add to our lives? So asks author John Thackara in his new book, “In the Bubble: Designing for a Complex World”. These are tough questions for the pushers of technology to answer. Our economic system is centred on technology, so it would be no small matter if "tech" ceased to be an end-in-itself in our daily lives. Technology is not going to go away, but the time to discuss the end it will serve is before we deploy it, not after. We need to ask what purpose will be served by the broadband communications, smart materials, wearable computing, and connected appliances that we're unleashing upon the world. We need to ask what impact all this stuff will have on our daily lives. Who will look after it, and how? ”In the Bubble” is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now -- not in a remote science fiction future; it's not about, as he puts it, "the schlock of the new" but about radical innovation already emerging in daily life. We are regaining respect for what people can do that technology can't. In the Bubble describes services designed to help people carry out daily activities in new ways. Many of these services involve technology -- ranging from body implants to wide-bodied jets. But objects and systems play a supporting role in a people-centred world. The design focus is on services, not things. And new principles -- above all, lightness -- inform the way these services are designed and used. At the heart of In the Bubble is a belief, informed by a wealth of real-world examples, that ethics and responsibility can inform design decisions without impeding social and technical innovation.
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April 2005, London
Design Theory
$56.50
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Kees Dorst - Dutch design scholar, educator, consultant and practitioner, presents 150 essays to stimulate designers to think about what they do, how they do it, why and to what effect. Together, the essays in this book provide a panoramic view over the subject of design. The essays are written to encourage designers and students of design to reflect upon the many(...)
Understanding design: 150 reflexions on being a designer
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Kees Dorst - Dutch design scholar, educator, consultant and practitioner, presents 150 essays to stimulate designers to think about what they do, how they do it, why and to what effect. Together, the essays in this book provide a panoramic view over the subject of design. The essays are written to encourage designers and students of design to reflect upon the many aspect of their field.
Design Theory
$22.00
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'Why Not?' is the new 'No Way' contains a series of interviews about the relationship between creative youth culture and the commercial world. This relationship has been through some interesting changes the past few years. Looking at it from youth culture, you could summarize it as 'what used to be selling out, is now considered a status sumbol'. At the same time, big(...)
Design Theory
March 2008, New York, Amsterdam, London
'Why not?' is the new 'No way!'
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'Why Not?' is the new 'No Way' contains a series of interviews about the relationship between creative youth culture and the commercial world. This relationship has been through some interesting changes the past few years. Looking at it from youth culture, you could summarize it as 'what used to be selling out, is now considered a status sumbol'. At the same time, big corporations seem to have learned a few things as well and offer more freedom and space for young creatives. Still there seems plenty of reason to remain critical...
Design Theory
Our daily debates
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It is 7 weeks before the graduation. A student (Nina 26) has asked 4 other students (Sirkel 23, Claus 33, Noa 31 and Brita 30) to meet her and have a debate about graphic design, their future profession.
Design Theory
March 2008, New York, Amsterdam, London
Our daily debates
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It is 7 weeks before the graduation. A student (Nina 26) has asked 4 other students (Sirkel 23, Claus 33, Noa 31 and Brita 30) to meet her and have a debate about graphic design, their future profession.
Design Theory