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Originally published in 1968, this sequel to "The Medium is the Massage" is a collage of images and text that sharply illustrates how electric technology "stimulate more discontinuity and diversity and division than the old mechanical society."
War and peace in the global village
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Originally published in 1968, this sequel to "The Medium is the Massage" is a collage of images and text that sharply illustrates how electric technology "stimulate more discontinuity and diversity and division than the old mechanical society."
Epistemology
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Environmentalism and social sciences appear to be in a period of disorientation and perhaps transition. In this innovative collection, leading international thinkers explore the notion that one explanation for the current malaise of the “politics of ecology” is that we increasingly find ourselves negotiating “technonatural” space/times. International contributors map the(...)
Technonature: environments, technologies, spaces and places in the twenty-first century
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Environmentalism and social sciences appear to be in a period of disorientation and perhaps transition. In this innovative collection, leading international thinkers explore the notion that one explanation for the current malaise of the “politics of ecology” is that we increasingly find ourselves negotiating “technonatural” space/times. International contributors map the political ecologies of our technonatural present and indicate possible paths for technonatural futures.
Epistemology
$32.95
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In Prometheus Wired, Darin Barney debunks claims that a networked society will provide the infrastructure for a political revolution and shows that the resources we need for understanding and making sound judgments about this new technology are surprisingly close at hand. By looking to thinkers who grappled with the relationship of society and technology, such as Plato,(...)
Prometheus wired: the hope for democraty in the age of network technology
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In Prometheus Wired, Darin Barney debunks claims that a networked society will provide the infrastructure for a political revolution and shows that the resources we need for understanding and making sound judgments about this new technology are surprisingly close at hand. By looking to thinkers who grappled with the relationship of society and technology, such as Plato, Aristotle, Marx, and Heidegger, Barney critically examines such assertions about the character of digital networks.
Epistemology
$62.80
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3 audio-cds, 192 minutes booklet, 40 pages
okkulte stimmen mediale musik: recordinsgs of intelligences 1905-2007
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3 audio-cds, 192 minutes booklet, 40 pages
Epistemology
$69.90
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''Pevsner: the BBC years'' gives the first full account of Sir Nikolaus Pevsner’s engagement with the BBC at a time when both were the dominant institutions in their own fields -- Pevsner as the most persuasive figure in architecture and art history, the BBC as the country's sole broadcaster. With the arrival of the Third Programme in 1946, he quickly became a(...)
Pevsner: The BBC Years: Listening to the Visual Arts
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''Pevsner: the BBC years'' gives the first full account of Sir Nikolaus Pevsner’s engagement with the BBC at a time when both were the dominant institutions in their own fields -- Pevsner as the most persuasive figure in architecture and art history, the BBC as the country's sole broadcaster. With the arrival of the Third Programme in 1946, he quickly became a broadcasting celebrity, and one whom senior BBC figures regarded as essential and novel listening. This book looks at the sudden rise in Pevsner’s standing at the BBC and at the circumstances surrounding his being commissioned, in the mid-1950s, to give the first series of Reith Lectures on an arts subject -- the relationship between visual expression and national identity.
Epistemology
Pevsner: The complete broadcast talks: architecture and art on radio and television, 1945-1977
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This book brings together the surviving texts of the 113 talks on art and architecture that we know of, given by the art historian Sir Nikolaus Pevsner on radio and television between 1945--1977. It includes the seven texts of the 1955 Reith Lectures in their original broadcast form, as well as lectures that Pevsner gave in German (for the BBC in London and RIAS in(...)
Pevsner: The complete broadcast talks: architecture and art on radio and television, 1945-1977
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This book brings together the surviving texts of the 113 talks on art and architecture that we know of, given by the art historian Sir Nikolaus Pevsner on radio and television between 1945--1977. It includes the seven texts of the 1955 Reith Lectures in their original broadcast form, as well as lectures that Pevsner gave in German (for the BBC in London and RIAS in Berlin) and on the radio in New Zealand. These talks are important as an example of the attempt by the BBC in particular to provide intellectual programming for the mass population. The talks are important for what they reveal about changing tastes in the treatment of the arts as a broadcast topic, as well as offering a case study of the development of one particular historian's approach to a subject that was gaining ground in universities as a direct result of his popularisation of it.
Epistemology
La galaxie Gutenberg
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Analysant les effets des changements techniques sur la communication, les cultures, les sociétés et la politique depuis l’époque médiévale, McLuhan livre avec La Galaxie Gutenberg, son œuvre majeure. « Le médium est le message », résume-t-il. Une idée toujours pertinente à notre époque où triomphe une culture de l’image qui semble nous ramener à un stade pré-alphabétique,(...)
La galaxie Gutenberg
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Analysant les effets des changements techniques sur la communication, les cultures, les sociétés et la politique depuis l’époque médiévale, McLuhan livre avec La Galaxie Gutenberg, son œuvre majeure. « Le médium est le message », résume-t-il. Une idée toujours pertinente à notre époque où triomphe une culture de l’image qui semble nous ramener à un stade pré-alphabétique, rythmé par le flot ininterrompu des sentiments et des réactions immédiates.
Epistemology
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Depuis la publication en 1982-1986 d'une imposante Histoire de l´édition française en quatre gros volumes, de multiples travaux ont vu le jour qui modifient singulièrement les perspectives développées voici plus de trente ans par les pionniers de cette histoire. Jean-Yves Mollier, historien du livre, de l'édition et de la lecture, en France et dans le monde, propose ici(...)
Une autre histoire de l'édition française
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Depuis la publication en 1982-1986 d'une imposante Histoire de l´édition française en quatre gros volumes, de multiples travaux ont vu le jour qui modifient singulièrement les perspectives développées voici plus de trente ans par les pionniers de cette histoire. Jean-Yves Mollier, historien du livre, de l'édition et de la lecture, en France et dans le monde, propose ici de revisiter ce chantier en insistant sur ce que signifie l'acte d´éditer.
Epistemology
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In "From Counterculture to Cyberculture", Fred Turner details the previously untold story of a highly influential group of San Francisco Bay Area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award - winning "Whole Earth Catalog", the computer-conferencing system known as WELL, and,(...)
From counterculture to cyberculture
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In "From Counterculture to Cyberculture", Fred Turner details the previously untold story of a highly influential group of San Francisco Bay Area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award - winning "Whole Earth Catalog", the computer-conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers.While tracing the extraordinary transformation of how our networked culture came to be, Turner's fascinating book reminds us that the distance between the Grateful Dead and Google, between Ken Kesey and the computer itself, is not as great as we might think.
Epistemology
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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes,(...)
Digital art and meaning: reading kinetic poetry, text machines, mapping art, and interactive installations
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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done. Digital Art and Meaning offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. For instance, Simanowski deciphers the complex meaning of words that not only form an image on a screen but also react to the viewer’s behavior; images that are progressively destroyed by the human gaze; text machines generating nonsense sentences out of a Kafka story; and a light show above Mexico City’s historic square, created by Internet users all over the world. Simanowski combines these illuminating explanations with a theoretical discussion that employs art philosophy and history to achieve a deeper understanding of each particular example of digital art and, ultimately, of the genre as a whole.