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La médiocrité esthétique et le fonctionnalisme primaire de la reconstruction post 1945 sécrète une crise durable qui affecte l’architecture et l’urbanisme dans l’ensemble du monde occidental. A la "Cité radieuse" des années 1930 succède, au milieu du siècle, une nouvelle utopie la "Mégastructure". Hybride colossal traversant des territoires sans frontières, elle règle du(...)
October 2004, Paris
Superarchitecture : le futur de l'architecture 1950-1970
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La médiocrité esthétique et le fonctionnalisme primaire de la reconstruction post 1945 sécrète une crise durable qui affecte l’architecture et l’urbanisme dans l’ensemble du monde occidental. A la "Cité radieuse" des années 1930 succède, au milieu du siècle, une nouvelle utopie la "Mégastructure". Hybride colossal traversant des territoires sans frontières, elle règle du même élan, et l’architecture, et l’urbanisme, et les infrastructures. Mais l’engouement pour ces grandes machines sensées résoudre les problèmes à l’échelle planétaire s’émousse durant les sixties. La "Mégastructure" cède le pas à l’"Architecture radicale", ce faisant on assiste au basculement d’une approche de l’architecture dont les références sont le besoin et la construction à une autre dont les références sont l’immédiateté et la consommation, les objets mobiles et le plaisir du corps. Cette transformation correspond au passage d’une architecture conçue en terme de progrès social et de bonheur humain, à une architecture de la révélation du monde existant. Première monographie exhaustive sur la période, Superarchitecture est abondamment illustrée à l’aide d’une iconographie originale issue des archives des Smithson, d’Hollein, de Fuller, Friedman, Archigram, Price, Archizoom, Superstudio, etc. De l’utopie critique qui se dégage des projets de ces acteurs et de la puissance évocatrice de leurs dessins, les architectes contemporains comme Koolhaas, Tschumi ou MRDV se sont fortement inspirés pour construire leur univers conceptuel.
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
October 2001
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
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Monica Ponce de Leon and Nader Tehrani, who work together as Office dA, and Andrew Zago of Zago Architecture, the three experimental architects whose site-specific, student-built installations at Southern California Institute for Architecture (SCI-Arc) are documented in this book, have all been visiting professors there recently. Through in-depth interviews on their(...)
September 2005
Zago architecture and Office dA : two installations
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Monica Ponce de Leon and Nader Tehrani, who work together as Office dA, and Andrew Zago of Zago Architecture, the three experimental architects whose site-specific, student-built installations at Southern California Institute for Architecture (SCI-Arc) are documented in this book, have all been visiting professors there recently. Through in-depth interviews on their careers and these pieces, director Eric Owen Moss makes it clear that he appreciates both their work and their company. This first publication in the Institute’s "Make it new" series also includes lectures and photographs. With foreword by Eric Owen Moss.
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are(...)
January 2006, New York / London
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are always grounded in social or political convictions. Some of his projects include opening a restaurant (Food, 1971)in the SoHo in New York, purchasing at auction fractions of unusable urban land in New York (Reality Properties: Fake Estates, 1973), dispensing oxygen to passersby in the streets of New York from a self-made cart (Fresh Air Cart, 1972), and other visionary urban projects that he conceived as a founding member of the New York-based Anarchitecture group.
The Holocaust: a history
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''Holocaust'' illuminates the long march of events, from the Middle Ages to the modern era, which led to this great atrocity. It is a story of all Europe, of Nazis and their allies, the experience of wartime occupation, the suffering and strategies of marked victims, the failure of international rescue, and the success of individual rescuers. ''Holocaust'' uniquely makes(...)
The Holocaust: a history
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''Holocaust'' illuminates the long march of events, from the Middle Ages to the modern era, which led to this great atrocity. It is a story of all Europe, of Nazis and their allies, the experience of wartime occupation, the suffering and strategies of marked victims, the failure of international rescue, and the success of individual rescuers. ''Holocaust'' uniquely makes use of oral histories recorded by the authors over fifteen years across Europe and the United States, as well as never-before-analyzed archival documents, letters, and diaries; it contains in addition seventy-five illustrations and sixteen original maps, each accompanied by an extended caption.
Current Exhibitions
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Sea gardens have been created by First Peoples on the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. This lyrical story follows a young child and an older family member who set out to visit a sea(...)
If you want to visit a sea garden
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Sea gardens have been created by First Peoples on the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. This lyrical story follows a young child and an older family member who set out to visit a sea garden early one morning, as the lowest tides often occur at dawn. After anchoring their boat, they explore the beach, discover the many sea creatures that live there, hear the sputtering of clams and look closely at the reef. They reflect on the people who built the wall long ago, as well as those who have maintained it over the years. After digging for clams, they tidy up the beach, then return home.
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Employing the concept of an anarchic organization of cinematic spaces, the author embarks in this volume on a journey toward an imaginary political trope for the cinema of the present – a working principle that aims to form a new way of thinking by destabilizing outdated structures of cinema.
On the anarchic organization of cinematic spaces: Evoking spaces beyond cinema
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Employing the concept of an anarchic organization of cinematic spaces, the author embarks in this volume on a journey toward an imaginary political trope for the cinema of the present – a working principle that aims to form a new way of thinking by destabilizing outdated structures of cinema.
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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to(...)
Weaving modernist art: The life and work of Mariette Rousseau-Vermette
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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to Europe, she and her husband, artist and ceramist Claude Vermette, joined the growing movement of young French-Canadian artists in their embrace of abstraction and new forms of art and their rejection of the conservatism of Maurice Duplessis' mid-century Quebec. By the early 1960s, Rousseau-Vermette had forged collaborations with fellow artists, designers and architects with like ideas about public art. Over the next 40 years, she scaled the heights of her profession, weaving hundreds of radiant large-scale tapestries that complemented the cool interiors of modern architecture. She exhibited across Canada and internationally and attracted prestigious commissions from the private and public sectors, including commissions for theater curtains at the National Arts Centre, Ottawa and the Kennedy Center in Washington, DC. Yet three years after Rousseau-Vermette's death in 2006, Newlands discovered there wasn't a single book that told her story as a pioneer of modernist tapestry and one of Canada's most prolific and influential artist-weavers.
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This book shows how architectural design can improve housing. It looks at 14 innovative multiunit dwelling projects through the lenses of current research on urban housing systems, driven by questions on social, environmental, and economic sustainability. Residential buildings designed for diverse cultural contexts are brought together and examined according to spatial(...)
August 2024
Architecture for housing: Understanding the value of design through 14 case studies
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This book shows how architectural design can improve housing. It looks at 14 innovative multiunit dwelling projects through the lenses of current research on urban housing systems, driven by questions on social, environmental, and economic sustainability. Residential buildings designed for diverse cultural contexts are brought together and examined according to spatial antonyms: the individual and communal, the interior and exterior, and the determined and undetermined, to create a resource for future architectural practice. The book concentrates on design decisions and incorporates rich illustrations and conversations with architects and residents. It follows a series of talks curated by the Melbourne School of Design to extend the debate on the missing links between architectural practice and housing research.
Radically legal
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Right in the middle of the German constitution, a group of ordinary citizens discovers a forgotten clause that allows them to take 240,000 homes back from multi-billion corporations. In this work of creative non-fiction, scholar-activist and Nine Dots Prize winner Joanna Kusiak tells the story of a grassroots movement that convinced a million Berliners to pop the(...)
Radically legal
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Right in the middle of the German constitution, a group of ordinary citizens discovers a forgotten clause that allows them to take 240,000 homes back from multi-billion corporations. In this work of creative non-fiction, scholar-activist and Nine Dots Prize winner Joanna Kusiak tells the story of a grassroots movement that convinced a million Berliners to pop the speculative housing bubble. She offers a vision of urban housing as democratically held commons, legally managed by a radically new institutional model that works through democratic conflicts. Moving between interdisciplinary analysis and her own personal story, Kusiak connects the dots between the past and the present, the local and the global, and shows the potential of radically legal politics as a means of strengthening our democracies and reviving the rule of law.
Current Exhibitions