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books
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Tomi Ungerer, illustrator of Jeff Brown's original Flat Stanley and winner of the prestigious 1998 Hans Christian Andersen Illustrator Award, paints the man in the moon as a benevolent, soft-bodied man who curls up in "his shimmering seat in space." Most evenings, he looks over longingly at the happy, dancing earth people, until one night when he can't resist catching the(...)
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Tomi Ungerer, illustrator of Jeff Brown's original Flat Stanley and winner of the prestigious 1998 Hans Christian Andersen Illustrator Award, paints the man in the moon as a benevolent, soft-bodied man who curls up in "his shimmering seat in space." Most evenings, he looks over longingly at the happy, dancing earth people, until one night when he can't resist catching the(...)
Title:
Moon man
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Tomi Ungerer, illustrator of Jeff Brown's original Flat Stanley and winner of the prestigious 1998 Hans Christian Andersen Illustrator Award, paints the man in the moon as a benevolent, soft-bodied man who curls up in "his shimmering seat in space." Most evenings, he looks over longingly at the happy, dancing earth people, until one night when he can't resist catching the fiery tail of a comet and hitching a ride to Earth. Ungerer, ever satirical, reports the resulting frenzy of authorities upon hearing the crash landing: "The noise brought hundreds of people from a nearby town. Soldiers sped to defend the earth. Firemen hastened to quench the flaming light. The ice cream man hurried to set up his stand for the spectators." Of course, when the crowd discovers the unidentified fallen object, "statesmen, scientists, and generals panicked." Moon Man is thrown in jail, facing criminal investigation! How will he ever return to his lunar dwelling? Kids will love this quirky "there's no place like home" tale, and Ungerer's gentle, funny mocking of "important people" won't be lost on anyone. (Ages 4 to 8)
Moon man
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Tomi Ungerer, illustrator of Jeff Brown's original Flat Stanley and winner of the prestigious 1998 Hans Christian Andersen Illustrator Award, paints the man in the moon as a benevolent, soft-bodied man who curls up in "his shimmering seat in space." Most evenings, he looks over longingly at the happy, dancing earth people, until one night when he can't resist catching the fiery tail of a comet and hitching a ride to Earth. Ungerer, ever satirical, reports the resulting frenzy of authorities upon hearing the crash landing: "The noise brought hundreds of people from a nearby town. Soldiers sped to defend the earth. Firemen hastened to quench the flaming light. The ice cream man hurried to set up his stand for the spectators." Of course, when the crowd discovers the unidentified fallen object, "statesmen, scientists, and generals panicked." Moon Man is thrown in jail, facing criminal investigation! How will he ever return to his lunar dwelling? Kids will love this quirky "there's no place like home" tale, and Ungerer's gentle, funny mocking of "important people" won't be lost on anyone. (Ages 4 to 8)
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books
books
Publication:
January 2008
January 2008
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books
books
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$29.95
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This book celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their(...)
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This book celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their(...)
Title:
Digital fabrications : architectural and material techniques
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This book celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their finished forms and in working drawings, templates, and prototypes, allowing the reader to watch the process of each fantastic construction unfold. The publication also presents projects designed and built by emerging practices that pioneer techniques and experiment with fabrication processes on a small scale with a do-it-yourself attitude. Featured architects include AEDS/Ammar Eloueini, Atelier Manferdini, Brennan Buck, MOS, Office dA, Florencia Pita/MOD, Mafoomby, URBAN A+O, SYSTEMarchitects, Andrew Kudless/Matsys, IwamotoScott, Atelier Hitoshi Abe, Chris Bosse, Tom Wiscombe/EMERGENT, Thom Faulders Architecture, Jeremy Ficca, SPAN, GNUFORM, Heather Roberge, PATTERNS, Ruy Klein, and servo.
Digital fabrications : architectural and material techniques
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$29.95
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Summary:
This book celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their finished forms and in working drawings, templates, and prototypes, allowing the reader to watch the process of each fantastic construction unfold. The publication also presents projects designed and built by emerging practices that pioneer techniques and experiment with fabrication processes on a small scale with a do-it-yourself attitude. Featured architects include AEDS/Ammar Eloueini, Atelier Manferdini, Brennan Buck, MOS, Office dA, Florencia Pita/MOD, Mafoomby, URBAN A+O, SYSTEMarchitects, Andrew Kudless/Matsys, IwamotoScott, Atelier Hitoshi Abe, Chris Bosse, Tom Wiscombe/EMERGENT, Thom Faulders Architecture, Jeremy Ficca, SPAN, GNUFORM, Heather Roberge, PATTERNS, Ruy Klein, and servo.
Form:
books
books
Publication:
January 2009
January 2009
Form:
books
books
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$68.95
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Summary:
Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
$68.95
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Summary:
Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
Publication:
May 2007, Bristol
May 2007, Bristol
Title:
Pride & panic: Russian imagination of the west in post-soviet film
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$68.95
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Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
Pride & panic: Russian imagination of the west in post-soviet film
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$68.95
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Summary:
Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
Form:
books
books
Publication:
May 2007, Bristol
May 2007, Bristol
Form:
books
books
Price:
$65.95
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Summary:
Newlyweds on Tour is the first historical study to trace the origins and growth of the American honeymoon between 1820 and 1900. Rather than treating the honeymoon as a simple by-product of the privatization of the family, this work argues that it was formed at the interstices between (and helped to articulate) a variety of narratives—patriotic, conjugal, sentimental, and(...)
$65.95
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Summary:
Newlyweds on Tour is the first historical study to trace the origins and growth of the American honeymoon between 1820 and 1900. Rather than treating the honeymoon as a simple by-product of the privatization of the family, this work argues that it was formed at the interstices between (and helped to articulate) a variety of narratives—patriotic, conjugal, sentimental, and(...)
Title:
Newlyweds on tour, honeymooning in nineteenth-century america
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Newlyweds on Tour is the first historical study to trace the origins and growth of the American honeymoon between 1820 and 1900. Rather than treating the honeymoon as a simple by-product of the privatization of the family, this work argues that it was formed at the interstices between (and helped to articulate) a variety of narratives—patriotic, conjugal, sentimental, and sexual that were central to the modern American national identity. To track these narratives, Penner moves between primary accounts of newlywed experiences recorded in diaries and letters in addition to entries in a wide range of textual, visual, and architectural representations matrimonial maps, engravings from the popular press, sensational novels, and palace hotel bridal chambers.
Newlyweds on tour, honeymooning in nineteenth-century america
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$65.95
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Summary:
Newlyweds on Tour is the first historical study to trace the origins and growth of the American honeymoon between 1820 and 1900. Rather than treating the honeymoon as a simple by-product of the privatization of the family, this work argues that it was formed at the interstices between (and helped to articulate) a variety of narratives—patriotic, conjugal, sentimental, and sexual that were central to the modern American national identity. To track these narratives, Penner moves between primary accounts of newlywed experiences recorded in diaries and letters in addition to entries in a wide range of textual, visual, and architectural representations matrimonial maps, engravings from the popular press, sensational novels, and palace hotel bridal chambers.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Current Exhibitions
Current Exhibitions
Form:
books
books
Title:
Buckminster Fuller
Buckminster Fuller
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Première édition, premier numéros de la collection Carnets d'architectes, bibliographie "Monsieur Fuller n'est heureusement pas architecte. Il n'est heureusement pas non plus ingénieur, mais il a commencé à philosopher sur le logement, sur la machine idéale adaptée à l'habitation, sans les apriorismes formels ni architecturaux du passé." Voilà la façon dont Harvey W.(...)
$35.95
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Première édition, premier numéros de la collection Carnets d'architectes, bibliographie "Monsieur Fuller n'est heureusement pas architecte. Il n'est heureusement pas non plus ingénieur, mais il a commencé à philosopher sur le logement, sur la machine idéale adaptée à l'habitation, sans les apriorismes formels ni architecturaux du passé." Voilà la façon dont Harvey W.(...)
Publication:
October 2008, Gollion
October 2008, Gollion
Title:
Buckminster Fuller
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Première édition, premier numéros de la collection Carnets d'architectes, bibliographie "Monsieur Fuller n'est heureusement pas architecte. Il n'est heureusement pas non plus ingénieur, mais il a commencé à philosopher sur le logement, sur la machine idéale adaptée à l'habitation, sans les apriorismes formels ni architecturaux du passé." Voilà la façon dont Harvey W. Corbett président de Architectural League de New York, présente R. Buckminster Fuller ses collègues, l'été 1929. Née comme produit dérivé des icônes de la technologie et de la mobilité, la maison que Buckminster Fuller dévoile ce jour-là cache, un projet d'habitat entendu dans le sens le plus large. Au fil des années, de son atelier d'inventeur nomade, sortiront des prototypes des véhicules, des toilettes portables, du mobilier, des mappemondes et ses célèbres coupoles géodésiques qui lui vaudront sa réputation internationale. Inspiré de la logique d'un album de photos, ce livre articule le récit biographique sur l'œuvre de R. Buckminster Fuller avec quelques uns de ses projets-phare qui ouvrent - par leur forme ou par leur technologie des nouvelles pistes à la réflexion architecturale.
Buckminster Fuller
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$35.95
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Première édition, premier numéros de la collection Carnets d'architectes, bibliographie "Monsieur Fuller n'est heureusement pas architecte. Il n'est heureusement pas non plus ingénieur, mais il a commencé à philosopher sur le logement, sur la machine idéale adaptée à l'habitation, sans les apriorismes formels ni architecturaux du passé." Voilà la façon dont Harvey W. Corbett président de Architectural League de New York, présente R. Buckminster Fuller ses collègues, l'été 1929. Née comme produit dérivé des icônes de la technologie et de la mobilité, la maison que Buckminster Fuller dévoile ce jour-là cache, un projet d'habitat entendu dans le sens le plus large. Au fil des années, de son atelier d'inventeur nomade, sortiront des prototypes des véhicules, des toilettes portables, du mobilier, des mappemondes et ses célèbres coupoles géodésiques qui lui vaudront sa réputation internationale. Inspiré de la logique d'un album de photos, ce livre articule le récit biographique sur l'œuvre de R. Buckminster Fuller avec quelques uns de ses projets-phare qui ouvrent - par leur forme ou par leur technologie des nouvelles pistes à la réflexion architecturale.
Form:
books
books
Publication:
October 2008, Gollion
October 2008, Gollion
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books
books
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$34.95
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With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to(...)
$34.95
(available to order)
Summary:
With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to(...)
Publication:
January 1900, Wien/New York
January 1900, Wien/New York
Title:
Exit-Architecture: design between war and peace
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$34.95
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Summary:
With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to stress. After a tour d'horizon through Roman temples, Washington's corridors of power and Mecca's anti-panic architecture it becomes clear that architecture is anything but in the background. Instead it is situated in the hot spot of transmission dynamics and is capable of altering cultures, empires and even religions.
Exit-Architecture: design between war and peace
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$34.95
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Summary:
With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to stress. After a tour d'horizon through Roman temples, Washington's corridors of power and Mecca's anti-panic architecture it becomes clear that architecture is anything but in the background. Instead it is situated in the hot spot of transmission dynamics and is capable of altering cultures, empires and even religions.
Form:
books
books
Publication:
January 1900, Wien/New York
January 1900, Wien/New York
Form:
books
books
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$24.95
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From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is(...)
$24.95
(available to order)
Summary:
From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is(...)
Title:
From the Atelier Tovar: selected writings
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$24.95
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From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is both a treasure trove and a fragrant potpourri, redolent of the dankest corners of the movie house.
From the Atelier Tovar: selected writings
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$24.95
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Summary:
From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is both a treasure trove and a fragrant potpourri, redolent of the dankest corners of the movie house.
Form:
books
books
Publication:
October 2003, Toronto
October 2003, Toronto
Subject:
Current Exhibitions
Current Exhibitions
Form:
books
books
Price:
$69.95
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Summary:
In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource(...)
$69.95
(available to order)
Summary:
In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource(...)
Publication:
February 2008, London, New York
February 2008, London, New York
Title:
Supercrit 2 Robert Venturi and Denise Scott Brown: Learning from Las Vegas
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$69.95
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Summary:
In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.
Supercrit 2 Robert Venturi and Denise Scott Brown: Learning from Las Vegas
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Price:
$69.95
(available to order)
Summary:
In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.
Form:
books
books
Publication:
February 2008, London, New York
February 2008, London, New York
Form:
books
books
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$24.50
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Summary:
In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic(...)
$24.50
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Summary:
In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic(...)
Publication:
October 2005, Cambridge, London
October 2005, Cambridge, London
Title:
The conspiracy of art: manifestos, interviews, essays
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$24.50
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Summary:
In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic nullity to commercial frenzy, art has become transaesthetic, like society as a whole. Conceived and edited by life-long Baudrillard collaborator Sylvère Lotringer, The Conspiracy of Art presents Baudrillard's writings on art in a complicitous dance with politics, economics, and media. Culminating with "War Porn," a scathing analysis of the spectacular images from Abu Ghraib prison as a new genre of reality TV, the book folds back on itself to question the very nature of radical thought.
The conspiracy of art: manifestos, interviews, essays
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Price:
$24.50
(available to order)
Summary:
In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic nullity to commercial frenzy, art has become transaesthetic, like society as a whole. Conceived and edited by life-long Baudrillard collaborator Sylvère Lotringer, The Conspiracy of Art presents Baudrillard's writings on art in a complicitous dance with politics, economics, and media. Culminating with "War Porn," a scathing analysis of the spectacular images from Abu Ghraib prison as a new genre of reality TV, the book folds back on itself to question the very nature of radical thought.
Form:
books
books
Publication:
October 2005, Cambridge, London
October 2005, Cambridge, London
Form:
books
books
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$70.00
(available to order)
Summary:
This important book, which received the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today.
$70.00
(available to order)
Summary:
This important book, which received the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today.
Publication:
January 1985, Cambridge, Mass.
January 1985, Cambridge, Mass.
Title:
Architecture and the crisis of modern science
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$70.00
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Summary:
This important book, which received the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today.
Architecture and the crisis of modern science
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$70.00
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Summary:
This important book, which received the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today.
Form:
books
books
Publication:
January 1985, Cambridge, Mass.
January 1985, Cambridge, Mass.
