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Out of print for almost a decade, this cult book is finally back. In 1994, the first English-language translation of the classic French edition of 1975 - which accompanied an exhibition of Virilio's photographs at the Centre Pompidou -, was published.
April 2006, New York
Paul Virilio: bunker archeology
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Out of print for almost a decade, this cult book is finally back. In 1994, the first English-language translation of the classic French edition of 1975 - which accompanied an exhibition of Virilio's photographs at the Centre Pompidou -, was published.
Gordon Matta-Clark
$113.95
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A thorough retrospective and monograph from an exhibition at centro IVAM, 1993..Text in Spanish with English translation. Show also travelled to Marseille and London.
January 1993
Gordon Matta-Clark
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A thorough retrospective and monograph from an exhibition at centro IVAM, 1993..Text in Spanish with English translation. Show also travelled to Marseille and London.
$57.00
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This long-awaited book, nearly 10 years in the making, combines photography and Denari's texts with his trademark computer renderings of over 20 architectural projects. Three of the most important discussed are the addition and renovation of the (...)
October 1999, New York
Neil Denari : gyroscopic horizons - prototypical buildings and other works
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This long-awaited book, nearly 10 years in the making, combines photography and Denari's texts with his trademark computer renderings of over 20 architectural projects. Three of the most important discussed are the addition and renovation of the Arlington Museum of Art, the construction of an experimental space at Gallery MA in Tokyo, and the first Microsoft retail store.
books
$19.95
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This issue of Pamphlet Architecture looks at the twentieth-century urban fabric, particularly the evolution and recurrence of letter-like building forms that sprang from the gridiron plans of American cities at the(...)
Pamphlet architecture #5 : the alphabetical city
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This issue of Pamphlet Architecture looks at the twentieth-century urban fabric, particularly the evolution and recurrence of letter-like building forms that sprang from the gridiron plans of American cities at the turn of the century.
books
January 1900, New York
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Miniature books, eighteenth-century novels, Tom Thumb weddings, tall tales, and objects of tourism and nostalgia: this diverse group of cultural forms is the subject of On Longing, a fascinating analysis of the ways in which everyday objects are narrated to animate or realize certain versions of the world. Originally published in 1984 (Johns Hopkins University Press), and(...)
January 1993, Durham
On longing : Narratives of the miniature, the gigantic, the souvenir, the collection
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Miniature books, eighteenth-century novels, Tom Thumb weddings, tall tales, and objects of tourism and nostalgia: this diverse group of cultural forms is the subject of On Longing, a fascinating analysis of the ways in which everyday objects are narrated to animate or realize certain versions of the world. Originally published in 1984 (Johns Hopkins University Press), and now available in paperback for the first time, this highly original book draws on insights from semiotics and from psychoanalytic, feminist, and marxist criticism. Addressing the relations of language to experience, the body to scale, and narratives to objects, Susan Stewart looks at the "miniature" as a metaphor for interiority and at the "gigantic" as an exaggeration of aspects of the exterior. In the final part of her essay Stewart examines the ways in which the "souvenir" and the "collection" are objects mediating experience in time and space.
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In this wide-ranging exploration of the role of forests in Western thought, Robert Pogue Harrison enriches our understanding not only of the forest's place in the cultural imagination of the West, but also of the ecological dilemmas that now confront us so urgently. Consistently insightful and beautifully written, this work is especially compelling at a time when the(...)
Forests: the shadow of civilization
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In this wide-ranging exploration of the role of forests in Western thought, Robert Pogue Harrison enriches our understanding not only of the forest's place in the cultural imagination of the West, but also of the ecological dilemmas that now confront us so urgently. Consistently insightful and beautifully written, this work is especially compelling at a time when the forest, as a source of wonder, respect, and meaning, disappears daily from the earth.
books
February 1993
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paru en 1967. Guy Debord (1931-1994) a suivi dans sa vie, jusqu'à la mort qu'il s'est choisie, une seule règle. Celle-là même qu'il résume dans l'avertissement pour la troisième édition française de son livre "La Société du Spectacle". « Il faut lire ce livre en considérant qu'il a été sciemment écrit dans l'intention de nuire à la société spectaculaire. Il n'a jamais(...)
La société du spectacle, ancienne version
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paru en 1967. Guy Debord (1931-1994) a suivi dans sa vie, jusqu'à la mort qu'il s'est choisie, une seule règle. Celle-là même qu'il résume dans l'avertissement pour la troisième édition française de son livre "La Société du Spectacle". « Il faut lire ce livre en considérant qu'il a été sciemment écrit dans l'intention de nuire à la société spectaculaire. Il n'a jamais rien dit d'outrancier. »
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Dieser 700 seitige Reader ist gegliedert durch Gegensatzpaare, zu denen sich die Autoren aus der Geschichte Berlins heraus argumentierend mit besonders dialogischen oder undialogischen Momenten beschäftigen: Zentren/Mitte, Stadt/Natur, Fiktion/Realität, Fremdbild/Eigenlogik, Gemeinschaft/Individualität, Teilhabe/Governance und Boden/Eigentum. Um diese Paarungen gruppieren(...)
Current Exhibitions
December 2015
The Dialogic City. Berlin wird Berlin : Berlininische Galerie
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Dieser 700 seitige Reader ist gegliedert durch Gegensatzpaare, zu denen sich die Autoren aus der Geschichte Berlins heraus argumentierend mit besonders dialogischen oder undialogischen Momenten beschäftigen: Zentren/Mitte, Stadt/Natur, Fiktion/Realität, Fremdbild/Eigenlogik, Gemeinschaft/Individualität, Teilhabe/Governance und Boden/Eigentum. Um diese Paarungen gruppieren sich detaillierte Betrachtungen und Interviews mit Berliner Akteuren.
Current Exhibitions
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York(...)
August 2016
Gordon Matta-Clark: Experience becomes the object
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
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Contemporary engagements with documentary are multifaceted and complex, reaching across disciplines to explore the intersections of politics and aesthetics, representation and reality, truth and illusion. Discarding the old notions of “fly on the wall” immediacy or quasi-scientific aspirations to objectivity, critics now understand documentary not as the neutral picturing(...)
Documentary Across Disciplines
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Contemporary engagements with documentary are multifaceted and complex, reaching across disciplines to explore the intersections of politics and aesthetics, representation and reality, truth and illusion. Discarding the old notions of “fly on the wall” immediacy or quasi-scientific aspirations to objectivity, critics now understand documentary not as the neutral picturing of reality but as a way of coming to terms with reality through images and narrative. This book collects writings by artists, filmmakers, art historians, poets, literary critics, anthropologists, theorists, and others, to investigate one of the most vital areas of cultural practice: documentary. Their investigations take many forms—essays, personal memoirs, interviews, poetry. Contemporary art turned away from the medium and toward the world, using photography and the moving image to take up global perspectives. Documentary filmmakers, meanwhile, began to work in the gallery context. The contributors consider the hybridization of art and film, and the “documentary turn” of contemporary art. They discuss digital technology and the “crisis of faith” caused by manipulation and generation of images, and the fading of the progressive social mandate that has historically characterized documentary. They consider invisible data and visible evidence; problems of archiving; and surveillance and biometric control, forms of documentation that call for “informatic opacity” as a means of evasion.