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Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most(...)
January 2023
A theory of assembly: From museums to memes
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Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most powerful and pervasive cultural forms in the digital era is assembly. Whether as subtle photographic sequences, satirical Venn diagrams, or networked archives, projects based in assembly do not so much narrate or represent the world as rearrange it. This work of rearranging can take place at any scale, from a simple pairing of images, undertaken by one person, to the entire history of internet memes, undertaken by millions. With examples ranging from GIFs and paintings to museum exhibitions and social movement hashtags, Parry shows how, in the internet age, assembly has come to equal narrative and representation in its reach and influence, particularly as a response to ecological and social violence. He also emphasizes the ambivalence of assembly—the way it can be both emancipatory and antidemocratic.
Mining photography
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The(...)
March 2023
Mining photography
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The exhibition focuses on the history of key raw materials utilized in photography and establishes a connection between the history of their extraction, their disposal, and climate change. Looking at historical and contemporary works, it tells the story of photography as a history of industrial production and demonstrates that the medium is deeply implicated in human-induced changes to nature. The exhibition shows contemporary works by a range of photographers and artists, including Ignacio Acosta, Lisa Barnard, F Cartier, Susanne Kriemann, Mary Mattingly, Daphné Nan Le Sergent, Lisa Rave, Alison Rossiter, Metabolic Studio’s Optics Division, Robert Smithson, Simon Starling, Anaïs Tondeur, James Welling, Noa Yafe and Tobias Zielony, along with historical works by Eduard Christian Arning, Hermann Biow, Oscar and Theodor Hofmeister, Jürgen Friedrich Mahrt, Hermann Reichling, and others, and historical material from the Agfa Foto-Historama in Leverkusen, the Eastman Kodak Archive in Rochester and the FOMU Photo Museum in Antwerp as well as mineral samples collected by Alexander von Humboldt from the collection of the Museum für Naturkunde, Berlin.
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The North is changing at an unprecedented rate as industrial development and the climate crisis disrupt not only the environment but also long-standing relationships to the land and traditional means of livelihood. This publication explores the ways in which Indigenous peoples in the Arctic have adapted to challenging circumstances, including past cultural and(...)
Memory and landscape: Indigenous responses to a changing North
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The North is changing at an unprecedented rate as industrial development and the climate crisis disrupt not only the environment but also long-standing relationships to the land and traditional means of livelihood. This publication explores the ways in which Indigenous peoples in the Arctic have adapted to challenging circumstances, including past cultural and environmental changes. Contributors document how Indigenous communities in Alaska, northern Canada, Greenland, and Siberia are seeking ways to maintain and strengthen their cultural identity while also embracing forces of disruption. Indigenous and non-Indigenous contributors bring together oral history and scholarly research from disciplines such as linguistics, archaeology, and ethnohistory. With an emphasis on Indigenous place names, this volume illuminates how the land—and the memories that are inextricably tied to it—continue to define Indigenous identity. The perspectives presented here also serve to underscore the value of Indigenous knowledge and its essential place in future studies of the Arctic.
Current Exhibitions
On photography
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred(...)
On photography
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.
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Devastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques.(...)
October 2022
Richard Mosse: Broken spectre
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Devastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques. Broken Spectre is an immersive, 74-minute film that shifts between a manifold of ecological narratives, from the topographic to the anthropocentric, and to a careful examination of nonhuman violence and survival. Mosse and his team spent years documenting different fronts of destruction, degradation and environmental crimes in the Amazon Basin and related eco-systems.
Kamik rejoint la meute
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Jake a bien hâte que son oncle rencontre Kamik et voit à quel point il est devenu un chiot obéissant! L’oncle de Jake est un excellent meneur de chiens. Il a gagné de nombreuses courses. Aujourd’hui, Jake espère que Kamik est suffisamment bon pour avoir la chance de courir au sein de l’équipage!
Kamik rejoint la meute
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Jake a bien hâte que son oncle rencontre Kamik et voit à quel point il est devenu un chiot obéissant! L’oncle de Jake est un excellent meneur de chiens. Il a gagné de nombreuses courses. Aujourd’hui, Jake espère que Kamik est suffisamment bon pour avoir la chance de courir au sein de l’équipage!
Current Exhibitions
Making a Qamutiik
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Learn how to make a qamutiik! This wordless picture book features colourful illustrations showing the steps of how to make a qamutiik.
Making a Qamutiik
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Learn how to make a qamutiik! This wordless picture book features colourful illustrations showing the steps of how to make a qamutiik.
Current Exhibitions
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite(...)
Taaqtumi: an anthology of Arctic horror stories
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite what they seem. These chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others will thrill and entertain even the most seasoned horror fan.
Current Exhibitions
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du(...)
Le Merle: cahiers sur les mots et les actes Vol. 1, n. 1, Printemps 2012
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du hasard par Richard Ibghy & Marilou Lemmens, En entrevue: Le temps de l’oeuvre, le temps de l’acte: Entretien avec Bernard Aspe par Érik Bordeleau, Our Literal Speed par Abbey Shaine Dubin (en anglais), un projet inédit de Simon Brown, Institutional Critique Flair Button* de Charles Gute ainsi qu'un texte de Érik Bordeleau produit dans le cadre de Zoo 2011: Se faire une âme anonyme: Itinéraire pratique. Le Merle is a semiannual publication presenting texts and works that share an interest in delineating the political and the formation of the Subject through art, writing and exhibition practices. This issue includes : Anarchism: What It Really Stands For (Today): Edited and abridged by Heather Davis, The Geometry of Chance by Richard Ibghy & Marilou Lemmens, The Time of the Work, the Time of the Act: an interview with Bernard Aspe, a project by Simon Brown, Our Literal Speed by Abbey Shaine Dubin, Institutional Critique Flair Button* by Charles Gute, To Make One's Soul Anonymous: Practical Itinerary by Érik Bordeleau.
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Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes(...)
August 2012
Vogt architects: Landscape as a cabinet of curiosities
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Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes of landscape architecture and its relationship to architecture and the city, about his teaching at the ETH Zürich, and about the work of Vogt Landscape Architects; he describes his perception of the landscape as a cabinet of curiosities, tells how he collects various phenomena and individual elements, relates them to each other and rearranges them. And in the reader’s mind’s eye unfolds a cosmos, in which the lack of wholeness of nature seems to be a gain rather than a loss.