Moscow: the fourth Rome
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In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an(...)
November 2011
Moscow: the fourth Rome
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In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today—transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin.
From models to drawings
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This book is key reading for all students of architecture and architectural theory. It addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere models for imitation in the construction of buildings, the articles explore the broader(...)
November 2010
From models to drawings
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This book is key reading for all students of architecture and architectural theory. It addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere models for imitation in the construction of buildings, the articles explore the broader range of methods and meanings at stake in the creation and interpretation of architectural drawings, models, images and artefacts.
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Cet herbier est consacré aux plantes qui puisent la force de s’insinuer dans notre espace urbain, dans les joints des caniveaux et des trottoirs, dans les fissures des murs, au pied des arbres, dans les pelouses des parcs, le long des grillages, sur les toits… Ces plantes sauvages des villes peuvent aussi bien être arborescentes que rampantes, florales que graminées, et(...)
L'Herbier: plantes sauvages des villes
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Cet herbier est consacré aux plantes qui puisent la force de s’insinuer dans notre espace urbain, dans les joints des caniveaux et des trottoirs, dans les fissures des murs, au pied des arbres, dans les pelouses des parcs, le long des grillages, sur les toits… Ces plantes sauvages des villes peuvent aussi bien être arborescentes que rampantes, florales que graminées, et possèdent, tout autant que leurs cousines des bois, une histoire, un usage, une mythologie. Comme les précédents herbiers, ce livre d’images présente, pour chaque plante, la découpe de sa feuille, de son fruit et de sa graine.
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Since the late 1960s, William H. Helfand has donated more than 1,000 posters, prints, and ephemera to the Philadelphia Museum of Art's Ars Medica Collection, the world's only collection of medical prints housed in an art museum. This volume presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as(...)
Health for sale: posters from the William H. Helfand Collection
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Since the late 1960s, William H. Helfand has donated more than 1,000 posters, prints, and ephemera to the Philadelphia Museum of Art's Ars Medica Collection, the world's only collection of medical prints housed in an art museum. This volume presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as Jules Chéret and Leonetto Cappiello.
Current Exhibitions
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Cette publication expose les principales controverses concernant les effets sur l'environnement de l'agriculture biologique, sa réglementation et les spécificités des productions biologiques.
Le bio: qu'y a-t-il (vraiment) dans votre assiette?
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Cette publication expose les principales controverses concernant les effets sur l'environnement de l'agriculture biologique, sa réglementation et les spécificités des productions biologiques.
Current Exhibitions
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Sans que nous le sachions ou parce que nous l'avons oublié, nos maisons ou appartements sont construits sur des sols qui ne sont pas forcément sains et équilibrés. Pourquoi ? Tout simplement parce que la Terre et donc le sol sur lequel nous vivons forment un ensemble énergétique animé par le magnétisme terrestre qui véhicule aussi bien les mauvaises que les bonnes(...)
Ma maison & ma santé: un tout indissociable
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Sans que nous le sachions ou parce que nous l'avons oublié, nos maisons ou appartements sont construits sur des sols qui ne sont pas forcément sains et équilibrés. Pourquoi ? Tout simplement parce que la Terre et donc le sol sur lequel nous vivons forment un ensemble énergétique animé par le magnétisme terrestre qui véhicule aussi bien les mauvaises que les bonnes vibrations. D'autre part, toute la planète est enveloppée ale réseaux Hartmann omniprésents tous les 2m dans le sens nord-sud et tous les 2m5 (dans le sens est-ouest) et c'est à leur croisement que surgit en force l'énergie tellurique en provenance du centre de la Terre. Ce livre vous expliquera en quoi ces croisements sont toujours actifs où qu'ils soient, y compris dans votre chambre ou dans une autre pièce.
Current Exhibitions
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Médecins et chercheurs en psychopathologie, les auteurs entendent déconstruire l'idéologie médicale qui prescrit des conduites rationelles et standardisées au nom d'une description scientifique. Ils montrent comment ces processus de normalisation opèrent. A partir de leurs expériences cliniques, ils plaident pour le retour du "souci de soi" dans la médecine moderne
La santé totalitaire : essai sur la médicalisation de l'existence
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Médecins et chercheurs en psychopathologie, les auteurs entendent déconstruire l'idéologie médicale qui prescrit des conduites rationelles et standardisées au nom d'une description scientifique. Ils montrent comment ces processus de normalisation opèrent. A partir de leurs expériences cliniques, ils plaident pour le retour du "souci de soi" dans la médecine moderne
Current Exhibitions
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This is a way for begining readers to take a fundamental look at communities.
My first look at communities : a suburb
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This is a way for begining readers to take a fundamental look at communities.
Current Exhibitions
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Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century(...)
Architecture school: three centuries of educating architects in North America
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Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century later that North American universities began to offer formal architectural training; the first program was established at MIT in 1865. Today most architects receive their training within an academic setting that draws on the humanities, fine arts, applied science, and public service for its philosophy and methodology. This book, published in conjunction with the centennial of the Association of Collegiate Schools of Architecture (ACSA), provides the first comprehensive history of North American architecture education. Architecture School opens with six chronological essays, each devoted to a major period of development: before 1860; 1860--1920; 1920--1940; 1940--1968; 1968--1990; and 1990 to the present. This overview is followed by a "lexicon" containing shorter articles on more than two dozen topics that have figured centrally in archictecture education's history, from competitions and design pedagogy to research, structures, studio culture, and travel.
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas(...)
Artificial hells : participatory art and the politics of spectatorship
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.