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Architecture and construction are at a turning point. They account for more than 40% of global CO2 emissions. Rising temperatures can only be reduced if there is a radical change in the field of construction throughout the world. However, how should we design our cities, buildings and living spaces so that we can get closer to the goal of decarbonisation? The book gives(...)
Architecture and climate change: 20 interviews on the future of building
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Architecture and construction are at a turning point. They account for more than 40% of global CO2 emissions. Rising temperatures can only be reduced if there is a radical change in the field of construction throughout the world. However, how should we design our cities, buildings and living spaces so that we can get closer to the goal of decarbonisation? The book gives 20 architects and urban planners their say on the future of construction. Voices are heard from Mexico to Kenya – from Bangladesh to Switzerland. In the interviews experts give an account of their own experiences with climate-friendly construction as well as regional problems posed by rising CO2emissions. They explain pioneering projects and combine them with their personal desire and political ideals.
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n the years following China’s Cultural Revolution, architecture played an active role in the country’s reintegration into the global economy and capitalist world. Looking at the ways in which political and social reform transformed Chinese architecture and how, in turn, architecture gave structure to the reforms, Cole Roskam underlines architecture’s unique ability to(...)
November 2021
Designing reform: architecture in the People's Republic of China, 1970-1992
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n the years following China’s Cultural Revolution, architecture played an active role in the country’s reintegration into the global economy and capitalist world. Looking at the ways in which political and social reform transformed Chinese architecture and how, in turn, architecture gave structure to the reforms, Cole Roskam underlines architecture’s unique ability to shape space as well as behavior. Roskam traces how foreign influences like postmodernism began to permeate Chinese architectural discourse in the 1970s and 1980s and how figures such as Kevin Lynch, I. M. Pei, and John Portman became key forces in the introduction of Western educational ideologies and new modes of production. Offering important insights into architecture’s relationship to the politics, economics, and diplomacy of post-Mao China, this unprecedented interdisciplinary study examines architecture’s multivalent status as an art, science, and physical manifestation of cultural identity.
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Bringing together scholars of Chinese art, cinema, culture, performance, and more, this volume shares groundbreaking research on the objects and practices of everyday life in Mao’s China, from bamboo and bricks to dance and film. With engaging narratives and probing analysis, the contributors make a place for China’s experience in the history of global material culture(...)
Material contradictions in Mao's China
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Bringing together scholars of Chinese art, cinema, culture, performance, and more, this volume shares groundbreaking research on the objects and practices of everyday life in Mao’s China, from bamboo and bricks to dance and film. With engaging narratives and probing analysis, the contributors make a place for China’s experience in the history of global material culture and the study of socialist modernity.
Current Exhibitions
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Seaweed is so familiar, and yet we know so little about it. Even its names-- pepper dulse, sea lettuce, bladderwrack-- are mystifying. In this exquisitely illustrated portrait, poet and artist Miek Zwamborn shares discoveries of seaweed's history, culture, and science. We encounter its medicinal and gastronomic properties and long history of human use, from the Neolithic(...)
Seaweed: An enchanting miscellany
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Seaweed is so familiar, and yet we know so little about it. Even its names-- pepper dulse, sea lettuce, bladderwrack-- are mystifying. In this exquisitely illustrated portrait, poet and artist Miek Zwamborn shares discoveries of seaweed's history, culture, and science. We encounter its medicinal and gastronomic properties and long history of human use, from the Neolithic people of the Orkney islands to sushi artisans in modern Japan. We find seaweed troubling Columbus on his voyages across the Atlantic and intriguing Humboldt in the Sargasso Sea. We follow its inspiration for artists from Hokusai to Matisse, its collection by Victorians as pressed specimens in books, its adoption into fashion and dance, and its potential for combating climate change, as a sustainable food source and a means of reducing methane emissions in cattle. And, of course, we learn how to eat seaweed, through a fabulous series of recipes based around these "truffles of the seas."
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Constant change is what marks the history of the European city. Over centuries, architecture’s reactions to social disruptions?natural disaster, plague, or war?have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate(...)
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November 2020
Urbainable: Positions on the european city for the 21st century
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Constant change is what marks the history of the European city. Over centuries, architecture’s reactions to social disruptions?natural disaster, plague, or war?have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate change, are bringing cities face to face with new transformations that call into question the continuity and sustainability of the ethical foundations underpinning urban ways of life. Bold and decisive steps are needed. How far can urban planning, landscape planning, and architecture foster the vital processes of change? How can the city offset possible losses caused by altered lifestyles, integrate new technologies, or rehearse new forms of behaviour and ultimately sublimate them into a functioning culture? In this volume, the members of the Architecture Section of the Akademie der Künste Berlin and their invited guests from all over Europe introduce their positions by means of projects, visions, and manifestos.
Current Exhibitions
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This volume addresses the widespread tendency to discard broken items rather than to refurbish them. Despite the negative ecological effects of overconsumption, overproduction and waste, the habit of replacing rather than repairing goods has persisted and even worsened over recent decades. To counteract this trend, students at the University of Applied Sciences in Munich(...)
Current Exhibitions
January 2023
Upgrade: Making things better
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This volume addresses the widespread tendency to discard broken items rather than to refurbish them. Despite the negative ecological effects of overconsumption, overproduction and waste, the habit of replacing rather than repairing goods has persisted and even worsened over recent decades. To counteract this trend, students at the University of Applied Sciences in Munich and ETH Zurich have been developing imaginative concepts for repairing a wide variety of objects, applying them both manually and by using digital techniques such as 3D printing. Beyond restoration, many projects develop and improve the repaired objects constructively, materially, or even in terms of design, lending them new value. This publication presents a variety of approaches and projects, plus essays by notable personalities from the fields of architecture, preservation, materials science, design, manufacturing and craft.
Current Exhibitions
Pin-Up 36: Construction
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The latest issue is now available at the bookstore.
Pin-Up 36: Construction
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The latest issue is now available at the bookstore.
Handvaerk 7: Construction
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With a clear and consistent emphasis on craftsmanship and materiality, the Håndværk bookazine portrays the living and changing practice of design and craft through in-depth interviews and portraits painted in both words and images. Issue no. 7 features interviews with architects, designers and active craftspeople from fields such as blacksmithing, bricklaying, carpentry(...)
Handvaerk 7: Construction
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With a clear and consistent emphasis on craftsmanship and materiality, the Håndværk bookazine portrays the living and changing practice of design and craft through in-depth interviews and portraits painted in both words and images. Issue no. 7 features interviews with architects, designers and active craftspeople from fields such as blacksmithing, bricklaying, carpentry and thatching. They all have a keen focus on the high carbon footprint of the construction industry and of the need to find solutions. The reduction of CO2 emissions is also a key issue when the bookazine takes the reader behind the scenes of the development of wall tiles with a high content of crushed, used bricks. As usual, this issue of the bookazine also includes stories about textiles, glassware, food and drink.
Current Exhibitions
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Dans "L'architecture au féminin", Annmarie Adams et Peta Tancred dressent un portrait de l'ensemble des architectes canadiennes, depuis leur entrée dans la profession durant les années 1920 jusqu'aux années 1990. Elles soulignent le parcours de plusieurs de ces femmes architectes, en illustrant comment certaines mettent en question les pratiques traditionnelles tandis que(...)
April 2002, Montréal
L'architecture au féminin : une profession à redéfinir
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Dans "L'architecture au féminin", Annmarie Adams et Peta Tancred dressent un portrait de l'ensemble des architectes canadiennes, depuis leur entrée dans la profession durant les années 1920 jusqu'aux années 1990. Elles soulignent le parcours de plusieurs de ces femmes architectes, en illustrant comment certaines mettent en question les pratiques traditionnelles tandis que d'autres cherchent à élargir le domaine de l'architecture. En s'appuyant sur des documents originaux, incluant des données inédites, des dessins d'architectes, des projets réalisés et des entrevues, les auteures réfutent les idées reçues au sujet du rôle marginal dévolu aux femmes architectes. Elles révèlent comment plusieurs d'entre elles, notamment les Québécoises durant les années 1960, ont participé à la réalisation de projets d'envergure. Elles montrent enfin que, si la profession a souvent cherché à contenir l'apport des femmes architectes dans des limites étroites, celles-ci ont joué un rôle de premier plan dans le développement de l'architecture et continuent encore aujourd'hui de repousser les frontières de la profession.
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April 2002, Montréal
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Built around snatches of discussion overheard in a Beijing design studio, this book explores attitudes toward architecture in China since the opening of the Treaty Ports in the 1840s. Central to the discussion are the concepts of ti and yong, or “essence” and “form,” Chinese characters that are used to define the proper arrangement of what should be considered modern and(...)
April 2002, Cambridge, Mass.
Architectural encounters with essence and form in modern China
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Built around snatches of discussion overheard in a Beijing design studio, this book explores attitudes toward architecture in China since the opening of the Treaty Ports in the 1840s. Central to the discussion are the concepts of ti and yong, or “essence” and “form,” Chinese characters that are used to define the proper arrangement of what should be considered modern and essentially Chinese. Ti and yong have gone through various transformations--for example, from “Chinese learning for essential principles and Western learning for practical application” to “socialist essence and cultural form” and an almost complete reversal to “modern essence and Chinese form.” The book opens with a discussion of cultural developments in China in response to the forced opening to the West in the mid-nineteenth century, efforts to reform the Qing dynasty, and the Nationalist and Communist regimes. It then considers the return of overseas-educated Chinese architects and foreign influences on Chinese architecture, four architectural orientations toward tradition and modernity in the 1920s and 1930s, and the controversy over the use of “big roofs” and other sinicizing aspects of Chinese architecture in the 1950s. The book then moves to the hard economic conditions of the Great Leap Forward and the Cultural Revolution, when architecture was almost abandoned, and the beginning of reform and opening up to the outside world in the late 1970s and 1980s. Finally, it looks at the present socialist market economy and Chinese architecture during the still incomplete process of modernization. It closes with a prognosis for the future.