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Prix' architectural visions shaped the studio, which from the very beginning came to stand for radicalism and utopias built into the real. The publication features a selection of projects and diploma works of students as well as statements of international guests such as architects like Hitoshi Abe, Greg Lynn, and Zaha Hadid and theoreticians like Sylvia Lavin, Christian(...)
August 2016
Wolf D. Prix, Studio Prix: University of Applied Arts 1990-2011
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Prix' architectural visions shaped the studio, which from the very beginning came to stand for radicalism and utopias built into the real. The publication features a selection of projects and diploma works of students as well as statements of international guests such as architects like Hitoshi Abe, Greg Lynn, and Zaha Hadid and theoreticians like Sylvia Lavin, Christian Reder and Hans Ulrich Reck.
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By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first(...)
October 2015
Studios Before the System: Architecture, Technology, and the Emergence of Cinematic Space
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By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, 'Studios Before the System' expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism.
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Interspace investigates the spatial and social consequences of a data-driven society where personalised information flows produce a multitude of personalised readings of the collective sphere and thus, the role of public space is to be questioned. Accompanied by a new understanding about authorship and new techniques of design, this participatory model calls out for new(...)
September 2015
Interspace: essays on the digital & the public
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Interspace investigates the spatial and social consequences of a data-driven society where personalised information flows produce a multitude of personalised readings of the collective sphere and thus, the role of public space is to be questioned. Accompanied by a new understanding about authorship and new techniques of design, this participatory model calls out for new ways of organising spaces. With regard to the changes that the last substantial structural transformation of the public – web 2.0 – has brought along in architecture, Interspace analyses what has architecture got to do with big data and what is the architects’ role at the time when their expertise is being challenged by digital technologies.
Being digital
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In lively, mordantly witty prose, Negroponte decodes the mysteries--and debunks the hype--surrounding bandwidth, multimedia, virtual reality, and the Internet, and explains why such touted innovations as the fax and the CD-ROM are likely to go the way of the BetaMax. "Succinct and readable. . . . If you suffer from digital anxiety . . .
October 1996
Being digital
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$19.00
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Summary:
In lively, mordantly witty prose, Negroponte decodes the mysteries--and debunks the hype--surrounding bandwidth, multimedia, virtual reality, and the Internet, and explains why such touted innovations as the fax and the CD-ROM are likely to go the way of the BetaMax. "Succinct and readable. . . . If you suffer from digital anxiety . . .
Architecture et cinéma
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Parce que le cinéma comme l’architecture participent à une expérience esthétique collective, l’école nationale supérieure d’architecture Paris-Malaquais revient sur quelques-unes des correspondances qui peuvent rapprocher ces deux arts. Films de la Nouvelle Vague, cinéma asiatique, films d’avant-garde et expérimentaux, fictions hollywoodiennes et de science-fiction,(...)
October 2015
Architecture et cinéma
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Parce que le cinéma comme l’architecture participent à une expérience esthétique collective, l’école nationale supérieure d’architecture Paris-Malaquais revient sur quelques-unes des correspondances qui peuvent rapprocher ces deux arts. Films de la Nouvelle Vague, cinéma asiatique, films d’avant-garde et expérimentaux, fictions hollywoodiennes et de science-fiction, documentaires : autant d’œuvres cinématographiques que l’on interrogera pour leurs visions de métropoles génériques, leurs capacités d’observation de la vie quotidienne, leurs critiques du réel, leurs dimensions fictionnelles et oniriques.