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Architecture and construction are at a turning point. They account for more than 40% of global CO2 emissions. Rising temperatures can only be reduced if there is a radical change in the field of construction throughout the world. However, how should we design our cities, buildings and living spaces so that we can get closer to the goal of decarbonisation? The book gives(...)
Architecture and climate change: 20 interviews on the future of building
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Architecture and construction are at a turning point. They account for more than 40% of global CO2 emissions. Rising temperatures can only be reduced if there is a radical change in the field of construction throughout the world. However, how should we design our cities, buildings and living spaces so that we can get closer to the goal of decarbonisation? The book gives 20 architects and urban planners their say on the future of construction. Voices are heard from Mexico to Kenya – from Bangladesh to Switzerland. In the interviews experts give an account of their own experiences with climate-friendly construction as well as regional problems posed by rising CO2emissions. They explain pioneering projects and combine them with their personal desire and political ideals.
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Bringing together scholars of Chinese art, cinema, culture, performance, and more, this volume shares groundbreaking research on the objects and practices of everyday life in Mao’s China, from bamboo and bricks to dance and film. With engaging narratives and probing analysis, the contributors make a place for China’s experience in the history of global material culture(...)
Material contradictions in Mao's China
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Bringing together scholars of Chinese art, cinema, culture, performance, and more, this volume shares groundbreaking research on the objects and practices of everyday life in Mao’s China, from bamboo and bricks to dance and film. With engaging narratives and probing analysis, the contributors make a place for China’s experience in the history of global material culture and the study of socialist modernity.
Current Exhibitions
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Seaweed is so familiar, and yet we know so little about it. Even its names-- pepper dulse, sea lettuce, bladderwrack-- are mystifying. In this exquisitely illustrated portrait, poet and artist Miek Zwamborn shares discoveries of seaweed's history, culture, and science. We encounter its medicinal and gastronomic properties and long history of human use, from the Neolithic(...)
Seaweed: An enchanting miscellany
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Seaweed is so familiar, and yet we know so little about it. Even its names-- pepper dulse, sea lettuce, bladderwrack-- are mystifying. In this exquisitely illustrated portrait, poet and artist Miek Zwamborn shares discoveries of seaweed's history, culture, and science. We encounter its medicinal and gastronomic properties and long history of human use, from the Neolithic people of the Orkney islands to sushi artisans in modern Japan. We find seaweed troubling Columbus on his voyages across the Atlantic and intriguing Humboldt in the Sargasso Sea. We follow its inspiration for artists from Hokusai to Matisse, its collection by Victorians as pressed specimens in books, its adoption into fashion and dance, and its potential for combating climate change, as a sustainable food source and a means of reducing methane emissions in cattle. And, of course, we learn how to eat seaweed, through a fabulous series of recipes based around these "truffles of the seas."
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Constant change is what marks the history of the European city. Over centuries, architecture’s reactions to social disruptions?natural disaster, plague, or war?have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate(...)
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November 2020
Urbainable: Positions on the european city for the 21st century
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Constant change is what marks the history of the European city. Over centuries, architecture’s reactions to social disruptions?natural disaster, plague, or war?have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate change, are bringing cities face to face with new transformations that call into question the continuity and sustainability of the ethical foundations underpinning urban ways of life. Bold and decisive steps are needed. How far can urban planning, landscape planning, and architecture foster the vital processes of change? How can the city offset possible losses caused by altered lifestyles, integrate new technologies, or rehearse new forms of behaviour and ultimately sublimate them into a functioning culture? In this volume, the members of the Architecture Section of the Akademie der Künste Berlin and their invited guests from all over Europe introduce their positions by means of projects, visions, and manifestos.
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This volume addresses the widespread tendency to discard broken items rather than to refurbish them. Despite the negative ecological effects of overconsumption, overproduction and waste, the habit of replacing rather than repairing goods has persisted and even worsened over recent decades. To counteract this trend, students at the University of Applied Sciences in Munich(...)
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January 2023
Upgrade: Making things better
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This volume addresses the widespread tendency to discard broken items rather than to refurbish them. Despite the negative ecological effects of overconsumption, overproduction and waste, the habit of replacing rather than repairing goods has persisted and even worsened over recent decades. To counteract this trend, students at the University of Applied Sciences in Munich and ETH Zurich have been developing imaginative concepts for repairing a wide variety of objects, applying them both manually and by using digital techniques such as 3D printing. Beyond restoration, many projects develop and improve the repaired objects constructively, materially, or even in terms of design, lending them new value. This publication presents a variety of approaches and projects, plus essays by notable personalities from the fields of architecture, preservation, materials science, design, manufacturing and craft.
Current Exhibitions
Pin-Up 36: Construction
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The latest issue is now available at the bookstore.
Pin-Up 36: Construction
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The latest issue is now available at the bookstore.
Handvaerk 7: Construction
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With a clear and consistent emphasis on craftsmanship and materiality, the Håndværk bookazine portrays the living and changing practice of design and craft through in-depth interviews and portraits painted in both words and images. Issue no. 7 features interviews with architects, designers and active craftspeople from fields such as blacksmithing, bricklaying, carpentry(...)
Handvaerk 7: Construction
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With a clear and consistent emphasis on craftsmanship and materiality, the Håndværk bookazine portrays the living and changing practice of design and craft through in-depth interviews and portraits painted in both words and images. Issue no. 7 features interviews with architects, designers and active craftspeople from fields such as blacksmithing, bricklaying, carpentry and thatching. They all have a keen focus on the high carbon footprint of the construction industry and of the need to find solutions. The reduction of CO2 emissions is also a key issue when the bookazine takes the reader behind the scenes of the development of wall tiles with a high content of crushed, used bricks. As usual, this issue of the bookazine also includes stories about textiles, glassware, food and drink.
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Dans "L'architecture au féminin", Annmarie Adams et Peta Tancred dressent un portrait de l'ensemble des architectes canadiennes, depuis leur entrée dans la profession durant les années 1920 jusqu'aux années 1990. Elles soulignent le parcours de plusieurs de ces femmes architectes, en illustrant comment certaines mettent en question les pratiques traditionnelles tandis que(...)
April 2002, Montréal
L'architecture au féminin : une profession à redéfinir
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Dans "L'architecture au féminin", Annmarie Adams et Peta Tancred dressent un portrait de l'ensemble des architectes canadiennes, depuis leur entrée dans la profession durant les années 1920 jusqu'aux années 1990. Elles soulignent le parcours de plusieurs de ces femmes architectes, en illustrant comment certaines mettent en question les pratiques traditionnelles tandis que d'autres cherchent à élargir le domaine de l'architecture. En s'appuyant sur des documents originaux, incluant des données inédites, des dessins d'architectes, des projets réalisés et des entrevues, les auteures réfutent les idées reçues au sujet du rôle marginal dévolu aux femmes architectes. Elles révèlent comment plusieurs d'entre elles, notamment les Québécoises durant les années 1960, ont participé à la réalisation de projets d'envergure. Elles montrent enfin que, si la profession a souvent cherché à contenir l'apport des femmes architectes dans des limites étroites, celles-ci ont joué un rôle de premier plan dans le développement de l'architecture et continuent encore aujourd'hui de repousser les frontières de la profession.
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April 2002, Montréal
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La médiocrité esthétique et le fonctionnalisme primaire de la reconstruction post 1945 sécrète une crise durable qui affecte l’architecture et l’urbanisme dans l’ensemble du monde occidental. A la "Cité radieuse" des années 1930 succède, au milieu du siècle, une nouvelle utopie la "Mégastructure". Hybride colossal traversant des territoires sans frontières, elle règle du(...)
October 2004, Paris
Superarchitecture : le futur de l'architecture 1950-1970
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La médiocrité esthétique et le fonctionnalisme primaire de la reconstruction post 1945 sécrète une crise durable qui affecte l’architecture et l’urbanisme dans l’ensemble du monde occidental. A la "Cité radieuse" des années 1930 succède, au milieu du siècle, une nouvelle utopie la "Mégastructure". Hybride colossal traversant des territoires sans frontières, elle règle du même élan, et l’architecture, et l’urbanisme, et les infrastructures. Mais l’engouement pour ces grandes machines sensées résoudre les problèmes à l’échelle planétaire s’émousse durant les sixties. La "Mégastructure" cède le pas à l’"Architecture radicale", ce faisant on assiste au basculement d’une approche de l’architecture dont les références sont le besoin et la construction à une autre dont les références sont l’immédiateté et la consommation, les objets mobiles et le plaisir du corps. Cette transformation correspond au passage d’une architecture conçue en terme de progrès social et de bonheur humain, à une architecture de la révélation du monde existant. Première monographie exhaustive sur la période, Superarchitecture est abondamment illustrée à l’aide d’une iconographie originale issue des archives des Smithson, d’Hollein, de Fuller, Friedman, Archigram, Price, Archizoom, Superstudio, etc. De l’utopie critique qui se dégage des projets de ces acteurs et de la puissance évocatrice de leurs dessins, les architectes contemporains comme Koolhaas, Tschumi ou MRDV se sont fortement inspirés pour construire leur univers conceptuel.
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
October 2001
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.