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The mysterious world beneath the ocean's surface has captivated people for centuries - the Egyptians, Greeks, Romans, and ancient Chinese all kept fish in their homes for purposes other than the culinary. But it was not until the nineteenth-century invention of the aquarium that the deep was truly domesticated, offering the curiously inclined a chance to invent their very(...)
The ocean at home : an illustrated history of the aquarium
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The mysterious world beneath the ocean's surface has captivated people for centuries - the Egyptians, Greeks, Romans, and ancient Chinese all kept fish in their homes for purposes other than the culinary. But it was not until the nineteenth-century invention of the aquarium that the deep was truly domesticated, offering the curiously inclined a chance to invent their very own exotic sea world within their own walls. In this fascinating history of the aquarium, Bernd Brunner traces the development of this most wonderful invention, giving insight into the cultural and social circumstances that accompanied its swift rise in popularity. Brunner tells a compelling story of obsession, beauty, discovery, and delight, from the aquarium's humble origins as a tool for scientific observation to the Victorian era's elaborately decorated containers of oceanic curiosity, to the great public aquaria of the twentieth century.
Gardens
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Standing on Mont Ventoux near Avignon, the fourteenth-century poet Petrarch experienced an entirely new sensation that he described as 'stepping out of time and space'. On the mountain's summit he was as far as he could be from the 'world's stage all around'. The huge distance reduced reference points to insignificant specks down below, and everything in the panorama(...)
The invented land : a bird's-eye view of Dutch landscape architecture
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Standing on Mont Ventoux near Avignon, the fourteenth-century poet Petrarch experienced an entirely new sensation that he described as 'stepping out of time and space'. On the mountain's summit he was as far as he could be from the 'world's stage all around'. The huge distance reduced reference points to insignificant specks down below, and everything in the panorama seemed motionless, dispelling any notion of time. Petrarch had placed himself outside reality. That is what makes aerial photography so fascinating, writes Clemens M. Steenbergen, professor of landscape architecture at Delft University of Technology, in his introduction. The higher the viewpoint the greater the visual control and the more abstract the image. We can see whether a landscape has been shaped by man or is pure nature, how space and mass form one composition. Aerial photographer and landscape architect Peter van Bolhuis captures on camera the Dutch landscape: areas devoted to agriculture, forestry, nature, infrastructure and urban development. The pictures show us the achievements of a half century of landscape architecture. We see a landscape in which everything is precisely measured and demarcated, everything is planned and calculated, with no space left unattended. We see, writes Tracy Metz in one of the essays, 'a landscape that is the sum of negotiations about ever smaller parts'.
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December 2004, Wageningen, Netherlands
Gardens
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À l’ère des mégapoles, de l’agriculture hors sol, des manipulations génétiques et du contrôle du territoire, il est tentant de dire que le mot de nature ne désigne plus rien. Pourtant, il fonctionne en continu comme un opérateur de nostalgie. Ici, dans ce numéro 3, nous avons voulu réfléchir, non en prétendant qu’existe et que doit être sauvée une essence de la nature(...)
Les cahiers de l'École de Blois 3
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À l’ère des mégapoles, de l’agriculture hors sol, des manipulations génétiques et du contrôle du territoire, il est tentant de dire que le mot de nature ne désigne plus rien. Pourtant, il fonctionne en continu comme un opérateur de nostalgie. Ici, dans ce numéro 3, nous avons voulu réfléchir, non en prétendant qu’existe et que doit être sauvée une essence de la nature ou du naturel, mais en observant ou en décrivant des fonctionnements ou en ouvrant des chemins de traverse : la forêt et la ville, les jardins anglais revisités, des projets pour un tramway en banlieue, une abbaye en Normandie, le cube rouge dans la vallée, etc. Textes et images en opus incertum dans ces cahiers où paysages et disciplines se croisent et se saluent mutuellement.
Gardens
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Depuis dix ans, la Provence connaît une vague exceptionnelle de créations de jardins, se plaçant désormais au cœur des tendances actuelles. Tous les genres s'y expriment (paysage miniature, jardin narratif, minimalisme, nouveau pittoresque, jardin-sculpture, jardin-paysage, /and art...), révélant un autre jardin provençal, à la fois contemporain et fortement lié au(...)
Du jardin au paysage : 30 créations contemporaines en Provence
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Depuis dix ans, la Provence connaît une vague exceptionnelle de créations de jardins, se plaçant désormais au cœur des tendances actuelles. Tous les genres s'y expriment (paysage miniature, jardin narratif, minimalisme, nouveau pittoresque, jardin-sculpture, jardin-paysage, /and art...), révélant un autre jardin provençal, à la fois contemporain et fortement lié au terroir, loin du modèle galvaudé. Des "petits jardins secrets" aux vastes "projets partagés", ces nouveaux jardins sont de véritables objets d'art, paysages dans le paysage en accord avec l'esprit des lieux et porteurs de la mémoire du site. Louisa Jones examine en détail trente des plus beaux de ces "paysages jardinés" réalisés par les meilleurs paysagistes.
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November 2004, Paris
Gardens
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Room 4.1.3, an Australian landscape architecture firm, is renowned for producing some of the world's most finely tuned design work, striking a balance between theory and praxis, design and planning. The firm's projects engage visitors in a way that few public spaces have before. Founded in the 1990s by Richard Weller and Vladimir Sitta, Room 4.1.3 has received awards in(...)
Room 4.1.3 : innovations in landscape architecture
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Room 4.1.3, an Australian landscape architecture firm, is renowned for producing some of the world's most finely tuned design work, striking a balance between theory and praxis, design and planning. The firm's projects engage visitors in a way that few public spaces have before. Founded in the 1990s by Richard Weller and Vladimir Sitta, Room 4.1.3 has received awards in more than forty open design competitions and is currently at work on a new city in Singapore, "fusion-polis." Adopting a new proscriptive approach, the designs exhibit a strong theoretical base that extends into cultural studies, art, geography, anthropology, and psychology. For example, the controversial Garden of Australian Dreams at the National Museum of Australia in Canberra is a veritable playground of meanings, invoking events of such varying cultural significance as the birth of Australia as a nation and the work of Jackson Pollock. This lavishly illustrated volume features many other award-winning Room 4.1.3 designs, including Namesti Miru in Prague, Potsdamer Platz in Berlin, and Gallipoli Peace Park in Turkey. Internationally renowned scholars and critics provide essays that contextualize each project and ultimately argue for the primacy and efficacy of poetic and subversive imagination in the formation of our environment. The works collected here, both built and unbuilt, will introduce Room 4.1.3's iconic style to an ever-widening audience in North America and open up an international discourse on new meanings of landscape architecture.
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January 2005, Philadelphia
Gardens
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This volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to urban parks like New York City's Central Park and San Francisco's Crissy(...)
The changing garden : four centuries of European and American art
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This volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to urban parks like New York City's Central Park and San Francisco's Crissy Field, adapted from a former military base. Artists' representations of gardens have been organized first to highlight design concepts and individual features, then to focus on historic gardens and parks, and finally to survey the activities within those settings. Among the earliest works included is an engraving of a drawing made in 1570 by Pieter Bruegel the Elder of a garden being vigorously cultivated by many workers. Two centuries later, Giovanni Battista Piranesi and Jean-Honore Fragonard represented the Villa d'Este at Tivoli in a state of neglected grandeur; Hubert Robert's painting of Mereville depicted a garden he helped design. By 1900 Eugene Atget's photographs of Versailles and Camille Pissarro's paintings of the Tuileries convey the enduring structure of French formal gardens. In contrast, American artists Maurice Prendergast, John Singer Sargent, and James McNeill Whistler depicted the pleasures of social activities in that setting. Photographs by Michael Kenna and Bruce Davidson offer contemporary perspectives on these issues.
Gardens
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This book describes how the gardens of differing periods reflect political, social, and cultural life, and how they affect architecture, clothes and manners, as well as how ideas and plants from other continents were embraced to form the art of English garden making.
The garden : an English love affair - one thousand years of gardening
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This book describes how the gardens of differing periods reflect political, social, and cultural life, and how they affect architecture, clothes and manners, as well as how ideas and plants from other continents were embraced to form the art of English garden making.
Gardens
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Text and illustrations explain how to create a dream garden above ground from laying flooring and building planters, through soil and planting techniques, to choosing color, furniture, water features, and lighting. Full-color photographs of some of the world's most aerial gardens encourage readers of various tastes and climates. 250 color photos. 50 color artworks. 50 b drawings.
Roof gardens : balconies & terraces
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Text and illustrations explain how to create a dream garden above ground from laying flooring and building planters, through soil and planting techniques, to choosing color, furniture, water features, and lighting. Full-color photographs of some of the world's most aerial gardens encourage readers of various tastes and climates. 250 color photos. 50 color artworks. 50 b drawings.
Gardens
The new tech garden
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Reveals experimental gardens designs of recent years, including gardens that feature dry ice, smoke machines, wind sculptures, painted rocks, giant light boxes, and mirrors. Explores the creative potential of new technology and man-made materials, such as metal, plastic, glass, rubber, and fabric, as well as natural elements such as water and wind, and everyday found(...)
The new tech garden
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Reveals experimental gardens designs of recent years, including gardens that feature dry ice, smoke machines, wind sculptures, painted rocks, giant light boxes, and mirrors. Explores the creative potential of new technology and man-made materials, such as metal, plastic, glass, rubber, and fabric, as well as natural elements such as water and wind, and everyday found objects. Includes a directory suitable for use in the new tech garden.
Gardens
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The author examines how today's land artists and garden designers have recreated labyrinths in both public and private garden spaces that reflect the modern search for inner peace.
Magical paths : labyrinths & mazes in the 21st century
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The author examines how today's land artists and garden designers have recreated labyrinths in both public and private garden spaces that reflect the modern search for inner peace.
Gardens