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Une architecture visionnaire qui devient réalité: des bâtiments aux formes audacieuses et innovantes, réalisés avec le concours des plus grands cabinets d'architectes du monde, remodèlent profondément le paysage urbain des Émirats arabes unis.
History until 1900, Asia
January 1900, Paris
Nouvelles frontières de l'architecture: les Émirats arabes unis entre utopie et réalité
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Une architecture visionnaire qui devient réalité: des bâtiments aux formes audacieuses et innovantes, réalisés avec le concours des plus grands cabinets d'architectes du monde, remodèlent profondément le paysage urbain des Émirats arabes unis.
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January 1900, Paris
History until 1900, Asia
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A valuable resource for architecture students and design professionals alike, this book is packed with more than 650 photographs and an authoritative text that explores the new glass and steel masterpieces of Dubai. From state-of-the-art hotels to luxury residences to the headquarters of some of the world’s most important financial institutions, specially commissioned(...)
History until 1900, Asia
November 2008, Vercelli
New frontiers in architecture: Dubai between vision and reality
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A valuable resource for architecture students and design professionals alike, this book is packed with more than 650 photographs and an authoritative text that explores the new glass and steel masterpieces of Dubai. From state-of-the-art hotels to luxury residences to the headquarters of some of the world’s most important financial institutions, specially commissioned photographs showcase the innovations that make this an area of great interest to design professionals.
History until 1900, Asia
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Avec les Sumériens et les Assyriens, la Mésopotamie porta au plus haut raffinement l'art de la construction et du décor en brique. Cette technique, transmise par les Abbassides, s'est perpétuée sans interruption jusqu'à l'Irak du XXe siècle. Entre 1920 et 1950, cette tradition s'est croisée avec de multiples apports dans la foulée des Arts déco et autres " néostyles "(...)
Bagdad arts déco: architecture de briques 1920-1950
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Avec les Sumériens et les Assyriens, la Mésopotamie porta au plus haut raffinement l'art de la construction et du décor en brique. Cette technique, transmise par les Abbassides, s'est perpétuée sans interruption jusqu'à l'Irak du XXe siècle. Entre 1920 et 1950, cette tradition s'est croisée avec de multiples apports dans la foulée des Arts déco et autres " néostyles " venus d'Europe. A sa façon, Badgad offre encore un paysage moderne cohérent, relativement préservé des destructions qui ont frappé tant de grandes villes dans les années Soixante-dix ou Quatre-vingts. L'habitat du XXe siècle y constitue un cadre urbain qui fut splendide et pourrait le redevenir. Ce livre présente un ensemble unique et inédit de documents anciens et de photographies récentes, hommage à un patrimoine captivant et méconnu.
History until 1900, Asia
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Published on the occasion of the exhibition Tongkonan, Alang, and the house without smoke, Tana Toraja, Sulawesi, Indonesia, october 24 - november 27,2008.
Ursula Schulz-Dornburg: Tongkonan, Alang, and the house without smoke
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Published on the occasion of the exhibition Tongkonan, Alang, and the house without smoke, Tana Toraja, Sulawesi, Indonesia, october 24 - november 27,2008.
History until 1900, Asia
Elements of Japanese design
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"Elements of Japanese design" introduces 80 key concepts in Japanese design in a readable and accessible short-entry format. Including a brief explanation and examples of every aspect of Japanese design—from Wah (Harmony) to Kaizen (Continuous Improvement), from Mushin (the Empty Mind) to Mujo (Incompleteness).
History until 1900, Asia
September 2006, Tokyo, Ruthland (Vermont), Singapore
Elements of Japanese design
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"Elements of Japanese design" introduces 80 key concepts in Japanese design in a readable and accessible short-entry format. Including a brief explanation and examples of every aspect of Japanese design—from Wah (Harmony) to Kaizen (Continuous Improvement), from Mushin (the Empty Mind) to Mujo (Incompleteness).
History until 1900, Asia
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The arts of China after 1620
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors(...)
History until 1900, Asia
September 2006, New Haven / London
The arts of China after 1620
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the 'decorative' arts rose to a prominence quite unlike the western experience. Avoiding misrepresentative categorization, they single out period styles, as well as identifying repeated phases of archaism and Buddhist art, and discuss characteristic groups of jade, ivory, ceramics, glassware and textiles. They consider the importance of the imperial workshops and their role in developing craftsmen's skills and encouraging the cross-over of techniques from different disciplines and they present the compelling influence of Emperor Qianlong's aesthetic innovations. In architecture the vast plan and overwhelming authority of the imperial buildings contrasts with the restrained subtlety of domestic architecture and garden design where magnificent rocks were the principal feature, just as in landscape painting. The survey concludes by examining the development of East/West trade and the effects of commercialization on Chinese arts and crafts. This handsome, well-illustrated book provides a scholarly and illuminating resource for all students of the arts of China.
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September 2006, New Haven / London
History until 1900, Asia
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Le Japon d'Edo
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Geisha et samurai : une image traditionnelle du Japon d'Edo. Ce guide présente les transformations qui caractérisent la société nippone entre le XVIIe et le XIXe siècle : la naissance d'une vie urbaine, l'ouverture sur le monde, les innovations dans les sciences, les techniques et les arts... L'histoire d'un bouillonnement culturel, ou comment une période dite féodale(...)
Le Japon d'Edo
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Geisha et samurai : une image traditionnelle du Japon d'Edo. Ce guide présente les transformations qui caractérisent la société nippone entre le XVIIe et le XIXe siècle : la naissance d'une vie urbaine, l'ouverture sur le monde, les innovations dans les sciences, les techniques et les arts... L'histoire d'un bouillonnement culturel, ou comment une période dite féodale s'avéra le creuset du Japon moderne.
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January 2006, Paris
History until 1900, Asia
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The book opens with a history of the country and its many cultural influences. An overview of Thai architecture in its context is followed by a look at its basic elements in their variety and structural detail. All types of structures are featured, from Thai houses and rice barns to elaborate temples and breathtaking palaces. The different materials used to achieve the(...)
May 2006, London
Architecture of Thailand : a guide to traditional and contemporary forms
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The book opens with a history of the country and its many cultural influences. An overview of Thai architecture in its context is followed by a look at its basic elements in their variety and structural detail. All types of structures are featured, from Thai houses and rice barns to elaborate temples and breathtaking palaces. The different materials used to achieve the distinctive Thai style are also discussed. The book also examines the hybrid forms that reflect the confluence of Thai and Western or other Asian styles. It ends with a look at contemporary Thai architecture and how traditional architectural practices have been adapted to suit modern needs.
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C'est un voyage de la Chine à la méditerranée, sur les routes de la soie, du thé, du jade, des épices, de la laine, de l'or et des chevaux, aux confins de la Chine, de l'Asie Centrale et de l'Inde. Sur ces routes, traversant steppes, montagnes et déserts, des caravanes de chameaux et de yacks cheminèrent durant des siècles bijoux, porcelaine, thé et épices jusqu'aux(...)
Nomades et caravanes d'orient sure les routes de la soie
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C'est un voyage de la Chine à la méditerranée, sur les routes de la soie, du thé, du jade, des épices, de la laine, de l'or et des chevaux, aux confins de la Chine, de l'Asie Centrale et de l'Inde. Sur ces routes, traversant steppes, montagnes et déserts, des caravanes de chameaux et de yacks cheminèrent durant des siècles bijoux, porcelaine, thé et épices jusqu'aux fabuleux bazars d'Asie centrale comme ceux de Kachgar, de Boukhara et de Samarkand. C'est aussi une plongée dans l'histoire et les cultures, à travers les religions, les modes de vie, les évolutions des pays d'Asie Centrale, sur les traces des grands explorateurs, aventuriers mandatés par des souverains lointains ou des scientifiques et archéologues passionnés. C'est, enfin et surtout, une rencontre avec les populations d'Asie Centrale, bergers tadjiks, nomades Mongols, Kazakhs, Kirghizes, qui vivent sous la yourte avec leurs troupeaux de yacks, de chèvres et de moutons, dans un cadre majestueux : montagnes enneigées de l'Altaï, du Pamir et du Karakorum, steppes immenses et déserts gigantesques.
History until 1900, Asia
AD : Made in India
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Architecture is never an isolated production. It is deeply embedded in the fabric of any social and cultural dynamic, even though new impetuses are often made and established through architecture. This is particularly true of the exuberant social and cultural shift that India is undergoing. A multi-disciplinary approach is crucial in order to unravel the scope of the(...)
AD : Made in India
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Architecture is never an isolated production. It is deeply embedded in the fabric of any social and cultural dynamic, even though new impetuses are often made and established through architecture. This is particularly true of the exuberant social and cultural shift that India is undergoing. A multi-disciplinary approach is crucial in order to unravel the scope of the phenomenon and its manifestations. The title features Sunil Khilnan's meditation on what constitutes the idea of modern India, Prem Chandavarkar's exciting account of the emergence of a new generation of architects in Bangalore and Ravi Sundarum's description of the visceral city. It also includes project sections that portray the divergent and innovative face of Indian architecture from Bombay to Bangalore, which include sophisticated urban schemes alongside handmade self-built buildings in rural areas.
History until 1900, Asia