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From the Renaissance to the present day, each generation of artists, architects, and writers has used the powerful images of ruins to project its own vision of time and human destiny. The metamorphosis of the ruin motif in art explains not only the separations but the continuities between the perception of past and present that characterize the different art movements.(...)
Ruins
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From the Renaissance to the present day, each generation of artists, architects, and writers has used the powerful images of ruins to project its own vision of time and human destiny. The metamorphosis of the ruin motif in art explains not only the separations but the continuities between the perception of past and present that characterize the different art movements. Drawing from all media of Western art including garden design, photography, and fine art, Michel Makarius explores the rich and diverse iconography of ruins from da Vinci to Van Gogh, from Botticelli to Roy Lichtenstein. Ruins is a reminder of history at a time when few art motifs still have the power to demand attention for our immense collective past - and at a moment when a reminder is sorely needed.
History until 1900, Classicism
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De Rome à Vézelay, de Spire à Dubrovnik, de Durham à Compostelle, Alain Erlande-Brandenburg présente et analyse le défi de l'Europe romane, symbiose étroite entre les commenditaires et les créateurs.
History until 1900, Classicism
May 2005, Gallimard
L'art roman : un défi européen
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De Rome à Vézelay, de Spire à Dubrovnik, de Durham à Compostelle, Alain Erlande-Brandenburg présente et analyse le défi de l'Europe romane, symbiose étroite entre les commenditaires et les créateurs.
History until 1900, Classicism
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An exceptionally approachable, thorough, informative guide to the theory and technique of designing classical buildings, as taught by a graduate of the École des Beaux-Arts, this book, generously illustrated with sketches, freehand diagrams, renderings, and photographs, gives a lively, contemporary reality to what sometimes seems a remote subject. It is a practical text(...)
History until 1900, Classicism
September 2004, New York
Classical architecture for the twenty-first century : an introduction to design
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An exceptionally approachable, thorough, informative guide to the theory and technique of designing classical buildings, as taught by a graduate of the École des Beaux-Arts, this book, generously illustrated with sketches, freehand diagrams, renderings, and photographs, gives a lively, contemporary reality to what sometimes seems a remote subject. It is a practical text for learning how to design buildings in the classical tradition today.
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September 2004, New York
History until 1900, Classicism
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This is the first book to analyze the evolution of the Roman amphitheatre as an architectural form. Katherine Welch addresses the critical period in the history of this building type: its origins and dissemination under the Republic, from the third to first centuries BC; its monumentalization as an architectural form under Augustus; and its canonization as a building type(...)
The roman amphitheatre: from its origins to the colosseum
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This is the first book to analyze the evolution of the Roman amphitheatre as an architectural form. Katherine Welch addresses the critical period in the history of this building type: its origins and dissemination under the Republic, from the third to first centuries BC; its monumentalization as an architectural form under Augustus; and its canonization as a building type with the Colosseum (AD 80). She explores the social and political contexts of each of these phases in detail. The study then shifts focus to the reception of the amphitheatre and the games in the Greek East, a part of the Empire that was, initially, deeply fractured about the new realities of Roman rule.
History until 1900, Classicism
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On sait que l’œuvre de Michel-Ange ouvre un espace créatif radicalement nouveau, subversion radicale des conventions esthétiques de son époque. Sérgio Ferro décrypte l’une des œuvres majeures de l’artiste : la sacristie de San Lorenzo à Florence. Il montre en quoi un véritable travail critique s’énonce depuis la matière même de l’œuvre architecturale et sculptée. Mais(...)
Michel-Ange : architecte et sculpteur de la Chapelle Medicis
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On sait que l’œuvre de Michel-Ange ouvre un espace créatif radicalement nouveau, subversion radicale des conventions esthétiques de son époque. Sérgio Ferro décrypte l’une des œuvres majeures de l’artiste : la sacristie de San Lorenzo à Florence. Il montre en quoi un véritable travail critique s’énonce depuis la matière même de l’œuvre architecturale et sculptée. Mais au-delà encore, suivant un processus rigoureux d’interprétation inspiré de la sémiologie CH. S. Peirce, la lecture attentive que propose Sérgio Ferro a valeur de modèle. L’auteur pose ainsi les fondements d’une herméneutique originale, rendue plus sensible encore par sa propre expérience d’artiste-peintre et d’architecte.
History until 1900, Classicism
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In Renaissance Rome, ancient ruins were preserved as often as they were mined for their materials. Although the question of what to preserve and how continued to be subject to debate, preservation acquired renewed force and urgency in the fifteenth and sixteenth centuries as the new papal capital rose upon the ruins of the ancient city. Preservation practices became more(...)
The ruin of the eternal city : Antiquity & preservation in renaissance Rome
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In Renaissance Rome, ancient ruins were preserved as often as they were mined for their materials. Although the question of what to preserve and how continued to be subject to debate, preservation acquired renewed force and urgency in the fifteenth and sixteenth centuries as the new papal capital rose upon the ruins of the ancient city. Preservation practices became more focused and effective in Renaissance Rome than ever before. "The Ruin of the Eternal City" offers a new interpretation of the ongoing life of ancient buildings within the expanding early modern city. While historians and archaeologists have long affirmed that early modern builders disregarded the protection of antiquity, this study provides the first systematic analysis of preservation problems as perceived by the Renaissance popes, the civic magistrates, and ordinary citizens. Based on new evidence and recent conservation theory, this compelling study explores how civic officials balanced the defense of specific sites against the pressing demands imposed by population growth, circulation, and notions of urban decorum. Above all, the preservation of antiquity remained an indispensable tool to advance competing political agendas in the papal capital. A broad range of preservation policies and practices are examined at the half-ruined Colosseum, the intact Pantheon, and the little-known but essential Renaissance bridge known as the Ponte Santa Maria.
History until 1900, Classicism
La ville antique
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Une synthèse sur la création des premières villes européennes et sur l'émergence du modèle urbain au sein des civilisations grecques et romaines. Les contributions tentent de définir les conditions qui ont rendu possible la naissance de ce nouveau type d'organisation, connu sous le terme générique de cité, et la diffusion de ce concept autour de la Méditerranée.
La ville antique
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Une synthèse sur la création des premières villes européennes et sur l'émergence du modèle urbain au sein des civilisations grecques et romaines. Les contributions tentent de définir les conditions qui ont rendu possible la naissance de ce nouveau type d'organisation, connu sous le terme générique de cité, et la diffusion de ce concept autour de la Méditerranée.
History until 1900, Classicism
$70.00
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This book is about a way of building that for centuries dominated the making of monumental architecture – yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role(...)
Building in time: From Giotto to Alberti and modern oblivion
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This book is about a way of building that for centuries dominated the making of monumental architecture – yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role in architectural theory and practice. Recovering this lost element of the deep architectural past allows us also to see the present in a new way: that temporality is not any neutral or secondary factor in modern architecture culture, but an epistemic condition that silently affects all production and experience of the built environment.
History until 1900, Classicism
The classical Greek house
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Did homes in ancient Greece have kitchens and bathrooms? If so, why have archaeologists had such troubles finding their remains? What did the concepts of home and house mean to the ancient Greeks? This book offers a reappraisal of domestic space in classical Greece. Beginning with the premise that we must cease to view the classical Greek house through the lens of(...)
The classical Greek house
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Did homes in ancient Greece have kitchens and bathrooms? If so, why have archaeologists had such troubles finding their remains? What did the concepts of home and house mean to the ancient Greeks? This book offers a reappraisal of domestic space in classical Greece. Beginning with the premise that we must cease to view the classical Greek house through the lens of contemporary Western notions, Janett Morgan provides an evaluation of what home meant to different communities in the ancient Greek world. By employing textual analysis alongside archaeological scholarship, this publication seeks to explain some of the contradictions that previous approaches have left unresolved. Morgan’s work offers a new perspective on relations between men and women, public and private, and between home and city in the ancient world.
History until 1900, Classicism
The Parthenon
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This book conducts readers through the storied past and towering presence of the most famous building in the world. In the revised version of her classic study, Mary Beard now includes the story of the long-awaited new museum opened in 2009 to display the sculptures from the building that still remain in Greece, as well as the controversies that have surrounded it, and(...)
The Parthenon
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This book conducts readers through the storied past and towering presence of the most famous building in the world. In the revised version of her classic study, Mary Beard now includes the story of the long-awaited new museum opened in 2009 to display the sculptures from the building that still remain in Greece, as well as the controversies that have surrounded it, and asks whether it makes a difference to the “Elgin Marble debate.”
History until 1900, Classicism