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Toward the end of the sixteenth century, and throughout the seventeenth, thinking in spatial terms assumed extraordinary urgency among Russia's ruling elites. The two great developments of this era in Russian history - the enserfment of the peasantry and the conquest of a vast Eastern empire-fundamentally concerned spatial control and concepts of movements across the(...)
Cartographies of tsardom : the land and its meaning in seventeenth-century Russia
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Toward the end of the sixteenth century, and throughout the seventeenth, thinking in spatial terms assumed extraordinary urgency among Russia's ruling elites. The two great developments of this era in Russian history - the enserfment of the peasantry and the conquest of a vast Eastern empire-fundamentally concerned spatial control and concepts of movements across the land. In "Cartographies of tsardom", Valerie Kivelson explores how these twin themes of fixity and mobility obliged Russians, from tsar to peasant, to think in spatial terms. She builds her case through close study of two very different kinds of maps: the hundreds of local maps hand-drawn by amateurs as evidence in property litigations, and the maps of the new territories that stretched from the Urals to the Pacific. In both the simple maps that local residents drafted and in the more formal maps of the newly conquered Siberian spaces, Kivelson shows that the Russians saw the land (be it a peasant's plot or the Siberian taiga) as marked by the grace of divine providence. She argues that the unceasing tension between fixity and mobility led to the emergence in Eurasia of an empire quite different from that in North America. In her words, the Russian empire that took shape in the decades before Peter the Great proclaimed its existence was a “spacious mantle,” a “patchwork quilt of difference under a single tsar” that granted religious and cultural space to non-Russian, non-Orthodox populations even as it strove to tie them down to serve its own growing fiscal needs. The unresolved, perhaps unresolvable, tension between these contrary impulses was both the strength and the weakness of empire in Russia.
History until 1900
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This superb guide at last brings the work of Filippo Coarelli, one of the most widely published and best known scholars of Roman archeology and art, to a wide, English-language audience. Conveniently organized by walking tours and illustrated throughout with clear maps, drawings, and plans, Rome and Environs: An Archaeological Guide covers all of the city's ancient sites,(...)
Rome and environs: an archaeological guide
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This superb guide at last brings the work of Filippo Coarelli, one of the most widely published and best known scholars of Roman archeology and art, to a wide, English-language audience. Conveniently organized by walking tours and illustrated throughout with clear maps, drawings, and plans, Rome and Environs: An Archaeological Guide covers all of the city's ancient sites, and, unlike most other guides, now includes the major monuments in a large area outside Rome proper but within easy reach, such as Ostia Antica, Palestrina, Tivoli, and the many areas of interest along the ancient Roman roads. An essential resource for tourists interested in a deeper understanding of Rome's classical remains, it is also the ideal book for students and scholars approaching the ancient history of one of the world's most fascinating cities. Covers all the major sites including the Capitoline, the Roman Forum and the Imperial Fora, the Palatine Hill, the Valley of the Colosseum, the Esquiline, the Caelian, the Quirinal, and the Campus Martius. Two separate chapters discuss important clusters of sites-one on the area surrounding Circus Maximus and the other in the vicinity of the Trastevere, including the Aventine and the Vatican. Additional chapters cover the city walls and the aqueducts. Features 189 maps, drawings, and diagrams; an appendix on building materials and techniques; and an extensive bibliography.
History until 1900
Rome from the ground up
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James H.S. McGregor traces the successive urban forms that rulers have imposed, from emperors and popes to national governments including Mussolini's. In archaeologists' and museums' presentation of Rome's past, he shows that the documenting of history itself is fraught with power and politics. In McGregor's own account, the power and politics emerge clearly, manifest in(...)
Rome from the ground up
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James H.S. McGregor traces the successive urban forms that rulers have imposed, from emperors and popes to national governments including Mussolini's. In archaeologists' and museums' presentation of Rome's past, he shows that the documenting of history itself is fraught with power and politics. In McGregor's own account, the power and politics emerge clearly, manifest in the distinctive styles and structures, practical concerns and aesthetic interests that constitute the myriad Romes of our day and days past.
History until 1900
A day in a Medieval city
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An opportunity to experience the daily hustle and bustle of life in the late Middle Ages, "A Day in a Medieval City" provides a dawn-to-dark account of medieval life. A visual trek through the thirteenth and fourteenth centuries - with seasoned historian and expert on medieval iconography Chiara Frugoni as guide - this book offers a vast array of images and vignettes that(...)
A day in a Medieval city
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An opportunity to experience the daily hustle and bustle of life in the late Middle Ages, "A Day in a Medieval City" provides a dawn-to-dark account of medieval life. A visual trek through the thirteenth and fourteenth centuries - with seasoned historian and expert on medieval iconography Chiara Frugoni as guide - this book offers a vast array of images and vignettes that depicts the everyday hardships and commonplace pleasures for people living in the Middle Ages. "A Day in a Medieval City" breathes life into the activities of the city streets, homes, fields, schools, and places of worship. With entertaining anecdotes and gritty details, it engages the modern reader with its discoveries of the religious, economic, and institutional practices of the day. From urban planning and education to child care, hygiene, and the more leisurely pursuits of games, food, books, and superstitions, Frugoni unearths the daily routines of the private and public lives of citizens.
History until 1900
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Linda Seidel has now expertly transcribed and edited Meyer Schapiro's 1967 lectures, presenting them for the first time to an audience beyond the halls of Harvard.
History until 1900
November 2006, Chacago / London
Romanesque architectural sculpture, the Charles Eliot Norton Lectures
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Linda Seidel has now expertly transcribed and edited Meyer Schapiro's 1967 lectures, presenting them for the first time to an audience beyond the halls of Harvard.
History until 1900
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En sept études, Carl Schorske dévoile la naissance de notre modernité. Celle-ci commence à Vienne, dans les années 1880, où la bourgeoisie libérale, parvenue au pouvoir, traduit ses espérances dans le prodigieux remodelage de la Ringstrasse. Mais le peuple tenu à l’écart de la scène politique y fait une brutale irruption, guidé par les leaders antisémites. Face à ce(...)
Vienne fin de siècle: politique et culture
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En sept études, Carl Schorske dévoile la naissance de notre modernité. Celle-ci commence à Vienne, dans les années 1880, où la bourgeoisie libérale, parvenue au pouvoir, traduit ses espérances dans le prodigieux remodelage de la Ringstrasse. Mais le peuple tenu à l’écart de la scène politique y fait une brutale irruption, guidé par les leaders antisémites. Face à ce déferlement de violence politique dont Hitler saura s’inspirer, beaucoup rejettent les illusions de leurs pères : à la raison, ils opposent le sentiment ; aux normes sociales, ils substituent la libération des instincts ; à l’empire multinational, ils préfèrent une terre promise. Herzl bâtit l’État juif, Freud libère l’inconscient, Otto Wagner esquisse la ville de demain, Klimt révèle les visages d’Éros, Kokoschka révolutionne le langage et Schoenberg invente la musique.
History until 1900
Benrath Palace and park
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The Benrath Palace and Park ensemble harmoniously unites apparent opposites. Completed in 1770 according to plans drawn up by Nicolas de Pigage, architecture and landscape merge, complementing and enhancing one another. And so it is not surprising that the palace and gardens not only have landmark status, but that the park has also been declared a nature sanctuary. The(...)
Benrath Palace and park
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The Benrath Palace and Park ensemble harmoniously unites apparent opposites. Completed in 1770 according to plans drawn up by Nicolas de Pigage, architecture and landscape merge, complementing and enhancing one another. And so it is not surprising that the palace and gardens not only have landmark status, but that the park has also been declared a nature sanctuary. The Benrath Palace and Park Foundation has dedicated itself to the preservation of this unique symbiosis. It colorfully stages the encounter between the present and the past with its museums and events. Besides the history of the building and its use, this volume presents the work performed by the foundation at this exceptional site. Texts and magnificent pictures by the architectural photographer Marcus Schwier take readers on an extraordinary stroll through space and time.
History until 1900
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Cet ouvrage s’inscrit dans la continuité des études actuelles sur les liens entre arts visuels et langage dans l’Antiquité classique. Si le vocabulaire architectural a depuis longtemps suscité l’intérêt des spécialistes, aucune réflexion globale sur les rapports entre l’architecture et le langage n’avait encore été entreprise.
January 2016
Dire l'architecture dans l'Antiquité
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Cet ouvrage s’inscrit dans la continuité des études actuelles sur les liens entre arts visuels et langage dans l’Antiquité classique. Si le vocabulaire architectural a depuis longtemps suscité l’intérêt des spécialistes, aucune réflexion globale sur les rapports entre l’architecture et le langage n’avait encore été entreprise.
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in(...)
The unfinished palazzo: stories of Luisa Casati, Doris Castlerosse and Peggy Guggenheim
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in their lives: Luisa Casati, Doris Castlerosse, and Peggy Guggenheim. Luisa Casati turned her home into an aesthete’s fantasy where she hosted parties as extravagant and decadent as Renaissance court operas, spending small fortunes on her own costumes in her quest to become a “living work of art” and muse. Doris Castlerosse strove to make her mark in London and Venice during the glamorous, hedonistic interwar years, hosting film stars and royalty at glittering parties. In the postwar years, Peggy Gugenheim turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists and art lovers from around the world. Each vivid life story is accompanied by previously unseen materials from family archives, weaving an intricate history of these legendary art world eccentrics.
History until 1900
La double vie du roi Khéops
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Dans "La double vie du roi Kheops", l'architecte Antoine Laget propose une thèse sur la méthode conceptuelle de l'architecture de la Pyramide et de l'ensemble du Complexe funéraire y compris le groupe du Sphinx. Selon Laget, cette méthode a été mise en oeuvre dans le cadre d'un projet global conçu par le prince Khoufou (Khéops) lui-même, terminé lors de son accession au(...)
La double vie du roi Khéops
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Dans "La double vie du roi Kheops", l'architecte Antoine Laget propose une thèse sur la méthode conceptuelle de l'architecture de la Pyramide et de l'ensemble du Complexe funéraire y compris le groupe du Sphinx. Selon Laget, cette méthode a été mise en oeuvre dans le cadre d'un projet global conçu par le prince Khoufou (Khéops) lui-même, terminé lors de son accession au trône et réalisé avant son décès. La conception n'implique que les savoirs et outils de l'époque attestés par l'égyptologie ainsi que l'utilisation du tracé régulateur et d'une numération spécifique. L'auteur démontre que Khoufou utilise les principes d'un procédé qui sera fixé beaucoup plus tard par les architectes grecs et ceux de la Renaissance pour la conception de nombreuses oeuvres.
History until 1900