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This book is the first publication on the building of the Academia Belgica in Rome, a residence for Belgian researchers and artists and a centre for scientific and cultural activities. Constructed between 1937 and 1939 by the Italian Gino Cipriani and the Belgian Jean Hendrickx-Van den Bosch, in a style both modernist and Art Deco, the building has maintained not only its(...)
History until 1900, Italy
January 2024
The Academia Belgica in Rome: Building for the arts and sciences in the eternal city
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This book is the first publication on the building of the Academia Belgica in Rome, a residence for Belgian researchers and artists and a centre for scientific and cultural activities. Constructed between 1937 and 1939 by the Italian Gino Cipriani and the Belgian Jean Hendrickx-Van den Bosch, in a style both modernist and Art Deco, the building has maintained not only its original exterior but also in large parts its interior decorations and even furniture. The authors investigate the conception and realisation of the original building and its interior design programme, within the context of the cultural and political exchange between Belgium and Italy in the inter-war period. This richly illustrated volume includes original photographs of the building and its furniture, architectural plans, drawings and designs, plus a new series of commissioned photographs of the building by Belgian architectural photographer Maxime Delvaux.
History until 1900, Italy
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In 1532, the Dutch painter Maarten van Heemskerck (1498–1574) traveled from Haarlem to Rome. Pencil in hand, he discovered antiquity and the Renaissance. His remarkable drawings take us on a journey through time in sixteenth-century Rome. Van Heemskerck was everywhere, from the Colosseum to the Forum Romanum to the Piazza del Campidoglio. He was one of the first artists(...)
History until 1900, Italy
August 2024
The allure of Rome: Maarten van Heemskerck draws the city, 1532
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In 1532, the Dutch painter Maarten van Heemskerck (1498–1574) traveled from Haarlem to Rome. Pencil in hand, he discovered antiquity and the Renaissance. His remarkable drawings take us on a journey through time in sixteenth-century Rome. Van Heemskerck was everywhere, from the Colosseum to the Forum Romanum to the Piazza del Campidoglio. He was one of the first artists from north of the Alps to embark on a trip to Rome purely for the sake of art. His sketches reveal his admiration for the buildings and artworks of antiquity and the contemporary art of Raphael and Michelangelo. This magnificent volume invites the reader to discover van Heemkerck’s drawing technique, Roman topography, and the social network of the sixteenth century as well as the fascinating story of the restoration of his Roman sketchbook.
History until 1900, Italy
Walking Rome's waters
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Written by a leading expert on the water infrastructure of Rome, this grand tour offers a new way to appreciate the history, geology, and character of the ancient and contemporary city. Illustrated itineraries wind through Rome’s streets, piazzas, and gardens, following the trail of water as it flows, propelled by gravity, through different neighborhoods. In addition to(...)
Walking Rome's waters
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Written by a leading expert on the water infrastructure of Rome, this grand tour offers a new way to appreciate the history, geology, and character of the ancient and contemporary city. Illustrated itineraries wind through Rome’s streets, piazzas, and gardens, following the trail of water as it flows, propelled by gravity, through different neighborhoods. In addition to mapping thirteen walking tours, Katherine Wentworth Rinne also pulls the reader underground—where hidden springs and streams still flow—to illuminate how Rome’s complex topography has been transformed since antiquity, as well as into the sky, imaginatively flying over Rome’s villas and parks to give readers a sense of the infrastructure through an aerial view.
History until 1900, Italy
The stones of Venice
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John Ruskin, Victorian England's greatest writer on art and literature, believed himself an adopted son of Venice, and his feelings for this city are exquisitely expressed in "The Stones of Venice". This edition contains Ruskin's famous essay "The Nature of Gothic," a marvelously descriptive tour of Venice before its postwar restoration. As Ruskin wrote in 1851, "Thank(...)
History until 1900, Italy
September 2003, New York / Cambridge, Mass.
The stones of Venice
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John Ruskin, Victorian England's greatest writer on art and literature, believed himself an adopted son of Venice, and his feelings for this city are exquisitely expressed in "The Stones of Venice". This edition contains Ruskin's famous essay "The Nature of Gothic," a marvelously descriptive tour of Venice before its postwar restoration. As Ruskin wrote in 1851, "Thank God I am here, it is a Paradise of Cities."
History until 1900, Italy
Venice : the tourist maze
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"The tourist Venice is Venice," Mary McCarthy once observed--a sentiment very much in line with what most of the fourteen million tourists who visit the city each year experience, but at the same time a painful reality for the 65,000 Venetians who actually live there. Venice is viewed from a new perspective in this engaging book, which offers a heady, one-city tour of(...)
History until 1900, Italy
May 2004, Berkeley
Venice : the tourist maze
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"The tourist Venice is Venice," Mary McCarthy once observed--a sentiment very much in line with what most of the fourteen million tourists who visit the city each year experience, but at the same time a painful reality for the 65,000 Venetians who actually live there. Venice is viewed from a new perspective in this engaging book, which offers a heady, one-city tour of tourism itself. Conducting readers from the beginnings of Venetian tourism in the late Middle Ages to its emergence as a form of mass entertainment in our time, the authors explore what happens when today's "industrial tourism" collides with an ancient and ever-more-fragile culture. Giving equal consideration to those who tour Venice and those who live there, their book affords rare insight into just what it is that the touring and the toured see, experience, and elicit from each other.
History until 1900, Italy
Rome from the ground up
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Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities,(...)
Rome from the ground up
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Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities, past and present, conducting the reader through time and space to the complex and shifting realities - architectural, historical, political, and social - that constitute Rome.
History until 1900, Italy
$95.00
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This new book by Labics, one of Italy’s leading architectural firms, is devoted to the country’s architecture of public space. Squares, galleries, loggias, porticoes, and courtyards are the elements that characterize Italy’s historic towns and cities—and that make the experience of these public spaces intense and attractive. Labics sets out to explore these enchanting(...)
October 2023
The architecture of public space
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This new book by Labics, one of Italy’s leading architectural firms, is devoted to the country’s architecture of public space. Squares, galleries, loggias, porticoes, and courtyards are the elements that characterize Italy’s historic towns and cities—and that make the experience of these public spaces intense and attractive. Labics sets out to explore these enchanting spaces, to analyze their history and typologies, and to document and describe them through newly produced photographs, plans, and diagrams. They offer a taxonomy of solutions that, as a whole, forms a timeless theory for the design of public spaces. ''The architecture of public ppace'' forms a captivating collection of image material that visually decodes the characteristic core elements of Italian architecture and specifies their role in the definition of public space. The volume highlights the architectural solutions from the thirteenth to the twentieth centuries that produce the particular spatial quality of these urban structures and sets out how they were originally established for and are continuing to be used by the people.
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Venice and the East
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This lively and richly illustrated book investigates the influence of oriental trade and travel on medieval Venice and its architecture. Architectural historian Deborah Howard examines the experiences of Venetian merchants overseas, focusing on links (...)
October 2000, New Haven
Venice and the East
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This lively and richly illustrated book investigates the influence of oriental trade and travel on medieval Venice and its architecture. Architectural historian Deborah Howard examines the experiences of Venetian merchants overseas, focusing on links with Egypt, Syria, and Palestine, as well as with Persia and the Silk Route. She argues that many Venetians gained insight into Islamic culture through personal contacts with their Muslim trading partners. Based on wide-ranging multidisciplinary research, this book examines the mechanisms that governed the exchange of visual culture across ideological boundaries before the age of printing. Howard explores a range of building types that reflect the impact of Islamic imagery, paying special attention to two icon buildings, San Marco and the Palazzo Ducale. She considers the complexities of importing Muslim ideas to an unambiguously Christian city, itself the point of embarkation for pilgrims to the Holy Land.
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October 2000, New Haven
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Volume 1 : the challenge of tradition, 1750-1900 explores the dynamic balancing the forces demanded by a reverence for Italy's unparalleled architectural patrimony and a desire for new means of expression and technological innovation. From the neoclassical fantasies of Giovanni Battista Piranesi to the spectaculor steel-and-glass galleries of Milan, 'The challenge of(...)
The architecture of modern Italy volume I: the challenge of tradition, 1750-1900
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Volume 1 : the challenge of tradition, 1750-1900 explores the dynamic balancing the forces demanded by a reverence for Italy's unparalleled architectural patrimony and a desire for new means of expression and technological innovation. From the neoclassical fantasies of Giovanni Battista Piranesi to the spectaculor steel-and-glass galleries of Milan, 'The challenge of tradition' reveals an underappreciated history of richness and complexity.
History until 1900, Italy
La civilisation romaine
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La civilisation romaine . Rome. C'est une ville, un empire, une civilisation. Mais une ville où les habitants aspirent à la ruralité, un empire créé par la République, une civilisation dont la domination repose sur la participation des vaincus. Rome est le nom de cette création continue de contradictions qui, douze siècles durant, sans révérer ni renier le passé, s'est(...)
La civilisation romaine
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La civilisation romaine . Rome. C'est une ville, un empire, une civilisation. Mais une ville où les habitants aspirent à la ruralité, un empire créé par la République, une civilisation dont la domination repose sur la participation des vaincus. Rome est le nom de cette création continue de contradictions qui, douze siècles durant, sans révérer ni renier le passé, s'est nourrie des crises qui l'ont agitée et où l'homme a trouvé les moyens de vivre sa liberté. Rome a fait une ville de ce qui jusque-là était le monde et rien du monde qui nous entoure aujourd'hui n'eût été ce qu'il est si Rome n'avait existé. Ensemble complexe de coutumes, de techniques, de règles sociales formulées et informulées, de goûts, de styles de vie, et de manières de s'insérer dans le monde, les problèmes romains ne sont jamais très loin de ceux de notre temps. Dans cet ouvrage de référence, Pierre Grimai nous invite à redécouvrir l'émergence et la chute d'une culture sans précédent que nous ne saurions oublier sans mutiler une part de nous-mêmes.
History until 1900, Italy