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This volume documents MVRDV`s project for the competition for the Musee des Arts et Civilisations in Paris, and includes all aspects of the design: visual as well as written. This book asks such urgent design questions as the meaning of a museum for non-Western art at a time when worldwide mobility is making the ideas of "Western" and "non-Western" meaningless. How does(...)
To object
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This volume documents MVRDV`s project for the competition for the Musee des Arts et Civilisations in Paris, and includes all aspects of the design: visual as well as written. This book asks such urgent design questions as the meaning of a museum for non-Western art at a time when worldwide mobility is making the ideas of "Western" and "non-Western" meaningless. How does one represent authenticity in this context? Designed by MVRDV, this book allows the reader inside the design process to the original ideas conceived and problems faced by an architect.
Industrial Design
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Interest in Belgian design-be it furniture, fashion, graphics or products has exploded in the last five years. "Label-design.be, design in Belgium after 2000" presents the recent work of some 130 jury-selected designers and showcases at least four designs from each, making it the most comprehensive overview of design in Belgium today. Included in the book are also(...)
Label - design.be : design in Belgium after 2000
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Interest in Belgian design-be it furniture, fashion, graphics or products has exploded in the last five years. "Label-design.be, design in Belgium after 2000" presents the recent work of some 130 jury-selected designers and showcases at least four designs from each, making it the most comprehensive overview of design in Belgium today. Included in the book are also designs of furniture, cars, trains, and bathrooms. Preceding this overview are essays by Lise Coirer, Johan Valcke, and Francis Smets. Designers featured here include Claire Bataille & Paul Ibens, Colombo, Jo Crepain, Dark, Durlet, Extremis, Xavier Lust, Maximal Design, Modular, Quinze & Milan, Annick Schotte, Piet Stockmans, Vincent Van Duysen, Maarten Van Severen, and many others.
Industrial Design
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In Sweden, the Facit brand is as well known as IBM or Olivetti. Based in Atvidaberg, the company produced mechanical calculators, typewriters and office furniture between 1922 and 1998. By the 1970s, the company had grown from a local family business into one of the world’s leading manufacturers. The company-sponsored football team AFF was playing in the first division.(...)
The Facit Model: Globalism, Localism, Identity
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In Sweden, the Facit brand is as well known as IBM or Olivetti. Based in Atvidaberg, the company produced mechanical calculators, typewriters and office furniture between 1922 and 1998. By the 1970s, the company had grown from a local family business into one of the world’s leading manufacturers. The company-sponsored football team AFF was playing in the first division. But a few years later the Facit organization had disappeared—worn down by global capitalism. ''The Facit Model: Globalism, Localism, Identity'' looks at this peculiar example of corporate modernism through the printed matter produced in Facit’s in-house print shops, culled from FACIT’s archives. Type specimens, manuals, advertising leaflets and product catalogs bear witness to a culture which feels increasingly distant, and yet helped to define many of the codes and forms familiar to us from today’s world of work.
Industrial Design
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"Ulm design" is synonymous for clear, functional design of superior quality. On the occasion of the fiftieth anniversary of the founding of the Hochschule für Gestaltung in Ulm, this book issued by the Ulmer Museum and the HfG-Archiv pays tribute to the school's pioneering accomplishments. Just in time for the fiftieth anniversary of the founding of the Hochschule für(...)
Industrial Design
September 2003, Ostfildern
Ulm School of Design 1953-1968
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"Ulm design" is synonymous for clear, functional design of superior quality. On the occasion of the fiftieth anniversary of the founding of the Hochschule für Gestaltung in Ulm, this book issued by the Ulmer Museum and the HfG-Archiv pays tribute to the school's pioneering accomplishments. Just in time for the fiftieth anniversary of the founding of the Hochschule für Gestaltung (School of Design, known as the HfG) in Ulm in 1953, this publication honors the pioneering work of its founding members Inge Scholl, Otl Aicher, and Max Bill. Founded on an antifascist impulse, the HfG encouraged the development of a democratic consciousness which was to influence design in general. Products were meant to be as long lived and functional as possible, acceptable with respect to social and ecological criteria, and to take into account changing political conditions and production technologies. The school's pedagogical concept, the so-called Ulm model, was characterized by a new system- oriented design methodology and the encouragement of interdisciplinary teamwork. The Ulm School of Design played a decisive role in establishing the idea of the professional "designer" in the form still valid today, and many designers who graduated from the HfG before its closure in 1968 are still teaching design-related subjects, thus carrying on the specific fundamental principles that empowered the HfG. Examples from design schools in Asia, North and South America, and India illustrate the effects of the design methods developed at Ulm.
Industrial Design
Creative asia
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Singapore has always plugged itself firmly into the rest of the world, as decreed by its political edict. This closeness to global trends may be the reason Singapore design is the most international of among the Southeast Asian countries. Some would even say it is devoid of local flavours.
Creative asia
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Singapore has always plugged itself firmly into the rest of the world, as decreed by its political edict. This closeness to global trends may be the reason Singapore design is the most international of among the Southeast Asian countries. Some would even say it is devoid of local flavours.
Industrial Design
Karsten Bott. One of each
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Since 1988, Frankfurt-based artist Karsten Bott has been collecting everyday objects--often discarded--and cataloguing them. Currently, his archive contains an unbelievable 500,000 objects. Bott is interested in making an archaeological inventory of things people need, noting how they use them and how these objects are related to one another. For One of Each, which is(...)
Karsten Bott. One of each
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Since 1988, Frankfurt-based artist Karsten Bott has been collecting everyday objects--often discarded--and cataloguing them. Currently, his archive contains an unbelievable 500,000 objects. Bott is interested in making an archaeological inventory of things people need, noting how they use them and how these objects are related to one another. For One of Each, which is designed like a small dictionary or encyclopedia, he photographed more than 2,000 objects in his collection, which were carefully measured and alphabetically organized according to subjects such as "Bedroom", "Jewelry", "Sex" and "War". Within the "Film" category, for example, one might find a photograph of an Oscar award reproduction, as well as an old popcorn bucket. The photographs of the objects are taken in an unbiased, straightforward manner on a grey background, with dimensions and labels listed below.
Industrial Design
Net'n'nest workspirit 10
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Furniture for cutting-edge offices designed by the Bouroullec brothers, Citterio, Bellini, Meda, Van Severen, Morrison, Arad, Starck and others.
Net'n'nest workspirit 10
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Furniture for cutting-edge offices designed by the Bouroullec brothers, Citterio, Bellini, Meda, Van Severen, Morrison, Arad, Starck and others.
Industrial Design
Vitra- Arrange
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Finally, a book that shows iconic modern furniture in real (read: lived-in) home environments, rather than sterile, I-don’t-believe- someone-actually-lives-here situations! This catalog from design giant Vitra Inc. is used as a marketing tool for furniture sales, and it’s beautifully persuasive, proving that these classic pieces of design can work in the real world. Put(...)
Industrial Design
June 2007
Vitra- Arrange
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Finally, a book that shows iconic modern furniture in real (read: lived-in) home environments, rather than sterile, I-don’t-believe- someone-actually-lives-here situations! This catalog from design giant Vitra Inc. is used as a marketing tool for furniture sales, and it’s beautifully persuasive, proving that these classic pieces of design can work in the real world. Put an Eames lounge chair in front of a disheveled pile of records, a Nelson sunburst clock over a platter of leeks and carrots, or a Panton plastic chair at the bottom of a swimming pool with enthusiastic children using it for a diving platform – you’ll understand that fine design works anywhere. Just ask the black and white kitty curled up in the Nelson Coconut Chair. A handsome full-color volume.
Industrial Design
books
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For this site-specific work at Japan's National Art Museum in Osaka, Christian Philipp Müller tracked down 54 different types of chairs in use at the museum. He then presented them on a colorful, stair-step platform in chronological order by the date of design, and created a typology of usage. The book also includes photos of the chairs in use, product catalogs and(...)
June 2007
Portrait of the museum as a chair
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For this site-specific work at Japan's National Art Museum in Osaka, Christian Philipp Müller tracked down 54 different types of chairs in use at the museum. He then presented them on a colorful, stair-step platform in chronological order by the date of design, and created a typology of usage. The book also includes photos of the chairs in use, product catalogs and storage conditions. A fine commentary on the current fetish of the chair as design object, and our nostalgia for these familiar shapes memorialized as high-class consumer goods. With contribitions by Christian Philipp Müller, Hiroyuki Nakanishi, Christian Witt-Döring and Bennett Simpson.
books
June 2007
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The Ecole cantonale d'art de Lausanne (ECAL) has evolved from a regional school into an internationally renowned institution. This success story owes much to ECAL director Pierre Keller, but there is also a diverse team of instructors and students, whose work--much of which is quite well known--is showcased in this volume. Invaluable for any instructor in the field of(...)
ECAL : A success story in art and design
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The Ecole cantonale d'art de Lausanne (ECAL) has evolved from a regional school into an internationally renowned institution. This success story owes much to ECAL director Pierre Keller, but there is also a diverse team of instructors and students, whose work--much of which is quite well known--is showcased in this volume. Invaluable for any instructor in the field of design, the teaching principles that have led to ECAL's rise are documented, along with accounts of its subsequent successes. Today ECAL is at the top of the international game in graphic design, photography and, especially, industrial design. ECAL frequently garners commissions from museums and companies like Christofle, Swarovski, Nestle and Coca-Cola and has been included in numerous exhibitions and publications. In addition to staff and students, key players in the world of design and criticism, such as Paola Antonelli, Stephen Shore, Rolf Fehlbaum, Paolo Roversi, Ronan Bouroullec and Fernando and Humberto Company contribute a professional perspective.
Industrial Design