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Big-Game is a design studio based in Lausanne, Switzerland, founded in 2004 by Augustin Scott de Martinville, Grégoire Jeanmonod and Elric Petit. Based on a series of interviews with the founders, this book looks at 15 years of the group’s industrial design work on everyday objects, by way of anecdotes about the inception of their most successful work. Illustrated with(...)
Big-Game: everyday objects: industrial design works
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Big-Game is a design studio based in Lausanne, Switzerland, founded in 2004 by Augustin Scott de Martinville, Grégoire Jeanmonod and Elric Petit. Based on a series of interviews with the founders, this book looks at 15 years of the group’s industrial design work on everyday objects, by way of anecdotes about the inception of their most successful work. Illustrated with 200 diagrams and photographs made for this publication (which is published on the occasion of a retrospective at Lausanne’s Mudac Museum), the book examines projects including wine bottles designed for supermarkets, a set of cutlery for an airline, a collaboration with Japanese potters and a piece of Ikea furniture.
Industrial Design
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design(...)
Memphis again: Triennale Milano
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design coordinator since the late 1950s, and continued with the research of the radical architecture movements of the 1960s and 1970s, in Florence and Europe. The publication documents the eponymous 2022 Milan exhibition on the group, for which Memphis works were dynamically installed in chronological order in the style of a fashion show, with quotes by critics, architects and designers projected on the walls.
Industrial Design
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Published in conjunction with the "metalworks – designing & making" exhibition in the Konschthal Esch, this book uses the production of some twenty international creators to discuss methods of transforming metal in contemporary design. Around forty objects have been classified into sixteen categories, illustrating how these creators have adopted and crafted metal. Some(...)
Metalworks: Designing and making
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Published in conjunction with the "metalworks – designing & making" exhibition in the Konschthal Esch, this book uses the production of some twenty international creators to discuss methods of transforming metal in contemporary design. Around forty objects have been classified into sixteen categories, illustrating how these creators have adopted and crafted metal. Some experiment with the material and its properties, others question the physical limits of existing techniques. Accompanied by a historical text recounting the uses of metal in furniture since the eighteenth century, and the history of the metallurgical industry in Luxembourg, this publication brings together some sixty biographies, explanatory texts, and a technical lexicon on methods of transformation and the selected objects.
Industrial Design
Streamlined irons
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This publication is an exhaustive survey of pressing irons made during the era of streamlining, a design phenomenon of the 1930s and 40s. Also, pictured are 30 of the very earliest electric irons made in North America, dating from 1890 to 1915. These are the rarest electric irons; many are one-of-a-kind. The book includes four essays : a concise history of electric(...)
Streamlined irons
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This publication is an exhaustive survey of pressing irons made during the era of streamlining, a design phenomenon of the 1930s and 40s. Also, pictured are 30 of the very earliest electric irons made in North America, dating from 1890 to 1915. These are the rarest electric irons; many are one-of-a-kind. The book includes four essays : a concise history of electric irons in the U.S.A, two essays on the subject of streamlining, and the history of the first entrepreneur to produce an electric iron in the United States, Charles E. Carpenter.
Industrial Design
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This wide-ranging collection brings together a fistful of graphic designs that were produced in the first half of the 20th century and deal with both industrial and product design. Hand-drawn, these images employ full lines, shapes and vibrant colours whose richness and originality still impress today. The collection features hundreds of reproductions of posters,(...)
20th century industrial design
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This wide-ranging collection brings together a fistful of graphic designs that were produced in the first half of the 20th century and deal with both industrial and product design. Hand-drawn, these images employ full lines, shapes and vibrant colours whose richness and originality still impress today. The collection features hundreds of reproductions of posters, advertising, product and packaging graphics drawn from different corners the world.
Industrial Design
Maharam: agenda
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First renowned as a supplier of theatrical textiles to Broadway and beyond, Maharam pioneered the concept of engineered textiles for interior applications in the sixties, and is the world's leading provider of textiles to commercial architects and interior designers. Maharam takes a holistic view of design, embracing a range of disciplines including architecture and(...)
Maharam: agenda
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First renowned as a supplier of theatrical textiles to Broadway and beyond, Maharam pioneered the concept of engineered textiles for interior applications in the sixties, and is the world's leading provider of textiles to commercial architects and interior designers. Maharam takes a holistic view of design, embracing a range of disciplines including architecture and interiors, furniture, fashion, accessories, graphic and digital media. The Maharam Design Studio oversees the cultivation of an extensive textile collection, ranging from re-editions of enduring designs by the twentieth century's most noted visionaries to textile-based collaborations with industry outsiders including Konstantin Grcic, Hella Jongerius, Maira Kalman, Bruce Mau, Jasper Morrison, Nike and Paul Smith, among others. The publication provides a comprehensive overview of the company's history, cultural markers and design projects. Abstracted product applications are featured through "Useless Objects," a collaboration with Jasper Morrison.
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In 2008, with a thousand dollars, a laptop and an outsized conviction that design can change the world, rising San Francisco-based product designer and activist Emily Pilloton launched Project H Design, a radical non-profit that supports, inspires and delivers life-improving humanitarian product design.
Design revolution: 100 products that empower people
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In 2008, with a thousand dollars, a laptop and an outsized conviction that design can change the world, rising San Francisco-based product designer and activist Emily Pilloton launched Project H Design, a radical non-profit that supports, inspires and delivers life-improving humanitarian product design.
Industrial Design
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From Coccoina, which sents of almonds, to Amarene Fabbri in its iconic pottery; Acca Kappa teethbrush and Amarelli liquorice in their stylish cans. There are objects that live in Italians' houses since ever: they are minute, silent, but with an irresistible charm. Over the years, their role has changed and from simple industrial products they have become true icons of(...)
Fattobene: Italian everyday archetypes
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From Coccoina, which sents of almonds, to Amarene Fabbri in its iconic pottery; Acca Kappa teethbrush and Amarelli liquorice in their stylish cans. There are objects that live in Italians' houses since ever: they are minute, silent, but with an irresistible charm. Over the years, their role has changed and from simple industrial products they have become true icons of everyday life. FATTOBENE - Italian Everyday Archetypes is a project run by Anna Lagorio and Alex Carnevali: an atlas of Italian material culture, a journey into the industrial history of our country.
Industrial Design
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"New York City Transit Authority: objects" originated as a photography experiment. In 2011, New York photographer Brian Kelley began documenting collections of used MetroCards in his Brooklyn studio, arranging them in various grids with the goal of perfecting the lighting of an image. His brother suggested he make the grids more interesting by finding other types of(...)
New York city transit authority: objects
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"New York City Transit Authority: objects" originated as a photography experiment. In 2011, New York photographer Brian Kelley began documenting collections of used MetroCards in his Brooklyn studio, arranging them in various grids with the goal of perfecting the lighting of an image. His brother suggested he make the grids more interesting by finding other types of cards. Having exhausted his search for discarded MetroCards in many of the city’s 472 subway stations, Kelley turned to eBay for new finds. The online rabbit-hole gave him a crash course in the history of NYC transportation. Six years on, many MTA employees follow and advocate his project, sometimes contacting him with information and tips on rare items. As the collection grew, Kelley recognized that there were no comparable digital archives documenting the city’s transportation evolution.
Industrial Design
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This captivating survey of Soviet design from 1950 to 1989 features more than 350 items from the Moscow Design Museum's unique collection. From children's toys, homewares, and fashion to posters, electronics, and space-race ephemera, each object reveals something of life in a planned economy during a fascinating time in Russia's history. Organized into three chapters -(...)
April 2018
Designed in the USSR: 1950-1989
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This captivating survey of Soviet design from 1950 to 1989 features more than 350 items from the Moscow Design Museum's unique collection. From children's toys, homewares, and fashion to posters, electronics, and space-race ephemera, each object reveals something of life in a planned economy during a fascinating time in Russia's history. Organized into three chapters - Citizen, State, and World - the book is a micro-to-macro tour of the functional, kitsch, politicized, and often avant-garde designs from this largely undocumented period.