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Le nom de " Bièvre ", qui désigne une rue parmi les plus célèbres de la capitale, est familier aux Parisiens et aux touristes arpentant les abords de la Seine vers Notre-Dame. La Bièvre est une rivière suburbaine exceptionnelle ; c'est le dernier cours d'eau à s'écouler jusqu'aux portes de Paris à l'air libre sur la plus grande partie de son parcours (soit 36 km). La(...)
La Bièvre : de la source à Paris
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Le nom de " Bièvre ", qui désigne une rue parmi les plus célèbres de la capitale, est familier aux Parisiens et aux touristes arpentant les abords de la Seine vers Notre-Dame. La Bièvre est une rivière suburbaine exceptionnelle ; c'est le dernier cours d'eau à s'écouler jusqu'aux portes de Paris à l'air libre sur la plus grande partie de son parcours (soit 36 km). La Bièvre prend sa source à Guyancourt, près de Versailles dans les Yvelines, et se jette dans la Seine à Paris, au niveau de la gare d'Austerlitz. L'ouvrage interroge, de manière universelle, la question des rivières urbaines en relation avec la renaturation des sites, la dépollution et la qualité de l'eau, mais aussi leurs représentations dans le champ artistique en tant qu'élément marqueur de paysage, voire de pittoresque. Entre histoire locale et enjeu national la Bièvre est une rivière exemplaire pour la définition d'un nouveau rapport homme - nature. L'eau occupe une place clef dans ce livre qui soulève le problème " des nouvelles relations biotiques " du précieux liquide avec les villes, non seulement dans son aspect fonctionnel notamment lié aux risques écologiques dans une métropole dense, mais aussi du point de vue philosophique et citoyen face aux effets du changement climatique. La ville poreuse donnera de l'espace à l'eau pour minimiser ces risques : il faut inventer de nouvelles façons de vivre avec l'eau. La conservation de la biodiversité devra être un objectif prioritaire dans la ville de demain.
Gardens
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In The Classical Gardens of Shanghai, Shelly Bryant looks at five of Shanghai’s remaining classical gardens through their origins, changing fortunes, restorations, and links to a wider Chinese aesthetic. Shanghai’s classical gardens are as much text as space; they exist in art, poetry, and literature as much as in stone, rock, and earth. But these gardens have not(...)
The classical gardens of Shanghai
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In The Classical Gardens of Shanghai, Shelly Bryant looks at five of Shanghai’s remaining classical gardens through their origins, changing fortunes, restorations, and links to a wider Chinese aesthetic. Shanghai’s classical gardens are as much text as space; they exist in art, poetry, and literature as much as in stone, rock, and earth. But these gardens have not remained static entities. Rather, they have been remodelled constantly since their inception. This book reflects this process within the constancy of traditional Chinese horticulture and reveals Shanghai’s remaining classical gardens as places representing wealth and social status, social and dynastic shifts, through falling family fortunes and political revolutions to search for a recovery of China’s ancient culture in the modern day.
Gardens
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Intrepid Prussian explorer, scientist, diplomat and author Alexander von Humboldt (1769-1859) was reputedly the second best-known person in early nineteenth-century France (Stephen Jay Gould describes him as "probably the world's most famous and influential intellectual [of his time]"), yet he is little known in the US today. From 1799 to 1804, Humboldt traversed about(...)
Unity of nature: Humboldt and the Americas
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Intrepid Prussian explorer, scientist, diplomat and author Alexander von Humboldt (1769-1859) was reputedly the second best-known person in early nineteenth-century France (Stephen Jay Gould describes him as "probably the world's most famous and influential intellectual [of his time]"), yet he is little known in the US today. From 1799 to 1804, Humboldt traversed about 6,000 miles, journeying through the Spanish American colonies (modern-day Venezuela, Colombia, Ecuador, Peru, Mexico and Cuba) to observe nature in the "torrid zone," and later published some 30 volumes about his travels. This catalogue traces the breadth of Humboldt's influence through painting and objects, including work by Albert Bierstadt, Adela Breton, Norton Bush, Frederic Edwin Church, George Catlin, Martin Johnson Heade, Louis Rémy Mignot, Thomas Moran, Johann Moritz Rugendas and Mark Dion.
Gardens
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Throughout the nineteenth and twentieth centuries, wall charts were a familiar classroom component, displaying scientific images at a large scale, in full color. But it's only now that they've been superseded as a teaching tool that we have begun to realize something their ubiquity hid: they are stunning examples of botanical art at its finest. This illustrated book gives(...)
Botanical art from the golden age of scientific discovery
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Throughout the nineteenth and twentieth centuries, wall charts were a familiar classroom component, displaying scientific images at a large scale, in full color. But it's only now that they've been superseded as a teaching tool that we have begun to realize something their ubiquity hid: they are stunning examples of botanical art at its finest. This illustrated book gives the humble wall chart its due, reproducing more than two hundred of them in dazzling full color. Each wall chart is accompanied by captions that offer accessible information about the species featured, the scientists and botanical illustrators who created it, and any particularly interesting or innovative features the chart displays. And gardeners will be pleased to discover useful information about plant anatomy and morphology and species differences. We see lilies and tulips, gourds, aquatic plants, legumes, poisonous plants, and carnivorous plants, all presented in exquisite, larger-than-life detail.
Gardens
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This book provides an overview of the extent to which the 18th-century English Landscape Garden spread through Europe and Russia. While this type of garden acted widely as an inspiration, it was not slavishly copied but adapted to local conditions, circumstances and agendas. A garden 'in the English style' is commonly used to denote a landscape garden in Europe, while the(...)
The English landscape garden in Europe
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This book provides an overview of the extent to which the 18th-century English Landscape Garden spread through Europe and Russia. While this type of garden acted widely as an inspiration, it was not slavishly copied but adapted to local conditions, circumstances and agendas. A garden 'in the English style' is commonly used to denote a landscape garden in Europe, while the term 'landscape garden' is used for layouts that are naturalistic in plan and resemble natural scenery, though they might be highly contrived and usually large in scale.
Gardens
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"Tiny taxonomy" describes the practice of gardening and the implications of strict classification. It seems that as the world around us gains complexity and intricacy, our biological world is trending towards monotony. As our experiences become more and more uniform, our capacity to apprehend transformation and detail diminishes. Using the scale of the individual plant,(...)
Tiny taxonomy: individual plants in landscape architecture
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"Tiny taxonomy" describes the practice of gardening and the implications of strict classification. It seems that as the world around us gains complexity and intricacy, our biological world is trending towards monotony. As our experiences become more and more uniform, our capacity to apprehend transformation and detail diminishes. Using the scale of the individual plant, smallness becomes a design opportunity while classification embraces the aliveness of plants.
Gardens
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Garden festivals are often a testing area for new ideas for landscape designers. On a small scale designers can experiment with innovative materials and explore emerging tendencies. The International Garden Festival in Métis in northern Quebec is probably the best-known festival in North America. This publication will explain the role of garden festivals in landscape(...)
Experimenting landscapes: testing the limits of the garden. Métis Garden Festival
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Garden festivals are often a testing area for new ideas for landscape designers. On a small scale designers can experiment with innovative materials and explore emerging tendencies. The International Garden Festival in Métis in northern Quebec is probably the best-known festival in North America. This publication will explain the role of garden festivals in landscape design and present a selection of 25 gardens from Métis.
Gardens
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Les plantes, sauvages ou cultivées, douces ou amères, bénéfiques ou vénéneuses, médicinales ou alimentaires, ont de quoi nous fasciner ! Cet ''Herbarium'' est leur éloge, et présente 100 plantes communes dans nos jardins ou plus rares, nous raconte, avec moult anecdotes, leurs histoires, leurs odeurs et leurs aspects, et nous enseigne comment les cultiver, les admirer et(...)
Herbarium
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Les plantes, sauvages ou cultivées, douces ou amères, bénéfiques ou vénéneuses, médicinales ou alimentaires, ont de quoi nous fasciner ! Cet ''Herbarium'' est leur éloge, et présente 100 plantes communes dans nos jardins ou plus rares, nous raconte, avec moult anecdotes, leurs histoires, leurs odeurs et leurs aspects, et nous enseigne comment les cultiver, les admirer et les utiliser, aussi bien en cuisine que pour nous soigner.
Gardens
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There is scarcely any construction principle that can boast an equally extensive array of positive effects than the greening of the exterior and interior building envelope. "Green, greener, greenest : façades, roofs, indoors offers a comprehensive survey of a range of façade, roof and interior greenings. Here, it is plants that are the main building material: neatly(...)
Green, greener, greenest. Facades, roof, indoors
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There is scarcely any construction principle that can boast an equally extensive array of positive effects than the greening of the exterior and interior building envelope. "Green, greener, greenest : façades, roofs, indoors offers a comprehensive survey of a range of façade, roof and interior greenings. Here, it is plants that are the main building material: neatly arranged, they complement minimalist high-rise architecture; wildly rampant, they serve as an extravagant element of interior design; and through creative composition, they come to form a sophisticated work of art. The cross-disciplinary juxtaposition of technological progress and creative design is never far from view. Whether in an urban setting or part of a natural landscape, the projects showcased in this volume prove that there is still limitless creative potential in architectural greening, posing new and exciting challenges for designers and landscape architects alike.
Gardens
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Savez-vous que maintes civilisations ont associé le jasmin à l'expression du désir amoureux ? Que le pays d'origine de l'hortensia est le Japon ? Et qu'autrefois, les amants qui voulaient se voir en secret utilisaient un bouquet de glaïeuls permettant par le nombre de ses fleurs d'indiquer l'heure du rendez-vous galant ?Cet ouvrage recense 155 fleurs, mais aussi arbres,(...)
Le Grand Atlas botanique de nos jardins
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Savez-vous que maintes civilisations ont associé le jasmin à l'expression du désir amoureux ? Que le pays d'origine de l'hortensia est le Japon ? Et qu'autrefois, les amants qui voulaient se voir en secret utilisaient un bouquet de glaïeuls permettant par le nombre de ses fleurs d'indiquer l'heure du rendez-vous galant ?Cet ouvrage recense 155 fleurs, mais aussi arbres, arbustes à fleurs, plantes à bulbe, grimpantes…Pour chaque fleur est expliqué l'origine, le mode de culture, la variété ainsi qu'une anecdote qui en surprendra plus d'un… Une jolie planche façon herbier d'autrefois accompagne chaque spécimen.Un bel ouvrage pour tout savoir sur ce qui pousse au jardin.
Gardens