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books
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Title:
Destination art
Destination art
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$49.95
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This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental(...)
$49.95
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Summary:
This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental(...)
Title:
Destination art
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$49.95
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This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental works, sculpture parks, architectural follies, site-specific installations, and entire towns turned over to the display of art, this book chronicles works that have achieved near-mythical status since they were created. Among the artists included are Henri Matisse, Antoni Gaudí, Jean Tinguely, Constantin Brancusi, James Turrell, Richard Serra, Robert Smithson, and Antony Gormley. The book provides visitor information, including hours and admission fees, directions, contact details and websites, and further reading. Fifty art destinations are featured in substantial essays, with accounts of their histories and descriptions of their sites.
Destination art
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$49.95
(available to order)
Summary:
This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental works, sculpture parks, architectural follies, site-specific installations, and entire towns turned over to the display of art, this book chronicles works that have achieved near-mythical status since they were created. Among the artists included are Henri Matisse, Antoni Gaudí, Jean Tinguely, Constantin Brancusi, James Turrell, Richard Serra, Robert Smithson, and Antony Gormley. The book provides visitor information, including hours and admission fees, directions, contact details and websites, and further reading. Fifty art destinations are featured in substantial essays, with accounts of their histories and descriptions of their sites.
Form:
books
books
Publication:
January 1900, Berkeley / Los Angeles
January 1900, Berkeley / Los Angeles
Subject:
Land Art
Land Art
Form:
books
books
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$40.50
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Summary:
Les Carnets du paysage présentent un dossier autour de la question de l’art écologique, plus précisément de la manière dont certains artistes contemporains en Amérique du Nord ont développé leur travail autour et à partir de la question de la nature et de sa préservation. Les artistes dont on présente le travail dans ce numéro travaillent avec des matériaux naturels,(...)
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Les Carnets du paysage présentent un dossier autour de la question de l’art écologique, plus précisément de la manière dont certains artistes contemporains en Amérique du Nord ont développé leur travail autour et à partir de la question de la nature et de sa préservation. Les artistes dont on présente le travail dans ce numéro travaillent avec des matériaux naturels,(...)
Title:
Bord à bord : Art écologique & art environmental
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$40.50
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Les Carnets du paysage présentent un dossier autour de la question de l’art écologique, plus précisément de la manière dont certains artistes contemporains en Amérique du Nord ont développé leur travail autour et à partir de la question de la nature et de sa préservation. Les artistes dont on présente le travail dans ce numéro travaillent avec des matériaux naturels, comme la terre, les roches, le bois, l’eau. Disposant parfois de vastes espaces, ils essaient d’en explorer les possibilités en prenant la terre elle-même comme élément et comme surface d’inscription. Ce numéro rassemble des analyses et des textes d’artistes, d’intellectuels et d’écrivains qui ont en commun de réfléchir à et d’agir sur ce que nous pouvons appeler notre environnement, notre œkoumène, bref la Terre, que nous ne savons peut-être plus vraiment habiter. Tout n’est pas paysage, mais le paysage est concerné par des questions qui touchent à la nature, à l’espace, à la représentation, à l’écologie, aux usages des éléments et des matières, à la poétique des formes. C’est cette dimension de l’identité du paysage que les Carnets tentent d’explorer dans ce numéro.
Bord à bord : Art écologique & art environmental
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Les Carnets du paysage présentent un dossier autour de la question de l’art écologique, plus précisément de la manière dont certains artistes contemporains en Amérique du Nord ont développé leur travail autour et à partir de la question de la nature et de sa préservation. Les artistes dont on présente le travail dans ce numéro travaillent avec des matériaux naturels, comme la terre, les roches, le bois, l’eau. Disposant parfois de vastes espaces, ils essaient d’en explorer les possibilités en prenant la terre elle-même comme élément et comme surface d’inscription. Ce numéro rassemble des analyses et des textes d’artistes, d’intellectuels et d’écrivains qui ont en commun de réfléchir à et d’agir sur ce que nous pouvons appeler notre environnement, notre œkoumène, bref la Terre, que nous ne savons peut-être plus vraiment habiter. Tout n’est pas paysage, mais le paysage est concerné par des questions qui touchent à la nature, à l’espace, à la représentation, à l’écologie, aux usages des éléments et des matières, à la poétique des formes. C’est cette dimension de l’identité du paysage que les Carnets tentent d’explorer dans ce numéro.
Form:
books
books
Publication:
January 2008, Arles
January 2008, Arles
Subject:
Land Art
Land Art
Form:
books
books
Title:
Andy Goldsworthy Enclosure
Andy Goldsworthy Enclosure
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$72.00
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Summary:
Since 1995, Andy Goldsworthy has created a series of artworks in Northwest England in sheepfolds: stone enclosures found across the countryside that have been used for assembling, sheltering, and washing sheep for hundreds of years. After working on and off for more than a decade, he completed thirty-five folds, often rebuilding them in the process; many of them can now(...)
$72.00
(available to order)
Summary:
Since 1995, Andy Goldsworthy has created a series of artworks in Northwest England in sheepfolds: stone enclosures found across the countryside that have been used for assembling, sheltering, and washing sheep for hundreds of years. After working on and off for more than a decade, he completed thirty-five folds, often rebuilding them in the process; many of them can now(...)
Title:
Andy Goldsworthy Enclosure
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$72.00
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Since 1995, Andy Goldsworthy has created a series of artworks in Northwest England in sheepfolds: stone enclosures found across the countryside that have been used for assembling, sheltering, and washing sheep for hundreds of years. After working on and off for more than a decade, he completed thirty-five folds, often rebuilding them in the process; many of them can now once again serve their intended purpose. These form the core of Enclosure: they reflect Goldsworthy’s lifelong interest in the land, its history, and the people who work on it. They are accompanied by a rich collection of ephemeral work related in various ways to sheep, including a spectacular series of large sheep paintings—paintings made by the hoof-prints of sheep.
Andy Goldsworthy Enclosure
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$72.00
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Summary:
Since 1995, Andy Goldsworthy has created a series of artworks in Northwest England in sheepfolds: stone enclosures found across the countryside that have been used for assembling, sheltering, and washing sheep for hundreds of years. After working on and off for more than a decade, he completed thirty-five folds, often rebuilding them in the process; many of them can now once again serve their intended purpose. These form the core of Enclosure: they reflect Goldsworthy’s lifelong interest in the land, its history, and the people who work on it. They are accompanied by a rich collection of ephemeral work related in various ways to sheep, including a spectacular series of large sheep paintings—paintings made by the hoof-prints of sheep.
Form:
books
books
Publication:
October 2007, New York
October 2007, New York
Subject:
Land Art
Land Art
Form:
books
books
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$85.95
(available to order)
Summary:
Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however(...)
$85.95
(available to order)
Summary:
Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however(...)
Title:
Groundswell: Women of land art
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$85.95
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Summary:
Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however fleeting or permanent that might be—foregrounding natural materials and the site itself to create large-scale works located outside of typical urban art-world circuits. Histories of Land art have long been dominated by men, but "Groundswell: Women of Land Art" shifts that focus to shed new light on the vast number of earthworks by women artists. While their careers ran parallel to those of their better-known male counterparts, they have received less recognition and representation in museum presentations—until now. This book includes five scholarly essays, as well as a detailed chronology, exhibition checklist and illustrated biographies of exhibition artists. "Groundswell" is a resource for readers interested in understanding the historical Land art movement and our own relationship to the earth.
Groundswell: Women of land art
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$85.95
(available to order)
Summary:
Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however fleeting or permanent that might be—foregrounding natural materials and the site itself to create large-scale works located outside of typical urban art-world circuits. Histories of Land art have long been dominated by men, but "Groundswell: Women of Land Art" shifts that focus to shed new light on the vast number of earthworks by women artists. While their careers ran parallel to those of their better-known male counterparts, they have received less recognition and representation in museum presentations—until now. This book includes five scholarly essays, as well as a detailed chronology, exhibition checklist and illustrated biographies of exhibition artists. "Groundswell" is a resource for readers interested in understanding the historical Land art movement and our own relationship to the earth.
Form:
books
books
Publication:
November 2023
November 2023
Subject:
Land Art
Land Art
Form:
books
books
Price:
$72.00
(available to order)
Summary:
Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches,(...)
$72.00
(available to order)
Summary:
Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches,(...)
Title:
Passage
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$72.00
(available to order)
Summary:
Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches, exemplifies his work's vigorous beauty as well as its association with death and decay. Creations on the beach and in rivers explore the passage of time, while a white chalk path investigates the passing from day into night. Passage also includes the Garden of Stones, a Holocaust memorial at the Museum of Jewish Heritage in New York, where the artist planted 18 oak trees through holes in hollowed-out, earth-filled boulders. Documenting these and other recent works, this beautiful book is an eloquent testament to Goldsworthy's determination to deepen his understanding of the world around him, and his relationship with it, through his art. Andy Goldsworthy's work is regularly exhibited in Britain, France, the United States, Japan, and elsewhere. Although commissions take him all over the world, the landscape around his home in Dumfriesshire, Scotland, remains at the heart of his work.
Passage
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Price:
$72.00
(available to order)
Summary:
Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches, exemplifies his work's vigorous beauty as well as its association with death and decay. Creations on the beach and in rivers explore the passage of time, while a white chalk path investigates the passing from day into night. Passage also includes the Garden of Stones, a Holocaust memorial at the Museum of Jewish Heritage in New York, where the artist planted 18 oak trees through holes in hollowed-out, earth-filled boulders. Documenting these and other recent works, this beautiful book is an eloquent testament to Goldsworthy's determination to deepen his understanding of the world around him, and his relationship with it, through his art. Andy Goldsworthy's work is regularly exhibited in Britain, France, the United States, Japan, and elsewhere. Although commissions take him all over the world, the landscape around his home in Dumfriesshire, Scotland, remains at the heart of his work.
Form:
books
books
Publication:
November 2004, New York
November 2004, New York
Subject:
Land Art
Land Art
Form:
books
books
Actions:
Price:
$54.95
(available to order)
Summary:
For over 35 years, with the emphasis on both personal experience and ideas, Richard Long has made art in many places around the world by making walks in rural and wilderness landscapes. His simple and direct engagement is realised by leaving and recording traces of his journeys, creating works concerned with time, movement and locality. This book accompanies an(...)
$54.95
(available to order)
Summary:
For over 35 years, with the emphasis on both personal experience and ideas, Richard Long has made art in many places around the world by making walks in rural and wilderness landscapes. His simple and direct engagement is realised by leaving and recording traces of his journeys, creating works concerned with time, movement and locality. This book accompanies an(...)
Title:
Richard Long : here and now and then
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$54.95
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For over 35 years, with the emphasis on both personal experience and ideas, Richard Long has made art in many places around the world by making walks in rural and wilderness landscapes. His simple and direct engagement is realised by leaving and recording traces of his journeys, creating works concerned with time, movement and locality. This book accompanies an exhibition of new works by Long that span the variety of media he employs, including photographs, sculptures, and mud and text works made directly on the gallery walls. The landscapes walked to create the work include Galicia, Brittany and his recent travels to India, where he spent time among the Warli tribe with the artist Jivya Soma Mashe. The catalogue illustrations consist of Long’s recent works both in the gallery and in landscapes, and the text explores Long’s relationship to landscape as well his art historical significance, focussing on the works featured in this exhibition.
Richard Long : here and now and then
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Price:
$54.95
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Summary:
For over 35 years, with the emphasis on both personal experience and ideas, Richard Long has made art in many places around the world by making walks in rural and wilderness landscapes. His simple and direct engagement is realised by leaving and recording traces of his journeys, creating works concerned with time, movement and locality. This book accompanies an exhibition of new works by Long that span the variety of media he employs, including photographs, sculptures, and mud and text works made directly on the gallery walls. The landscapes walked to create the work include Galicia, Brittany and his recent travels to India, where he spent time among the Warli tribe with the artist Jivya Soma Mashe. The catalogue illustrations consist of Long’s recent works both in the gallery and in landscapes, and the text explores Long’s relationship to landscape as well his art historical significance, focussing on the works featured in this exhibition.
Form:
books
books
Publication:
November 2003, London
November 2003, London
Subject:
Land Art
Land Art
Form:
books
books
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Price:
$84.50
(available in store)
Summary:
Christo and Jeanne-Claude are renowned for their dramatic and innovative public projects. Their installations often feature fabric, sometimes wrapped around existing structures or used to create large-scale temporary environments. Some of their most influential projects include Running Fence in Sonoma and Marin Counties, California, Surrounded Islands in Miami, the Pont(...)
$84.50
(available in store)
Summary:
Christo and Jeanne-Claude are renowned for their dramatic and innovative public projects. Their installations often feature fabric, sometimes wrapped around existing structures or used to create large-scale temporary environments. Some of their most influential projects include Running Fence in Sonoma and Marin Counties, California, Surrounded Islands in Miami, the Pont(...)
Publication:
May 2004, New Haven / London
May 2004, New Haven / London
Title:
Christo & Jeanne-Claude : on the way to The Gates, Central Park, New York City
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$84.50
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Summary:
Christo and Jeanne-Claude are renowned for their dramatic and innovative public projects. Their installations often feature fabric, sometimes wrapped around existing structures or used to create large-scale temporary environments. Some of their most influential projects include Running Fence in Sonoma and Marin Counties, California, Surrounded Islands in Miami, the Pont Neuf Wrapped in Paris, the Wrapped Reichstag in Berlin, and The Umbrellas simultaneously in Japan and California. Now New York City, where they have lived and worked for forty years, will be the site for a much-anticipated Christo and Jeanne-Claude project. The Gates will consist of saffron-coloured fabric panels suspended from the horizontal tops of over 7,500 sixteen-foot-tall vinyl gates, positioned at regular intervals throughout 23 miles of walkways of Central Park. The installation will be on view for sixteen days, beginning February 12, 2005 (weather permitting). This book, published in conjunction with a major exhibition that opens in April 2004 at The Metropolitan Museum of Art, celebrates the culmination of the artists' vision for The Gates, a project that began in 1979. It includes an illustrated introduction by Jonathan Fineberg that surveys the career of Christo and Jeanne-Claude and assesses their contribution to contemporary art and culture.
Christo & Jeanne-Claude : on the way to The Gates, Central Park, New York City
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Price:
$84.50
(available in store)
Summary:
Christo and Jeanne-Claude are renowned for their dramatic and innovative public projects. Their installations often feature fabric, sometimes wrapped around existing structures or used to create large-scale temporary environments. Some of their most influential projects include Running Fence in Sonoma and Marin Counties, California, Surrounded Islands in Miami, the Pont Neuf Wrapped in Paris, the Wrapped Reichstag in Berlin, and The Umbrellas simultaneously in Japan and California. Now New York City, where they have lived and worked for forty years, will be the site for a much-anticipated Christo and Jeanne-Claude project. The Gates will consist of saffron-coloured fabric panels suspended from the horizontal tops of over 7,500 sixteen-foot-tall vinyl gates, positioned at regular intervals throughout 23 miles of walkways of Central Park. The installation will be on view for sixteen days, beginning February 12, 2005 (weather permitting). This book, published in conjunction with a major exhibition that opens in April 2004 at The Metropolitan Museum of Art, celebrates the culmination of the artists' vision for The Gates, a project that began in 1979. It includes an illustrated introduction by Jonathan Fineberg that surveys the career of Christo and Jeanne-Claude and assesses their contribution to contemporary art and culture.
Form:
books
books
Publication:
May 2004, New Haven / London
May 2004, New Haven / London
Form:
books
books
Actions:
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$105.00
(available to order)
Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of(...)
$105.00
(available to order)
Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of(...)
Title:
Robert Smithson and the American landscape
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$105.00
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Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of modernist sense of art and nature. Moreover, Graziani shows how Smithson’s earthworks formed part of what was called the ‘new conservationism’ in the late 1960s and how they gave material form to the contradictions of a sociological issue that was inseparable from its economic legacy.
Robert Smithson and the American landscape
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$105.00
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Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of modernist sense of art and nature. Moreover, Graziani shows how Smithson’s earthworks formed part of what was called the ‘new conservationism’ in the late 1960s and how they gave material form to the contradictions of a sociological issue that was inseparable from its economic legacy.
Form:
books
books
Publication:
May 2004, Cambridge / New York
May 2004, Cambridge / New York
Subject:
Land Art
Land Art
Form:
books
books
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$63.95
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Summary:
Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in(...)
$63.95
(available to order)
Summary:
Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in(...)
Publication:
November 2002, Cambridge, Mass.
November 2002, Cambridge, Mass.
Title:
Robert Smithson : learning from New Jersey and elsewhere
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$63.95
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Summary:
Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson’s widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson’s working life--magazines, postcards from other artists, notebooks, and perhaps most important, his library--from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson’s art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time. A central focus of Reynolds’s analysis is Smithson’s fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again, alone and with fellow artists, to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was "elsewhere"; but for Smithson, "elsewheres" were the defining, if often forgotten, locations on the map of contemporary culture.
Robert Smithson : learning from New Jersey and elsewhere
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$63.95
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Summary:
Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson’s widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson’s working life--magazines, postcards from other artists, notebooks, and perhaps most important, his library--from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson’s art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time. A central focus of Reynolds’s analysis is Smithson’s fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again, alone and with fellow artists, to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was "elsewhere"; but for Smithson, "elsewheres" were the defining, if often forgotten, locations on the map of contemporary culture.
Form:
books
books
Publication:
November 2002, Cambridge, Mass.
November 2002, Cambridge, Mass.
Form:
books
books
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$19.95
(available to order)
Summary:
"Tout artiste qui travaille dans la nature n'est pas un land-artist et ne s'intéresse pas nécessairement au paysage" (G. Tiberghien). Après le Land Art des années soixante, de nombreuses pratiques plastiques - nées de recherche en relation avec la nature - voient le jour : ce sont des oeuvres géoplastiques. L'hétérogénéité de ces oeuvres et expérimentations est immense.(...)
$19.95
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Summary:
"Tout artiste qui travaille dans la nature n'est pas un land-artist et ne s'intéresse pas nécessairement au paysage" (G. Tiberghien). Après le Land Art des années soixante, de nombreuses pratiques plastiques - nées de recherche en relation avec la nature - voient le jour : ce sont des oeuvres géoplastiques. L'hétérogénéité de ces oeuvres et expérimentations est immense.(...)
Title:
Le land art et après : l'émergence d'oeuvres géoplastiques
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$19.95
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"Tout artiste qui travaille dans la nature n'est pas un land-artist et ne s'intéresse pas nécessairement au paysage" (G. Tiberghien). Après le Land Art des années soixante, de nombreuses pratiques plastiques - nées de recherche en relation avec la nature - voient le jour : ce sont des oeuvres géoplastiques. L'hétérogénéité de ces oeuvres et expérimentations est immense. Ce livre donne des repères pour les identifier et propose des exemples aussi variés que possible pour tenter de mesurer l'étendue de leur diversité.
Le land art et après : l'émergence d'oeuvres géoplastiques
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$19.95
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Summary:
"Tout artiste qui travaille dans la nature n'est pas un land-artist et ne s'intéresse pas nécessairement au paysage" (G. Tiberghien). Après le Land Art des années soixante, de nombreuses pratiques plastiques - nées de recherche en relation avec la nature - voient le jour : ce sont des oeuvres géoplastiques. L'hétérogénéité de ces oeuvres et expérimentations est immense. Ce livre donne des repères pour les identifier et propose des exemples aussi variés que possible pour tenter de mesurer l'étendue de leur diversité.
Form:
books
books
Publication:
March 2006, Paris
March 2006, Paris
Subject:
Land Art
Land Art
