La sagesse du jardinier
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Toutes les instances, tous les dirigeants, tous les citoyens sont avertis de l'absurdité du mode de vie entraîné par l'économie de marché. Le projet humain, conscient ou inconscient, se définit en peu de mots : mourir sous les richesses. Un jardin : enclos destiné à protéger le meilleur. Meilleur des fruits et des légumes - flore nourricière, diversité exploitée -(...)
La sagesse du jardinier
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Toutes les instances, tous les dirigeants, tous les citoyens sont avertis de l'absurdité du mode de vie entraîné par l'économie de marché. Le projet humain, conscient ou inconscient, se définit en peu de mots : mourir sous les richesses. Un jardin : enclos destiné à protéger le meilleur. Meilleur des fruits et des légumes - flore nourricière, diversité exploitée - meilleur des arbres et des fleurs, de l'art de les disposer. L'art des jardins a exprimé son excellence à travers l'architecture et l'ornement. Ces critères ne suffisent plus. La vie qui s'y développe, parce qu'elle est menacée, devient l'argument principal des aménagements. Cette charge efface, sans les interdire, les préséances d'autrefois manier la perspective, disposer les paysages en tableaux, composer les massifs, organiser les fêtes et les distractions. Regarder pourrait bien être la plus juste façon de jardiner demain.
Landscape Theory
The education of the eye : painting, landscape, and architecture in eighteenth-century Britain
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"The Education of the Eye" examines the origins of visual culture in eighteenth-century Britain. It claims that at the moment when works of visual art were first displayed and contemplated as aesthetic objects, two competing descriptions of the viewer or spectator promoted two very different accounts of culture. The first was constructed on knowledge, on what one(...)
The education of the eye : painting, landscape, and architecture in eighteenth-century Britain
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"The Education of the Eye" examines the origins of visual culture in eighteenth-century Britain. It claims that at the moment when works of visual art were first displayed and contemplated as aesthetic objects, two competing descriptions of the viewer or spectator promoted two very different accounts of culture. The first was constructed on knowledge, on what one already knew, while the second was grounded in the eye itself. Whereas the first was most likely to lead to a socially and politically elite form of visual cutlure, the second, it was held, would almost certainly end up in the chaos of the mob. But there was another route through these conflicting accounts of the visual that preserved the education of the eye while at the same time allowing the eye freedom to enter into the realm of culture. This third route, that of sentimental look, is explored in a series of contexts: the gallery, the pleasure garden, the landscape park, and the country house. This book sets out to reclaim visual culture for the democracy of the eye and to explain how aesthetic contemplation may, once more, be open to all who have eyes to look.
Landscape Theory
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"Ecology and design" addresses a shortcoming by articulating priorities and approaches for incorporating ecological principles in the teaching of landscape design and planning. The book explains why landscape architecture and design and planning faculty should include ecology standard part of their curricula, provides insights on how that can be done, and offers model(...)
Landscape Theory
January 1900, Washington
Ecology and design : frameworks for learning
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"Ecology and design" addresses a shortcoming by articulating priorities and approaches for incorporating ecological principles in the teaching of landscape design and planning. The book explains why landscape architecture and design and planning faculty should include ecology standard part of their curricula, provides insights on how that can be done, and offers model from successful programs.
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January 1900, Washington
Landscape Theory
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The relationship between landscape and architecture became strained in the early Modern Movement when the two parted ways in an effort to idealize place making. The aim of this volume of essays is to create a platform where these two disciplines may be reunited in a critical dialogue. The book originates from a symposium of the title and lecture series organized by the(...)
Re-envisioning landscape / architecture
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The relationship between landscape and architecture became strained in the early Modern Movement when the two parted ways in an effort to idealize place making. The aim of this volume of essays is to create a platform where these two disciplines may be reunited in a critical dialogue. The book originates from a symposium of the title and lecture series organized by the School of Architecture at Arizona State University during 1998-1999. It includes over 20 essays by academics and professionals whose work addresses the need to reconsider these two disciplines as complementary pieces of the same puzzle.
Landscape Theory
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Casey's discussion ranges widely from Northern Sung landscape painting to nineteenth-century American and British landscape painting and photography, from prehistoric petroglyphs and medieval portolan charts to seventeenth-century Dutch cartography and land survey maps of the American frontier. From these culturally and historically diverse forays a theory of(...)
Representing place : landscape painting & maps
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Casey's discussion ranges widely from Northern Sung landscape painting to nineteenth-century American and British landscape painting and photography, from prehistoric petroglyphs and medieval portolan charts to seventeenth-century Dutch cartography and land survey maps of the American frontier. From these culturally and historically diverse forays a theory of representation emerges. Casey proposes that the representation of place in visual works be judged in terms not of resemblance, but of reconnecting with an earth and world that are not the mere content of mind or language-a reconnection that calls for the embodiment and implacement of the human subject.
Landscape Theory
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"Sites unseen" challenges conventions for viewing and interpreting the landscape, using visual theory to move beyond traditional practices of describing and classifying objects to explore notions of audience and context. Treats landscape as a spatial, psychological, and sensory encounter, opening a new dialogue for discussing the landscape outside the boundaries of(...)
Landscape Theory
May 2007, Pittsburgh
Sites unseen : landscape and vision
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"Sites unseen" challenges conventions for viewing and interpreting the landscape, using visual theory to move beyond traditional practices of describing and classifying objects to explore notions of audience and context. Treats landscape as a spatial, psychological, and sensory encounter, opening a new dialogue for discussing the landscape outside the boundaries of current art criticism and theory.
Landscape Theory
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Thirty-six years ago, Nek Chand, a humble transport official in the northern Indian city of Chandigarh, began to clear a patch of jungle in order to make a small garden. He set stones around the clearing and before long sculpted a few figures recycled from materials he found at the site. Gradually his creation covered twenty-five acres, consisting of several thousand(...)
Landscape Theory
October 2007, Liverpool
The Collection, the ruin and the theatre: architecture, sculpture and landscape in Nek Chand's Rock Garden, Chandigarh
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Thirty-six years ago, Nek Chand, a humble transport official in the northern Indian city of Chandigarh, began to clear a patch of jungle in order to make a small garden. He set stones around the clearing and before long sculpted a few figures recycled from materials he found at the site. Gradually his creation covered twenty-five acres, consisting of several thousand sculptures set in large mosaic courtyards and encompassing huge buildings and interlinking waterfalls. Published to accompany an exhibition of the same name at the Royal Institute of British Architects Gallery in Liverpool, The Ruin and the Theatre presents this incredible artistic and cultural achievement for the first time—analyzing key aspects of the garden’s collections, its architecture, and the landscape setting alongside beautiful full-color illustrations that pay homage to this modern wonder of the world.
Landscape Theory
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Preface by Fritz Haeg. Texts by Fritz Haeg, Diana Balmori, Rosalind Creasy, Michael Pollan, Lesley Stern, Michelle Christman, Stan Cox, Michael Foti. The Edible Estates project proposes the replacement of the domestic front lawn with a highly productive edible landscape. It was initiated by architect and artist Fritz Haeg on Independence Day, 2005, with the planting of(...)
Edible estates: Attack on the front lawn. A project by Fritz Haeg
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Preface by Fritz Haeg. Texts by Fritz Haeg, Diana Balmori, Rosalind Creasy, Michael Pollan, Lesley Stern, Michelle Christman, Stan Cox, Michael Foti. The Edible Estates project proposes the replacement of the domestic front lawn with a highly productive edible landscape. It was initiated by architect and artist Fritz Haeg on Independence Day, 2005, with the planting of the first regional prototype garden in the geographic center of the United States, Salina, Kansas. Since then three more prototype gardens have been created, in Lakewood, California; Maplewood, New Jersey and London, England. Edible Estates regional prototype gardens will ultimately be established in nine cities across the United States. Edible Estates: Attack on the Front Lawn documents the first four gardens with personal accounts written by the owners, garden plans and photographs illustrating the creation of the gardens--from ripping up the grass to harvesting a wide variety of fruits, vegetables and herbs. Essays by Haeg, landscape architect Diana Balmori, garden and food writer Rosalind Creasy, author Michael Pollan and artist and writer Lesley Stern set the Edible Estates project in the context of larger issues concerning the environment, global food production and the imperative to generate a sense of community in our urban and suburban neighborhoods. This smart, affordable and well-designed book also includes reports and photographs from the owners of other edible front yards around the country, as well as helpful resources to guide you in making your own Edible Estate.
Landscape Theory
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Depuis des siècles, les Japonais entretiennent une relation très proche avec la nature, et leurs jardins témoignent de ce profond attachement. Chacun d'eux, qu'il soit dédié à la contemplation ou à la promenade, est le résultat d'un travail de conception élaboré tant d'un point de vue architectural que symbolique. Les premiers écrits japonais sur le thème remontent au XIe(...)
Trois pierres cinq fleurs : petit traité du jardin japonais
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Depuis des siècles, les Japonais entretiennent une relation très proche avec la nature, et leurs jardins témoignent de ce profond attachement. Chacun d'eux, qu'il soit dédié à la contemplation ou à la promenade, est le résultat d'un travail de conception élaboré tant d'un point de vue architectural que symbolique. Les premiers écrits japonais sur le thème remontent au XIe siècle. Le texte fondateur présenté ici date de 1395, époque fortement marquée par le développement du bouddhisme zen; c'est la première fois qu'il est traduit en français. Dans ce recueil de traditions secrètes, on apprend l'art de poser les pierres, celui de construire «l'île du souffle d'en haut» et d'atteindre ainsi «deux bonheurs et trois biens».... Poèmes de grands auteurs japonais et calligraphies de Keiko Yokoyama viennent délicatement émailler cet étrange traité où la science du jardin mêle souvent recherche esthétique et préoccupations philosophiques.
Landscape Theory
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Today's urban riverfronts are changing. The decline of river commerce and riverside industry has made riverfront land once used for warehouses, factories, and loading docks available for open space, parks, housing, and nonindustrial uses. Urban rivers, which once functioned as open sewers for cities, are now seen as part of larger watershed ecosystems. Rivertown examines(...)
Rivertown : Rethinking urban rivers
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Today's urban riverfronts are changing. The decline of river commerce and riverside industry has made riverfront land once used for warehouses, factories, and loading docks available for open space, parks, housing, and nonindustrial uses. Urban rivers, which once functioned as open sewers for cities, are now seen as part of larger watershed ecosystems. Rivertown examines urban river restoration efforts across the United States, presenting case studies from Los Angeles; Washington, D.C.; Portland, Oregon; Chicago; Salt Lake City; and San Jose. It also analyzes the roles of the federal government (in particular, the U.S. Army Corps of Engineers) and citizen activism in urban river politics. A postscript places New Orleans's experience with Hurricane Katrina in the broader context of the national riverside land-use debate. Each case study in Rivertown considers the critical questions of who makes decisions about our urban rivers, who pays to implement these decisions, and who ultimately benefits or suffers from these decisions. In Los Angeles, for example, local nonprofit and academic research groups played crucial roles, whereas Chicago relied on a series of engineering interventions. In each case, authors evaluate the ecological issues and consider urban river restoration projects in relation to other urban economic and environmental initiatives in the region. Rivertown is a valuable resource for urban planners and citizen groups as well as for scholars.
Landscape Theory