Les carnets du paysage n.33
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Aujourd'hui la gestion des ressources naturelles, la propriété privée et l'usage collectif des biens, la construction et l'entretien du cadre de vie ou les formes alternatives d'organisation de la vie collective sont devenus des questions centrales dans le débat public. Ces questions concernent également le paysage. Les paysages font-ils partie des biens communs ? Et en(...)
Les carnets du paysage n.33
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Aujourd'hui la gestion des ressources naturelles, la propriété privée et l'usage collectif des biens, la construction et l'entretien du cadre de vie ou les formes alternatives d'organisation de la vie collective sont devenus des questions centrales dans le débat public. Ces questions concernent également le paysage. Les paysages font-ils partie des biens communs ? Et en quoi peut-on considérer que les paysages jouent un rôle dans la fabrication collective du commun ? Telles sont les questions que Les Carnets du paysage ont décidé d'explorer dans ce numéro, dont l'ambition est à la fois de décrire des expériences de construction collective de communs, de clarifier les termes des discussions actuelles sur le commun, et de témoigner de plusieurs initiatives où les paysagistes ont été impliqués. Les enjeux sont considérables : notre hypothèse est que le paysage non seulement relève des biens communs, mais qu'il constitue en outre un élément décisif dans la reformulation d'une écologie politique.
Landscape Theory
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A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With "Overgrown", Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn,(...)
Overgrown: practices between landscape architecture and gardening
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A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With "Overgrown", Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson.
Landscape Theory
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For thousands of years they have given people of the northern forests and beyond raw materials in the form of leaves, twigs, branches and bark, as well as wood and sap, not simply to survive but to flourish and express their identity in practical and spiritual ways. Tough, waterproof and flexible, birch bark has been used for everything from basketry and clothing to(...)
Birch
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For thousands of years they have given people of the northern forests and beyond raw materials in the form of leaves, twigs, branches and bark, as well as wood and sap, not simply to survive but to flourish and express their identity in practical and spiritual ways. Tough, waterproof and flexible, birch bark has been used for everything from basketry and clothing to housing and transport, musical instruments and medicines, as well as a means to communicate and record sacred beliefs: some of our most ancient Buddhist texts and other historic documents are written on birch bark. Birches have not only shaped regional cultures – creating, for example, the Native American wigwam and the birch bark canoe – but continue to supply raw materials of global economic importance today. "Birch" explores the multiple uses of these versatile trees as well as the ancient beliefs and folklore with which they are associated.
Landscape Theory
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius,(...)
Monsters under glass: a cultural history of hothouse flowers from 1850 to the present
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe—including Charles Baudelaire and Oscar Wilde—transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass.
Landscape Theory
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The smell of fresh-cut grass and the look of a well-kept lawn evoke strong feelings in many of us, but this book is the story of two men who took that feeling and made it into an obsession with the lawn mower. Edwin Beard Budding (1796–1846) invented the lawnmower; Clive Gravett, the author, has built both a museum and charity dedicated to Budding, and he has assembled a(...)
Two men went to mow: the obsession, impact and history of lawn mowing
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The smell of fresh-cut grass and the look of a well-kept lawn evoke strong feelings in many of us, but this book is the story of two men who took that feeling and made it into an obsession with the lawn mower. Edwin Beard Budding (1796–1846) invented the lawnmower; Clive Gravett, the author, has built both a museum and charity dedicated to Budding, and he has assembled a vast collection of mowers spanning a century and a half. "Two Men Went to Mow" tells the full story of this world-changing piece of machinery. From its use in family yards, to its impact on the turf-based sports so many of us watch and love, Gravett takes us on an extraordinary and informative journey, showing how the mower developed, linking its rise to other trends in social history, and exploring the mowing habits of many famous and even infamous people.
Landscape Theory
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Pour Jean Mus comme pour Jean-Michel Wilmotte, c'est un élan vers le Beau qui a déterminé leur travail et leur vie. Mais chacun semble aborder cet objectif d'un point de vue diamétralement opposé : l'intellect et la rationalité pour l'un, la sensualité et l'émotionnel pour l'autre. À l'esprit cartésien ou « apollinien » de Wilmotte, faut-il opposer l'esprit instinctif, «(...)
Landscape Theory
December 2018
Minéral / Végétal : deux visions du jardin
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Pour Jean Mus comme pour Jean-Michel Wilmotte, c'est un élan vers le Beau qui a déterminé leur travail et leur vie. Mais chacun semble aborder cet objectif d'un point de vue diamétralement opposé : l'intellect et la rationalité pour l'un, la sensualité et l'émotionnel pour l'autre. À l'esprit cartésien ou « apollinien » de Wilmotte, faut-il opposer l'esprit instinctif, « dionysiaque » de Mus ? La ligne pour l'un, la courbe pour l'autre ; le minéral pour l'architecte, le végétal pour le paysagiste ? À travers un dialogue fécond entre ces deux grands créateurs, recueilli par Dane McDowell, le lecteur comprendra en quoi ces deux points de vue antinomiques fondent leur processus créatif respectif, comment ils s'expriment dans leur travail, s'opposent, se confrontent et, au final, se rejoignent souvent.
Landscape Theory
La nécéssité du paysage
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Une des questions majeures que rencontre aujourd’hui l’humanité, en tant qu’espèce et en tant que société, est celle qui concerne la condition écologique de son existence. Elle est en crise et connaît de profonds et vastes bouleversements qui se traduisent dans les paysages et leurs dégradations, qui en sont comme le reflet et le dépôt. Ce livre et la collection qu’il(...)
La nécéssité du paysage
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Une des questions majeures que rencontre aujourd’hui l’humanité, en tant qu’espèce et en tant que société, est celle qui concerne la condition écologique de son existence. Elle est en crise et connaît de profonds et vastes bouleversements qui se traduisent dans les paysages et leurs dégradations, qui en sont comme le reflet et le dépôt. Ce livre et la collection qu’il introduit voudraient orienter l’attention vers le paysage considéré non comme une conséquence mais plutôt comme une condition de départ de l’existence humaine. S’il y a une nécessité du paysage, c’est avant tout parce qu’il est une donnée constitutive et incontournable de l’existence humaine, individuelle et sociale.
Landscape Theory
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« Je ne me serais pas intéressé au blanc s’il n’apparaissait constamment comme une anomalie du paysage, tantôt le valorisant, tantôt le dégradant. "Dans la nature, le blanc n’existe pas". Assertion frappante. Je la tiens de Bernard Lassus, alors enseignant en art plastique à l’École du paysage de Versailles. D’une manière ou d’une autre, les composantes inertes du paysage(...)
Le blanc
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« Je ne me serais pas intéressé au blanc s’il n’apparaissait constamment comme une anomalie du paysage, tantôt le valorisant, tantôt le dégradant. "Dans la nature, le blanc n’existe pas". Assertion frappante. Je la tiens de Bernard Lassus, alors enseignant en art plastique à l’École du paysage de Versailles. D’une manière ou d’une autre, les composantes inertes du paysage se trouvent liées au vivant en tant que système mais il arrive qu’on les perçoive pour elles-mêmes sans identifier les êtres auxquels elles se trouvent associées : une plage de sable blanc, une cime enneigée, une falaise de craie. Le blanc intervient alors de façon massive, occupant tout le regard et, même s’il s’agit d’un phénomène temporaire – le ciel, l’écume, la neige – il peut identifier un territoire durablement. » G. C.
Landscape Theory
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From capsicum, peppermint, licorice, and tea tree to the toothache plant and queen’s delight, this Kew Pocketbook is an exploration of some of the most important and commonly used medicinal plants, showcased through forty stunning paintings from the Kew archives. As the vital source behind a vast and varied array of contemporary drugs, these plants have been utilized with(...)
Kew pocketbooks: Medicinal plants
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From capsicum, peppermint, licorice, and tea tree to the toothache plant and queen’s delight, this Kew Pocketbook is an exploration of some of the most important and commonly used medicinal plants, showcased through forty stunning paintings from the Kew archives. As the vital source behind a vast and varied array of contemporary drugs, these plants have been utilized with life-restoring rewards across the world. The Library and Archives at Kew is one of the most extensive botanical libraries in the world, with the oldest item dating back to the 1370s. In this pocketbook series from Kew, each book presents forty botanical paintings from the collections, illustrating the variety within each group, as well as the diversity of the collection and artistic styles. An introductory chapter by a Kew expert provides an overview of this plant group, and extended captions accompany each painting.
Landscape Theory
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The book discusses the ways in which the project can critically contribute to an affirmative biopolitical action of substantial emancipation; it considers space an essential agent, and not only a collective capital, or a support, for adapting our lives to the recent profoundly changed conditions. In all the new research on the future of urban space, the renewed interest(...)
Biopolitical garden: Spaces, lives, transition
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The book discusses the ways in which the project can critically contribute to an affirmative biopolitical action of substantial emancipation; it considers space an essential agent, and not only a collective capital, or a support, for adapting our lives to the recent profoundly changed conditions. In all the new research on the future of urban space, the renewed interest in life, tragically affected by health, ecological and socio-political crises, raises a crucial theoretical and projective question: what role can space play in maintaining and promoting life in the broader sense of bíos? This book is based on the conviction that there is an urgent need to revisit the Foucauldian notion of biopolitics - free, however, from the privilege given to the goal of control - to rethink the project of the city and territory in transition in an affirmative and emancipatory way.
Landscape Theory