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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know,(...)
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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know,(...)
Title:
The World is a Carpet: Four seasons in an afghan village
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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban.
The World is a Carpet: Four seasons in an afghan village
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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban.
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books
books
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November 2014
November 2014
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Literature and poetry
Literature and poetry
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books
books
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En voulant devenir maman, la journaliste Véronique Leduc ne se doutait pas qu’au cours des cinq années qui suivraient s’enchaîneraient les injections, les médicaments, les inséminations et les fécondations in vitro, mais aussi les maladresses de son entourage, l’incompréhension de ses proches, la culpabilité, l’épuisement, les idées sombres, le violent sentiment(...)
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En voulant devenir maman, la journaliste Véronique Leduc ne se doutait pas qu’au cours des cinq années qui suivraient s’enchaîneraient les injections, les médicaments, les inséminations et les fécondations in vitro, mais aussi les maladresses de son entourage, l’incompréhension de ses proches, la culpabilité, l’épuisement, les idées sombres, le violent sentiment(...)
Title:
Infertilité : traverser la tempête
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En voulant devenir maman, la journaliste Véronique Leduc ne se doutait pas qu’au cours des cinq années qui suivraient s’enchaîneraient les injections, les médicaments, les inséminations et les fécondations in vitro, mais aussi les maladresses de son entourage, l’incompréhension de ses proches, la culpabilité, l’épuisement, les idées sombres, le violent sentiment d’injustice, les espoirs immenses suivis de déceptions terribles, les nombreux deuils. Elle dresse ici son récit, qu’elle entrecoupe d’entrevues, de témoignages et de réflexions. En résulte un bricolage à la fois intime, authentique et informatif sur l’infertilité, une réalité encore trop taboue qui affecte pourtant un couple canadien sur six.
Infertilité : traverser la tempête
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En voulant devenir maman, la journaliste Véronique Leduc ne se doutait pas qu’au cours des cinq années qui suivraient s’enchaîneraient les injections, les médicaments, les inséminations et les fécondations in vitro, mais aussi les maladresses de son entourage, l’incompréhension de ses proches, la culpabilité, l’épuisement, les idées sombres, le violent sentiment d’injustice, les espoirs immenses suivis de déceptions terribles, les nombreux deuils. Elle dresse ici son récit, qu’elle entrecoupe d’entrevues, de témoignages et de réflexions. En résulte un bricolage à la fois intime, authentique et informatif sur l’infertilité, une réalité encore trop taboue qui affecte pourtant un couple canadien sur six.
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books
books
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September 2021
September 2021
Subject:
Literature and poetry
Literature and poetry
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books
books
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When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends —(...)
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When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends —(...)
Title:
The break
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When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends — tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed. A powerful intergenerational family saga, ''The Break'' showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.
The break
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When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends — tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed. A powerful intergenerational family saga, ''The Break'' showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.
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books
books
Publication:
October 2016
October 2016
Subject:
Literature and poetry
Literature and poetry
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books
books
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Nauetakuan?: mot innu qui nous annonce qu’un son, au loin, vient à nous. Comment l’entendre, si tout, dehors comme dedans, vibre, bourdonne, crie? Il faut, oui, faire silence. Perdue dans la ville, Monica cherche sa liberté en même temps que ses liens. Ses études en histoire de l’art ne lui inspirent plus rien, le sens la fuit et le vide menace de l’envahir pour de(...)
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Nauetakuan?: mot innu qui nous annonce qu’un son, au loin, vient à nous. Comment l’entendre, si tout, dehors comme dedans, vibre, bourdonne, crie? Il faut, oui, faire silence. Perdue dans la ville, Monica cherche sa liberté en même temps que ses liens. Ses études en histoire de l’art ne lui inspirent plus rien, le sens la fuit et le vide menace de l’envahir pour de(...)
Title:
Nauetakuan : un silence pour un bruit
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Nauetakuan?: mot innu qui nous annonce qu’un son, au loin, vient à nous. Comment l’entendre, si tout, dehors comme dedans, vibre, bourdonne, crie? Il faut, oui, faire silence. Perdue dans la ville, Monica cherche sa liberté en même temps que ses liens. Ses études en histoire de l’art ne lui inspirent plus rien, le sens la fuit et le vide menace de l’envahir pour de bon, fragilisant l’armure qu’elle se confectionne chaque jour.
Nauetakuan : un silence pour un bruit
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Nauetakuan?: mot innu qui nous annonce qu’un son, au loin, vient à nous. Comment l’entendre, si tout, dehors comme dedans, vibre, bourdonne, crie? Il faut, oui, faire silence. Perdue dans la ville, Monica cherche sa liberté en même temps que ses liens. Ses études en histoire de l’art ne lui inspirent plus rien, le sens la fuit et le vide menace de l’envahir pour de bon, fragilisant l’armure qu’elle se confectionne chaque jour.
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books
books
Publication:
November 2021
November 2021
Subject:
Literature and poetry
Literature and poetry
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books
books
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Les notes retranscrites dans ce manuel visaient la réalisation d'un livre, imaginé pendant l'hiver 2003-2004, tandis que Pierre Leguillon était résident à la Villa Médicis, l'Académie de France à Rome. Pendant quelques semaines, il est resté cloîtré chez lui, vivant de manière totalement décalée, dans l'espoir de trouver la forme que prendrait son livre. Ce livre tentait(...)
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Les notes retranscrites dans ce manuel visaient la réalisation d'un livre, imaginé pendant l'hiver 2003-2004, tandis que Pierre Leguillon était résident à la Villa Médicis, l'Académie de France à Rome. Pendant quelques semaines, il est resté cloîtré chez lui, vivant de manière totalement décalée, dans l'espoir de trouver la forme que prendrait son livre. Ce livre tentait(...)
Title:
La légende punaisée dans le ciel : manuel pour un livre
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Les notes retranscrites dans ce manuel visaient la réalisation d'un livre, imaginé pendant l'hiver 2003-2004, tandis que Pierre Leguillon était résident à la Villa Médicis, l'Académie de France à Rome. Pendant quelques semaines, il est resté cloîtré chez lui, vivant de manière totalement décalée, dans l'espoir de trouver la forme que prendrait son livre. Ce livre tentait d'adapter à l'espace de la page une projection de diapositives sonorisée, un format que l'artiste utilisait exclusivement depuis une dizaine d'années. Les formules, au ton péremptoire et au caractère définitif, étaient presque toujours rédigées au feutre et en capitales, très tard dans la nuit ou au réveil, tardif. Ce livre n'a toujours pas vu le jour, mais égalera-t-il jamais l'entité que forment ces idées contradictoires ? Car ce fatras, remanié dans ces pages pour pouvoir être partagé, dessine en creux une forme idéale, convoitée par beaucoup d'autres avant lui.
La légende punaisée dans le ciel : manuel pour un livre
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Les notes retranscrites dans ce manuel visaient la réalisation d'un livre, imaginé pendant l'hiver 2003-2004, tandis que Pierre Leguillon était résident à la Villa Médicis, l'Académie de France à Rome. Pendant quelques semaines, il est resté cloîtré chez lui, vivant de manière totalement décalée, dans l'espoir de trouver la forme que prendrait son livre. Ce livre tentait d'adapter à l'espace de la page une projection de diapositives sonorisée, un format que l'artiste utilisait exclusivement depuis une dizaine d'années. Les formules, au ton péremptoire et au caractère définitif, étaient presque toujours rédigées au feutre et en capitales, très tard dans la nuit ou au réveil, tardif. Ce livre n'a toujours pas vu le jour, mais égalera-t-il jamais l'entité que forment ces idées contradictoires ? Car ce fatras, remanié dans ces pages pour pouvoir être partagé, dessine en creux une forme idéale, convoitée par beaucoup d'autres avant lui.
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books
books
Publication:
January 2022
January 2022
Subject:
Literature and poetry
Literature and poetry
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books
books
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$67.95
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Upon his death, Stéphane Mallarmé (1842–98) left hundreds of notes on an unrealized great work he called ''The Book.'' Housed in a clear Plexiglas box, this card-deck conception of his project draws from that material, and from other writings alluding to its possible forms, including a letter in which he describes ''a book that is architectural... The orphic explanation(...)
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Summary:
Upon his death, Stéphane Mallarmé (1842–98) left hundreds of notes on an unrealized great work he called ''The Book.'' Housed in a clear Plexiglas box, this card-deck conception of his project draws from that material, and from other writings alluding to its possible forms, including a letter in which he describes ''a book that is architectural... The orphic explanation(...)
Title:
The glorious lie/The gloy of the lie : A poetry card game inspired by Stéphane Mallarmé's ''The Book''
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Upon his death, Stéphane Mallarmé (1842–98) left hundreds of notes on an unrealized great work he called ''The Book.'' Housed in a clear Plexiglas box, this card-deck conception of his project draws from that material, and from other writings alluding to its possible forms, including a letter in which he describes ''a book that is architectural... The orphic explanation of the Earth, which is the sole duty of the poet, and the literary game par excellence.'' The title of this game derives from another letter in which Mallarmé writes, ''perhaps the title of my volume of lyric poetry will be 'The Glory of the Lie, or The Glorious Lie.' ” Each deck contains 48 cards: three with artwork on each side, and 45 with words or phrases on each side. The size of the cards, their gold edging and the physical housing of the decks in the box reflect descriptions and clues in Mallarmé’s notes. The manner of playing the game is left open, but quotes and diagrams by Mallarmé in the accompanying 20-page booklet point to the idea of pulling cards from each of the four decks and laying them out for one reading, then flipping the cards over for a second reading. The image cards function like the Arcana of Tarot, providing a visual language equal to the word cards. The readings might be used to create poetry or, like Tarot, to divine or illuminate.
The glorious lie/The gloy of the lie : A poetry card game inspired by Stéphane Mallarmé's ''The Book''
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$67.95
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Summary:
Upon his death, Stéphane Mallarmé (1842–98) left hundreds of notes on an unrealized great work he called ''The Book.'' Housed in a clear Plexiglas box, this card-deck conception of his project draws from that material, and from other writings alluding to its possible forms, including a letter in which he describes ''a book that is architectural... The orphic explanation of the Earth, which is the sole duty of the poet, and the literary game par excellence.'' The title of this game derives from another letter in which Mallarmé writes, ''perhaps the title of my volume of lyric poetry will be 'The Glory of the Lie, or The Glorious Lie.' ” Each deck contains 48 cards: three with artwork on each side, and 45 with words or phrases on each side. The size of the cards, their gold edging and the physical housing of the decks in the box reflect descriptions and clues in Mallarmé’s notes. The manner of playing the game is left open, but quotes and diagrams by Mallarmé in the accompanying 20-page booklet point to the idea of pulling cards from each of the four decks and laying them out for one reading, then flipping the cards over for a second reading. The image cards function like the Arcana of Tarot, providing a visual language equal to the word cards. The readings might be used to create poetry or, like Tarot, to divine or illuminate.
Form:
books
books
Publication:
July 2022
July 2022
Subject:
Literature and poetry
Literature and poetry
Form:
books
books
Title:
Grosse fugue 3
Grosse fugue 3
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Troisième compilation de poésie bilingue des Éditions Grosse Fugue regroupant six auteur.e.s émergent.e.s de Montréal et d'ailleurs. Factrices, performeuses, musiciennes, voyageurs, violonistes, biochimistes et acteurs; tous et toutes pêchés au hasard des rencontres, des disciplines qui se mêlent, des mondes qui s'inspirent, pour cohabiter dans un petit recueil unique,(...)
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Troisième compilation de poésie bilingue des Éditions Grosse Fugue regroupant six auteur.e.s émergent.e.s de Montréal et d'ailleurs. Factrices, performeuses, musiciennes, voyageurs, violonistes, biochimistes et acteurs; tous et toutes pêchés au hasard des rencontres, des disciplines qui se mêlent, des mondes qui s'inspirent, pour cohabiter dans un petit recueil unique,(...)
Publication:
February 2020
February 2020
Title:
Grosse fugue 3
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Troisième compilation de poésie bilingue des Éditions Grosse Fugue regroupant six auteur.e.s émergent.e.s de Montréal et d'ailleurs. Factrices, performeuses, musiciennes, voyageurs, violonistes, biochimistes et acteurs; tous et toutes pêchés au hasard des rencontres, des disciplines qui se mêlent, des mondes qui s'inspirent, pour cohabiter dans un petit recueil unique, comme des stalactites lumineux dans une grotte ouverte au soleil. Les poètes/poets: Isabelle Vanasse, Marie Ségolène Brault, Bara Hladik, Rudi Loup Duperré, Quashawn Chadwick, Xavier Neszvecsko. Il a été tiré cent-vingt exemplaires de cette édition. Les couvertures ont été imprimées à la main par les éditeurs sur papier St-Armand avec des techniques de gravure sur bois et de sérigraphie. Chaque livre inclut dans ses pages quatre illustrations sérigraphiées à la main par l'artiste, Guillaume Bégin. Couverture: Enora Sanschagrin et Guillaume Bégin
Grosse fugue 3
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Troisième compilation de poésie bilingue des Éditions Grosse Fugue regroupant six auteur.e.s émergent.e.s de Montréal et d'ailleurs. Factrices, performeuses, musiciennes, voyageurs, violonistes, biochimistes et acteurs; tous et toutes pêchés au hasard des rencontres, des disciplines qui se mêlent, des mondes qui s'inspirent, pour cohabiter dans un petit recueil unique, comme des stalactites lumineux dans une grotte ouverte au soleil. Les poètes/poets: Isabelle Vanasse, Marie Ségolène Brault, Bara Hladik, Rudi Loup Duperré, Quashawn Chadwick, Xavier Neszvecsko. Il a été tiré cent-vingt exemplaires de cette édition. Les couvertures ont été imprimées à la main par les éditeurs sur papier St-Armand avec des techniques de gravure sur bois et de sérigraphie. Chaque livre inclut dans ses pages quatre illustrations sérigraphiées à la main par l'artiste, Guillaume Bégin. Couverture: Enora Sanschagrin et Guillaume Bégin
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books
books
Publication:
February 2020
February 2020
Form:
books
books
Title:
Yellow berries
Yellow berries
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Poetry by Marie Ségolène
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Poetry by Marie Ségolène
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books
books
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February 2021
February 2021
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books
books
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Through charm, drive, and diligent effort Octave Mouret has become the director of one of the finest new department stores in Paris, '' Au Bonheur des Dames''. Supremely aware of the power of his position, Mouret seeks to exploit the desire that his luxuriantly displayed merchandise arouses in the ladies who shop, and the aspirations of the young female assistants he(...)
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Through charm, drive, and diligent effort Octave Mouret has become the director of one of the finest new department stores in Paris, '' Au Bonheur des Dames''. Supremely aware of the power of his position, Mouret seeks to exploit the desire that his luxuriantly displayed merchandise arouses in the ladies who shop, and the aspirations of the young female assistants he(...)
Title:
Au bonheur des dames (The ladies delight)
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Through charm, drive, and diligent effort Octave Mouret has become the director of one of the finest new department stores in Paris, '' Au Bonheur des Dames''. Supremely aware of the power of his position, Mouret seeks to exploit the desire that his luxuriantly displayed merchandise arouses in the ladies who shop, and the aspirations of the young female assistants he employs. Charting the beginnings of the capitalist economy and bourgeois society, Zola captures in lavish detail the greedy customers and gossiping staff, and the obsession with image, fashion, and gratification that was a phenomenon of nineteenth-century French consumer society. Of all Zola's novels, this may be the one with the most relevance for our own time.
Au bonheur des dames (The ladies delight)
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Through charm, drive, and diligent effort Octave Mouret has become the director of one of the finest new department stores in Paris, '' Au Bonheur des Dames''. Supremely aware of the power of his position, Mouret seeks to exploit the desire that his luxuriantly displayed merchandise arouses in the ladies who shop, and the aspirations of the young female assistants he employs. Charting the beginnings of the capitalist economy and bourgeois society, Zola captures in lavish detail the greedy customers and gossiping staff, and the obsession with image, fashion, and gratification that was a phenomenon of nineteenth-century French consumer society. Of all Zola's novels, this may be the one with the most relevance for our own time.
Form:
books
books
Publication:
April 2002
April 2002
Subject:
Literature and poetry
Literature and poetry
Form:
books
books
Title:
Kingdom come
Kingdom come
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A gunman opens fire in a shopping mall. Not a terrorist, apparently, but a madman with a rifle. Or not, as he is mysteriously (and quickly) set free without charge. One of the victims is the father of Richard Pearson, unemployed advertising executive and life-long rebel. Now he is driving out to Brooklands, the apparently peaceful town on the M25 which has at its heart(...)
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Summary:
A gunman opens fire in a shopping mall. Not a terrorist, apparently, but a madman with a rifle. Or not, as he is mysteriously (and quickly) set free without charge. One of the victims is the father of Richard Pearson, unemployed advertising executive and life-long rebel. Now he is driving out to Brooklands, the apparently peaceful town on the M25 which has at its heart(...)
Title:
Kingdom come
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$17.99
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Summary:
A gunman opens fire in a shopping mall. Not a terrorist, apparently, but a madman with a rifle. Or not, as he is mysteriously (and quickly) set free without charge. One of the victims is the father of Richard Pearson, unemployed advertising executive and life-long rebel. Now he is driving out to Brooklands, the apparently peaceful town on the M25 which has at its heart the shining shoppers’ paradise where the shooting happened – the Metro-Centre. Richard, determined to unravel the mystery, starts to believe that something deeply sinister lurks behind the pristine facades of the labyrinthine mall, its 24-hour cable TV and sports club. In this, his final novel, Ballard holds up a mirror to Middle England, reflecting an unsettling image of suburbia and revealing the darker forces at work beneath the gloss of consumerism and flag-waving patriotism.
Kingdom come
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$17.99
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Summary:
A gunman opens fire in a shopping mall. Not a terrorist, apparently, but a madman with a rifle. Or not, as he is mysteriously (and quickly) set free without charge. One of the victims is the father of Richard Pearson, unemployed advertising executive and life-long rebel. Now he is driving out to Brooklands, the apparently peaceful town on the M25 which has at its heart the shining shoppers’ paradise where the shooting happened – the Metro-Centre. Richard, determined to unravel the mystery, starts to believe that something deeply sinister lurks behind the pristine facades of the labyrinthine mall, its 24-hour cable TV and sports club. In this, his final novel, Ballard holds up a mirror to Middle England, reflecting an unsettling image of suburbia and revealing the darker forces at work beneath the gloss of consumerism and flag-waving patriotism.
Form:
books
books
Publication:
April 2017
April 2017
Subject:
Literature and poetry
Literature and poetry
