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The preservation of a historically significant building sometimes clashes with the need to change its use. This issue explores a particular architectural solution, one that preserves the existing structure while extending it within the vertical. The resulting hybrid offers an intriguing interface between old and new, as seen in Herzog & de Meuron’s recently opened(...)
C3 388 : When time jumps through the roof
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The preservation of a historically significant building sometimes clashes with the need to change its use. This issue explores a particular architectural solution, one that preserves the existing structure while extending it within the vertical. The resulting hybrid offers an intriguing interface between old and new, as seen in Herzog & de Meuron’s recently opened Elbphilharmonie, Zaha Hadid’s Port House in Antwerp, and Matrera Castle by Carquero Arquitectura. Also in this issue, special features on pavilion morphology and the shipping container typology, plus the new urban landmarks Malmö Live by Schmidt Hammer Lassen and Rotterdam’s Timmerhuis by OMA.
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The projects featured in this issue are presented under three themes: “The habitable wall”, “Cities of the dead”, and “Down to earth”. The first considers two new linear projects in Italy – Herzong & de Meuron’s Feltrinelli Porta Volta in Milan and City of Sun by Labics in Rome – both of which interject a modern palisade along the edge of well-defined urban district. The(...)
C3 389 : The habitable wall, cities of the dead, down to earth
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The projects featured in this issue are presented under three themes: “The habitable wall”, “Cities of the dead”, and “Down to earth”. The first considers two new linear projects in Italy – Herzong & de Meuron’s Feltrinelli Porta Volta in Milan and City of Sun by Labics in Rome – both of which interject a modern palisade along the edge of well-defined urban district. The second theme looks at the fascinating challenge of building for the dead through four new projects in Taiwan, Korea, Japan, and the Netherlands. The final section takes rammed earth as its subject, highlighting five architects who show that this ancient material can still be used to produce exciting modern architecture.
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c3 special: public space reconfigure
C3 Special : public space reconfigure
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c3 special: public space reconfigure
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GA Document Internation 2017, issue 142 available
GA Document 142 : International 2017
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GA Document Internation 2017, issue 142 available
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From his first buildings completed in Houston, Texas, in the 1980s and ’90s, which earned him international recognition, Carlos Jiménez’s architecture has evolved to address different scales and programmes. Yet at the same time his vision has maintained an attention to context, interest in typological research, and a pursuit of total complicity with the client. Covering(...)
AV Monographs 196: Carlos Jimenez 30 Years, 30 Works
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From his first buildings completed in Houston, Texas, in the 1980s and ’90s, which earned him international recognition, Carlos Jiménez’s architecture has evolved to address different scales and programmes. Yet at the same time his vision has maintained an attention to context, interest in typological research, and a pursuit of total complicity with the client. Covering three decades of work, this monograph is illustrated with the architect’s sketches and photographs by Paul Hester. Starting from the Carlos Jiménez Studio, an ongoing project begun in 1983 and also the architect’s professional studio, all of the featured projects are in the United States, with many in Houston.
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issue 106 available
Texte zur Kunst 106: The new left
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issue 106 available
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This instalment focuses on three Austrian practices which together symbolise an architecture that, at its essence, remains mindful to the surrounding context. Featuring works on different scales offering solutions to various functions and programmes, the projects represent a common ability to bring together local materials, traditional practices, and contemporary forms.(...)
A.mag 11: Bechter Zaffignani/ Innauer Matt/ Bernardo Bauer
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This instalment focuses on three Austrian practices which together symbolise an architecture that, at its essence, remains mindful to the surrounding context. Featuring works on different scales offering solutions to various functions and programmes, the projects represent a common ability to bring together local materials, traditional practices, and contemporary forms. Most examples are of smaller dimensions, with many being individual residences, and a number have been produced on tight budgets and with restrictive sites or regulations. Through careful materialisation and expression, each of these offices aptly demonstrates the strengths of Austrian architecture today.
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Scapegoat 10: Night
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Issue 10 of Scapegoat journal.
Scapegoat 10: Night
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Issue 10 of Scapegoat journal.
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Inventario 12
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The investigation on ways of creating and the culture of the project continues in the new, twelfth, edition of INVENTARIO. As underlined by the subtitle “Everything is a Project”, the usually disconnected disciplines of architecture, design and art, together with life itself, find themselves in dialogue with each other.
Inventario 12
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The investigation on ways of creating and the culture of the project continues in the new, twelfth, edition of INVENTARIO. As underlined by the subtitle “Everything is a Project”, the usually disconnected disciplines of architecture, design and art, together with life itself, find themselves in dialogue with each other.
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Étapes 238
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Comment les jeunes créatifs réinventent les métiers du design ? Des petits studios de design graphique aux salariés des agences de communication en passant par les start-up, ce numéro va à la rencontre d’une génération qui n’accepte plus de se plier aux mêmes contraintes que ses aînés, qui intègre le digital mais affectionne l’artisanat, intègre les codes du marché mais(...)
Étapes 238
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Comment les jeunes créatifs réinventent les métiers du design ? Des petits studios de design graphique aux salariés des agences de communication en passant par les start-up, ce numéro va à la rencontre d’une génération qui n’accepte plus de se plier aux mêmes contraintes que ses aînés, qui intègre le digital mais affectionne l’artisanat, intègre les codes du marché mais impose sa voix. Il présente une sélection de designers parisiens et interroge l’avenir de la profession à travers la conception du travail.
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