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La revue Liberté se préoccupe de littérature, de théâtre, de cinéma, de philosophie, bref de tout ce qui relève de la réflexion et de la beauté, ce qui n'est en rien contradictoire avec le désir de s'arrimer au politique dans son sens le plus large. L'art est ainsi pour la revue une condition du politique ; un lieu de parole plutôt qu'une spécialisation. Liberté se veut(...)
Liberté 299, printemps 2013 : Que reste-t-il de la contre-culture dans le Québec inc.?
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La revue Liberté se préoccupe de littérature, de théâtre, de cinéma, de philosophie, bref de tout ce qui relève de la réflexion et de la beauté, ce qui n'est en rien contradictoire avec le désir de s'arrimer au politique dans son sens le plus large. L'art est ainsi pour la revue une condition du politique ; un lieu de parole plutôt qu'une spécialisation. Liberté se veut une véritable agora, en dehors de toute sphère d'influence, un lieu de débats aiguillonné par une urgence : la nécessité de faire acte de résistance tant au bavardage médiatique qu'au murmure marchand ambiant.
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Le second numéro du livre-revue annuel de recherche dédié aux musiques expérimentales (au croisement des approches musicales et musicologiques, esthétiques, philosophiques, politiques et socioculturelles au sens large), autour de la question de l'expérimentation en musique (dossier dirigé par Matthieu Saladin) : articles de fond, textes de réflexion, documents, recensions(...)
Tacet 2 : L'expérimentation en question
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Le second numéro du livre-revue annuel de recherche dédié aux musiques expérimentales (au croisement des approches musicales et musicologiques, esthétiques, philosophiques, politiques et socioculturelles au sens large), autour de la question de l'expérimentation en musique (dossier dirigé par Matthieu Saladin) : articles de fond, textes de réflexion, documents, recensions critiques, comptes-rendus...
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Dernier numéro en librairie. Current issue at the bookstore.
BeauxArts éditions: Marcel Breuer (1902-1981) Design & Architecture
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Dernier numéro en librairie. Current issue at the bookstore.
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Emphasising attention to ways of doing as key to innovation, this title of AD brings together historical perspectives with a range of leading provocative, emerging approaches to architectural practice that together offer fresh insight into the often vague and ubiquitous atmospheres of innovation-speak. Ultimately, this issue asks how an emphasis on vitality might offer a(...)
AD The innovation imperative: architectures of vitality
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Emphasising attention to ways of doing as key to innovation, this title of AD brings together historical perspectives with a range of leading provocative, emerging approaches to architectural practice that together offer fresh insight into the often vague and ubiquitous atmospheres of innovation-speak. Ultimately, this issue asks how an emphasis on vitality might offer a more nuanced understanding of the aesthetic value and ethical know-how intertwined within innovative architectural endeavour.
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April 2013
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Kolaj magazine, issue 4
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New issue in store! Nouveau numéro en librairie!
Kolaj magazine, issue 4
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New issue in store! Nouveau numéro en librairie!
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The Exhibitionist is a journal made by curators for curators. It is focusing solely on the practice of exhibition making and is published twice a year, following a strict editorial structure that revolves around the analysis and examination of past, present, and future exhibitions.
The exhibitionist no 7 : journal on exhibition making, Jan. 2013
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The Exhibitionist is a journal made by curators for curators. It is focusing solely on the practice of exhibition making and is published twice a year, following a strict editorial structure that revolves around the analysis and examination of past, present, and future exhibitions.
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Le Bathyscaphe 9
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Textes par / by : Tosh Berman, Romy Ashby, Byron Coley and Thurston Moore, Jean-Yves Bériou, Antoine Peuchmaurd, Valerie Webber, Maxime Catellier, Thierry Horguelin, Pierre Rothlisberger, Benoit Chaput, Geneviève Castrée, Daniel Canty, Barthélémy Schwartz, Joël Gayraud, Marci Denesiuk, Kerri Culhane, Bérengère Cournut ains que par Hélène Frédérick
Le Bathyscaphe 9
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Textes par / by : Tosh Berman, Romy Ashby, Byron Coley and Thurston Moore, Jean-Yves Bériou, Antoine Peuchmaurd, Valerie Webber, Maxime Catellier, Thierry Horguelin, Pierre Rothlisberger, Benoit Chaput, Geneviève Castrée, Daniel Canty, Barthélémy Schwartz, Joël Gayraud, Marci Denesiuk, Kerri Culhane, Bérengère Cournut ains que par Hélène Frédérick
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Prefix 27: World affairs
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New issue in store! / Nouvelle numéro à la librairie!
Prefix 27: World affairs
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New issue in store! / Nouvelle numéro à la librairie!
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San Rocco 06: Collaborations
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San Rocco proposes the possibility of reusing architectural traditions that lie outside of private memory without erasing personal contributions. In San Rocco, common does not mean dry, and personal does not mean egomaniacal. It seems to suggest the possibility of an architecture that is both open and personal, both monumental and fragile, both rational and questioning.
San Rocco 06: Collaborations
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San Rocco proposes the possibility of reusing architectural traditions that lie outside of private memory without erasing personal contributions. In San Rocco, common does not mean dry, and personal does not mean egomaniacal. It seems to suggest the possibility of an architecture that is both open and personal, both monumental and fragile, both rational and questioning.
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Scapegoat 04: currency
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Currency is structured by a fundamental contradiction between its necessary circulation and its stubborn foundation in sovereign territories. On the one hand, it is designed to represent value and facilitate its exchange in standardized, fungible units; on the other, its relative scarcity generates a strong incentive to hoard it, withdrawing and storing its value,(...)
Scapegoat 04: currency
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Currency is structured by a fundamental contradiction between its necessary circulation and its stubborn foundation in sovereign territories. On the one hand, it is designed to represent value and facilitate its exchange in standardized, fungible units; on the other, its relative scarcity generates a strong incentive to hoard it, withdrawing and storing its value, converting it into fixed assets such as property whose existence relies on the same institutions of coercion that maintain national borders. Today's globalized capitalism only exacerbates this paradox. The ascendency of finance capital in North America and Europe has created a condition where the accumulation of capital is based almost purely on speculation, and money is multiplied through its circulation. At the same time, the struggle to secure the territories and bodies that guarantee it has become ever more desperate as civilian spaces have been more and more militarized. The result has been an increasingly complex space of value, where the borders that produce its distinctions are no longer located at a nation's edges, but rather lie both within and beyond it. The diverse contributions to Scapegoat's fifth issue, Currency, investigate these contradictory tendencies within the spatiality of currency and present ways that they can be resisted. We follow a line that runs from the material to the immaterial, exploring divergent scales and topologies in the process.
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