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The latest issue is now available at the bookstore.
A+U 591 Office Kersten Geers David van Severen
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2G 80: Studio Fala Atelier
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Architectural works by Fala—a Porto-based architectural studio founded in 2013—are documented here in issue 80 of 2G. Fala’s architectural style developed in the aftermath of the economic crisis in 2008, when downtown Porto and Lisbon underwent a boom in tourism and massive redevelopment.
April 2020
2G 80: Studio Fala Atelier
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Architectural works by Fala—a Porto-based architectural studio founded in 2013—are documented here in issue 80 of 2G. Fala’s architectural style developed in the aftermath of the economic crisis in 2008, when downtown Porto and Lisbon underwent a boom in tourism and massive redevelopment.
2G 79: Studio Muoto (Paris)
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On the minimalist city structures of the award-winning Parisian Studio Muoto firm. The latest issue of 2G focuses on the work of Paris-based architectural firm Studio Muoto—meaning ''form'' in Finnish. Working in architecture, urbanism, design and scientific research, Studio Muoto creates multifunctional minimalist structures made with rough materials.
February 2020
2G 79: Studio Muoto (Paris)
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On the minimalist city structures of the award-winning Parisian Studio Muoto firm. The latest issue of 2G focuses on the work of Paris-based architectural firm Studio Muoto—meaning ''form'' in Finnish. Working in architecture, urbanism, design and scientific research, Studio Muoto creates multifunctional minimalist structures made with rough materials.
Vesper n.1: Supervenice
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This first issue of ‘Vesper’ is dedicated to the realities and unreleased imaginaries of the famous lagoon city. Venice is read as a paradigm of contemporaneity, the place where the architecture, arts, and theories have superlative dimensions: very slow, extremely long-lasting, super short, or overexposed. The journal collects projects, essays, and other views from(...)
Vesper n.1: Supervenice
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This first issue of ‘Vesper’ is dedicated to the realities and unreleased imaginaries of the famous lagoon city. Venice is read as a paradigm of contemporaneity, the place where the architecture, arts, and theories have superlative dimensions: very slow, extremely long-lasting, super short, or overexposed. The journal collects projects, essays, and other views from various directions and perspectives, whether a reflection on the city, its architecture, music and theatre, or on Venice as a literary body in itself.
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Texte Zur Kunst 116 : evil
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"EVIL," the theme of this latest issue of TEXTE ZUR KUNST is often understood as simply the opposite of “good,” and as pure immorality, evil is everywhere today, and somehow also nowhere. It is the “other” par excellence; something we ourselves never are, but by which one always measures one’s own distance. “Evil is over there, not here, not with me.” Given its ubiquity(...)
Texte Zur Kunst 116 : evil
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"EVIL," the theme of this latest issue of TEXTE ZUR KUNST is often understood as simply the opposite of “good,” and as pure immorality, evil is everywhere today, and somehow also nowhere. It is the “other” par excellence; something we ourselves never are, but by which one always measures one’s own distance. “Evil is over there, not here, not with me.” Given its ubiquity today, we offer texts that investigate what this thing we call “evil” is, as it so often functions as the polar opposite of that which people hold to be just and right. Indeed, who could argue that point, and yet. In this issue, we look specifically at evil’s manifestations in the art world, and in film, politics, and theory, always with an eye toward evil as something potentially playful and ironic.
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The topic of "Public buildings and placemaking" is the central focus of this issue, which features relevant projects such as BIG’s MÉCA Cultural Centre in Bordeaux, Studio Hollenstein’s Green Square Library and Plaza in Sydney, and the National Kaohsiung Centre for the Arts in Taiwan by Mecanoo. Also included in this issue, three projects that shape the way we live in(...)
C3 404 : public buildings and placemaking
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The topic of "Public buildings and placemaking" is the central focus of this issue, which features relevant projects such as BIG’s MÉCA Cultural Centre in Bordeaux, Studio Hollenstein’s Green Square Library and Plaza in Sydney, and the National Kaohsiung Centre for the Arts in Taiwan by Mecanoo. Also included in this issue, three projects that shape the way we live in cities, including the YCONE Residential Tower by Ateliers Jean Nouvel and La Borda Cooperative Housing by Lacol, plus new architectural additions that add more than space, like Naturalis Biodiversity Centre by Neutelings Riedijk Architects and the University of Toronto Daniels Building by NADAAA.
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The nineteenth issue of ‘F.R.DAVID’ is edited by Will Holder and Paula Abbott, and will serve as a reader for “We can still see the horizon (and it’s curved)”, a summer residency in Scotland led by the editors. It includes a surprising array of contributions from writer Jorge Luis Borges, journalist and writer Italo Calvino, composer Hugo Cole, literary critic and(...)
F.R. David spring 2020 : very good
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The nineteenth issue of ‘F.R.DAVID’ is edited by Will Holder and Paula Abbott, and will serve as a reader for “We can still see the horizon (and it’s curved)”, a summer residency in Scotland led by the editors. It includes a surprising array of contributions from writer Jorge Luis Borges, journalist and writer Italo Calvino, composer Hugo Cole, literary critic and theorist Barbara Herrnstein Smith, percussionist Milford Graves, philosopher Michel Serres, novelist and essayist Wilson Harris, poet Bernadette Mayer, composer and music theorist Harry Partch, pianist and poet Cecil Taylor, and several others.
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A decade of work by Bernardo Bader is covered in this instalment. In that time, the Austrian architect has steadily built a reputation for his modern take on regional styles. Both the exteriors and interiors of his designs are often clad in wood, with structures framed by clean lines and set in alpine terrains, radiating warmth and comfort. Bader’s outspoken perspective(...)
El Croquis 202 : Bernado Bader
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A decade of work by Bernardo Bader is covered in this instalment. In that time, the Austrian architect has steadily built a reputation for his modern take on regional styles. Both the exteriors and interiors of his designs are often clad in wood, with structures framed by clean lines and set in alpine terrains, radiating warmth and comfort. Bader’s outspoken perspective on critical regionalism in architecture has drawn international praise, and he prefers to use locally sourced timber in his work. Presented here are more than fifteen projects, many of them houses, but also kindergartens, an alpine sports centre, an Islamic cemetery, a railway station, a chapel, a hotel, and more.
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The latest issue is now available at the bookstore.
A+U 590 19:11 contemporary Sri Lanka on Geoffrey Bawa's 100th
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GA Document 153
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GA Document presents the finest in international design, focusing on architecture that expresses our time and striving to record the history of contemporary architecture. International scholars and critics provide insightful texts to further inform the reader of the most up-to-date ideas and events in the profession. Issue 153 features projects by Steven Holl, Kengo Kuma,(...)
GA Document 153
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GA Document presents the finest in international design, focusing on architecture that expresses our time and striving to record the history of contemporary architecture. International scholars and critics provide insightful texts to further inform the reader of the most up-to-date ideas and events in the profession. Issue 153 features projects by Steven Holl, Kengo Kuma, Selgascano, Smiljan Radic, Bjarke Ingels Group, and Wang Shu + Lu Wenyu / Amateur Architecture Studio.
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