AA files 72
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AA Files 72 features contributions by Davide Spina, Thomas Daniell, Itsuko Hasegawa, Mario Tedeschini-Lalli, Laurent Stalder & Moritz Gleich, Colin Rowe, Daniel Naegele, Irénée Scalbert, Peter St John, Silvia Micheli & Léa-Catherine Szacka, Paulo Berdini, Daniel Sherer, Hubert Damisch, Nicolas Kemper, Thomas Weaver, Alexander Brodsky, Emma Letizia Jones, Henrik(...)
AA files 72
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AA Files 72 features contributions by Davide Spina, Thomas Daniell, Itsuko Hasegawa, Mario Tedeschini-Lalli, Laurent Stalder & Moritz Gleich, Colin Rowe, Daniel Naegele, Irénée Scalbert, Peter St John, Silvia Micheli & Léa-Catherine Szacka, Paulo Berdini, Daniel Sherer, Hubert Damisch, Nicolas Kemper, Thomas Weaver, Alexander Brodsky, Emma Letizia Jones, Henrik Schoenefeldt and Max Moya.
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Numéro de la revue Connaissances des Arts Hors-série consacré au travail de Pierre Paulin.
Connaissance des arts, hors série n. 711: Pierre Paulin
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Numéro de la revue Connaissances des Arts Hors-série consacré au travail de Pierre Paulin.
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Pica magazine no.7 : le jeu
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Le dernier numéro de Pica sous le thème du jeu ! Cette revue est un magazine étudiant qui célèbre la vitalité de la communauté artistique de l’UQÀM et qui encourage les collaborations multidisciplinaires. Son objectif est de promouvoir le développement des talents locaux tout en établissant un contact avec l’international par le biais de sa publication annuelle. Pica est(...)
Pica magazine no.7 : le jeu
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Le dernier numéro de Pica sous le thème du jeu ! Cette revue est un magazine étudiant qui célèbre la vitalité de la communauté artistique de l’UQÀM et qui encourage les collaborations multidisciplinaires. Son objectif est de promouvoir le développement des talents locaux tout en établissant un contact avec l’international par le biais de sa publication annuelle. Pica est un terrain d’apprentissage où l’erreur est valorisée et les barrières repoussées.
2G 73: Studio Anne Holtrop
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Until recently, the Dutch architect Anne Holtrop (born 1977) had only built a few pavilions and installations. However, his work took a leap in scale with two projects finished in 2015: the Museum Fort Vechten near Utrecht and the National Pavilion of the Kingdom of Bahrain for the Milan Universal Exhibition of 2015.
October 2016
2G 73: Studio Anne Holtrop
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Until recently, the Dutch architect Anne Holtrop (born 1977) had only built a few pavilions and installations. However, his work took a leap in scale with two projects finished in 2015: the Museum Fort Vechten near Utrecht and the National Pavilion of the Kingdom of Bahrain for the Milan Universal Exhibition of 2015.
Texte zur Kunst 102: Fashion
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Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of(...)
Texte zur Kunst 102: Fashion
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Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of institutional critique) as they push back against the pressures of a hyper-accelerated fashion market. In this issue, TzK examines, also, how the industry’s current volume is a product of its late-'00s promise of online democratization; the changing function of such long-held value designations as “luxury,” “discount,” and “underground,” and the role of “real”-er bodies in a climate wherein models are preferably “nodels” or “othered” bodies, hyper-individualised to stand out in the stream.
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Issue 1/2 of 'Place-holder' set out to find out what happens AFTER SCHOOL. We explored how this time plays a role in architecture and design, from the fringes rather than in a formal setting: in the summer, after 6pm, post-graduation, when you pick up your kids from school, retirement... ISSUE 1/2 can be read both as “half”– because we are obsessed with capturing the(...)
Place-holder issue 1/2: after school
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Issue 1/2 of 'Place-holder' set out to find out what happens AFTER SCHOOL. We explored how this time plays a role in architecture and design, from the fringes rather than in a formal setting: in the summer, after 6pm, post-graduation, when you pick up your kids from school, retirement... ISSUE 1/2 can be read both as “half”– because we are obsessed with capturing the unfinished, and also as a double issue; of one and then two. The first section contains all recent interviews, essays, poetry, and photos, while the second part is largely archival, unpublished works from within the Faculty of Architecture at the University of Toronto ten years ago.
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GA Document presents the finest in international design, focusing on architecture that expresses our time and striving to record the history of contemporary architecture. International scholars and critics provide insightful texts to further inform the reader of the most up-to-date ideas and events in the profession. With projects by Christian Kerez, SANAA, Junya(...)
GA Document 137: international 2016
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GA Document presents the finest in international design, focusing on architecture that expresses our time and striving to record the history of contemporary architecture. International scholars and critics provide insightful texts to further inform the reader of the most up-to-date ideas and events in the profession. With projects by Christian Kerez, SANAA, Junya Ishigami, JKMM Architects, Juan Domingo Santos, Norman Foster, Ensamble Studio, Jean Nouvel, and others.
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Bauhaus no.7: Collective
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The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s(...)
Bauhaus no.7: Collective
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The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s architects collaborative (TAC) in the USA while looking at the options and potentials of collective design today. It sheds light on the link between the Bauhaus and the upcoming Architecture Biennale in Venice, considers why architects in Spain currently invest more in collective design practices and discusses how current cooperative societies influence the collective identity around the world. Contributors include Pelin Tan, Alejandro Aravena, Vesna Meštric, David F. Maulen, Richard Anderson, Thomas Demand, Chris Dercon, DE - 9 architects, artists and urban planners in Berlin, Estudio SIC, Spain, plus many more.
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D'a (d'architectures) 245
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D'a (d'architectures) 245
D'a (d'architectures) 245
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D'a (d'architectures) 245
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Ces Cahiers d’enquêtes politiques rassemblent sept récits d’expérimentations et sept textes écrits dans leur sillage. Il y est question d’amateurs de science-fiction et de la Renaissance, de Mai 68 et d’enquêtes ouvrières, de soin et de squat, de communautés qui s’accrochent à la vie, de jardins collectifs, de ruines d’industrie, de hack et de machines bidouillées. Autant(...)
Cahiers d'enquêtes politiques: vivre, expérimenter, raconter
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Ces Cahiers d’enquêtes politiques rassemblent sept récits d’expérimentations et sept textes écrits dans leur sillage. Il y est question d’amateurs de science-fiction et de la Renaissance, de Mai 68 et d’enquêtes ouvrières, de soin et de squat, de communautés qui s’accrochent à la vie, de jardins collectifs, de ruines d’industrie, de hack et de machines bidouillées. Autant d’enquêtes singulières qui engagent, à chaque fois, des manières de faire collectif et des manières de raconter. Ces textes invitent à circuler entre des mondes et à y glaner les moyens de transformer d’autres situations, ailleurs. Ils ne constituent donc pas un programme, plutôt une invitation au voyage.
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