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ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the(...)
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ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the(...)
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Detail 12 2016 : colour materials finishes
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ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue. There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.
Detail 12 2016 : colour materials finishes
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ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue. There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.
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journals and magazines
journals and magazines
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December 2016
December 2016
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Magazines
Magazines
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books
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In the main feature, five projects are examined that deal with the theme of modern vernacular, addressing the question of how architects today can reconcile the two seemingly disparate approaches of contemporary gestures and historic traditions into a single, cohesive design. This reinterpretation by architects of regional building practices and vernacular style in a(...)
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In the main feature, five projects are examined that deal with the theme of modern vernacular, addressing the question of how architects today can reconcile the two seemingly disparate approaches of contemporary gestures and historic traditions into a single, cohesive design. This reinterpretation by architects of regional building practices and vernacular style in a(...)
Title:
C3 385: bridging tradition and innovation
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In the main feature, five projects are examined that deal with the theme of modern vernacular, addressing the question of how architects today can reconcile the two seemingly disparate approaches of contemporary gestures and historic traditions into a single, cohesive design. This reinterpretation by architects of regional building practices and vernacular style in a modern context comes to the fore in Tadao Ando’s Bosco Studio & House, the Fan Zeng Art Gallery by Original Design Studio, and Chinmaya Mission Austin by Miro Rivera Architects, for example. Also featured, the output of new offices in India like Architecture Brio, Sameep Padora, S+PS Architects, and more.
C3 385: bridging tradition and innovation
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In the main feature, five projects are examined that deal with the theme of modern vernacular, addressing the question of how architects today can reconcile the two seemingly disparate approaches of contemporary gestures and historic traditions into a single, cohesive design. This reinterpretation by architects of regional building practices and vernacular style in a modern context comes to the fore in Tadao Ando’s Bosco Studio & House, the Fan Zeng Art Gallery by Original Design Studio, and Chinmaya Mission Austin by Miro Rivera Architects, for example. Also featured, the output of new offices in India like Architecture Brio, Sameep Padora, S+PS Architects, and more.
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books
books
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December 2016
December 2016
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Magazines
Magazines
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books
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This issue focusses on refurbishments, rehabilitations, and additions. And these need not be associated with converting the building to a new use: many interventions also improve upon existing concepts. Following the restructuring by Studio Marco Vermeulen, the museum in De Biesbosch, a nature sancturay in the Netherlands, flows seemlessly into the surrounding polder(...)
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This issue focusses on refurbishments, rehabilitations, and additions. And these need not be associated with converting the building to a new use: many interventions also improve upon existing concepts. Following the restructuring by Studio Marco Vermeulen, the museum in De Biesbosch, a nature sancturay in the Netherlands, flows seemlessly into the surrounding polder(...)
Title:
Detail 1/2 2017: refurbishment, conversion
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This issue focusses on refurbishments, rehabilitations, and additions. And these need not be associated with converting the building to a new use: many interventions also improve upon existing concepts. Following the restructuring by Studio Marco Vermeulen, the museum in De Biesbosch, a nature sancturay in the Netherlands, flows seemlessly into the surrounding polder landscape. And the historic Fondaco dei Tedeschi on the Canal Grande in Venice – which OMA has renovated for use as a high-end department store – has always been a platform for commerce. An interview with Reinier de Graaf gives a glimpse of the philosophy that lies behind the Office for Metropolitan Architecture’s refurbishment projects.
Detail 1/2 2017: refurbishment, conversion
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This issue focusses on refurbishments, rehabilitations, and additions. And these need not be associated with converting the building to a new use: many interventions also improve upon existing concepts. Following the restructuring by Studio Marco Vermeulen, the museum in De Biesbosch, a nature sancturay in the Netherlands, flows seemlessly into the surrounding polder landscape. And the historic Fondaco dei Tedeschi on the Canal Grande in Venice – which OMA has renovated for use as a high-end department store – has always been a platform for commerce. An interview with Reinier de Graaf gives a glimpse of the philosophy that lies behind the Office for Metropolitan Architecture’s refurbishment projects.
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books
books
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January 2017
January 2017
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Magazines
Magazines
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books
books
Title:
c magazine 132 : force
c magazine 132 : force
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Dernier numéro disponible en librairie. Latest issue available in the bookstore.
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Dernier numéro disponible en librairie. Latest issue available in the bookstore.
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c magazine 132 : force
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Dernier numéro disponible en librairie. Latest issue available in the bookstore.
c magazine 132 : force
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Dernier numéro disponible en librairie. Latest issue available in the bookstore.
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books
books
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January 2017
January 2017
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Magazines
Magazines
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journals and magazines
journals and magazines
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a+u issue 553, October 2016, featuring Carl-VIggo Holmebakk.
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a+u issue 553, October 2016, featuring Carl-VIggo Holmebakk.
Title:
a+u 553: Carl-Viggo Holmeback
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a+u issue 553, October 2016, featuring Carl-VIggo Holmebakk.
a+u 553: Carl-Viggo Holmeback
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a+u issue 553, October 2016, featuring Carl-VIggo Holmebakk.
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journals and magazines
journals and magazines
Publication:
October 2016
October 2016
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Magazines
Magazines
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journals and magazines
journals and magazines
Title:
Continuité 151
Continuité 151
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« Les toponymes témoignent des traits géographiques et culturels qui se rapportent aux lieux qu’ils désignent ou à leur environnement. De plus, ils informent aussi bien sur la nature, la position et l’aspect des lieux que sur le mode de vie, les desseins et l’imaginaire de ceux qui les ont créés. Le patrimoine toponymique est une boîte à souvenirs à l’échelle d’un pays »,(...)
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« Les toponymes témoignent des traits géographiques et culturels qui se rapportent aux lieux qu’ils désignent ou à leur environnement. De plus, ils informent aussi bien sur la nature, la position et l’aspect des lieux que sur le mode de vie, les desseins et l’imaginaire de ceux qui les ont créés. Le patrimoine toponymique est une boîte à souvenirs à l’échelle d’un pays »,(...)
Title:
Continuité 151
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« Les toponymes témoignent des traits géographiques et culturels qui se rapportent aux lieux qu’ils désignent ou à leur environnement. De plus, ils informent aussi bien sur la nature, la position et l’aspect des lieux que sur le mode de vie, les desseins et l’imaginaire de ceux qui les ont créés. Le patrimoine toponymique est une boîte à souvenirs à l’échelle d’un pays », écrivait Danielle Turcotte dans l’édition de 2006 du dictionnaire illustré Noms et lieux du Québec de la Commission de toponymie. Dans le dossier de son numéro d’hiver, Continuité se lance à la découverte de ce riche héritage et des enjeux qui le touchent.
Continuité 151
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« Les toponymes témoignent des traits géographiques et culturels qui se rapportent aux lieux qu’ils désignent ou à leur environnement. De plus, ils informent aussi bien sur la nature, la position et l’aspect des lieux que sur le mode de vie, les desseins et l’imaginaire de ceux qui les ont créés. Le patrimoine toponymique est une boîte à souvenirs à l’échelle d’un pays », écrivait Danielle Turcotte dans l’édition de 2006 du dictionnaire illustré Noms et lieux du Québec de la Commission de toponymie. Dans le dossier de son numéro d’hiver, Continuité se lance à la découverte de ce riche héritage et des enjeux qui le touchent.
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journals and magazines
journals and magazines
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January 2017
January 2017
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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$36.95
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Summary:
In this month’s issue of C3 the editors try to answer the philosophical question of when do spaces become places? When does an open designed space by an architect become part of a community where people meet and greet? What is needed to make it a hot spot for residences and others? Projects such as the New Port station by Grimshaw Architects, the Stockholm waterfront by(...)
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Summary:
In this month’s issue of C3 the editors try to answer the philosophical question of when do spaces become places? When does an open designed space by an architect become part of a community where people meet and greet? What is needed to make it a hot spot for residences and others? Projects such as the New Port station by Grimshaw Architects, the Stockholm waterfront by(...)
Title:
C3 Space for kids: familiarizing adventure
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In this month’s issue of C3 the editors try to answer the philosophical question of when do spaces become places? When does an open designed space by an architect become part of a community where people meet and greet? What is needed to make it a hot spot for residences and others? Projects such as the New Port station by Grimshaw Architects, the Stockholm waterfront by White Arkitektur and the footbridge of Postiguet by BG Studio are fully photographed and discussed.
C3 Space for kids: familiarizing adventure
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In this month’s issue of C3 the editors try to answer the philosophical question of when do spaces become places? When does an open designed space by an architect become part of a community where people meet and greet? What is needed to make it a hot spot for residences and others? Projects such as the New Port station by Grimshaw Architects, the Stockholm waterfront by White Arkitektur and the footbridge of Postiguet by BG Studio are fully photographed and discussed.
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journals and magazines
journals and magazines
Publication:
November 2016
November 2016
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books
books
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$21.48
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This issue of Harvard Design Magazine investigates and unpacks the contents, containers, and systems of storage that organize our world. Storage is the aggregation and containment of the material and immaterial stuff of culture; but also the safeguarding—or hoarding—of energy and tools for some imagined future purpose. How does all this stuff mask or overcompensate for(...)
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Summary:
This issue of Harvard Design Magazine investigates and unpacks the contents, containers, and systems of storage that organize our world. Storage is the aggregation and containment of the material and immaterial stuff of culture; but also the safeguarding—or hoarding—of energy and tools for some imagined future purpose. How does all this stuff mask or overcompensate for(...)
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Harvard Design magazine 43: shelf life
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This issue of Harvard Design Magazine investigates and unpacks the contents, containers, and systems of storage that organize our world. Storage is the aggregation and containment of the material and immaterial stuff of culture; but also the safeguarding—or hoarding—of energy and tools for some imagined future purpose. How does all this stuff mask or overcompensate for economic and ecological bankruptcy? Is storage about greed or need? Storage, perhaps, is everything we can live without but insist on living with. "Shelf Life" explores what’s inside the box (shed, tank, urn, vault, crypt, crate, case, pot, bag, vat, morgue, safe, bin, archive, warehouse, cabinet, cellar, cemetery, depository, locker, freezer, landfill, library). Even as we attempt to reduce and recycle, the stuff that we dispose of also needs to be stored. Where do we put it? Our planet is now a saturated receptacle. This warehouse is full, and we’re all inside it.
Harvard Design magazine 43: shelf life
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Summary:
This issue of Harvard Design Magazine investigates and unpacks the contents, containers, and systems of storage that organize our world. Storage is the aggregation and containment of the material and immaterial stuff of culture; but also the safeguarding—or hoarding—of energy and tools for some imagined future purpose. How does all this stuff mask or overcompensate for economic and ecological bankruptcy? Is storage about greed or need? Storage, perhaps, is everything we can live without but insist on living with. "Shelf Life" explores what’s inside the box (shed, tank, urn, vault, crypt, crate, case, pot, bag, vat, morgue, safe, bin, archive, warehouse, cabinet, cellar, cemetery, depository, locker, freezer, landfill, library). Even as we attempt to reduce and recycle, the stuff that we dispose of also needs to be stored. Where do we put it? Our planet is now a saturated receptacle. This warehouse is full, and we’re all inside it.
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books
books
Publication:
January 2017
January 2017
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$47.95
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Summary:
"Evoking through design" features built work and speculative projects that highlight how contemporary practices are using devices such as spatial compositing, surface articulation, novel manipulations of matter and computational code in order to constitute spatial conditions radiating in delicate and sophisticated atmospheres. The theoretical foundations of the subject(...)
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"Evoking through design" features built work and speculative projects that highlight how contemporary practices are using devices such as spatial compositing, surface articulation, novel manipulations of matter and computational code in order to constitute spatial conditions radiating in delicate and sophisticated atmospheres. The theoretical foundations of the subject(...)
Title:
AD Evoking through design: contemporary moods in architecture
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"Evoking through design" features built work and speculative projects that highlight how contemporary practices are using devices such as spatial compositing, surface articulation, novel manipulations of matter and computational code in order to constitute spatial conditions radiating in delicate and sophisticated atmospheres. The theoretical foundations of the subject are also explored through core essays on key themes: the historic lineage of the evocation of atmosphere and moods in architecture; the more recent preoccupation with speculative realism in architecture; the human body and atmosphere; and picturesque techniques.
AD Evoking through design: contemporary moods in architecture
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"Evoking through design" features built work and speculative projects that highlight how contemporary practices are using devices such as spatial compositing, surface articulation, novel manipulations of matter and computational code in order to constitute spatial conditions radiating in delicate and sophisticated atmospheres. The theoretical foundations of the subject are also explored through core essays on key themes: the historic lineage of the evocation of atmosphere and moods in architecture; the more recent preoccupation with speculative realism in architecture; the human body and atmosphere; and picturesque techniques.
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journals and magazines
journals and magazines
Publication:
February 2017
February 2017
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
A+U 556 Go Hasegawa
A+U 556 Go Hasegawa
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This edition features Japanese architect Go Hasegawa, introducing nineteen works, from his first project, House in a Forest (2006), to his most recent completed works, Yoshino Cedar House and Chapel in Guastalla. Our perception of spatial dimensions, gravity, and time has been key to Hasegawa’s approach since the outset of his career, and he challenges preconceived(...)
$53.50
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Summary:
This edition features Japanese architect Go Hasegawa, introducing nineteen works, from his first project, House in a Forest (2006), to his most recent completed works, Yoshino Cedar House and Chapel in Guastalla. Our perception of spatial dimensions, gravity, and time has been key to Hasegawa’s approach since the outset of his career, and he challenges preconceived(...)
Title:
A+U 556 Go Hasegawa
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This edition features Japanese architect Go Hasegawa, introducing nineteen works, from his first project, House in a Forest (2006), to his most recent completed works, Yoshino Cedar House and Chapel in Guastalla. Our perception of spatial dimensions, gravity, and time has been key to Hasegawa’s approach since the outset of his career, and he challenges preconceived notions involving these concepts. Through the thoughtful presentation of detailed section drawings and new photographs, the issue reveals the structural diversity and relative spatial weight of his architecture. With an essay by Hasegawa entitled “Amplitude in the Experience of Space”.
A+U 556 Go Hasegawa
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This edition features Japanese architect Go Hasegawa, introducing nineteen works, from his first project, House in a Forest (2006), to his most recent completed works, Yoshino Cedar House and Chapel in Guastalla. Our perception of spatial dimensions, gravity, and time has been key to Hasegawa’s approach since the outset of his career, and he challenges preconceived notions involving these concepts. Through the thoughtful presentation of detailed section drawings and new photographs, the issue reveals the structural diversity and relative spatial weight of his architecture. With an essay by Hasegawa entitled “Amplitude in the Experience of Space”.
Form:
journals and magazines
journals and magazines
Publication:
May 2017
May 2017
Subject:
Magazines
Magazines
