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The "New York Review of Architecture" is organizing as a cooperative of working writers, architects, and artists who review architecture in New York. The Review is print only.
NYRA 22 : New York Review of Architecture issue #22
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The "New York Review of Architecture" is organizing as a cooperative of working writers, architects, and artists who review architecture in New York. The Review is print only.
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Le nouveau numéro est maintenant disponible à la librairie.
Continuité 170 : Bienvenue aux passionnés
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Le nouveau numéro est maintenant disponible à la librairie.
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This issue showcases new urban housing projects paired with commentary their designers. Essays by Teppei Fujiwara, and Masatake Shinohara opens the publication. The Japan Architect showcases contemporary Japanese architecture with in-depth commentary on the theoretical history and context of the projects. It is organized with an emphasis on developments originating in Japan.
JA 106: Towards a new urban house. Summer 2017
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This issue showcases new urban housing projects paired with commentary their designers. Essays by Teppei Fujiwara, and Masatake Shinohara opens the publication. The Japan Architect showcases contemporary Japanese architecture with in-depth commentary on the theoretical history and context of the projects. It is organized with an emphasis on developments originating in Japan.
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Macguffin 10: The bottle
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The magazine celebrates its tenth jubilee by uncorking a miscellany of bottles that capture the zeitgeist. The menu for this festive issue includes a parade of down-market perfumes, messages squeezed into bottles, perfect Molotov cocktail recipes, celebrity fridges and their curated contents, the curious colours of centuries-old domestic bottles, the racism rife in the(...)
Macguffin 10: The bottle
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The magazine celebrates its tenth jubilee by uncorking a miscellany of bottles that capture the zeitgeist. The menu for this festive issue includes a parade of down-market perfumes, messages squeezed into bottles, perfect Molotov cocktail recipes, celebrity fridges and their curated contents, the curious colours of centuries-old domestic bottles, the racism rife in the wine business, the salvation sought at AA sessions, and the many marvels that await in the minibar. Featuring Kandace Siobhan Walker, Jacy Topps, José Quintanar, Studio Qiu Yang, AtelierNL, El Ultimo Grito, Emily King, Mirka Laura Severa, Johannes Reponen, and more, plus an anthology of graphic design talent.
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The Industrial Revolution caused a paradigm shift from an agrarian economy to a manufacturing economy, giving birth to the industrial city. ‘City’ became synonymous with a concentration of factories causing unfiltered scenes between centres of production and urban dwellings. The corrupted image of the city ultimately led to the displacement and separation of production(...)
AD Production urbanism: The meta industrial city
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The Industrial Revolution caused a paradigm shift from an agrarian economy to a manufacturing economy, giving birth to the industrial city. ‘City’ became synonymous with a concentration of factories causing unfiltered scenes between centres of production and urban dwellings. The corrupted image of the city ultimately led to the displacement and separation of production away from residential zones in the 20th century. However, new innovative manufacturing technologies are allowing a coexistence between factories and dwellings through hybrid typologies that blend production back into the urban fabric. This AD issue discusses the implications of the re-emergence of production as an architectural and urban agenda through hybrid models that engage a new socioeconomic shift. Given the contemporary circumstances of a global pandemic affecting global supply chains, it is necessary to deliver a vision for a new productive urbanism that allows autonomous circular economies to flourish. Our 21st-century cities have an obligation to explore a new industrial revolution of shared economies that optimise the use of the legacy systems, infrastructure and building stock. Yet it is ultimately up to architecture to take arms in delivering new typologies.
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The history of architecture can not only be read as an accumulation of buildings and designs, but also as a pendulum movement between the appreciation and the rejection of projects, oeuvres, and positions, driven by varying arguments. In addition to conventional general publications, reviews in professional journals and criticism in magazines, other media increasingly(...)
OASE 108 Ups and downs: reception histories in architecture
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The history of architecture can not only be read as an accumulation of buildings and designs, but also as a pendulum movement between the appreciation and the rejection of projects, oeuvres, and positions, driven by varying arguments. In addition to conventional general publications, reviews in professional journals and criticism in magazines, other media increasingly play a part. Oeuvres and projects are subject to trends, to waves of appreciation by audiences and critics. This issue investigates how changing appreciations can act as productive misunderstandings and as levers that can take architecture criticism a step forward.
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OASE 109: Modernities
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The history of architecture is often read in terms of periods that each have their own zeitgeist and movements that each have their own architectural language. What happens if we depart from this zeitgeist concept and use a cyclical history model instead? In the 1970s and 1980s, this question was usually considered from the seemingly mutually exclusive points of view of(...)
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November 2021
OASE 109: Modernities
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The history of architecture is often read in terms of periods that each have their own zeitgeist and movements that each have their own architectural language. What happens if we depart from this zeitgeist concept and use a cyclical history model instead? In the 1970s and 1980s, this question was usually considered from the seemingly mutually exclusive points of view of the modern, the anti-modern and the postmodern positions. Over the past two decades, contemporary European architecture developed a different frame of reference, one in which the horizon is no longer provided by the architecture of the modern movement. This issue traces how, against the background of this broadening frame of reference, a different understanding of modernity emerged.
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Le second numéro des Cahiers du centre national du graphisme traite des questions typographiques par des approches artistiques, culturelles, sociétales, ou techniques, avec un point focal sur le travail du typographe Jean-François Rey et son exposition « Typographie et bandes dessinées » au Signe, centre national du graphisme, par le commissaire de l'exposition Jean-Noël(...)
LSD n° 02 : A typographic issue
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Le second numéro des Cahiers du centre national du graphisme traite des questions typographiques par des approches artistiques, culturelles, sociétales, ou techniques, avec un point focal sur le travail du typographe Jean-François Rey et son exposition « Typographie et bandes dessinées » au Signe, centre national du graphisme, par le commissaire de l'exposition Jean-Noël Lafargue. LSD 2 s'ouvre sur l'histoire de l'art et du graphisme avec le texte de Catherine Guiral, la question des fontes « libres » étudiés par Frank Adebiaye, mais publie aussi un essai sur la recherche dans la langue française des pratiques de la typographie dite inclusive, non-binaire, post-binaire ou encore genderfuck, de Caroline? Dath ° Camille?Circlude.
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Faire – Regarder le graphisme est une revue critique bimensuelle consacrée au design graphique, qui paraît en librairie sous la forme de recueils de trois ou quatre numéros. nº 31 — Une édition: The Serving Library. Entretien avec Stuart Bertolotti-Bailey par James Langdon. nº 32 — Un graphiste illustrateur: Bráulio Amado. Auteure: Manon Bruet. nº 33 — Formes ligneuses et(...)
Faire : Regarder le graphisme – Volume 09 (n° 31, 32, 33, 34)
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Faire – Regarder le graphisme est une revue critique bimensuelle consacrée au design graphique, qui paraît en librairie sous la forme de recueils de trois ou quatre numéros. nº 31 — Une édition: The Serving Library. Entretien avec Stuart Bertolotti-Bailey par James Langdon. nº 32 — Un graphiste illustrateur: Bráulio Amado. Auteure: Manon Bruet. nº 33 — Formes ligneuses et tentaculaires: Plantes mangeuses d'hommes et invasions décoratives. Auteur: Camille Pageard. nº 34 — Un prix: Qu'est-ce qu'un plus beau livre? Auteur: Thierry Chancogne.
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THE AGAINST NATURE JOURNAL is a biannual arts and human rights magazine exploring ''crime against nature'' laws and their legacies, in print, in person, and online. Authors and readers from law, activism, social sciences, and the arts are brought together to foster dialogue on sexual and reproductive rights and rethink nature anew. This second issue – edited by Aimar(...)
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January 2021
T.A.N.J : The against nature journal, #2
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THE AGAINST NATURE JOURNAL is a biannual arts and human rights magazine exploring ''crime against nature'' laws and their legacies, in print, in person, and online. Authors and readers from law, activism, social sciences, and the arts are brought together to foster dialogue on sexual and reproductive rights and rethink nature anew. This second issue – edited by Aimar Arriola and Grégory Castéra – revolves around the theme of migration, a crucial topic when addressing the forced displacement of LGBTQ+ people from contexts where ''nature'' is still used to criminalize consensual same-sex conduct or gender expression.
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