Grey room 71
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The latest issue is now in store!
Grey room 71
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The latest issue is now in store!
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The 100th issue of OASE takes the journal’s long-standing collaboration with its graphic designer Karel Martens as a starting point to explore the relationship between architecture journals and graphic design. In doing so, it challenges the conventional idea that architecture journals are mere carriers of information, showing instead how these journals play a defining(...)
OASE 100: the architecture of the journal
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The 100th issue of OASE takes the journal’s long-standing collaboration with its graphic designer Karel Martens as a starting point to explore the relationship between architecture journals and graphic design. In doing so, it challenges the conventional idea that architecture journals are mere carriers of information, showing instead how these journals play a defining role in the message they convey. Adhering to Marshall McLuhan’s famous maxim ‘the medium is the message’, it considers the graphic space of the journal, its materiality, its production, and the physical experience of reading.
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Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early(...)
Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early conversations of networks and cybernetics, as well as recent media theory. Yet today, midcentury architectural fictions and fantasies are reality—nomadic devices connect people, rooms, buildings, and cities to vast networks of data, capital, and energy; media are palpably enmeshed in the concrete built environment surrounding us. This volume of Perspecta takes a broad view of medium to take stock of and unpack unexpected relationships.
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Eye Magazine #96
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Issue no 96 vol.24 of Eye magazine.
Eye Magazine #96
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Issue no 96 vol.24 of Eye magazine.
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D'a (D'architectures) 263
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Numéro 263 de la revue D'a (D'architectures).
D'a (D'architectures) 263
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Numéro 263 de la revue D'a (D'architectures).
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The relation between formal and informal may be changing due to the introduction of new technologies and the way these are used. Informality can be interpreted as a positive quality hinting at individual freedom, or even be romanticised as a bottom-up, empowering force. But informality as a safety valve for a system unable to adjust to changing conditions smoothly and(...)
Volume 52: the end of informality
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The relation between formal and informal may be changing due to the introduction of new technologies and the way these are used. Informality can be interpreted as a positive quality hinting at individual freedom, or even be romanticised as a bottom-up, empowering force. But informality as a safety valve for a system unable to adjust to changing conditions smoothly and quickly is another matter. Consider the mass migrations of people who must provide their own housing, or the vast numbers of unemployed who provide labour in a growing economy but are easily discarded later. With texts by Guus Beumer, René Boer, Keller Easterling, Jacqueline Hassink, and others.
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The suburb issue of "Failed States" includes an original fiction by Wayne Koestenbaum; special projects on the Charles Atlas film Staten "Island Sex Cult" and the late South African photographer Thabiso Sekgala; a portfolio of posters for queer skate collective Unity selected by Ian Giles; and contributions from writers, artists, photographers and educators from Iceland,(...)
Failed states, issue no.2: Suburb
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The suburb issue of "Failed States" includes an original fiction by Wayne Koestenbaum; special projects on the Charles Atlas film Staten "Island Sex Cult" and the late South African photographer Thabiso Sekgala; a portfolio of posters for queer skate collective Unity selected by Ian Giles; and contributions from writers, artists, photographers and educators from Iceland, North America, Pakistan, South Africa, and the UK, etc.
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Too Much 08: Shelters
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This issue is about the shape of shelter, including Gordon Matta-Clark’s legendary bodega-turned-kitchen called FOOD, which ran from 1971 to 1974 in New York. It was a restaurant that emerged from the broken infrastructure of the metropolis — a weird idyll in a rundown town where you could eat alchemical concoctions and drink cheap sake with the neighbourhoods’ hungry artists.
Too Much 08: Shelters
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This issue is about the shape of shelter, including Gordon Matta-Clark’s legendary bodega-turned-kitchen called FOOD, which ran from 1971 to 1974 in New York. It was a restaurant that emerged from the broken infrastructure of the metropolis — a weird idyll in a rundown town where you could eat alchemical concoctions and drink cheap sake with the neighbourhoods’ hungry artists.
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Too much is a magazine of romantic geography. Issue # 07: The Himalayas Naoki Ishikawa
Too Much 07: The Himalayas, Naoki Ishikawa
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Too much is a magazine of romantic geography. Issue # 07: The Himalayas Naoki Ishikawa
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