A+U 618 : Columbia
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This issue offers an inside look at the architecture, landscape, and cities of Colombia, a land of fabulous natural beauty that has used architecture as a key agent in rebuilding its cities and civil society following decades of strife. A photo essay by Camilo Echavarría shows how travels through the tropical region reveal a homogenous, abstract passage of time, where(...)
A+U 618 : Columbia
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This issue offers an inside look at the architecture, landscape, and cities of Colombia, a land of fabulous natural beauty that has used architecture as a key agent in rebuilding its cities and civil society following decades of strife. A photo essay by Camilo Echavarría shows how travels through the tropical region reveal a homogenous, abstract passage of time, where architecture is conditioned by various landscapes and geographic diversity. Medellín-based architect and guest editor Camilo Restrepo Ochoa leads this journey through Colombia, showing works by fourteen practices across three generations, and neighbourhoods that are reinvigorated through mobility and urban space.
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GA Houses 181 : Project 2022
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The special issue ‘Project 2022’ features more than 50 ongoing residential works from around the globe. Filled with drawings, models, concepts, and detailed profiles of some of the most innovative and challenging residential architecture currently being imagined by a diverse group of architects and design studios, it includes projects by Ryue Nishizawa, Studio TonTon, Max(...)
GA Houses 181 : Project 2022
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The special issue ‘Project 2022’ features more than 50 ongoing residential works from around the globe. Filled with drawings, models, concepts, and detailed profiles of some of the most innovative and challenging residential architecture currently being imagined by a diverse group of architects and design studios, it includes projects by Ryue Nishizawa, Studio TonTon, Max Núñez, Aires Mateus, Christian Kerez, Kengo Kuma, SPBR Arquitectos, Erika Nakagawa, Tom Wiscombe, Wespi de Meuron Romeo Architects, Pezo von Ellrichshausen, Sean Godsell, Cecilia Puga + Paula Velasco, and many more.
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Issue 110 gathers the most recent projects of Vector Architects, the Beijing-based studio led by Gong Dong, showing the broad formal range of their work, their attention to natural or historic environments, and a work method that relies on hand-drawn sketches as main tool for thought. Next, two projects by Francis Kéré – 2022 Pritzker Prize laureate – for the national(...)
AV Proyectos 110: Vector Architect
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Issue 110 gathers the most recent projects of Vector Architects, the Beijing-based studio led by Gong Dong, showing the broad formal range of their work, their attention to natural or historic environments, and a work method that relies on hand-drawn sketches as main tool for thought. Next, two projects by Francis Kéré – 2022 Pritzker Prize laureate – for the national assemblies of Burkina Faso and Benin, which show his talent at reinterpreting limited resources and interest in involving the local population.
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Former boxer and a self-taught architect, Tadao Ando (Osaka, Japan, 1941) is considered to be one of the masters of contemporary architecture. Monumental, abstract, and essential, his extensive oeuvre – with over three hundred completed buildings – is defined by the use of stringent geometries, simple materials, and scenographic lighting. After introductions by Kenneth(...)
AV Monographs 241-242: Tadao Ando
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Former boxer and a self-taught architect, Tadao Ando (Osaka, Japan, 1941) is considered to be one of the masters of contemporary architecture. Monumental, abstract, and essential, his extensive oeuvre – with over three hundred completed buildings – is defined by the use of stringent geometries, simple materials, and scenographic lighting. After introductions by Kenneth Frampton and Luis Fernández-Galiano, ''AV Monographs 241-242'' presents a selection of 35 works arranged in a detailed chronological journey, and which take stock of the existential serenity and connection with nature that characterizes the oeuvre of the Japanese master.
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A long time coming, the release of a complementary zine by Boot Boyz Biz alongside an anniversary issue is serendipitous. It seems as though a thirtieth issue—it’s something about those multiples of five—is the correct moment to introduce change. In this case, Pidgin for the first time has endeavored beyond the confines of its single volume and invited an outside author(...)
Pidgin 30
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A long time coming, the release of a complementary zine by Boot Boyz Biz alongside an anniversary issue is serendipitous. It seems as though a thirtieth issue—it’s something about those multiples of five—is the correct moment to introduce change. In this case, Pidgin for the first time has endeavored beyond the confines of its single volume and invited an outside author to create through a previously unexplored medium. In reflecting upon this decision, the pairing with BBB seems extremely fitting.
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This AD seeks to showcase the architects who are pushing the envelope of drawing in extraordinary ways, and their insights into architecture's future spatial dexterity. The issue is built around an international group of architects involved in an ongoing KU Leuven Faculty of Architecture international drawing research project, who are creating new drawing methodologies in(...)
AD: Radical architectural drawings
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This AD seeks to showcase the architects who are pushing the envelope of drawing in extraordinary ways, and their insights into architecture's future spatial dexterity. The issue is built around an international group of architects involved in an ongoing KU Leuven Faculty of Architecture international drawing research project, who are creating new drawing methodologies in new and exciting realms.
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Étapes 267
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Le nouveau numéro est maintenant disponible à la librairie.
Étapes 267
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Le nouveau numéro est maintenant disponible à la librairie.
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Habitante no. 2
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De la fiction à la théorie critique, de l'arbre au territoire, de la maison à la mégastructure, « Habitante » raconte les espaces où l'on vit, et la manière dont on les pense. Au sommaire du numéro 2 : Loger ensemble par Yves Dreier et Oscar Gential; La condition automobile par Fanny Taillandier; Du bois pourri par Jane Hutton; Géopolitique du brouillard par Jakuta(...)
Habitante no. 2
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De la fiction à la théorie critique, de l'arbre au territoire, de la maison à la mégastructure, « Habitante » raconte les espaces où l'on vit, et la manière dont on les pense. Au sommaire du numéro 2 : Loger ensemble par Yves Dreier et Oscar Gential; La condition automobile par Fanny Taillandier; Du bois pourri par Jane Hutton; Géopolitique du brouillard par Jakuta Alikavazovic.
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Dixit n° 04 : On process /
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Dans ce quatrième numéro de la revue critique Dixit, les voix des architectes Jan Kinsbergen et David Klemmer se confrontent, sous la forme d'un atlas visuel dichotomique, autour du thème du processus. L'ambition dite ultime du chantier réel ne marque que le début d'un autre processus d'appropriation, d'analyse du cycle de vie et de changement. Ce n'est pas le projet(...)
Dixit n° 04 : On process /
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Dans ce quatrième numéro de la revue critique Dixit, les voix des architectes Jan Kinsbergen et David Klemmer se confrontent, sous la forme d'un atlas visuel dichotomique, autour du thème du processus. L'ambition dite ultime du chantier réel ne marque que le début d'un autre processus d'appropriation, d'analyse du cycle de vie et de changement. Ce n'est pas le projet finalisé, mais plutôt la matière première qui trace le processus.
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On nous rapporte que le hall du musée Fodor d'Amsterdam dans lequel se situe la scène, le 9 novembre 1972 en soirée, est « enfumé, bruyant et bondé », que l'auditoire rassemblé se fait entendre par de « fréquentes vociférations ». Le centre de cette arène fiévreuse est la rencontre de deux graphic designers, de deux graphistes, de deux typographes, Wim Crouwel et Jan Van(...)
Faire : Regarder le graphisme n° 38. Special Issue – A debate: Jan van Toorn, Wim Crouwel
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On nous rapporte que le hall du musée Fodor d'Amsterdam dans lequel se situe la scène, le 9 novembre 1972 en soirée, est « enfumé, bruyant et bondé », que l'auditoire rassemblé se fait entendre par de « fréquentes vociférations ». Le centre de cette arène fiévreuse est la rencontre de deux graphic designers, de deux graphistes, de deux typographes, Wim Crouwel et Jan Van Toorn, dans un pays où leur voix porte, où leur pensée est importante. Une rencontre, une conversation, ou plutôt une confrontation, une controverse, un débat selon le terme qui lui sera consacré, qui caractérise les représentations de notre discipline dans les années 1980 et qui pourrait avoir encore quelque écho aujourd'hui.
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