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C3 no. 333 : Palimpsest and complexity
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Anglais / Coréen Nouveau numéro en librairie / Newst issue in store
C3 no.334 : Carabancher, Madrid
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AD narrative architecture
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Since the early eighties, many architects have used the term "narrative" to describe their work. To architects the enduring attraction of narrative is that it offers a way of engaging with the way a city feels and works. Rather than reducing architecture to mere style or an overt emphasis on technology, it foregrounds the experiential dimension of architecture. Narrative(...)
AD narrative architecture
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Since the early eighties, many architects have used the term "narrative" to describe their work. To architects the enduring attraction of narrative is that it offers a way of engaging with the way a city feels and works. Rather than reducing architecture to mere style or an overt emphasis on technology, it foregrounds the experiential dimension of architecture. Narrative Architecture explores the potential for narrative as a way of interpreting buildings from ancient history through to the present, deals with architectural background, analysis and practice as well as its future development.
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Newest issue in store / Nouveau numéro en librairie.
Canadian architect v.57 n.08 : peripheral visions
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Newest issue in store / Nouveau numéro en librairie.
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San Rocco 05 : scary architects
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Le nouveau numéro est arrivé en librairie!
Esse 76 : l'idée de la peinture / the idea of painting
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Le nouveau numéro est arrivé en librairie!
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Detail serie 2012 9
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Nouveau numéro en librairie / new issue in store
Detail serie 2012 9
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Counter-Print #09 2012
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Eight:48 magazine has been relaunched under the new name of Counter-Print starting with Issue 9. It now consists of three papers and runs to 56 pages. Paper #01 focuses on the art and design of freight and heavy goods vehicles, taking a global view on the history, symbolism and craft behind their ornamentation. Paper #02 entitled, ‘new work’, offers a snap shot of some(...)
Counter-Print #09 2012
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Eight:48 magazine has been relaunched under the new name of Counter-Print starting with Issue 9. It now consists of three papers and runs to 56 pages. Paper #01 focuses on the art and design of freight and heavy goods vehicles, taking a global view on the history, symbolism and craft behind their ornamentation. Paper #02 entitled, ‘new work’, offers a snap shot of some of the best work Counter-Print have had sent to them over the past quarter, as well as inspiring pieces they have come across in galleries and online. Finally, Paper #03 is an attempt to tie up Eight:48, as they move forward with Counter-Print. It's brief montage of new and old articles, drawn from issues one to eight offers a timely look back on all eight themes that have shaped the paper so far.
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C Magazine 115 Autumn 2012
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Issue 115 features essays by Vesna Krstich on how to make a 'Happening' classroom, Leah Modigliani on the Vancouver Occupations of 1971, Amy Fung on communities and antagonism, Rachel Anne Farquharson on recollecting through the works of Kerry Tribe, Petrina Ng and Lindsay Seers, as well as Corrine Fitzpatrick in response to our recent issue. It also includes an artist(...)
C Magazine 115 Autumn 2012
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Issue 115 features essays by Vesna Krstich on how to make a 'Happening' classroom, Leah Modigliani on the Vancouver Occupations of 1971, Amy Fung on communities and antagonism, Rachel Anne Farquharson on recollecting through the works of Kerry Tribe, Petrina Ng and Lindsay Seers, as well as Corrine Fitzpatrick in response to our recent issue. It also includes an artist project by MPA and Amapola Prada, book reviews and reviews of exhibitions by Jeremy Deller, Janieta Eyre, Emily Falencki, Sean MacAlister, Michael Maranda, Rory Middleton and Cindy Sherman, among others.
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Texte zur kunst : septembre 2012
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