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This special double issue extensively features both built and unbuilt work by Álvaro Siza. The Portuguese architect has developed a large number of projects, and the relationship between the realised and the concept is central to this examination of his career. Being equally attentive to the architect’s built and unbuilt works allows a global understanding of the(...)
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This special double issue extensively features both built and unbuilt work by Álvaro Siza. The Portuguese architect has developed a large number of projects, and the relationship between the realised and the concept is central to this examination of his career. Being equally attentive to the architect’s built and unbuilt works allows a global understanding of the(...)
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A.mag 18 : Alvaro Siza built works - unbuilt works (2 vols)
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This special double issue extensively features both built and unbuilt work by Álvaro Siza. The Portuguese architect has developed a large number of projects, and the relationship between the realised and the concept is central to this examination of his career. Being equally attentive to the architect’s built and unbuilt works allows a global understanding of the plurality of situations that are found in his oeuvre to emerge. The first volume features finished works like the Nadir Afonso Museum, 611 West 56th Street in New York, and the Mimesis Museum, while the second volume of numerous unbuilt works includes sketches, drawings, and plans, as well as in-depth analysis.
A.mag 18 : Alvaro Siza built works - unbuilt works (2 vols)
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This special double issue extensively features both built and unbuilt work by Álvaro Siza. The Portuguese architect has developed a large number of projects, and the relationship between the realised and the concept is central to this examination of his career. Being equally attentive to the architect’s built and unbuilt works allows a global understanding of the plurality of situations that are found in his oeuvre to emerge. The first volume features finished works like the Nadir Afonso Museum, 611 West 56th Street in New York, and the Mimesis Museum, while the second volume of numerous unbuilt works includes sketches, drawings, and plans, as well as in-depth analysis.
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books
books
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April 2020
April 2020
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journals and magazines
journals and magazines
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The latest issue is now available at the bookstore!
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The latest issue is now available at the bookstore!
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Texte Zur Kunst 117 : property
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The latest issue is now available at the bookstore!
Texte Zur Kunst 117 : property
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The latest issue is now available at the bookstore!
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journals and magazines
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March 2020
March 2020
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Magazines
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journals and magazines
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Ciel variable 114
Ciel variable 114
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Le dossier de ce numéro propose un regard sur l’action collective dans nos sociétés. Sur fond de conflits sociaux et de guerres, les oeuvres évoquent l’impact de nos agissements collectifs sur le bien commun en réexaminant et recontextualisant certaines images extraites de la masse d’images médiatiques qui tissent notre rapport au monde.
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Le dossier de ce numéro propose un regard sur l’action collective dans nos sociétés. Sur fond de conflits sociaux et de guerres, les oeuvres évoquent l’impact de nos agissements collectifs sur le bien commun en réexaminant et recontextualisant certaines images extraites de la masse d’images médiatiques qui tissent notre rapport au monde.
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Ciel variable 114
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Le dossier de ce numéro propose un regard sur l’action collective dans nos sociétés. Sur fond de conflits sociaux et de guerres, les oeuvres évoquent l’impact de nos agissements collectifs sur le bien commun en réexaminant et recontextualisant certaines images extraites de la masse d’images médiatiques qui tissent notre rapport au monde.
Ciel variable 114
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Le dossier de ce numéro propose un regard sur l’action collective dans nos sociétés. Sur fond de conflits sociaux et de guerres, les oeuvres évoquent l’impact de nos agissements collectifs sur le bien commun en réexaminant et recontextualisant certaines images extraites de la masse d’images médiatiques qui tissent notre rapport au monde.
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journals and magazines
journals and magazines
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February 2020
February 2020
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Au cours des années 1920, la photographie est devenue une « arme dans la lutte des classes », selon l’expression consacrée dans les milieux communistes. C’est en effet à ce moment que les travailleurs se saisirent d’appareils photographiques dans le but de documenter leur quotidien, leur travail et leurs loisirs, plus singulièrement leur engagement dans le mouvement(...)
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Au cours des années 1920, la photographie est devenue une « arme dans la lutte des classes », selon l’expression consacrée dans les milieux communistes. C’est en effet à ce moment que les travailleurs se saisirent d’appareils photographiques dans le but de documenter leur quotidien, leur travail et leurs loisirs, plus singulièrement leur engagement dans le mouvement(...)
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Transbordeur 04 : photographie ouvrière
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Au cours des années 1920, la photographie est devenue une « arme dans la lutte des classes », selon l’expression consacrée dans les milieux communistes. C’est en effet à ce moment que les travailleurs se saisirent d’appareils photographiques dans le but de documenter leur quotidien, leur travail et leurs loisirs, plus singulièrement leur engagement dans le mouvement social. Cette nouvelle méthode d’agit-prop, consistant à déléguer aux ouvriers les moyens de production visuels, s’est étendue à différents pays – l’Allemagne et l’URSS en premier lieu, mais aussi la Tchécoslovaquie, la France, les États-Unis, etc. Dix ans après l’exposition tenue à Madrid, « A Hard and Merciless Light », et un an après l’exposition du Centre Pompidou « Photographie, arme de classe », ce numéro 4 de Transbordeur rend compte de l’actualité foisonnante de la recherche sur la photographie ouvrière en étendant le sujet tant sur le plan géographique que chronologique.
Transbordeur 04 : photographie ouvrière
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Au cours des années 1920, la photographie est devenue une « arme dans la lutte des classes », selon l’expression consacrée dans les milieux communistes. C’est en effet à ce moment que les travailleurs se saisirent d’appareils photographiques dans le but de documenter leur quotidien, leur travail et leurs loisirs, plus singulièrement leur engagement dans le mouvement social. Cette nouvelle méthode d’agit-prop, consistant à déléguer aux ouvriers les moyens de production visuels, s’est étendue à différents pays – l’Allemagne et l’URSS en premier lieu, mais aussi la Tchécoslovaquie, la France, les États-Unis, etc. Dix ans après l’exposition tenue à Madrid, « A Hard and Merciless Light », et un an après l’exposition du Centre Pompidou « Photographie, arme de classe », ce numéro 4 de Transbordeur rend compte de l’actualité foisonnante de la recherche sur la photographie ouvrière en étendant le sujet tant sur le plan géographique que chronologique.
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journals and magazines
journals and magazines
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March 2020
March 2020
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Magazines
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journals and magazines
Title:
Grey room 78
Grey room 78
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Latest issue in store!
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Latest issue in store!
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journals and magazines
journals and magazines
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March 2020
March 2020
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Magazines
Magazines
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in(...)
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in(...)
Title:
Log 48: Expanding modes of practice. Winter/Spring 2020
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in this issue range from architects and urbanists to curators and composers who grapple with what it means to practice in a more just way, balancing aesthetics with ethics. As Roberts writes, “What emerges from [these] experiments with situated, intersectional practice is the merging of the professional and the personal. Rather than neutrality, practices cultivate empathy.” At the heart of this issue are Roberts’s interviews with progressive practices Assemble, Borderless Studio, HECTOR, LA-Más, and Mabel O. Wilson. In addition, essayists Peggy Deamer and Michael Kubo discuss collaborative architecture practices today and in the past; Ana Miljacki and Jerome Haferd propose better pedagogies; and Jia Yi Gu, Deborah Garcia, and the feminist architecture collaborative position feminist theory in architectural practice and discourse today, and Cynthia Davidson talks with Mirko Zardini about the role of the museum today.
Log 48: Expanding modes of practice. Winter/Spring 2020
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in this issue range from architects and urbanists to curators and composers who grapple with what it means to practice in a more just way, balancing aesthetics with ethics. As Roberts writes, “What emerges from [these] experiments with situated, intersectional practice is the merging of the professional and the personal. Rather than neutrality, practices cultivate empathy.” At the heart of this issue are Roberts’s interviews with progressive practices Assemble, Borderless Studio, HECTOR, LA-Más, and Mabel O. Wilson. In addition, essayists Peggy Deamer and Michael Kubo discuss collaborative architecture practices today and in the past; Ana Miljacki and Jerome Haferd propose better pedagogies; and Jia Yi Gu, Deborah Garcia, and the feminist architecture collaborative position feminist theory in architectural practice and discourse today, and Cynthia Davidson talks with Mirko Zardini about the role of the museum today.
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April 2020
April 2020
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Magazines
Magazines
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journals and magazines
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Since the turn of the 21st century, Diller Scofidio + Renfro has undergone a process of formidable growth. Based in New York, the firm recently completed the last stretch of the High Line, the impressive centre The Shed, and a large extension to the Museum of Modern Art. Their practice spans the fields of architecture, urban design, digital media, installation art, and(...)
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Since the turn of the 21st century, Diller Scofidio + Renfro has undergone a process of formidable growth. Based in New York, the firm recently completed the last stretch of the High Line, the impressive centre The Shed, and a large extension to the Museum of Modern Art. Their practice spans the fields of architecture, urban design, digital media, installation art, and(...)
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AV Monographs 221 : Diller Scofido + Renfro
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Since the turn of the 21st century, Diller Scofidio + Renfro has undergone a process of formidable growth. Based in New York, the firm recently completed the last stretch of the High Line, the impressive centre The Shed, and a large extension to the Museum of Modern Art. Their practice spans the fields of architecture, urban design, digital media, installation art, and multimedia performance, often focusing on civic and cultural projects on various scales. This instalment surveys the past two decades of prolific work by the design studio, divided across three main themes: Revised Landscapes, Shared Knowledge, and Accessible Culture. Includes an essay by Edwin Heathcote.
AV Monographs 221 : Diller Scofido + Renfro
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Since the turn of the 21st century, Diller Scofidio + Renfro has undergone a process of formidable growth. Based in New York, the firm recently completed the last stretch of the High Line, the impressive centre The Shed, and a large extension to the Museum of Modern Art. Their practice spans the fields of architecture, urban design, digital media, installation art, and multimedia performance, often focusing on civic and cultural projects on various scales. This instalment surveys the past two decades of prolific work by the design studio, divided across three main themes: Revised Landscapes, Shared Knowledge, and Accessible Culture. Includes an essay by Edwin Heathcote.
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journals and magazines
journals and magazines
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March 2020
March 2020
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Magazines
Magazines
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'AV Proyectos 096' covers recent projects by the Dutch studio Mecanoo, a multidisciplinary team of professionals with offices in Delft, New York, and Kaohsiung. Their work focusses on aspects like consultation, context, process, and urban scale to develop specific strategies integrated in sustainable design, as their latest proposals show. The next chapter is devoted to(...)
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'AV Proyectos 096' covers recent projects by the Dutch studio Mecanoo, a multidisciplinary team of professionals with offices in Delft, New York, and Kaohsiung. Their work focusses on aspects like consultation, context, process, and urban scale to develop specific strategies integrated in sustainable design, as their latest proposals show. The next chapter is devoted to(...)
Title:
AV Proyectos 096 : Dossier Mecanoo
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'AV Proyectos 096' covers recent projects by the Dutch studio Mecanoo, a multidisciplinary team of professionals with offices in Delft, New York, and Kaohsiung. Their work focusses on aspects like consultation, context, process, and urban scale to develop specific strategies integrated in sustainable design, as their latest proposals show. The next chapter is devoted to The Whale competition to design an observation center on the Norwegian coast, and presents the winning proposal, by Dorte Mandrup, and the three shortlisted projects by BIG, Snøhetta, and Reiulf Ramstad Architects.
AV Proyectos 096 : Dossier Mecanoo
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'AV Proyectos 096' covers recent projects by the Dutch studio Mecanoo, a multidisciplinary team of professionals with offices in Delft, New York, and Kaohsiung. Their work focusses on aspects like consultation, context, process, and urban scale to develop specific strategies integrated in sustainable design, as their latest proposals show. The next chapter is devoted to The Whale competition to design an observation center on the Norwegian coast, and presents the winning proposal, by Dorte Mandrup, and the three shortlisted projects by BIG, Snøhetta, and Reiulf Ramstad Architects.
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journals and magazines
journals and magazines
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April 2020
April 2020
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Magazines
Magazines
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journals and magazines
journals and magazines
Title:
Macguffin 08: The desk
Macguffin 08: The desk
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The latest issue available in the bookstore!
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The latest issue available in the bookstore!
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Macguffin 08: The desk
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The latest issue available in the bookstore!
Macguffin 08: The desk
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The latest issue available in the bookstore!
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journals and magazines
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May 2020
May 2020
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Magazines
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books
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Les numéros 19 à 21 de la revue critique consacrée au graphisme. nº 19 — Une histoire : des graphistes éditeurs (Thierry Chancogne), nº 20 — L'or blanc et l'espace d'un signe?: Roger, Charlotte, Pierre et les Arcs (Catherine Guiral), nº 21 — Un original?: Les Plus beaux livres suisses 2004–2006 (James Langdon, Adrian Samson et Laurent Benner)
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Les numéros 19 à 21 de la revue critique consacrée au graphisme. nº 19 — Une histoire : des graphistes éditeurs (Thierry Chancogne), nº 20 — L'or blanc et l'espace d'un signe?: Roger, Charlotte, Pierre et les Arcs (Catherine Guiral), nº 21 — Un original?: Les Plus beaux livres suisses 2004–2006 (James Langdon, Adrian Samson et Laurent Benner)
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n° 19, 20, 21, Faire : regarder le graphisme, volume 06
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Les numéros 19 à 21 de la revue critique consacrée au graphisme. nº 19 — Une histoire : des graphistes éditeurs (Thierry Chancogne), nº 20 — L'or blanc et l'espace d'un signe?: Roger, Charlotte, Pierre et les Arcs (Catherine Guiral), nº 21 — Un original?: Les Plus beaux livres suisses 2004–2006 (James Langdon, Adrian Samson et Laurent Benner)
n° 19, 20, 21, Faire : regarder le graphisme, volume 06
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Les numéros 19 à 21 de la revue critique consacrée au graphisme. nº 19 — Une histoire : des graphistes éditeurs (Thierry Chancogne), nº 20 — L'or blanc et l'espace d'un signe?: Roger, Charlotte, Pierre et les Arcs (Catherine Guiral), nº 21 — Un original?: Les Plus beaux livres suisses 2004–2006 (James Langdon, Adrian Samson et Laurent Benner)
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books
books
Publication:
May 2020
May 2020
Subject:
Magazines
Magazines
